“To the extent one lowers the barriers of early pain and the mental defenses from it, you also can feel such Divine instruction, as “instinct,” say Planetmates

“…there would be much more “instinctual” knowledge available to you — and is available to you — were you, for reasons of your birth and infancy and the way they have caused you to run away from the feelings in your bodies, not split off from them. Indeed, to the extent that you have not run away from such pain, or to the degree that one has turned and faced and integrated that pain and reconnected with one’s body, you do feel and receive such specific “instinctual” instruction.

“In fact, think of it, when we say we do not know where those messages come from, which we experience in the body, do you see that, to be more specific, we know them to come from the “divine”? For they are “instructions,” as it were, that guide us in the care of ourselves in life and the carrying out of our life’s actions along lines most beneficial and pleasurable. And other than a force that is comforting, beneficial, and wiser than our limited selves, what else is the Divine? For certainly that is enough for us. Keeping that in mind, do you not see that it is the same for you? And that to the extent that one is able to lower the barriers of early pain and the mental defenses that arose from it, you also can feel such Divine instruction … of an increasingly more specific quality … and become more “instinctual.” Or, in your words, divinely inspired or guided by God.

“Backing up, so you denigrate our experience as “instinctual,’ when it is no different from your own experience of life … and if there is any difference it has to do with the greater access we have, the stronger and clearer connection we have, with a wisdom and beneficence beyond our limited selves, which you have separated from, but which is still accessible deep inside you, below the levels of your early pain. Just because we have more access to Mind at Large, which contains all information and knowledge, does not mean we are mindless, feelingless machines. Does it not mean the opposite? Indeed, we are your angels in nature, as we said earlier.

“So, keep in mind, our “instinct” is what guides us in having the experiences of the joy, pleasure, and happiness of life … something you have lost so much of. And it hardly matters where it “came from.” Certainly, the fact that we are more divinely inspired is no reason to trivialize our experience, or our knowledge … any more than you should demean the brilliance of your Shakespeare or Einstein or Jesus just because they happened to have found a way to stay or become sensitive to the wisdom of the Universe and the Divine, which is everywhere around, but which you, most of you and for the most part, block yourself from feeling.

“And for us this pleasure and joy, this “instinctual” guidance, includes having offspring. It is another capacity that wants to be actualized, which, in doing so, planetmates feel pleasure. It also is not a chore, or work, which for you it has often become.

“But you also know what life is that is lived under the direction of the Divine instead of the direction of higher ups, extracting from you the suffering equivalent to the control of you, which is termed work. 

For, you ask a child digging in the sand with a shovel if that is work. Ask the athlete if clearing the bar when pole vaulting is work. Ask if it is work to sidestep all tacklers and throw oneself over the goal line. Ask the sculptor if fashioning stone and watching her or his vision of it emerge from it is work.

“Lion cubs fight and wrestle with each other. You say they are just preparing themselves for an adult life of struggle and fighting off predators. Really? Do you really think they are taking it on like a class, or exercise regimen, and not just having fun?

“At any rate, creative people know what we are talking about. They know about the work that is not work, that is actually play and conducive to joy. And they know about that magical, “instinctual” knowledge that comes to one precisely and specifically. For they know that their “works” (their “plays”?) have to be just so. When it fits with their “instinct” — their unconscious knowing which only comes out in actions of following it or expressing it — they know it is done and it cannot be any different. As Amadeus, in an ironic tone, said in the movie when someone criticized his composition for having “too many notes,” “Just exactly which notes would you have me take out?”

“So for the artist in any medium, the creative product arises as if it was done somewhere else, by someone else, and one is just the channel for it. Upon its completion, it feels as if it had come forth perfect and precise in all its details … springing, as it were, “fully formed from the forehead of Zeus.” So this is instinctual knowledge, of a sort, which ultimately comes from a place beyond themselves and ourselves.

“But with sedentary ways you forgot all that and you created work, which is the non-divine actions emanating as urges, not from the inside and the body (ultimately the Divine), but from the outside, driven and pushed by coercion. Rather than the positive reinforcement one receives in following one’s “instinctual” guidance, which makes of one’s life a happy one, acting in response to the promptings of the outside is largely a product of negative reinforcement. One is not, as in Nature, just rewarded when one follows its promptings, one is punished when one does not. Overall, such a life is not a happy one….”

Pt 3 of 25rd prasad — Family Fortress. .  

— from Planetmates: The Great Reveal – by Michael Adzema’s is available in print and e-book format on April 25, 2014

 

ABOUT THE AUTHOR, Michael Adzema. Video below … interviewed by Michael Harrell

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https://www.youtube-nocookie.com/embed/2mm9OBbYjRE

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— Related: See also other published versions of these ideas….

