Posts Tagged alien

Ego as Opiate for Disease of Humanness … Turns Flaws Into Supreme Accomplishments, Wrong-Gettedness: The Sixth Prasad from the Planetmates

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Planetmates Aren’t Holding Back: “Your Ego is an Opiate for the Disease of Humanness,” They Say.

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The Great Reveal from the Planetmates, The Sixth Prasad: Ego as Opiate

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Planetmates Release The Sixth Prasad

Twisted Unwholesome Roots, Wrong-gettedness

Below is the entire text of what I received. Oh, yes. I’m sure everyone will just love the hell out of what the planetmates are saying now!! (ha ha ha!!!)

Fox was First Consciousness at The Sixth Prasad.

"This mitigation [of your lack, your scar] is accomplished through the creation of an alien consciousness construct which serves to both separate humans from the realization of your lack...also it serves as an alternate but OPPOSITE construction of self—opposite from the truth of your nature...."

The Sixth Prasad – Ego as Opiate for Disease of Humanness

Disgruntled Fox Leads The Sixth PrasadSo instead of the truth that, for reasons unknown, you were unfortunate enough to be deprived of the full and perfect nurturing of a near perfect divine Nature, as other species are, until they are ready to be in flesh… instead of the obvious truth — obvious to all other species — that this prematurity leaves a scar of hurt and rejection,
for starters; but also, helplessness and hopelessness, second; and third, that this occurs right at the beginning of known flesh existence so as to create the very unusually twisted unwholesome roots of humans; but then, fourth, this lack must be somehow mitigated for the species to not die out of pure despair, right at the outset. This mitigation is accomplished through the creation of an alien consciousness construct which serves to both separate humans from the realization of your lack, to essentially muffle or obscure your horrible and precarious plight from your awareness, acting like what you would call an opiate essentially, but also it serves as an alternate but OPPOSITE construction of self — opposite from the truth of your nature — taking all your flaws, like language, and turning them into supreme accomplishments, in this way acting as a euphoriant. This alien consciousness construct, this child as well as parent of all your wrong-gettedness, is what you call Ego.

Video Commentary by SillyMickel Adzema

What follows is a video of a reading of The Sixth Prasad, with commentary, elaboration, and context, by SillyMickel Adzema.

“The Sixth Prasad” From The Great Reveal by The Planetmates
– the audiocast

The link above takes you to the audio-only version of my commentary on The Sixth Prasad, exactly as is in the video. Click on the link to go the the audio site, or you can listen to it here using the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=hqdpnglkqz
Image of The Sixth Prasad, Of “The Great Reveal” By The Planetmates

Summary/ Abstract of “The Sixth Prasad” – by SillyMickel Adzema

Instead of the truth that you were unfortunate enough to be deprived of the full and perfect nurturing of a near perfect divine Nature, as other species are, until they are ready to be in flesh; instead of the obvious truth that this prematurity leaves a scar of hurt and rejection, also, helplessness and hopelessness; and that this occurs right at the beginning of known flesh existence so as to create the very unusually twisted unwholesome roots of humans; your true state is further hidden by the fact that your unfortunate and tragic separation from goodness must be covered up for your species to not die out of pure despair right after birth!governorjindal1 This obscuring of your horrid plight is accomplished through the creation of an alien consciousness construct, which serves, both to separate you from the realization of your lack — acting like what you would call an opiate, but also it serves as an alternate but OPPOSITE construction of self — opposite from the truth of your nature — taking all your flaws, like language, and turning them into supreme accomplishments, in this way acting as a euphoriant. This alien consciousness construct, this child as well as parent of all your wrong-gettedness, is what you call Ego.

Continue with The Great Reveal from the Planetmates: The Seventh Prasad – Becoming Human, Bipedalism Caused Birth Pain

Return to The Great Reveal from The Planetmates, The Fifth Prasad: Your “Wordism,” A Word Cave Prison

To Read the Entire Book … No Cost, On-Line … Go to The Great Reveal from The Planetmates

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Half-Borns: Humans Being Born Premature Relative to All Other Earth Citizens Is the Root Cause of the Apocalypse We Are Creating Today, Say Planetmates

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Half-Borns: Being Not Ready for Life at Birth Makes Us Variable…and Reckless. Part Two of Elaboration of 3rd Prasad – “Humans Only Half Ready for Life at Birth”

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[W]hat has caused this separation of your understandings of life from all others occurs at the beginnings of each of your lives…. You, alone, come into the world prematurely, before you are ready to. You, alone, are half born, only half ready for life when you are born. ….

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[Y]our fully growns, especially those who you call “parents,” are responsible for overseeing and assisting the successful development of your youngest ones at levels of development that for us would be taken care of by Reality Itself….

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[T]his fact alone has caused you to fall…from the actual Truth of you…to construct an opposite and alien reality…. [T]his development alone…has led to the gravest of consequences for All, including yourselves.

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Part Two of Paraphrase/ Elaboration of “The Third Prasad”: Being Half-Borns Makes Humans Variable…and Reckless

Jacobs-Ladder-ArtThe reason for this total exclusion of truth from your understandings of yourself has to do with another defining characteristic of you.

What has caused this separation of your understandings of life from all others occurs at the beginnings of each of your lives. You have a vastly different understanding of life than we because you have a way of coming into the world that defines you, 10-emergence-440that you have in common, and yet separates you, makes you distinct from and unique in relation to, the many millions of other planetmates: You, alone, come into the world prematurely, before you are ready to. You, alone, are half born, only half ready for life when you are born.

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RootedInConservatismcrpdlrgrWe will be telling you, in the upcoming prasads, why and how you started being born prematurely as wells as what this being half born has led to for you.

163447461_cc79ba4091For now, just know that it means that your newborns are even more helpless than even the most helpless newborns of us. Being more helpless, you are more dependent on others for survival when you first emerge into the light of the physical world. There is an incredible amount of development we have prior to our coming into the world which is orchestrated by a rather precise Nature.unnaturalself.coil unnatural history.crpd A good deal of that comparative development for you is put at the discretion of the previously born of you. That is, your fully growns, especially those who you call “parents,” are responsible vlcsnap-2011-05-31-18h51m16s159for overseeing and assisting the successful development of your youngest ones at levels of development that for us would be taken care of by Reality Itself through a near perfect developmental process for each of us as refined over time for each of us by Nature.

vlcsnap-2011-05-29-22h33m23s45How this might be important is probably not occurring to you. But keep in mind that Nature does not vary; 03-610x457it is as precise as the laws you have discovered in your sciences of physics and biology. It will do for us what it has intended for us and has perfected itself in doing over billions of years.

zoonlander.self-absorbed.ben-stiller-zoolander1.crppedMeanwhile, your adults, for reasons we also will bring out in time, are even more varied—what you call differences in “personality”—than are your differences between groups and infinitely more varied than are our differences between each other within a species. osteenYou are vastly more different from each other than we in any species are from each other.

JacobsLadderThis difference means infinite differences in the ways your newborns will be attended to and nurtured. Being vastly more helpless than any of us, they are vastly more dependent on the good will of their care-givers at that early time. slideshow_05_lgAnd the differences in the good will or lack of that between your individual care-givers varies as much as the differences in your personalities. These differences in personality pepper-spray-cop-17 (2)affecting the differences in the ways your newborns will be cared for create the vast differences and myriad possibilities of personalities that each of you can have,watermarkcomp1 which determines the kind of care-giver you will become as an adult, hence it plays into how you will care for or not care for your own newborns, and so on around again.

P4220032You will see how this fact alone has caused you to fall irrevocably from the actual Truth of you and led you to construct an opposite and alien reality. This opposite construct you prop up with all kinds of twisted, bizarre “truths” to explain yourselves to you.

And this difference between yourselves and all other of your brother-sister species on this planet has consequences that have exploded the differences between us and mushroomed into the situation in which we find ourselves at this moment.

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It is this development alone, you will find, that has led to the gravest of consequences for All, including yourselves.

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The Third Prasad – Humans Only Half Ready for Life at Birth

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Fawn Leads at The Third PrasadWith more time, and despite the myriad experiences and changes of the multitudinous and diverse (and mostly spread out and separated, never touching or knowing each other, on a massive planet) peoples and cultures, the Unapproved and Hidden are, because of a peculiarity of them, everywhere and always among all the many evolving and refining definitions of Human, Reality, Life — different as they could possibly be — never for a second, or even slightly, partially, or indirectly, included in that light of the obviously true, the common-sensical, by any culture. Part of this peculiarity — the relative upstart humans have another common defining characteristic: only half-ready for life at the time of birth (relative to all other brother-sister species comprising the citizens of Earth), they are, humans alone are, totally dependent for their survival upon the good will of the fully grown — often parents, but not of necessity and certainly not always.


Continue with The Great Reveal from the Planetmates: The Fourth Prasad – Origins of Ego

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“Bad Blood” — Acting Out Prenatal Feelings of Sickening … Earliest Roots of War, Psychosis, Racism, Xenophobia, Elitism, Homophobia … and Medicine

War, Evil Queens, Mind Control, and the “Unwashed: The Psychotic Acting Out of Feelings—Rooted in Unconscious Uncomfortable Memories—in Insane Societies.

Wounded Deer and Centaurs, Chapter Nine: “Bad Blood” – Poisoned, Infected

“Bad Blood” – Poisoned, Infected … Prenatal Roots of Paranoia, Sado-Masochism, Alien Mind Control, and the Evil Queen

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Imprints for Paranoia, Sado-Masochism, and the Wicked Witch in Poisoned, Infected, “Bad Blood” Aspects of Fetal Oxygen Hunger

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There are three parts to this pain around fetal malnutrition, which defines us as humans and creates what we think of as “human nature” and most often as being genetic, but it is not. We’ve been dealing with the first part — deprivation … we fear there is not enough oxygen/resources coming to us to keep us alive. Another part has to do with the toxic quality of the environment we experience, which we’ll get to soon.