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*Dance of the Seven Veils  I* (2017). 

At Amazon at

https://www.amazon.com/Dance-Seven-Veils-Psychology-Mythology/dp/154243632X/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr= 

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*Prodigal Human: The Descents of Man* (2016).

At Amazon at

https://www.amazon.com/Prodigal-Human-Descents-Return-Grace/dp/1530838134/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1485034667&sr=1-1 

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*The Secret Life of Stones: Matter, Divinity, and the Path of Ecstasy* (2016).

At Amazon —https://t.co/WMyo609jCi

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*Wounded Deer and Centaurs: The Necessary Hero and the Prenatal Matrix of Human Events* (2016).

At Amazon at

https://www.amazon.com/Wounded-Deer-Centaurs-Necessary-Prenatal/dp/1499653999?ie=UTF8&ref_=asap_bc

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*Funny God: The Tao of Funny God and the Mind’s True Liberation* (2015).

 At Amazon at

https://www.amazon.com/Funny-God-Minds-Liberation-Return/dp/1499504845/ref=sr_1_7_twi_pap_2?s=books&ie=UTF8&qid=1485034771&sr=1-7

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*Falls from Grace: The Devolution and Revolution of Consciousness* (2014).

At Amazon — http://amzn.to/2anYVzi

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*Planetmates: The Great Reveal*(2014).

At Amazon at

https://www.amazon.com/Planetmates-Great-Reveal-Return-Grace-ebook/dp/B00JZ418DA?ie=UTF8&ref_=asap_bc#nav-subnav

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Experience Is Divinity: Matter As Metaphor  (2013).

At Amazon — http://amzn.to/2aeeZUA

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 *Apocalypse NO: Apocalypse or Earth Rebirth and the Emerging Perinatal Unconscious* (2013).

At Amazon at

https://www.amazon.com/Apocalypse-NO-Return-Grace-Book-ebook/dp/B00FG09NNE/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=&sr 

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*Apocalypse Emergency: Love’s Wake-Up Call* (2013).

At Amazon at

https://www.amazon.com/Apocalypse-Emergency-Loves-Wake-Up-Return/dp/1492810355/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=

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*Culture War, Class War: Occupy Generations and the Rise and Fall of “Obvious Truths”* (2013).

At Amazon at

https://www.amazon.com/Culture-War-Class-Generations-Obvious/dp/1492864021/ref=asap_bc?ie=UTF8 

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See Michael Adzema at Amazon for any other of the twelve books currently in print.

At https://www.amazon.com/Michael-Adzema/e/B00J7F0URC/ref=dp_byline_cont_book_1 

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Invite you to join me on Twitter: http://twitter.com/sillymickel

friend me on Facebook: https://www.facebook.com/sillymickel

Loving Warriors and Silly Heroes: The Necessary Hero Dances Above Dissonance, Lightens Up in the Face of Stress, and Sees Divinity Not Demons Behind It All

Play Cards with Your Dragons: The New Hero’s Cycle Involves Surrender Not Struggle, Sacrifice Not Slaying, Compassion Not “Toughness,” and Silliness Not Stoicism

Apocalypse – No! Chapter Thirteen: Peaceful Warriors and Silly Heroes

You Just Can’t Slay a Volcano: The Necessary Hero Uses Surrender, not Struggle … For Why Would You Not Be Borne Up by a Universe That Is You

We Need Compassionate Warriors, Not Fighters: It’s Not Enough Just to Slay Dragons, We Need to Jump Into Volcanoes

Volcano-Jumping: A Different Heroic Response

This different kind of heroic response—which characterizes the perinatal arena and is sorely needed at this time in history—is exemplified in another contemporary movie of cult status. We will deal with it in some detail to bring out the elements of the kind of hero that is now required to stop the cycles of destruction that have currently driven us to the abyss…to the very edge of a “volcano.”

In “Joe Versus the Volcano,” the main character, played by Tom Hanks, is given a heroic task. But unlike a typical hero’s cycle task which stereotypically involves the slaying of a fire-spewing dragon, Joe is asked to give up his life by jumping into a fire-erupting volcano.

The connection between volcano and dragon is that at the second-line or psychodynamic level the fire-spewing aspects of the perinatal, which might be compared to a volcano, can be seen as “embodied” or reduced in the form of a dragon. In the same way, the volcanic energy of perinatal feelings is initially embodied in easier-to-face and “dragonized” psychodynamic, second-line, or childhood traumas and feelings.

You Just Can’t Slay a Volcano

But what may seem to work at the second-line or psychodynamic level—the conquering or slaying of negative feelings…and notice that I said “seem”—has no place at all at the perinatal. For here the pain energy is overwhelming and pervasive. Thus the difference is analogous to that between facing the energy of a dragon and facing that of a volcano.

The Heroes We Need – The New Hero’s Cycle

First Anima, Then Community

Keep in mind that this movie shows Joe, earlier on, going through all the major stages of the hero’s cycle—the retreat from mundane reality, the sailing off into a new and exotic realm of existence and adventure.

It even depicts a typical “dragon slaying”—the hero’s conquering of inner fears and risking of one’s life for another that results in the uniting with anima energy–the saving of the damsel. So earlier on there is a dealing with psychodynamic energy, just as in “Nothing but Trouble” Chevy Chase deals with psychodynamic material and enacts a dragon slaying by risking his life to rescue Demi Moore from a giant chopping machine. But, also similarly, this results in the opening up of another level, requiring a completely different—indeed, opposite—response. Thus, in “Joe Vs. the Volcano,” Joe is asked to give up his life to save an entire community, not merely to risk his life to rescue his anima, his feeling self.

Risking It All

The ensuing plot has interesting elements as it shows Joe having to decide whether to sacrifice his newly won relationship with his anima ally for the benefit of an entire—but anonymous—community. This demonstrates that at a progressed level of the spiritual process—that having to do with one’s inter-connection with the larger community of living things, not just one’s personal unconscious—one must risk even one’s newly regained creativity, inner child playfulness, and personal feelings, i.e., one’s anima.

But in telling fashion, in order to make the higher “community” sacrifice the anima elements that have been let go of, symbolized by Meg Ryan as the anima damsel, end up going with Joe to his chosen fate and are borne up, renewed, along with him.

Borne Up by a Beneficent Universe

On Joe’s part, the climax shows the same quality of a beneficent Universe aiding a true and dharmic heart. Joe (with his anima) face what they think is death. Instead they find themselves “borne up” by the volcano, not consumed; and they are deposited (reborn) in a typical perinatal watery surround—the ocean, symbolizing therefore a spiritual birth. This is a perfect depiction of how surrender, not “heroic” resistance, is done and why it needs to be done currently, as I have been pointing out.

“Away From the Things of Man”

In the end, the main characters are floating in the middle of a wide open sea—signifying the immensity of potentiality that is now open, and facing a gigantic moon on the horizon—symbolizing the beneficent nature of the Universe to which they are opening, that is, it is beautiful and lit with possibilities.

They are seen sitting on only their luggage—symbolizing the “stripped down” nature of the self, that is, stripped of ego trappings of status, vainglory, defenses, and so on. Their final comment at the very end of the film is that they do not know where they’ll end up but only that it will be “away from the things of man”—indicating their desire to never go back to the drama of ego and its puerile catacomb pathways of darkened experience.

The Universe Is You

We see then that in this movie, like “Nothing but Trouble,” the heroic response required is surrender, not resistance or control, and that the response from the Universe is cooperative and helpful, and hardly antagonistic as was feared, especially at earlier levels.

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This is in keeping with the discovery at the perinatal, which borders it on the transpersonal, that in fact the Universe, not only is not antagonistic, not only is beneficent and helpful, but in fact is no different from oneself, indeed is oneself…and one begins to wonder why one would ever expect not to be borne up by a Universe that is now seen as inextricably united with one’s Self.

Note

While the interpretation of Joe Versus the Volcano presented in the video below – Joe vs. the Volcano: Losing my Soul, Part One – is annoyingly suffused with theological terminology – hell, devil – and suffers from the paranoia that happens lacking a perinatal or even a Jungian understanding, it does succeed on a more superficial level of basic insight. It does get the highly metaphorical and philosophical import of the film and picks up on major themes of the movie. It strikes me as having the problem of just understanding religion while knowing nothing about psychology. And it suffers, as I’ve put it elsewhere, from the problem of projecting one’s perinatal underbelly onto the Universe or of funneling revelation through the filter of personal pain.

Silly Heroes and Evolution in Attitudes to the Perinatal: The Necessary Hero Jives with the Monsters, Dances Above the Dissonance, and Is Ever Aware of Divinity Everywhere

What the World Needs Now … Is Loving Warriors and Silly Heroes: Jiving with Your Monsters, Dancing Above the Dissonance, and The Universality of Divinity Remembered

Responses to the Perinatal

Returning now to “Nothing But Trouble,” an aspect of it that has significance for dealing with perinatal issues is the way different characters are shown responding to the embodiment of arbitrary justice, the judge. In the wonderfully Kafkaesque courtroom scenes, we see several different types of people—representing different responses to unconscious material—hauled before the judge. The musicians, signifying artists, creative people; the hedonistic criminals; and the main characters, representing average people, each present distinct attitudes, which are responded to differently by the representative of the unconscious, the judge.