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Bad Blood

But the one I want to deal with next is the second aspect aspect of oxygen starvation in the late stages of gestation. It has to do with our assessment of the “air”—the oxygen and nutrients—we do get.

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We’re Getting Some Blood

As just discussed, we carry an underlying panic that our supply will end at any moment, but we are getting some oxygen from the blood that comes to us, however reduced its flow. It is the contrast from what we knew that is alarming. Imagine blood that is free- and easy-flowing, rich and bright red with oxygen.

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But Is It Bad Blood?

Now, imagine blood that is more trickling than gushing, more depleted of resources—oxygen and nutrients—tainted, darker, barely able to sustain one’s life…. The first was our experience of earlier womb life; the second the way it gradually began being perceived.

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To be clear, we can’t actually see our blood flow as a fetus, of course. This is meant to be an analogy giving you an idea of the difference in the feeling experience of the fetus in this changing situation. It must be close enough to what it actually was like, since out of it we form images and symbols in later life with these differing characteristics, as I will continue to show.

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“Iron Poor Blood”

Drought Deadly AlgaeSo we began feeling poisoned, polluted, decrepit, diseased. Our situation in the womb had portents of death and seemed a dire threat if it were to continue. We received blood sufficient to keep us alive, obviously, but it was felt to be degraded, to be “bad blood.” sitin (2)We began feeling that what we were getting was insufficient, even poisoned. The blood that comes is not only barely sufficient to keep oneself as a fetus alive…or certainly it feels that way…but it is tainted, impure…or certainly it feels that way. And one feels not just deprived but attacked.

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“Don’t Feed Me That Bullcrap!”

Jews-Gas-ChamberSo, the second aspect of fetal malnutrition and the third of prenatal discomfort is the feeling of being forcefed something noxious and deadly. We feel we are being poisoned or infected by what we take in through our breathing or eating. What is coming into us is sour and unhealthy. This is of course related to the previous feeling constellation discussed wherein we fear we are not going to get enough oxygen and so want “pure” blood. clipwitchdipBut this has to do with our feelings about the blood we do get—it is tainted, not pure. In the one you can’t get something you need, you are deprived (panic). In this aspect of it, you get something but it seems intentionally polluted to harm you (paranoia). Earlier I compared this to the difference between being starved for affection as a child versus receiving unwanted attention as in being sexually or physically abused.

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Fractals, Abuse, Sadism/Masochism

66The reason this can be seen so clearly at a later time of life is because these feeling constellations are fractals of each other: They occur in the same pattern again and again at different times of our lives exactly because of 200px-John_Bauer_1915our tendency to re-create unerringly the discomfort we could not face originally (primally). The original Fractal_Broccoliformulation of this pattern in the womb sets up that we will act out on both sides of tendencies to deprive others of affection, Little_Red_Riding_Hood1as well as to subtly and unconsciously push others away. And because of the other aspect of it, we will also force unwanted attention on others and will assault them, as well as being unable to avoid such attacks. Traditionally, this last has been discussed under the headings of sadism and masochism.

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Having dealt with the deprivation/greed aspect of this in previous sections, in this section and the next we will look at the poisoned and infected feelings and their sadistic/masochistic outgrowths. Unraveling this complex at its primal roots in the womb, we expose some fascinating revelations.

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How “Bad Blood” Manifests in Our Thinking

In Psychosis—Food, Aliens, and Tin Foil

glennbeckonstarconversation102509__whitenoiseinsanitydotcomphotoThough not the most common, I must start with the most obvious adult manifestation of this—the curious notion among paranoid psychotics and some obsessive-compulsives that they are being or are in danger of being poisoned. Certainly through the food they eat, but this also manifests tin-foil-hatas the idea that “alien” thoughts are being inserted into their minds/brains. I’ve seen walking neurotics (borderline psychotics) strolling around with wire pyramid or tinfoil hats to prevent this default_Greg_Maroney_Copper_Hatinfection from above.

We have to wonder how much of conspiracy theory is itself skewed by this constellation in concocting the existence of forces that spy on us and influence our actions from behind the moon (behind the placenta) or some other unseen place. This is what happens when big thoughts are channeled through sorry states of mind.

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In Collective Dreams—Myth, Fairy Tale, and the Evil Queen

SNOW_WHITE__IN_THE_FOREST_by_RoberLeSageWe express this idea in our myths and fairy tales, of course—for they are the collective “dreams” we share that are given rise to by our unconscious dynamics. A salient example is Snow White. Consider her name, and remember the part about the purity of blood and children, which was felt to be the earlier situation in the womb. In the same consideration of blissful BPM I experiences occurring prior to late stage, BPM II, discomforts, notice that Snow White enjoys an earlier, idyllic time living in communion with planetmates in the forest. She was supposed to be killed (aborted) by the huntsman (god figure), 1000168-2-the-cottage-in-the-woodsbut he falls in love with her and lets her go, telling her to hide. She finds a tiny cottage (blissful womb), where she is aided by and lives in harmony with seven dwarves. The dwarves, as well as the planetmates, represent the forces of Nature aiding exquisitely perfect growth in the early stages of gestation in the womb.

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But then, BPM II style, her wicked stepmother wants to poison her, but even notice how.

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0321-Snow White_1First the “evil queen” (mother symbol) wants to kill her by crushing her. She ties her tight with stay-laces. Remember that being compressed and crowded was the very first and most obvious aspect of late stage gestation discomfort.

And then begins the poisoning attempts: The evil queen tries to kill Snow White by brushing her hair with a poisoned comb. So, what does this mean? Well, our hair is thousands of tiny filamentsgreen-man that emanate out from our bodies, just as in the womb we have tiny filaments extending from our bodies—arteries and veins—which connect us to our mothers (evil queen). The wicked stepmother poisoning her by combing her hair is saying she is being poisoned through these filaments of arteries extending from her.

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Next, the evil queen wishes to get the girl to eat a poisoned apple. Apple, as the ultimate symbol of food, nutrition in Western culture…it was an apple that was eaten in Eden, for example.

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Now, why? Remember that a red apple is the same color as blood.no-snow-white-no-by-cris-de-lara So a poisoned apple represents the bad blood in the womb with its poor or “poisoned” nutrients…being given to one by one’s mother.

Notice that here as in many fairy tales it is a stepmother…in others it might be a wicked aunt or witch…that does the bad stuff. It has to be a stepmother or aunt, for we wish to preserve the idea that a “good mother” still exists. snowwhiteandqueenwpSo we separate out an idea of a bad part of her, just as we come up with the idea of a bad god…a Satan…who is responsible for all the bad things that a good God would not be…thus preserving the idea of a good God/ good daddy here.

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imagesBut there’s more. She fainted when she was tightly laced, and collapsed again after being brushed with the poisoned comb. But when finally poisoned she falls into a stupor and appears dead. roland-risse-snow-whiteObviously she represents a prenate struggling with the “groggy” and lethargic feelings associated with being trapped, stifled, and poisoned/ drugged … in modern times, sometimes having ingested actual drugs or toxins from smoking or alcohol through the placenta (poisoned through those tiny “hairs” of arteries).

And appearing dead, she is placed in a coffin. Womb symbol, anyone?

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How “Bad Blood” Manifests In Our Doing

Having looked at how this early experience of blood degradation is manifest in our thoughts, madness, and creative product, let’s look into some really important, major act outs of this prenatal mental framework for construing things. This brings us to the ways we act out these crazy ideas, emanating from early experiences, in major ways as cultures, as societies, and even as nations.

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“We Don’t Want Your Kind Around Here!” … Acting Out Prenatal Feelings of Sickening – “Bad Blood” – in Racism, Xenophobia, Elitism, Homophobia … and Medicine

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“Don’t Want Your Kind Around Here!” Prenatal Imprints for Xenophobia, Racism, Medicine, and More

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How “Bad Blood” Manifests in Our Actions

This brings us to the psychotic acting out of these thoughts and feelings—rooted in unconscious discomforts and repressed memory patterns—by insane societies.

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Bloody Games—War

In this aspect of fetal discomfort, a reduced blood flow to the placenta is experienced as a build up of carbon dioxide and toxins, since they are not removed as efficiently as they were before. Lloyd deMause explains how this womb situation is universally expressed among humans as a fear of being “poisoned” by “bad blood.” He has found that feelings of being trapped and at the same time “infused” with bad blood or toxic energies of some sort precede the outbreak of all wars.

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For these wars are the unconscious way humans try to “break free” from these uncomfortable feelings, which are for the most part just early unresolved memories from our beginnings in life. We see “bad blood” as coming from the enemy; We see the enemy as an attacking many-headed monster “encroaching” on the “home”land … a threatening multi-veined placenta, aging and filled with toxins, “filth.” So we wish to attack and destroy the enemy—this placental “monster”—so we can “breathe free” again and escape their “poisonous filth.” (See BPM IV)

How We Act Out “Bad Blood” – Xenophobia, Blood Letting, Smoking

forth33The perfect example, however, is the xenophobia that resulted in the Nazis treatment of the Jews around the time of World War II. I have already pointed out how these walking psychotics injected poisonous gas into Jews in gas chambers out of these prenatal feelings, which they framed in adult thoughts of being themselves infected with tainted money from these Jews. Let us now look at other act outs of this.

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Racism, Xenophobia, Classism, Elitism, Homophobia, Intolerance—We Don’t Want “Your Kind” Around Here! Keeping Racial “Lines” “Pure,” Keeping Out “the Unwashed,” Affecting the Gene “Pool”

mockThis is the basis of racism … blacks are pollutants, as are Jews. They want to take away our purity—our pure children…blood libel; our women’s pure virtue. And so Ku-Klux-Klanwe need to dress in white, indicating “pure” blood, to defend against these incursions (the Ku Klux Klan) of “bad blood.”

tb-racist-fiftiesThese feelings of being “sickened” at the end of our womb existence are the root of all xenophobia with its creation always of a toxic Other work.6107181.1.flat,550x550,075,f.this-is-the-fall-of-woman-in-the-garden-of-edenwhich cannot be allowed to infect the virtue and purity of people of “our blood.”