Jiving With Your Monsters

The musicians are able to create rhythm and flow. Therefore they are able to get through the experience unharmed. Indeed, they are even able to elicit a response from the judge—getting him to join in. In this way we see how creative people can actually use perinatal material and get it to cooperate for desired ends. We might consider how this relates to the writing of “Nothing but Trouble” itself.

Peter and Dan Aykroyd, in creating this movie, are, like the musicians in the movie, getting the unconscious to “play along,” to create something beyond what either the writer or the unconscious could accomplish separately. Much of what is interesting in art is done this way: The deeper fear-evoking material is allowed to come in and enrich, enliven, freshen with new ideas and perspectives, stimulate, and invigorate the creative production.

Beware the Tar Baby

On the other hand, the arrogant banker contends with evil, and, like Brer Rabbit with tar baby, gets stuck.

Notice also that the really contentious ones—the alcoholic drug-using criminal hedonists—are completely lost. Thus the two extremes, as well as the average person are depicted.

Lighten Up!

But the truly striking element that indicates an advanced way of dealing with the perinatal material is shown in the genre of the movie itself. As a comedy, it shows a non-attached and transcendent approach. Chevy Chase and Demi Moore, especially Chevy Chase, show an aloofness and silly playfulness in the face of horror and death that has spiritual implications. Like a Tibetan mystic, Chase refuses to get sucked in to the involved drama confronting him. Like a Christian saint about to be martyred, he jokes, teases, and gets silly with the instruments of horror and evil. Similarly, Demi Moore humors and plays cards with her would-be monsters.

Silly Heroes

Standing within the Witness higher self, they are able to take the entire situation lightly—acting and reacting in the moment to each unique situation as it presents itself. One moment Chevy Chase is confronting his own demise, the next moment he is in a love scene. He alternates a frightful encounter with relaxing and smoking a cigar.
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If we want to know what real and transcended behavior is, we might do well to get our hints in the depictions of unattached playfulness — as presented by modern Western actors like Bill Murray, Demi Moore, Tom Hanks, Chevy Chase, Robin Williams, Bruce Willis, and Jim Carey—rather than in the repressively calmed not-with-it-ness—not-witness—that is sometimes mistaken for spiritual attainment.

Darkening Down

Incidentally, this element of humor shows an entirely different way of dealing with the perinatal than most other movies that deal with this kind of material. The movie, “Brazil,” is a good example of this difference. Not only is “Brazil” cast in an eerie, somber, and tragically hopeless and futile air—indicating that one’s response here is to “believe in” the reality of such material—but the only escape in this movie is in a purely conceptual, fantasy way.

The main character cannot face the horror ultimately. He flips out into a reassuring dream sequence brimming with BPM I and BPM IV imagery. Interestingly, reflecting the pattern of progression of our expressions in feeling therapies, the dream includes a BPM III scenario to get him to those later bucolic realms.

But in “Brazil” these are only daydreams. This fact shows a refusal to face this perinatal material or to surrender to it. Rather, in fantasy, one overcomes the horror. It is as if one continues using familiar ego techniques—hero’s journey methods, dragon-slaying methods—for dealing with material on a deeper level where they no longer work—where they are in fact counterproductive.

Thus, these techniques can only succeed in dreaming. Terry Gilliam, the creator of “Brazil,” shows us that the hero, in reality, is doomed.

However, one might interpret the main character’s escape into fantasy as a victory over evil forces. That the ending lends itself so readily to such an interpretation is a telling indictment of the state of progress of some of us in dealing with perinatal material. Apparently, there are those so lost that the only success possible seems to be in insanity or death.

Evolution In Attitudes to the Perinatal?

However, in “Nothing but Trouble,” the main characters do face and deal with all the material. Sometimes they fight it; sometimes run from it; sometimes play with it; sometimes joke, tease, spar, or get silly with it; sometimes are swallowed by it and carried along…but always they are creatively facing and dealing with it. This different air about and attitude towards the perinatal material can be said to be an advance from the earlier movie, “Brazil,” representing perhaps a progression of our collective consciousness in our attitudes and manner of dealing with the perinatal.

Dancing Above the Dissonance

Such a prospect is, indeed, the auspicious legacy of such a creative project. Though it is doubtful they did so consciously, the Aykroyd brothers and the producers of “Nothing But Trouble” deserve our gratitude for their efforts in lighting forward our collective reality endeavor.

Beyond that, we can take hope in the possibility that Western culture may be rising itself, however minimally at first, above the dramas of light and darkness that have plagued it for so long. The Manichean tendency can lead only to ever-spiraling cycles of resistance and assault. Yet we are seeing currently, not only an erosion of defiantly uni-dimensional ego perspectives, not only a movement toward facing and dealing with our inner darkness, but an integration of opposing forces, a dancing above the leela—the play—of light and dark.

The Universality of Divinity Remembered

The perennial understanding of the universality of divinity, both within and without us, in the lowest as well as the highest of places, is the bright at the center of the perinatal bedlam about us. We are guided as well by this gleaming, a rising moon of promise and possibilities.

Continue with Apocalypse – No! Chapter Fourteen:
To Move the World – A Race Against Time

Return to Apocalypse – No! Chapter Twelve: Atman Projects Versus Surrender Solutions

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The Journey to Light Leads Through Perinatal Darkness: Correcting the Arrogant Modern Ego … Religions Are About Control … Spirituality, Surrender

Will We Survive? Putting Our Society “On the Couch”: Control vs. Surrender, Death vs. Life … The Path to Heaven Leads Through Hell

Apocalypse – No! Chapter Eleven: Control Versus Surrender … Heaven Leads Through Hell

Does It Look Like We’ll Duck Armageddon? The Information Tsunami, Ego Erosion, and Movies Are Collective Dreaming

Are the Changes Needed to Avoid Apocalypse Occurring? The “Royal Road” to Our Collective Mind, Putting Our Society “on the Couch”

Is there any evidence that the changes that need to happen for us to stave off apocalypse and save our world are actually occurring?

The “Royal Road” to Our Collective Mind

I have mentioned there are studies of the psychology of generations, beginning with the Baby-Boomers or Sixties Generation, that show both an increased access to the perinatal as well as a tendency to act out perinatal influences in less harmful…though more blatant…ways than generations prior. We have seen that this tendency goes hand in hand with actual engagement in activities to counter the negative perinatal act-outs that exist in our environment, for example, campaigning against war, pollution, racism, violence, and so on.

But in “Chapter Three: The Perinatal Media,” I introduced the common anthropological tenet that the projective systems of a culture—that is, its art and artifacts—can be analyzed to get a glimpse into the worldview of a particular society. For our purposes, I pointed out how our movies are especially potent glimpses into our collective consciousness as well as our collective unconscious. You might say that our cinema is the “royal road” to our collective unconscious.

Movies As Collective Dreaming

Our flicks perform admirably well as collective dreams in that, unlike the other products of our collective consciousness such as other art and artifacts, they are multimedia stories, much like dreams are. But more than that, they are shared by more of the populace than any other art form. I am not including TV separately as an art form, since I put it in the same category as films, especially when many films are broadcast on TV and much else on TV also has the same character of being multimedia stories.

Finally, the strength of a particular element of the collective consciousness can be easily determined by the popularity of a particular movie that represents it or by that element’s increasing inclusion in a number of films. For example, in “The Perinatal Media,” I discussed the emerging new elements of faces coming out of walls and forceful oral insertion.

Putting Our Society “on the Couch”

All together, these mean that, just as a psychotherapist might analyze a client’s dreams to get an idea of his or her unconscious workings and contents, one can interpret mainstream movies to get an idea of the workings and contents of our society’s “collective mind”—both conscious and unconscious.

This is no more complex than saying that when we see things in movies that people rush to see, they are drawn to it because those things are also in their own minds. And the more they flock—the greater the success of a movie—the more pervasive in a society are those themes, elements, and contents. Certain aspects—themes or elements in films—are said to really “resonate” with people and therefore people make the movies that contain them popular and successful.

When this is said, it only means that people are consciously or unconsciously drawn to things that exist within themselves. Conversely, no existence inside? No interest.

So in this and upcoming chapters I will use films as the dreaming out loud of our collective mind. Put less esoterically, I will be analyzing a few examples of mainstream movies for their content, and I will be assuming the content I find there exists as well in the society that has watched it…has dreamt it.

I will also be assuming that movies that are mainstream, by which I mean can be found readily for sale as DVDs on-line or in retail stores and have become part of the popular conversation are indicative of pervasive elements in our collective consciousness and unconscious. They can be looked at for the unacknowledged workings of our society as a whole.

I will not deal with the actual numbers of people who have attended particular movies. For I will assume out of the tens of thousands of movies that are produced each year—by small and large producers—those that have made it into the theaters of virtually all the communities of our society, and from there onto the DVD lists and the shelves of stores of all those communities, have by those facts alone demonstrated their resonance with the collective social mind. Otherwise, we would get into the maelstrom of analyzing critic’s opinions of these movies; and with that, to modify a saying, opinions are like asses: everyone has a different one.