We see it in intolerance of others of all kinds. A few days ago, on May 21st, 2012, a Baptist preacher from the South made headlines everywhere by announcing from the pulpit that all gays and lesbians should be “rounded up,” placed in an “enclosure,” surrounded by an “electrified fence.” surroundingandattackingagayyouthHe imagined they could have food air dropped to them until they died (obviously an insufficient…oxygen starvation…or poisoned…bad blood…amount.) At this point, I don’t believe I need to unravel the prenatal qualities of the morass his mind was thinking in.

And why all this? His exact words are, because “It makes me pukin’ sick!” what homosexuals do. Need I say more? [Footnote 1]

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But this thinking is found in classism as well, where royalty calls itself “blue bibloods” and only allows marriage between others of its class—from one’s own nation or another, interestingly—and will not allow its “blood” to be mixed with the polluted blood of the masses and photo_verybig_126113“riff raff.”

University intellectuals have a more “refined” take on this primal disgust: They set up barriers to academic entrance in order to “keep out the unwashed,” without a clue they are coming across like scared fetuses inside a virtual womb (academia) trying to protect their continuing flow of blood (money).

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Lieutenant-John-Pike8hitler-andyouth-fullThis fetal malnutrition gives rise to bigoted ideas of keeping racial lines “pure.” It insists upon no mixing of the races … or ethnicities…for fear of affecting the gene “pool” (pool of Eichmann-jew_1875209iblood), but it is always described in terms of “blood” that will be mixed, tainted, holo5polluted, made impure, or degraded. Can you see how these are all instances of fear of encroachment by another from which one senses a threat of pollution and in conjunction which one feels suffocated, made helpless, unable to move freely?

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Blood Letting

crazy-medicine-list-photo-u7For a long time in Western culture, it was thought that when one got sick that one had “bad blood” coursing through one’s system. The idea was that by bleeding a person one would rid the body of some of this impure blood and the person would get better. This bloodletting was employed for hundreds of years in the face of the evidence to the contrary wherein folks got paler and sicker from this “treatment.” But such is the power of these sorry thoughts rooted in unconscious dynamics.

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Smoking Itself

Menthol-attenuates-respiratory-irritation-responses-to-multiple-cigarette-smoke-irritantsI’ve already mentioned how we re-create the atmospheric imbalance of oxygen—carbon dioxide in the womb through burning stuff. The smoking of tobacco and other vegetation I likened to our pushes and pulls to re-create the bad air. But in ingesting this air into one’s lungs, we have a most perfect example of the drive to re-create the imagshgdjfkgsdfesskull_with_a_burning_cigaretteuncomfortable feeling of ingestion of “bad blood,” in this case, inhaling, bad air. With all rationality set aside, we are compelled to poison, infect ourselves again and again with bad air (bad blood). Again, of such depth is the grooves of the imprint created in our prenatal times and along whose lines we make our self-destructive decisions.

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How We Make It Worse

(“Give Us, Oh Lord”) Our Daily Toxins—Drugs, Food Additives, Polluted Air

How we add to this today…how we make it worse: smoking and drinking, taking drugs. We create and imbibe toxins in our food, our air…through the medications we use… The whole idea behind “medicine” is that a toxin (all drugs are) administered in a tiny amount will alter our blood flow in just the exact way to affect some currently felt experience of our blood being bad (sickness).

avoid-gmos-for-a-healthy-babyAnd in doing these things we reinforce the bad blood experience of fetal malnutrition the fetus will experience out of its being human. We insure we will pass along our bad blood experience to the next generation…we will multiply it even. For the mother’s ingestion of these compounds into her system—smoke, drugs, food additives, air toxins, water pollutants—davincifetusare felt as receiving bad blood by the fetus, even worse than it would be otherwise just from pressure on the arteries restricting blood flow. Again we create that which we need to resolve, only this time it is the unborn child who will be “infected” with the bad blood and need to face these feelings later in life, again and again.

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How We Make it True, Create It

Food Pollution/Genetic Engineering and Propaganda

toxicamericaI can’t leave this without pointing out that, as in environmental pollution and in political oppression, it is all not just a figment of a past memory,Monsanto-hungrymanFrankensteinFoods as there are those of us acting out this feeling complex by coming up with such odd creations that end up polluting the food of others (as in the tainted food coming out of corporations like Monsanto, with its Frankensteinian concoctions) Corporate control Fuedelismand that seek to inject alien ideas in others to make us do things we would ordinarily not do—whether that is to buy some unnecessary thing to fatten the wallets of these others (advertising) or to surrender one’s self interest or hand over one’s power and rationality of thought to these others for their political ends (propaganda…in America, Fox News).

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Continue with Prenatal Revulsion and Loss of the “Golden Age”: Creeped Out in the Womb, The Itches We Cannot Scratch, and the Deepest Roots of OCD, Bigotry, and Holocaust

Return to Prenatal Hunger Games and “Blood Wars”: The Fetal Fight About “Pure Blood” We Act Out in Politics, War, and Oppression … Class War, Culture War, Revolution….

Footnote

1. Pastor Worley’s actual words were

Of our president getting up and saying it was all right for two women to marry, for two men to marry, I tell you right now, I was disappointed bad. But I’ll tell you right there, it’s as sorry as you can get. The Bible’s agin’ it, God’s agin’ it, I’m agin’ it, and if you’ve got any sense, you’re agin’ it.

I had way, I figured a way out, a way to get rid of all the lesbians and queers, but I couldn’t get it passed through Congress. Build a great big large fence, 100..50 or 100 miles long. Put all the lesbians in there. Fly over and drop some food. Do the same thing with the queers and the homosexuals. And have that fence electrified ’til they can’t get out. And feed ‘em. And you know what? In a few years they’ll die out. Do you know why? They can`t reproduce.

If a man ever has a young ‘un, praise god it’ll be the first one. All of these… It’s just as well…I’m gonna preach the hell out of all of them. Hey I’ll tell you right now. I ain’t gonna vote for a baby killer and a homosexual lover!

You said, ‘Did you mean to say that?’ You’d better believe I did!

God have mercy it makes me puking sick to think about…I don’t even know whether you ought to say this in the pulpit or not. Could you imagine kissing some man? My god I love you fellas, but not that much.

Continue with Prenatal Revulsion and Loss of the “Golden Age”: Creeped Out in the Womb, The Itches We Cannot Scratch, and the Deepest Roots of OCD, Bigotry, and Holocaust

Return to Prenatal Hunger Games and “Blood Wars”: The Fetal Fight About “Pure Blood” We Act Out in Politics, War, and Oppression … Class War, Culture War, Revolution….

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The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

The Perinatal Veil: Dangling Above an Abyss and Everyday Rebirthing — The Perinatal Predilections of Everyperson

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Wounded Deer and Centaurs, Chapter Three: Twenty-First Century and Its Discontents—The Primal Screen

Dangling Above an Abyss

imageBeyond the entertainment media, it seems perinatal themes and elements are showing up everywhere else in our surrounding environment and culture. The scenery of our everyday reality consists of pollution of our air, water, and food; threat of death “at any moment,” caused by the knowledge of the power of nuclear weapons; fantasies of apocalypse of all kinds, magnified, perhaps, by the ending of one millennium and the approach of the end of the Mayan calende—including fundamentalist Christian imaginings of an end to human civilization in an apocalyptic “rapture”; New Age fantasies of ecological, spiritual, and social utopias; and so on.

First, let us consider a few of the most blatantly birth-related of the events around us.

The Primal Screen: Aliens … Ooooooooooo … Sca-ry….

Alien abduction stories, while a relatively recent addition to our cultural landscape, are unusual in the rapidity with which they have gained cultural currency and are telling in the extreme fascination the public has with them. They have catapulted more than one show—The X Files being the prime example, of course—to cult-like status. The photo here is a scene after the abduction of Fox Mulder, one of The X-Files main characters.

Fetal Aliens

Yet Alvin Lawson has pointed out how alien abduction stories are replete with perinatal elements: passing through walls, umbilical beams of connection to the “mother ship”—the placenta—either fetal-looking aliens or aliens whose eyes are most prominent and the lower parts of their faces undistinguished—similar to the way a newborn might see an obstetrician wearing a medical mask.

Then of course there are the elements of being medically probed, measured, samples taken from one, and being swooshed from one place to another with no say on one’s part—all remarkably like the experience of a newborn, right out of the womb. [Footnote 1]

Pretty Much

While I do not think that the “alien abduction” phenomenon is just derivative of birth, as Lawson does, I do believe that we perceive these events through a veil of birth trauma, the likes of which the world has never known. My position is explained in the article, “Alien Abductors: Angelic Midwives or Hounds From Hell?

Mouth Suctioning…”Oh, What Pretty Teeth You Have, My Alien”

An interesting development in the alien face is the “shoved down the throat” thing going on. Similar to the “Jacob’s Ladder” kind of vegetable thrusting out, which was described in the last chapter, it was popularized greatly in the movie, “Alien.”

As a neonate we cannot see the mouths of the masked attendants at our birth. In a traumatic situation, whatever is hidden is more feared than what can be seen. As in anything else, onto the unknown we can project the most magnified versions of our fears. When these images arise in us, then, it makes sense that if the mouth is shown it might be even more frightening than that above the mouth.

So in modern times, for the first time in history, we see something going on where these feelings are symbolized as a ferocious mouth coming out of the mouth. The fact that it appears like something that would gag reveals that this image contains elements of the trauma around ungentle mouth suctioning or clearing as well as the reveal of what might be under the mask of the seeming attacker, the obstetrician. Add lots of teeth and you have the perinatal vagina dentata as well, symbolizing the trauma occurring at birth, when actually emerging from the mother.

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The Perinatal Veil: Rock Concerts (For some, ditto)

Lawson has also described perinatal elements in rock concerts. [Footnote 2]

Mosh Wombs

daltgfsdfrey5803094302_c794e4f672Keep in mind that rock music popularity and concert rituals are world-wide phenomena. Youth from nearly all NBL1045countries are involved in rock culture. Newborn-Baby-with-CordAmong other things, Lawson, in his article, refers to placental guitars, umbilical mikes, and youths jumping into mosh pits. Mosh pits suggest birth feelings in that they simulate the crushing in the womb.

rapture1 (2)imadddddgesAt birth our consciousness is filled with the feeling of flesh all around. The world is crushing, heaving, rollicking, bouncing flesh everywhere. During a non-cesarean birth one struggles and moves through this flesh to reach space, air, light…freedom. We re-create this pattern of struggle in order to reach the light, or freedom and space, throughout life. It is obvious that mosh pits are attractive, appealing places to re-create the danger of birth alongside the hope of being “held up,” uplifted, and reborn.

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The Doors of Perception…Stormed

doorsperceptioncleansed_crppdclose-encounters-of-the-third-kind-1980--645-75crppdWe could also mention the loud music, fireworks, and flashing and bright explosions of light at these concerts as perinatal in that they re-create the assault of sensation that occurs to the newly emerged fetus—an assault which in one’s mind is like unto a bomb exploding.

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The rock groups and their lyrics themselves are often blatantly perinatal. The most obvious example of this was the group, Nirvana, who came out with a CD titled “In Utero.” The fact that the leader of the group, Kurt Cobain, committed suicide is a strong indication of his closeness and access to his perinatal trauma…as I will soon explain.

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Pacifiers, Trolls, and Collective Rebirth

IMG_1248Turning from rock, we see perinatal BPM III elements in the scenery of our everyday lives evident in the rising incidence of violence by children at ever younger ages.

In Europe, as pointed out by Mayr and Boederl, it appears a collective regression to the perinatal is going on, especially among the youth. [Footnote 3]

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Collective Navel-Gazing

clip_image002clip_image004The forms this “regression” has taken include the surprising popularity of a pop song, sung by a very young child, expressing the difficulties of being a baby; the wearing of baby pacifiers as ornaments as a powerful fashion fad; and being enamored of troll-like dolls, which, according to the authors indicate a “regression to the womb.”

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I would say a progression to the womb, by the way….I will soon explain why.

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Overpopulation Bring Up in Us Uncomfortable Claustrophobic Feelings From Our Births

We have no-exit, claustrophobic BPM II elements manifesting in the crushing populations in major cities throughout the world. In the later stages of our womb lives, we are increasingly compressed with flesh all around. It is a time of ever more compression, constriction, restriction of movement, suppression of freedom, and suffering, which seems unending. However uncomfortable, we are compelled to manifest similar situations in our later adult lives, as in creating our crowded cities. We then find ourselves triggered into feelings like the ones we had back then.

Though it is irrational to draw suffering to oneself, it makes psychic sense in that consciousness seeks to integrate that which was overwhelming at the time. Think of this as a memory of a dire threat to one’s life that a part of ourselves remembers and tries to remove as a threat to our well-being by drawing it to ourselves repeatedly in life until we have managed to accept it—deal with it, perceive it differently than being a threat—so that we can go beyond it.

For the psyche’s main goal is to grow and heal itself, We see this intention of consciousness manifest in observing the body that Consciousness creates and which we see, which does exactly that growing and healing throughout life. Consciousness seeks, always, greater consciousness. Consciousness seeks unity.

Earlier we looked into how we do that seeking of psychological healing at rock concerts and with their mosh pits, in particular.

So we unconsciously create situations in life that make us feel like we once did but could not deal with at the time. And these feelings of course are uncomfortable…why else could we not deal with them originally? This does not mean that by bringing suffering to us we solve it and accept it. We would not be bringing it repeatedly to us if we successfully got beyond it.

No, we create suffering such as overpopulation because we are NOT dealing with, accepting, resolving, facing the memories that are making us continually manifest situations that should remind us…but don’t. The fact that some people are facing these issues or are on the verge of doing so—those Wounded Deer and Centaurs—is the hopeful message of this work. For this trend is auspicious for solving the biggest problems of all on Earth—those huge environmental and geopolitical woes that are threatening to do us all in. But I digress. Stay tuned, though.

We Manifest the Opposite of Crushing Populations Also — Floating Fantasies and Experiences

BPM I and “Birth” Day Parties

We also manifest the opposite of crushing, claustrophobic feelings for perinatal reasons. Remember that in the early stages of our womb lives, described as BPM I states, we are surrounded by flesh as well but it is not constricting. It is blissful and euphoric. No doubt we create our parties and festivals out of our desires to re-experience such wonderful, comforting feelings. In this situation, one moves freely, with people (flesh) at a comfortable distance. Ideally one wishes to be the “life of the party,” in other words, the reason everyone else is there and the person around which everything else revolves. For such is the case in the early stages of life inside one’s mother, in general. Everything that was going on then around one’s embryonal and fetal selves, biologically speaking for sure, was about oneself; but more: It was about one’s overall happiness and well-being. As they say, It doesn’t get any better than this.

It is understandable that we would create “birth” days and bring people to gather around us at “birth” day parties. Certainly our births were fraught with discomfort and trauma. But we did make it out. And birthdays and their parties are ways we try to remind ourselves that life is not always the discomfort and struggle of birth or the aloneness, separateness immediately after birth—BPM IV—but can be the blissful love surround of unity with one’s mother in the early womb state. We try to cover over the struggles and alienation of life—which we are pushed to unconsciously manifest in our lives because of traumas around the process of coming into the world—with reminders of the most pleasurable time of our lives, our early womb existence—which we intentionally wish to bring about again.

BPM I and Dancing

People go to dance halls to surround themselves with writhing flesh in a way that they themselves can still move freely and well, even acrobatically they’d like to think. We want the freedom of blissful, perfect movement. Perfection and precise movement is sought, along with bliss, for our experience was of a process of biological perfection; precise and perfect beyond anything we would later experience.

It is even better if it defies gravity, as our experience in the womb seemed to. Gymnastics and break dancing are perfect recreations of blissful womb experience. We can move euphorically in three-dimensional space, overcoming the constraints of gravity. This is exactly our experience in early womb life. We both do these activities and are fascinated by others performing them because of early memories of perfection and weightlessness.

BPM I and Weightlessness

Since our early life is felt as weightless, it is also the reason we are enamored of the gravityless experience in space. Not only does our media replay depictions of space walks and astronauts in floating zero-gravity environments, but we are attracted to and seek to re-experience this. I remember a reality show where the participants were rewarded with a weightless experience caused by an aircraft descending from high in the stratosphere at such a speed as to create it.

BPM I and Floating

Plus, we sky-dive. And if we do not, we view with awe and appreciation via the media the videos of the most acrobatic and gravity defying stunts performed in descent by sky-divers. We have created machines where we on the ground can force air up strongly enough so we can experience floating in the air above it similar to sky diving.

I cannot leave the topic of floating without pointing to the most obvious and frequent activity of humans to re-create the weightless experience of BPM I—swimming. Being in water simulates the gravity-free state of our earliest life. It is one of the commonest activities of humans. It is also no coincidence that for a time in the Seventies and Eighties it was popular to try to re-create birth, perinatal experiences by doing warm water “rebirthing” in hot tubs. The water was often made to be body temperature. And, by the way, it did stimulate these early memories in a powerful—though perhaps not optimal—way.

Even our depictions of release from the constraints of physical existence are viewed through this BPM I veil of blissful weightlessnes—whether it is the evangelical Christian idea of “the rapture” or my own depiction of transcendence via a Jacob’s Ladder style of transformation of human consciousness.

The Human Nature That Is Not

Having looked at the the most obvious perinatal propensities of the postmodern person in this chapter, let us go deeper. In the next chapter we look at how imprints from our early life in the womb affect us in many of the currently dire activities we are engaged in, for example, environmental destruction, war, capitalism, and imperialism. We discover that there are prenatal imprints for all these activities, which we normally ascribe to being rooted in our human nature–depicted as one of insatiable acquisition, violence and competitiveness, and desire to control and dominate. The fact that we find that they are in fact not part of our nature but are instead products of some personality forming experiences–however early those experiential events may be–is auspicious in the extreme. In looking at the prenatal blueprints for our self-destructive “human nature,” we learn why we do the things we do and realize we are not doomed to continuing to do them.

Continue with Four Earliest Roots of War, Bigotry, Capitalism, and Pollution: Blueprints of Human Nature and Prenatal Personalities … Profound Sculpting of Who We Are Occurs at a Time We Cannot See

Return to Everything You Always Wanted to Know About Being Born … Playing Now, in Theaters Near You!

Footnotes

1. Alvin H. Lawson, “UFO abductions or birth memories?” Fate, 38(3) March 1985, pp. 68-80; and Alvin H. Lawson, “Perinatal imagery in UFO abduction reports.” In T. Verny (ed.): Pre- and Perinatal Psychology: An Introduction. Human Sciences Press, New York, 1987.

2. Alvin H. Lawson, “Placental Guitars, Umbilical Mikes, and the Maternal Rock-Beat: Birth Fantasies and Rock Music Videos.” The Journal of Psychohistory 21 (1994): 335-353.

3. Daniela F. Mayr & Artur R. Boelderl, “The Pacifier Craze: Collective Regression in Europe.” The Journal of Psychohistory 21 (1993): 143-156.

Continue with Four Earliest Roots of War, Bigotry, Capitalism, and Pollution: Blueprints of Human Nature and Prenatal Personalities … Profound Sculpting of Who We Are Occurs at a Time We Cannot See

Return to Everything You Always Wanted to Know About Being Born … Playing Now, in Theaters Near You!

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Everything You Always Wanted to Know About Being Born … Playing Now, in Theaters Near You!