Something’s Happening Here … Again

One final point about the heuristic value of the analysis of films for the workings of the collective mind: Elements and themes in movies change over time. I have shown how new elements may be evidence of new elements of our collective unconscious minds coming into consciousness in detailing how the faces-in-the-wall element has developed. (See “All in All It’s Just Another Face in the Wall.”)

But when old, familiar plots have different outcomes, this is important as well. When elements change or evolve over time, this speaks of something going on. This points to changes or evolutions in our collective consciousness. And when elements and themes and plots change or evolve rapidly, we can accurately say that the changes in consciousness are equally swift.

These are some of the tools we will be using in this and upcoming chapters as we take a look at a few examples of mainstream films and what they might be reflecting back to us about our own society’s changes in consciousness. But first let me say something about what may turn out to be the most important of the thematic evolutions or changes in film elements that we have been seeing.

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Information Avalanche and Pre- and Perinatal Themes

In the last half century we have been hearing a great deal about the need to expand consciousness to balance the negative effects of the extremes of technological advance. Fortunately this change of consciousness is to some extent inevitable—or at least greatly aided—by certain side effects of the technological explosion…specifically in the area of telecommunications.

Ego-Eroding Information Deluge

As cultural boundaries are eroded by a multicultural information avalanche, people are forced to lower their inner defenses and ego boundaries. Confronted by such incoming information people will either take some of it in, learn, and thereby grow beyond their former selves or they will need to expend themselves in an all-out effort to shore them up.

A potent example of the first, currently, is the way people worldwide are opening to and learning from each other using social media via the internet; the revolutionary potential of this creation of an open global consciousness is already showing itself in uprising for democracies and economic justice virtually everywhere on Earth. A clear example of the second—where folks are putting everything into blocking out information and beating back the personal growth that would result—is in the backlashes to these liberal forces, which are also occurring throughout the world—as a Tea Party in the United States and as the fortification of authoritarian regimes from China to Syria and Turkey, from Iran to Israel.

We have seen that the first response—where folks allow the discomfort inherent in personal growth—is typical of a more advanced form of child-caring that is centered on the needs of the child. We know also that the latter reaction goes with child-caring centered on the needs of the care-givers, or parents…and not the child. In this latter instance of parenting, it is understandably called child-rearing or raising a child as opposed to child-caring. We have noticed that the first response goes along with increased self-analysis and introspection and the latter one with acting out, aggression, and culture war.

Information Tsunami Pushes Consciousness Revolution

So, this tsunami of information in all areas, where previously we could smugly hold forth ego-satisfying views, pushes both toward an overthrow of those narrower perspectives and the establishment of broader, more encompassing ones as well as toward an ever increasing irrationality in fending off this information, at any and all costs.

I discussed at length in a previous section how this informational upswelling has led to a need to process it all in new social formats and the rituals of the talk and reality shows.

“Consciousness Raising” As “Shoveling It”

For the most part, this growth or expansion of consciousness, when it happens, is seen as a linear increase and correspondingly is labeled a “raising” of consciousness. This is true whether we are talking about societal or individual progress.

Ken Wilber’s transpersonal theory is the most popular version of such a ladder-style path. In it the process of growth is analogous to that of climbing a mountain or shoveling compost into a pickup truck—one simply moves upward or piles it on. [Footnote 1]

But there are those who think otherwise.

Yes, Tina Turner, We Do Need Another Hero … a Different Kind: The Path to Heaven Leads Through Hell

Religions Are About Control; Spirituality, Surrender. Let Go, Let God to Correct an Arrogant Modern Ego

The Path to Heaven Leads Through Hell

Those in the know about the pervasive pre- and perinatal influence on personality and behavior, and especially those of us actively engaged in working through the effects of such early traumas, are fully aware, like Dante, that the path to heaven leads through hell. We have found that the path to the transpersonal light leads through the psychodynamic and perinatal darkness, that the path up and the path down are parts of the same path outward. [Footnote 2]

A Dark and Hideous Shadow World

Our experience has been that the information avalanche and multicultural onslaught have eroded our personal boundaries to an influx, not only of transpersonal bliss-love-compassion, but equally—and very often, initially—to a dark and hideous shadow world, a backwards bizarro world, of pernicious and insidious disorganized feelings comprised of elements ancient, infantile, pathological, biological, scatological, and perinatal. These are some of the forms spiritual emergence can take, especially initially. And they are the ones most likely to be seen as spiritual emergencies.

Pre- and Perinatal Themes in Cinema

Therefore, it is interesting to see these views confirmed by the bubbling up of psychodynamic and perinatal themes in our collective consciousness as evidenced by current films, books, and music. I have mentioned the pre- and perinatal themes and symbolism in films and explained why, along with other elements of postmodern times, they are evidence of something significant occurring in the consciousness of our age—an emerging perinatal unconscious.

But there is another element evolving in current films which has to do with a changing or evolving collective attitude toward these perinatal elements. And along with a changing attitude, there is evidence pointing to an evolving collective response to it.

Control vs. Surrender, Death vs. Life

“Control Spiritualities” and Patriarchal Cultures

Specifically, a different kind of heroic response, which characterizes the perinatal arena, can be said to characterize the postmodern movies replete with perinatal symbolism. Most striking of all, this different kind of heroic response corresponds to a different kind of spirituality than what is commonly portrayed in this society, or at least has been the norm up until now.

For basically there are “control” spiritualities and “surrender” spiritualities, with rarely the twain meeting. “Control spiritualities” are adapted to patriarchal cultures and involve the use of the ego to “control” and be in charge of even the realms of the supernatural. This is so because an ultimate evil—a devil or Satan—is postulated, which is given equal weight along with God in determining one’s ultimate fate. This type of spirituality is normally what is called religion.

“Surrender Spiritualities” and God As Being Good

But there is another brand of spirituality that is based on a belief in the ultimate goodness and rightness of All That Is. God’s goodness being essentially the dominant force in the Universe, herein it is considered safe to “surrender” in one’s relation to Reality, to expect that one will be guided correctly, in fact perfectly, in the act of letting go. Thus letting go is not to be feared—as in the control spirituality—but is to be practiced and fostered. In this perspective, which we might call surrender spirituality, control is seen as the problem, not the solution.

“Control” and “Surrender” Psychotherapies

Of course these two approaches to spirituality represent two approaches to psychotherapy as well. The control attitude is the dominant mode of psychoanalytically-based approaches—those in which the “demon” of the id is postulated.

The attitude of “letting go” and “surrender,” on the other hand, is the dominant mode of the experiential psychotherapies, which are themselves rooted in the tradition of humanistic psychology with its belief in the ultimate goodness of the human organism and which thus allows a faith in the ultimate rightness of human processes.

“Hero’s Journey” As “Control” Psychotherapy

Since the control attitude, in any of its manifestations, requires the postulation of an ultimate evil against which one must remain vigilant and must fight, the common “hero’s journey” myth—with its typical fighting and slaying of supposedly evil parts of the personality and reality symbolized as dragons and other monsters—is a prevalent focal myth to this attitude. Corresponding to this myth are the emphasis on disciplines and practices seeking to develop the ego and the will…over against the dangers that are postulated to exist in the Universe requiring these disciplines and, so-called, ego developments.

A Different Heroic Response in “Surrender” Paths

Since the “feeling” therapies and the other spiritual and experiential psychotherapeutic modalities with which they are allied are so different in attitude to the traditional “control” attitude, should there not be corresponding differences in myths to exemplify them? Indeed, there are.

In history, the surrender spiritualities have had correspondences in myth in which the dragon is not fought, conquered, and slain, but rather is either tamed and becomes one’s ally or pet—Saint Margaret is the prime example in the West, but this is a depiction prevalent in the East—or else one is swallowed by the “dragon” or monster and, after a while, is reborn.

Jonah is the prime example in the West for this latter depiction. But again this reaction to the fearful dissociated aspects of the personality, or the Shadow, is not a common one in the Western patriarchy, and it is much more common in traditional cultures and in the East.

A Shift to “Surrender” As a Corrective to a Western Overweening Ego?

All of this may be changing in recent times in the West, as once again the humanistic attitude and the new spiritual perspectives, as well as the experiential psychotherapies such as primal therapy, make us increasingly aware of the ultimate beneficence of the body, and of the Universe beyond even that, and of the importance of surrender and letting go as a corrective to the overweening control and defensiveness of the diminutive Western ego.

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Continue with Apocalypse – No! Chapter Twelve: Atman Projects vs. Surrender Solutions

Return to Apocalypse No! Chapter Ten: Where There Is Hope, Cultural Rebirthing

Footnote

1. See especially Ken Wilber, The Atman Project. Wheaton, IL: Theosophical Publishing House, 1980.

2. See, for example, Michael Adzema, “A Primal Perspective on Spirituality,” Journal of Humanistic Psychology, 25(3), 83-116. Reprinted online at the Primal Spirit site at “A Primal Perspective on Spirituality.”

Continue with Apocalypse – No! Chapter Twelve: Atman Projects vs. Surrender Solutions

Return to Apocalypse No! Chapter Ten: Where There Is Hope, Cultural Rebirthing

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Everything You Always Wanted to Know About Being Born … Playing Now, in Theaters Near You!