Projecting the Perinatal Zeitgeist: Everything You’ve Managed to Forget About Being Born

Wounded Deer and Centaurs, Chapter Two: Everything You’ve Forgotten About Birth … Projecting the Perinatal Zeitgeist

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize twenty-first century life.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds … And Oh, the Shark Has Pretty Teeth, Dear…

clip_image003_thumbIn these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time — ”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In thisas in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and were overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention. [Footnote 1]

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

clip_image005_thumbAlso, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

clip_image007_thumbSpeaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A Hundred Monkeys and Counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

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Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

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The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

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There is lots of violence, and of course, sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

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Monsters, Vaginas, and Hairs, Oh My!

4340imagghgfjjesRecurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

clip_image00110511066-largeOne most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

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Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

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Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

imagdfhuesThe perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, clip_image003the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

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“Noah, How Long Can You Tread Water?”

neo-wakes-upclip_image004Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before charybirdsbirth, placental fluid. Near the end of gestation, the mother, when nightmare.2989618237_1_3_5JdRXsNxstanding, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

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Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

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Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

clip_image005428004336_a0275cf170Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

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Told You I Didn’t Like Vegetables!

Alien-mouth-e1288810712566Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. thestuff9The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

This sequence of pics from an episode of The Outer Limits is a rather good depiction of this. Notice that at the point the object emerging from the mouth is most visible it takes on the form of a vagina dentata. This links the images with birth and indicates the aggressive character of the feelings being depicted, that is, we have repressed anger feelings left over inside us from what was done to us. It is also more than just coincidence that the person to whom this is happening is in a hospital room and is dressed in a hospital gown; the plot is about this woman carrying a baby and this scene happens just after the birth. This is significant for the reason following, which states that this image has its roots in an event that indeed happened right after birth..

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Gag Me With a Toxin.

matrix-pod (2)This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids clip_image007from the neonate’s mouth by the attendants immediately after birth.

This latter connection — the ungentle mouth cleaning of birth fluids — I can personally validate from my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence the popularity of such images in the media of recent decades.

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Treated Like a “Piece of Meat”

clip_image0071This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the enchufesneonate—can leave one with lifelong feelings of being treated like a “thing.”

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The Wall Movie 1982 (18)

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b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_hbrainwouldntdieMany report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

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428004336_a0275cf170_thumb1images (2)These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

Jacobs-Ladder-Artcrpdimage_thumb22This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb.safe_image.php Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Fire In The Sky 2

Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

Fox_Mulder's_abductionMonica-Bellucci-Photoshoot-Matrix-Movie-9By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

MSDTORE EC0252886707crppdConfused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, robocop07because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, medusa3to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms,medium_wruef9ycqa0crppd they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of coursethe-matrix-revolutions-give-me-a-chance-film-photo-u1crppd both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

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Welcome to the World … Now f u

blog pic 2 (8-6-11)89615_v1Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, robocop20feel manipulated and used, bush_borgtreated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other -SGC- Unnatural eyes packCRPDpeople, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

silence1This also sheds light on the seemingly “mindless” devils-advocate-560-thumb-560xauto-30306violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be teacherteethMacting out edsullivancartoontheir “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

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Faces Coming Out of the Walls

TheWallFaceScreama-brazil-criterion-single-720-brazil-4crppdI would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

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hopkinscrosbycrppdWe have had, over and over again, the image of the “evil fetus” erupting from the abdomen,AlienChestburster as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing.

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Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

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Ventura Out of the Womb

clip_image002A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carrey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

ultrasound2019-apr-07He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working Scream6gafter a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

Potter-Frontcrppdfacetotal_recall_stomach_creatureWe witness the actual “birth”: Jim Carrey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

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Couldn’t Fight Your Way Out of a Plastic Bag!

hoardnewspaper (2)TotalBitchStoleOurMilkCrippledOurNationOther examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Scream7g (2)Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal,b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_h as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

headbangingExistential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs Robbieabysswhich become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells,Open mask solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of total-recallthe entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

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This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

1218885566_5__3ji-e1320373810749This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

hell_night_3These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

Pink Floyd - The Wall - CoverBut the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

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House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

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To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves clip_image0043once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

image_thumb17_thumbHouse; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boats, especially submarines; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

Open mask_thumbIn the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

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The Wall

wall-poster_thumbIn the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_h_thumbWe have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

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Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out above, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.


Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

clip_image005_thumbclip_image007_thumbI remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, clip_image0023is the ideas of dungeons or castles … with mad scientists, no less — obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

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I might start by pointing out the element of there being another realm small_portal pepper spray copinto which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. jacobs-ladder-mccaulay-culkin-and-tim-robbins_thumbWe see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

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“There’s No Place Like Home.”

clip_image004EnglishGrof_DifferentDoorwayiconBut death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

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Wizard_Oz_Pepper_Spray_PigIn this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

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Through the Looking Glass

Mia-Wasikowska-in-Alice-i-001Secret-Garden3And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course),Close_Encounters_of_the_Third_Kind which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

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The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

clip_image006The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

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Verny_SecretLifeiconLeboyer_BirthViolenceiconThis depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

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2001 Baby Earth

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Love, Fear Relationship

Escape-Alcatrazfrighteners05-thumbTo put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see subsequent chapters, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

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To Hell With It…

clip_image001 13So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

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In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

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Face Me, or You’re Mine!

t10001clip_image002Central to this book is the idea that we need to face the ultimate and horrible truths if we are to save ourselves. Wounded Deer are those people who suffer from closeness to these perinatal truths. Centaurs are those wounded ones who have accepted these facts of life; they have accepted the fact that fundamentally they, as all of us, are wounded. And in embracing it this way they become healers for those who cannot face their truth or who are struggling with doing so.

For not only are we closer terminator-2-1crppd2to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

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Fear and Freedom … Only a Membrane Away

clip_image004zyjbq2d56rkznqfucrrpd2Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

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Perinatal Spamming

T-1000We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

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terminator-2-1crppd1imadddgftggesGetting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

Skynet in the desert

All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced. There is no doubt that we are letting our newest members know they will not be able to move freely in life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.

Baby Abductees and Masked Medical Aliens

Fox_Mulder's_abductionFinally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an Jacobs-Ladder-Artcrpdthe_joker_straight_jacketalien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

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wyeuacsd2gb6bgsThe point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.

Birthing Into Everyday Life

clip_image006imadddddgesWhether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, whether they will they lead to the armageddon that many are predicting or to a consciousness evolution and a new Earth—will be something for us to consider further on.

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Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.

To Be Continued with Wounded Deer and Centaurs, Chapter Three: The Perinatal Furniture of Everyday Living

Return to Wounded Deer and Centaurs, Chapter One: We Are a Fever

Enjoy your own virtual emergence by following the pics below:

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Now add a blissful period and go back around again; that’s the way it works in life.

Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spiritwebsite:‘Independence Day’: Pre- and Perinatal Adventure in Film.”

2.The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh

3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed

Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide

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The 21st Century and Its Discontents … The View From Everyday: Profound Sculpting of Who We Are Occurs at a Time We Cannot See

Dangling Above an Abyss and Everyday Rebirthing: The Perinatal Is Rising … The Doors of Perception—Stormed!

Dangling Above the Abyss and Perinatal Aliens, Pretty Much

Dangling Above an Abyss and Pervasive Perinatal Aliens

Dangling Above an Abyss

imageBeyond the entertainment media, it seems perinatal themes and elements are showing up everywhere else in our surrounding environment and culture. The scenery of our everyday reality consists of pollution of our air, water, and food; threat of death “at any moment,” caused by the knowledge of the power of nuclear weapons; fantasies of apocalypse of all kinds, magnified, perhaps, by the ending of a millennium and the approach of 2012—including fundamentalist Christian imaginings of an end to human civilization in an apocalyptic “rapture”; New Age fantasies of ecological, spiritual, and social utopias; and so on.

First, let us consider a few of the most blatantly birth-related of the events around us.

The Primal Screen: Aliens … Ooooooooooo … Sca-ry….

Alien abduction stories, while a relatively recent addition to our cultural landscape, are unusual in the rapidity with which they have gained cultural currency and are telling in the extreme fascination the public has with them. They have catapulted more than one show—The X Files being the prime example, of course—to cult-like status. The photo here is a scene after the abduction of Fox Mulder, one of The X-Files main characters.

Fetal Aliens

Yet Alvin Lawson has pointed out how alien abduction stories are replete with perinatal elements: passing through walls, umbilical beams of connection to the “mother ship”—the placenta—either fetal-looking aliens or aliens whose eyes are most prominent and the lower parts of their faces undistinguished—similar to the way a newborn might see an obstetrician wearing a medical mask.

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Then of course there are the elements of being medically probed, measured, samples taken from one, and being swooshed from one place to another with no say on one’s part—all remarkably like the experience of a newborn, right out of the womb. [Footnote 1]

Pretty Much

While I do not think that the “alien abduction” phenomenon is just derivative of birth, as Lawson does, I do believe that we perceive these events through a veil of birth trauma, the likes of which the world has never known. My position is explained in the article, “Alien Abductors: Angelic Midwives or Hounds From Hell?

Mouth Suctioning…”Oh, What Pretty Teeth You Have, My Alien”

An interesting development in the alien face is the “shoved down the throat” thing going on. Similar to the “Jacob’s Ladder” kind of vegetable thrusting out, which was described in the last chapter, it was popularized greatly in the movie, “Alien.”

As a neonate we cannot see the mouths of the masked attendants at our birth. In a traumatic situation, whatever is hidden is more feared than what can be seen. As in anything else, onto the unknown we can project the most magnified versions of our fears. When these images arise in us, then, it makes sense that if the mouth is shown it might be even more frightening than that above the mouth.

So in modern times, for the first time in history, we see something going on where these feelings are symbolized as a ferocious mouth coming out of the mouth. The fact that it appears like something that would gag reveals that this image contains elements of the trauma around ungentle mouth suctioning or clearing as well as the reveal of what might be under the mask of the seeming attacker, the obstetrician. Add lots of teeth and you have the perinatal vagina dentate as well, symbolizing the trauma occurring at birth, when actually emerging from the mother.

Rock Concert Rebirthing, Mosh Wombs, and the Doors of Perception … Stormed

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Fleshy Mosh Wombs, Rock Rebirthing, Trolls, and the Doors of Perception … Stormed

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The Perinatal Veil: Rock Concerts (For some, ditto)

Lawson has also described perinatal elements in rock concerts. [Footnote 2]

Mosh Wombs

daltgfsdfrey5803094302_c794e4f672Keep in mind that rock music popularity and concert rituals are world-wide phenomena. Youth from nearly all NBL1045countries are involved in rock culture. Newborn-Baby-with-CordAmong other things, Lawson, in his article, refers to placental guitars, umbilical mikes, and youths jumping into mosh pits. Mosh pits suggest birth feelings in that they simulate the crushing in the womb.

rapture1 (2)imadddddgesAt birth our consciousness is filled with the feeling of flesh all around. The world is crushing, heaving, rollicking, bouncing flesh everywhere. During a non-cesarean birth one struggles and moves through this flesh to reach space, air, light…freedom. We re-create this pattern of struggle in order to reach the light, or freedom and space, throughout life. It is obvious that mosh pits are attractive, appealing places to re-create the danger of birth alongside the hope of being “held up,” uplifted, and reborn.

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The Doors of Perception … Stormed

doorsperceptioncleansed_crppdclose-encounters-of-the-third-kind-1980--645-75crppdWe could also mention the loud music, fireworks, and flashing and bright explosions of light at these concerts as perinatal in that they re-create the assault of sensation that occurs to the newly emerged fetus—an assault which in one’s mind is like unto a bomb exploding.

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The rock groups and their lyrics themselves are often blatantly perinatal. The most obvious example of this was the group, Nirvana, who came out with a CD titled “In Utero.” The fact that the leader of the group, Kurt Cobain, committed suicide is a strong indication of his closeness and access to his perinatal trauma…as I will soon explain.

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Pacifiers, Trolls, and Collective Rebirth

IMG_1248Turning from rock, we see perinatal BPM III elements in the scenery of our everyday lives evident in the rising incidence of violence by children at ever younger ages.

In Europe, as pointed out by Mayr and Boederl, it appears a collective regression to the perinatal is going on, especially among the youth. [Footnote 3]

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Collective Navel-Gazing

clip_image002clip_image004The forms this “regression” has taken include the surprising popularity of a pop song, sung by a very young child, expressing the difficulties of being a baby; the wearing of baby pacifiers as ornaments as a powerful fashion fad; and being enamored of troll-like dolls, which, according to the authors indicate a “regression to the womb.”

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I would say a progression to the womb, by the way….I will soon explain why.

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Crushing Populations and Its Relief — Perinatal Pulls of Public Life, Sky Diving, Dancing, Swimming, and “Birth”Day Parties

The Perinatal Pulls of Population Explosion, Sky Diving, Dancing, Swimming, and “Birth”Day Parties

Overpopulation Bring Up in Us Uncomfortable Claustrophobic Feelings From Our Births

We have no-exit, claustrophobic BPM II elements manifesting in the crushing populations in major cities throughout the world.

In the later stages of our womb lives, we are increasingly compressed with flesh all around. It is a time of ever more compression, constriction, restriction of movement, suppression of freedom, and suffering, which seems unending. However uncomfortable, we are compelled to manifest similar situations in our later adult lives, as in creating our crowded cities. We then find ourselves triggered into feelings like the ones we had back then.

Though it is irrational to draw suffering to oneself, it makes psychic sense in that consciousness seeks to integrate that which was overwhelming at the time. Think of this as a memory of a dire threat to one’s life that a part of ourselves remembers and tries to remove as a threat to our well-being by drawing it to ourselves repeatedly in life until we have managed to accept it—deal with it, perceive it differently than being a threat—so that we can go beyond it.

For the psyche’s main goal is to grow and heal itself. We see this intention of consciousness manifest in observing the body that Consciousness creates and which we see, which does exactly that growing and healing throughout life. Consciousness seeks, always, greater consciousness. Consciousness seeks unity.

Earlier we looked into how we do that seeking of psychological healing at rock concerts and with their mosh pits, in particular.

So we unconsciously create situations in life that make us feel like we once did but could not deal with at the time. And these feelings of course are uncomfortable…why else could we not deal with them originally? This does not mean that by bringing suffering to us we solve it and accept it. We would not be bringing it repeatedly to us if we successfully got beyond it.

No, we create suffering such as overpopulation because we are NOT dealing with, accepting, resolving, facing the memories that are making us continually manifest situations that should remind us…but don’t. What to do about this—and how this might be hopeful for solving the biggest problems of all on Earth—is what I deal with in time in this work. But I digress. Stay tuned, though.

Air Pollution, Fetal Suffocation, and Human Nature: Profound Sculpting of Who We Are Occurs at a Time We Cannot See

Pollution and The Greenhouse Effect Pushes Up Perinatal Pulls and Political Palpitations … and Vice Versa

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The Perinatal Pulls of Pollution: Air Pollution and Fetal Oxygen Starvation

Increased Carbon Dioxide, But Also Decreased Oxygen

SuffocationTotalRecallArnoldScream-thumb-500x273-55189One overlooked, but hugely pervasive perinatal element of these strange days is connected to the increasing carbon dioxide concentration in our atmosphere called “the greenhouse effect” which occurs alongside the curiously overlooked yet necessarily corresponding decreases in oxygen levels. There is increasingly less oxygen as we use it up burning carbon-based fossil fuels and making carbon dioxide. [Footnote 4]

We have more carbon dioxide for that reason and also because we are stupidly destroying the Earth’s mechanisms for turning that carbon dioxide back into oxygen…forests and ocean plankton, for example. This increased carbon dioxide is called “the greenhouse effect.” While this has been looked at from the perspective of it creating global warming and climate change, there are even stronger corporate (profit-motivated) as well as personal psychological reasons why we do not look at its most immediate effect on humans—the amount of oxygen we get from the air we breathe. We will steal at least a brief glance into some psychological reasons now and while we are at it uncover rich veins of understanding of and possible solutions for not only our current environmental problems but certain political and social dilemmas which we will find are operating dialectically with them. For there are provocative and profound influences from our experiences in the late stages of our womb life on the kaleidoscope of our current postmodern lives.

Air Pollution Bring Up in Us Uncomfortable Feelings From Our Births

For the increased carbon dioxide and reduced oxygen of the globe is analogous to the situation of “fetal malnutrition,” described by Briend and DeMause, that occurs prior to birth, and which is the basis for DeMause’s explanation of poisonous placenta symbolism. Keep in mind in particular that we experience this reduction in oxygen and increase in carbon dioxide in the form of air pollution, which is most pronounced in larger cities. [Footnote 5]

Raging to Reenter, Vampire Apocalypse, Drug Use, and Being Gratefully Dead – Perinatal Printouts Of Sixties, X, and Millennial Generations

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Perinatal Arising in Sixties and Generations Since as Seen in Drug Use, Fantasy of Fusion, Vampire Apocalypse, and Being Gratefully Dead

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Perinatal Arising in Sixties and Generations Since

Mia-Wasikowska-in-Alice-i-001Other evidence for closeness to the perinatal unconscious comes from Kenneth Keniston, who studied the youth of the Sixties. In Keniston’s widely read book of the time titled The Uncommitted: Alienated Youth in American Society, he described an increasingly prevalent, unusually influential, and relatively newly emerging personality type, which he discovered in his sociopsychological study of youthful college students.

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Raging to Reenter, Digging Under Ground, Fantasy of Fusion

tumblr_m2mup5pJCy1rqs9pco2_500Among other traits, he found these youth to be characterized by fantasies of a “rage to reenter” the womb; and a “fantasy of fusion” with the mother, which took perinatal forms of all kinds including stories of wishing to dig one’s way back into the earth; a fascination with and wish to return to the past, the long forgotten, and the under ground; and a desire to find oblivion in some enveloping medium…even at the price of self-destruction!

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Existential Angst, Death and Dying, Peter Pan

kumbaya8065543_origSome of the other noticeably perinatal elements of Sixties youth were existential angst, being enamored of death and dying, and a refusal of “normal” adulthood. (See BPM I, BPM II, and BPM II.) And think about it. Are these descriptions also not a lot like what we have heard of the generation that followed Sixties youth…the so-called Generation X?

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Vampire Apocalypse…It’s All So Black and White

For Generation X, black clothes, white painted faces, and black lipstick were the fashion statement of the Eighties and Nineties.

And what was this statement of that sector of Gen X youth—a statement that began in the tzun1034lSeventies among what was then called the “punk” movement, which includes now the fad of vampirism—except the same fascination with death as Sixties “alienated” youth…again. This mental set is an obvious reflection of the death/rebirth aspects of the perinatal I’ve been discussing. The “perinatal veil” through which they saw things was becoming more blatant.

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Being Gratefully Dead

tumblr_lksstreQNh1qjtn0ko1_500But this trend began with the Boomer Generation. Need I remind of this same theme of being dead and then reborn coming from the Sixties as in being “gratefully dead”? It seems that this trend toward easier access to and higher awareness of perinatal influences has been going on for a while now.

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A Perinatal Printout Is Indicated by Drug Use

new-moon-italy2_l6348266.binThere are other perinatal similarities between the youth of the Sixties and the generations to follow—this time specifically with the Millennial Generation, the one that followed Gen X and who are predominantly the sons and daughters of Boomer parents. Millennials were born after the mid-Seventies; they are a different cohort from those born 1960 till roughly 1974—Gen X; and those born 1945 to 1959—the Boomers.

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Drug Usage Rising Since the Nineties Shows Perinatal Attraction

thinkingattherootsofthings2Nine-Days-of-CreationIllegal drug use among youth, beginning in the Nineties, began going up again. This coincides with the coming into young adulthood of the Millennial Generation. Unlike drug usage of the legal and mind-debilitating kind (booze and tobacco), drug usage of the illegal and mind-facilitating kind (pot, LSD, speed, ecstacy) is an indication of an emerging confessions01148522632perinatal unconscious. Drugs are intimately woven with perinatal influences in a number of ways. Not only can some drugs bring up birth feelings, as Grof’s work has shown, but the mother being drugged while giving birth to her child can result in drug abuse by that child later in life.

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Generations – Their Drugs and Politics. Gen Xers Are Fifty-ish, Millennials Are Sixty-ish

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An Aside on Drugs and Generations—Sixties, Gen X, Millennials and Their Parents

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Millennials Are Sixty-ish

Furthur.trpld (2)There is another overlooked factor or aspect of this rise in drug use in the Nineties by Millennials: These youngsters were the sons and daughters of the Sixties generation who, in their own youth, as we all know too well, engaged in drug experimentation. In fact, this younger generation of drug users has sometimes been called the baby-boomer “echo” generation.

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Gen Xers Are Fifty-ish

images (22)tb-racist-fiftiesMillennials are quite a bit different from the previous “echo” generation — Gen X. The generation that came to age during the Eighties—Yuppies and Xers—had parents who were father-knows-bestborn during the Great Depression and imagfghjhesWorld War Two, who had their young adult formative years during the Eisenhower — Joe McCarthy –Presley Fifties. So Gen X was influenced by their parents to conservatism, career-mindedness, and, for drug-of-choice, alcohol.

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But this “echo” generation of Millennials has parents whose young adulthood was forged in the rebellion, drug and sex experimentation, activism, liberal-radicalism, and idealism of the Sixties, not the Fifties. [Footnote 6]

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Forget What You’ve Heard About Generation Gap

bli_18_672-458_resize080226_recreate-68-1Generationally speaking, we know that children do not predominantly rebel to the opposite of their parents’ values. Kenneth Keniston, for one, has made it clear—referring to studies—that children are paramountly influenced by the values and attitudes…conscious and unconscious…of their parents. So this most recent cohort of youth was of course going to be more liberal in their attitude to drug use than Gen X, even if their parents, in their coming into adulthood, overtly decry or are against the use of drugs. Keep in mind also that many of the baby-boomers have retained, not reversed, their acceptance of drug experimentation, and many still believe in and use drugs; many still considering the occasional use of certain types—especially the psychedelics, and to some extent, pot—to be an aid to self-development and/or spiritual awareness.

Family Lies Not “Family Ties”

family-ties-kitchen-delish-xlFamilyTiesAlexKeatonBeingConservativeWasBSThe myth that youth rebel against their parents’ values was expressed and propagandized by the TV show “Family Ties.” happy-days-castThis was an oh-so-convenient portrayal, as it contributed to the pervasive scapegoating of the Sixties generation by the Fifties Generation—the Eisenhower–Joe McCarthy–Presley generation—who came into their Triumphant Phase, that is, took over the reins of society as mature adults in the Eighties.

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Rebellion in Youth Amounts to Being Uncompromising About Parents’ Values Not Defying Them

kent-state-tear-gasimagesdddThis “Family Ties” kind of rebellion, however inaccurate, seems to be credible largely as a result of the observation that youth do rebel against their parents. But it kent-state-solidarityignores the fact that when they do, and they don’t always, they revolt or rebel, as in the Sixties youth, most often in the direction of being more insistent of actually living the values of their parents, not simply voicing them. As Keniston found out, for example, as he described in his follow-up to The Uncommitted, in the book, Young Radicals: Notes on Committed Youth, radical youth had liberal (hardly conservative!) parents.

garry_winogrand_kent_state_demonstration_washington_dc_1970__printed_1970s_gwf_35_471x471_q80When Sixties youth were angry at their parents it was out of their perception of their parents as compromising and not living out their own expressed ideals, as laid out to their children in raising them. Therefore, Sixties rage against adults came out of their disgust at their parents for “not walking their talk.” As we may recollect, there was the oft-repeated charge of “hypocrite” directed by some of these youth toward their parental generation.

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Millennials and Their Sixties Parents

In this regard notice also that this latest crop of young—born mid-70s through roughly 2000 (Boomers had children over a longer expanse of time than generations previous and since, for reasons that I’ve dealt with in other places) Michelle_Obama08_1335and being now in their twenties and thirties…the sons and daughters of the Sixties Generation—has also seen increases in voting for liberal or Democratic candidates. Their turnout for Clinton in 1992 was the first time since the Seventies that the youth vote went Democratic. Their support of Obama was widely given as the reason for his success.

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Occupy Wall Street … Sixties Gen Liberals, Millennial Revolutionaries?

3-1278469994-bg-make-love-not-waryuppieIn the Nineties we saw — despite the AIDS scare — an end to a fledgling “youth celibacy movement” — which had been a movement of Yuppie/Gen Xers encouraged by their Fifties Generation parents. The Millennials, s-OCCUPY-WALL-STREET-MARTIN-LUTHER-KING-large300echoing again their parents and this time the sexual revolution, were noted for early and/or increased sexual experimentation.317004_10150363071620658_572805657_8804589_667246355_n This latest cohort of youth also has seen increases in idealism, activism, and volunteerism. It is no coincidence that we have finally seen a rising up of activism again in the occupy wall street movement, with Millennials taking the lead and supported, taught, and inspired by their Sixties cohort parents. [Footnote 7]

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Tune Inward, Turn Back, Drop Down – Psychedelics, Depression, and Those Nasty Birth Feelings

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Perinatal Propensities in LSD Use … Lucy in the Sewer with Depression and No-Exit Wombs

The Epidemic of Depression Shows Pervasive BPM II Influence

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Lucy in the Sewer with Depression

Other connections between drug use and perinatal influence: Perinatal feelings are very often of the depressive, no-exit type, and some drugs are temporarily effective antidotes for that. Depression itself is epidemic nowadays, indicating the rise of BPM II feelings. There is widespread use of antidepressants in America currently.

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No-Exit Wombs

imageStanislav Grof has claimed, based upon the tens of thousands of sessions of exploration into the perinatal unconscious that he has personally facilitated and thus thirdmanobserved, that the roots of endogenous—that is to say, deep rooted and engrained, not just situational—depression lie in the no-exit BPM II experience in the womb prior to birth. Furthermore, my personal experience with depression earlier in my life and my primal re-experiencing of prenatal, womb feelings, as well as birth, confirms his statement.

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Psychedelics and Birth: Tune Inward, Turn Back, Drop Down

60s.lsd.mygeneration.breakthrough.peacockby05i kissesFinally, psychedelic drugs..LSD… “they’re ba-a-a-ack.” Though they are more discreetly used these days and so are less obviously evident. Various psychedelics and hallucinogens are used at postmodern raves, among many other places.

Their increased use also points to perinatal influences in that it is known that psychedelics—LSD in particular—can help people to access and to some extent resolve perinatal trauma, when taken for purposes of personal growth.

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Corrective on LSD Misinformation

art-image-by-joe-bergeron1 - CopylonelygirlFor those who have cynically adopted the line that either psychedelics are another drug that blots out one’s Pain or that they are only used for recreational or sensual/hedonistic purposes or that the kinds of birth experiences that Grof describes as occurring on LSD only occur in supervised and guided sessions, like the ones he offered…for those who have dismissed psychedelics and LSD in any of these ways, let me say,

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LSD is Hardly Escapist

imagfdhjfklgesFirst, psychedelics, especially LSD and to some extent, even marijuana, are known to act in the brain in a way almost exactly the opposite of the drugs used to escape from reality—such as, for example, alcohol, nicotine, or heroin—though this news flies in the face of the myth put out by the all-encompassing anti-drug propaganda machine, which puts all drugs in the same category. This Galaxy_Gardenis common knowledge among researchers and scientists who study these things. For elaboration, see Culture War, Class War Chapter Three: Drugs of Choice and Generational Cultures – Opposing Worlds—especially the part on “Drugs and Consciousness“—as well as subsequent chapters of that book/blog.

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Drugs—Not Just for Fun Anymore

wohpesiouxTuneInwardTurnBackDropDownSecond, that drugs are only used for recreational purposes is patently false. Though the vast majority of drug use is recreational, there are in print many examples, and the admissions of many authors, of the use of LSD by individuals and groups for purposes of personal 298009_1510005046893_1737376259_743931_1500214464_ngrowth. Accession480pxAnd, in my own limited exploration, personal growth was my motivation. In fact, many people are afraid to take the drug LSD, knowing full well that its effects are not always pleasurable or recreational. So why would they accept that risk if they did not have some other intent, like personal growth, for experimenting on themselves with it?

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LSD and Birth Reliving

sun-babyNine-Days-of-CreationFinally, before I had ever heard of such a possibility of reliving one’s birth, let alone heard of Grof, or Janov for that matter, I learned that at least one person at my university on LSD found himself feeling like a fetus and then going through a process of struggling through a birth canal, and so on.

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“Most Peculiar, Mama!”

In this book so far, we have considered the uniqueness of our times and the elements of the perinatal unconscious. happy_dancing_friday_19We have followed that with a look at the predominant underlying fantasies and myths of our times—our contemporary collective dreams as projected onto the silver screen, boob tube, and printed page, with a perinatal rock heartbeat of a soundtrack.

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Our Nightly News and Neighborhoods

imasgsgfgesFinally we have taken a look at the anomalous elements of our everyday reality — those confusing and bizarre, newly emerging woodstock1images that permeate our nightly news and neighborhoods, along with those totally unprecedented cultural, environmental, and social factors that weave the backdrops of our lives.

Going Forward, Explore Our Hells and Heavens

5va0imasdfgsgesLet us now go deeper. Let us make the connections. Let us explore the way we have reflected our innermost intimate hells and heavens into Images-of-Scotland---The-Innocent-Railway-Tunnel-Edinburghthe fabric of our times. And back again, let us uncover the way the warp and woof of vortex-matrix-500x333these strangest of days has affected each of us, in our most superficial of behaviors to the most intimate and deepest of our minds. The way forward is down.

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Continue with Apocalypse No! Chapter Ten:
Birth Wars, World Woes

Return to Apocalypse No! Chapter Eight: The Perinatal Media

Footnotes

1. Alvin H. Lawson, “UFO abductions or birth memories?” Fate, 38(3) March 1985, pp. 68-80; and Alvin H. Lawson, “Perinatal imagery in UFO abduction reports.” In T. Verny (ed.): Pre- and Perinatal Psychology: An Introduction. Human Sciences Press, New York, 1987.

2. Alvin H. Lawson, “Placental Guitars, Umbilical Mikes, and the Maternal Rock-Beat: Birth Fantasies and Rock Music Videos.” The Journal of Psychohistory 21 (1994): 335-353.

3. Daniela F. Mayr & Artur R. Boelderl, “The Pacifier Craze: Collective Regression in Europe.” The Journal of Psychohistory 21 (1993): 143-156.

4. This obvious though insistently overlooked fact has scientific support, of course:

According to a study conducted by scientists from the Scripps Institute there is less oxygen in the atmosphere today than there used to be. The ongoing study, which accumulated and interpreted data from NOAA monitoring stations all over the world, has been running from 1989 to the present. It monitored both the rise of carbon dioxide in the atmosphere and the decline in oxygen. The conclusion of that 20 year study is that, as carbon dioxide (produced primarily by burning fossil fuels) accumulates in the atmosphere, available oxygen is decreasing.

Carbon dioxide seems to be almost the total focus of attention in the climate change model as it exists today. After reviewing the results of this study and talking with Dr. Ralph Keeling (one of the lead scientists on the study), it seemed to me that the consequences of atmospheric oxygen depletion should be included in any discussion of atmospheric change….

Read more: “Atmospheric Oxygen Levels Fall as Carbon Dioxide Riseshttp://blogcritics.org/scitech/article/atmospheric-oxygen-levels-fall-as-carbon/#ixzz1ru2460V8

5. A. Briend, “Fetal Malnutrition: The Price of Upright Posture?” British Medical Journal 2 (1979): 317-319. [return to text]

6. See my blog/book Culture War, Class War, especially Chapter Two: Matrix Aroused, the Sixties and Chapter Four: Drugs of Choice and Generational Cultures – Concocted Worlds and Chapter Five: The King Won’t Die – An Aborted Changing of the Guard.

7. These aspects and generational phenomena are spelled out in more detail in my work-in-progress, Regression, Mysticism, and “My Generation.” Right at hand, however, you can read an elaboration of some of these ideas in the chapters mentioned in Culture War, Class War—especially Chapters One through Seven and the post, Awakening Millennial Generation Occupy Global Revolution.

Continue with Apocalypse No! Chapter Ten:
Birth Wars, World Woes

Return to Apocalypse No! Chapter Eight: The Perinatal Media

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Birthing Into the Media and the Perinatal Zeitgeist: Everything You Always Wanted to Know About Being Born But Were Afraid to Ask

Apocalypse No! Chapter Eight: The Perinatal Media

ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Everything You Always Wanted to Know About Being Born

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize our times.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds…And Oh, the Shark Has Pretty Teeth, Dear…

clip_image003_thumbIn these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time—”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and was overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention.

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

clip_image005_thumbAlso, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

clip_image007_thumbSpeaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A Hundred Monkeys and Counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

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Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

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The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

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There is lots of violence, and of course also sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable

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Newborns and Monsters and Hells, Oh My!–Of Time Travel, Claustrophobia, Cesarean Births, and Death by Vegetable

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Monsters, Vaginas, and Hairs, Oh My!

4340imagghgfjjesRecurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

clip_image00110511066-largeOne most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

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Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

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Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

imagdfhuesThe perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, clip_image003the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

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“Noah, How Long Can You Tread Water?”

neo-wakes-upclip_image004Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before charybirdsbirth, placental fluid. nightmare.2989618237_1_3_5JdRXsNxNear the end of gestation, the mother, when standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

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Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

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Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

clip_image005428004336_a0275cf170Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

Fire In The Sky 2

Told You I Didn’t Like Vegetables!

Alien-mouth-e1288810712566Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. thestuff9The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

Pink Floyd - The Wall - Cover

Gag Me With a Toxin.

matrix-pod (2)This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids clip_image007from the neonate’s mouth by the attendants immediately after birth.

This latter connection—the ungentle mouth cleaning of birth fluids—I can personally validate through my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence its popularity.

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Becoming Thingified – Modern Birth Tells the Baby, “Welcome to the World, Now Screw You!”

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“Welcome to the World, Now Go to Hell!” – A Baby Becomes Thingified Through Modern Birth

Treated Like a “Piece of Meat”

clip_image0071enchufesThis practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the neonate—can leave one with lifelong feelings of being treated like a “thing.”

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The Wall Movie 1982 (7)

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The Wall Movie 1982 (18)

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b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_hbrainwouldntdieMany report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

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428004336_a0275cf170_thumb1images (2)These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

Jacobs-Ladder-Artcrpdimage_thumb22This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb.safe_image.php Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Fire In The Sky 2

Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

Fox_Mulder's_abductionMonica-Bellucci-Photoshoot-Matrix-Movie-9By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

MSDTORE EC0252886707crppdConfused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, robocop07because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, medusa3to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms,medium_wruef9ycqa0crppd they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of coursethe-matrix-revolutions-give-me-a-chance-film-photo-u1crppd both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

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Welcome to the World … Now f u

blog pic 2 (8-6-11)89615_v1Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, robocop20feel manipulated and used, bush_borgtreated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other -SGC- Unnatural eyes packCRPDpeople, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

silence1This also sheds light on the seemingly “mindless” devils-advocate-560-thumb-560xauto-30306violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be teacherteethMacting out edsullivancartoontheir “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

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All in All, It’s Just Another Face in the Wall – Threatening Enclosures From Which One Wishes to Push Out or Escape

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All in All, It’s Just Another Face in the Wall – Enclosing, Threatening Things That One Wishes to Push Out or Escape From

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Faces Coming Out of the Walls

TheWallFaceScreama-brazil-criterion-single-720-brazil-4crppdI would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

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hopkinscrosbycrppdWe have had, over and over again, the image of the “evil fetus” erupting from the abdomen,AlienChestburster as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing (see the previous section titled, “Gag Me With Asparagus“).

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Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

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Ventura Out of the Womb

clip_image002A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carrey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

ultrasound2019-apr-07He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working Scream6gafter a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

Potter-Frontcrppdfacetotal_recall_stomach_creatureWe witness the actual “birth”: Jim Carey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

CareyEmergingFromRhino

Couldn’t Fight Your Way Out of a Plastic Bag!

hoardnewspaper (2)TotalBitchStoleOurMilkCrippledOurNationOther examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Scream7g (2)Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal,b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_h as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

headbangingExistential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs Robbieabysswhich become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells,Open mask solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of total-recallthe entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

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This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

1218885566_5__3ji-e1320373810749This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

hell_night_3These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

Pink Floyd - The Wall - CoverBut the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

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Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians

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Worse Homes and Gardens – Houses, Prisons, UFOs and Spaceships, Dungeons … and Their Obstetricians clip_image0023

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

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To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves clip_image0043once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

image_thumb17_thumbHouse; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boat, especially a submarine; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

Open mask_thumbIn the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

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The Wall

wall-poster_thumbIn the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_h_thumbWe have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

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Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out in the previous post/section, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.


Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

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clip_image007_thumbI remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

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Related to this, taking this theme back in time, clip_image0023is the ideas of dungeons or castles…with mad scientists, no less—obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Through the Looking Glass Into Parallel Universes … But “There’s No Place Like Home”

Through the Looking Glass Into Parallel Universes, But “There’s No Place Like Home”

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

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I might start by pointing out the element of there being another realm small_portal pepper spray copinto which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. jacobs-ladder-mccaulay-culkin-and-tim-robbins_thumbWe see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

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“There’s No Place Like Home.”

clip_image004EnglishGrof_DifferentDoorwayiconBut death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

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Wizard_Oz_Pepper_Spray_PigIn this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

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Through the Looking Glass

Mia-Wasikowska-in-Alice-i-001Secret-Garden3And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course),Close_Encounters_of_the_Third_Kind which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

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The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

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The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

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Verny_SecretLifeiconLeboyer_BirthViolenceiconThis depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

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Aliens, Abductions, Hell … Birth and Death: Freedom Is Just a Membrane Away

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Aliens, Abductions, Hell, and Fear: Freedom Is Just a Membrane Away

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Love, Fear Relationship

Escape-Alcatrazfrighteners05-thumbTo put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see in the next chapter, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

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To Hell With It…

clip_image001 13So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

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In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

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Face Me, or You’re Mine!

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t10001And this book is primarily about that necessity to face the ultimate and horrible truths if we are to save ourselves. Not only are we closer terminator-2-1crppd2to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

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Fear and Freedom … Only a Membrane Away

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zyjbq2d56rkznqfucrrpd2Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

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Perinatal Spamming

T-1000We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

metaphysics

terminator-2-1crppd1imadddgftggesGetting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

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All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced. There is no doubt that we are letting our newest members know they will not be able to move freely in life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.

Baby Abductees and Masked Medical Aliens

Fox_Mulder's_abductionFinally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an Jacobs-Ladder-Artcrpdthe_joker_straight_jacketalien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

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wyeuacsd2gb6bgsThe point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.

Birthing Into Everyday Life

clip_image006imadddddgesWhether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, Earth rebirth or apocalypse—will be something for us to consider further on.

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Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.

Continue with Apocalypse No! Chapter Nine:
Twenty-First Century Life –
Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

Enjoy your own virtual emergence by following the pics below:

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Picture 8

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Now add a blissful period and go back around again; that’s the way it works in life.

Continue with Apocalypse No! Chapter Nine: Twenty-First Century Life – Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spiritwebsite:‘Independence Day’: Pre- and Perinatal Adventure in Film.”

2.The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh

3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed

Continue with Apocalypse No! Chapter Nine:
Twenty-First Century Life – Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

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