Projecting the Perinatal Zeitgeist: Everything You’ve Managed to Forget About Being Born

Wounded Deer and Centaurs, Chapter Two: Everything You’ve Forgotten About Birth … Projecting the Perinatal Zeitgeist

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize twenty-first century life.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds … And Oh, the Shark Has Pretty Teeth, Dear…

In these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time — ”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie “Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and were overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention. [Footnote 1]

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

Also, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

Speaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A Hundred Monkeys and Counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

XXX

There is lots of violence, and of course, sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Monsters, Vaginas, and Hairs, Oh My!

Recurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

One most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

The perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

“Noah, How Long Can You Tread Water?”

Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before birth, placental fluid. Near the end of gestation, the mother, when standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

Told You I Didn’t Like Vegetables!

Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

This sequence of pics from an episode of The Outer Limits is a rather good depiction of this. Notice that at the point the object emerging from the mouth is most visible it takes on the form of a vagina dentata. This links the images with birth and indicates the aggressive character of the feelings being depicted, that is, we have repressed anger feelings left over inside us from what was done to us. It is also more than just coincidence that the person to whom this is happening is in a hospital room and is dressed in a hospital gown; the plot is about this woman carrying a baby and this scene happens just after the birth. This is significant for the reason following, which states that this image has its roots in an event that indeed happened right after birth..

Gag Me With a Toxin.

This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids from the neonate’s mouth by the attendants immediately after birth.

This latter connection — the ungentle mouth cleaning of birth fluids — I can personally validate from my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence the popularity of such images in the media of recent decades.

Treated Like a “Piece of Meat”

This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the neonate—can leave one with lifelong feelings of being treated like a “thing.”

Many report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb. Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

Confused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms, they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of course both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

Welcome to the World … Now f u

Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, feel manipulated and used, treated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other people, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

This also sheds light on the seemingly “mindless” violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be acting out their “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

Faces Coming Out of the Walls

I would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

We have had, over and over again, the image of the “evil fetus” erupting from the abdomen, as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing.

Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

Ventura Out of the Womb

A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carrey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working after a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

We witness the actual “birth”: Jim Carrey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

Couldn’t Fight Your Way Out of a Plastic Bag!

Other examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal, as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

Existential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs which become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells, solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of the entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

But the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

House; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boats, especially submarines; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

In the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

The Wall

In the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. We have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out above, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.

Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

I remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, is the ideas of dungeons or castles … with mad scientists, no less — obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

I might start by pointing out the element of there being another realm into which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. We see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

“There’s No Place Like Home.”

But death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

In this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

Through the Looking Glass

And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course), which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

This depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

Love, Fear Relationship

To put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see subsequent chapters, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

To Hell With It…

So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

Face Me, or You’re Mine!

Central to this book is the idea that we need to face the ultimate and horrible truths if we are to save ourselves. Wounded Deer are those people who suffer from closeness to these perinatal truths. Centaurs are those wounded ones who have accepted these facts of life; they have accepted the fact that fundamentally they, as all of us, are wounded. And in embracing it this way they become healers for those who cannot face their truth or who are struggling with doing so.

For not only are we closer to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

Fear and Freedom … Only a Membrane Away

Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

Perinatal Spamming

We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

Getting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced. There is no doubt that we are letting our newest members know they will not be able to move freely in life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.

Baby Abductees and Masked Medical Aliens

Finally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an alien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

The point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.

Birthing Into Everyday Life

Whether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, whether they will they lead to the armageddon that many are predicting or to a consciousness evolution and a new Earth—will be something for us to consider further on.

Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.

To Be Continued with Wounded Deer and Centaurs, Chapter Three: The Perinatal Furniture of Everyday Living

Return to Wounded Deer and Centaurs, Chapter One: We Are a Fever

Enjoy your own virtual emergence by following the pics below:

Now add a blissful period and go back around again; that’s the way it works in life.

Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spiritwebsite: “‘Independence Day’: Pre- and Perinatal Adventure in Film.”

2.The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh

3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed“

Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide

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Silly Heroes and Evolution in Attitudes to the Perinatal: The Necessary Hero Jives with the Monsters, Dances Above the Dissonance, and Is Ever Aware of Divinity Everywhere

What the World Needs Now … Is Loving Warriors and Silly Heroes: Jiving with Your Monsters, Dancing Above the Dissonance, and The Universality of Divinity Remembered

Responses to the Perinatal

Returning now to “Nothing But Trouble,” an aspect of it that has significance for dealing with perinatal issues is the way different characters are shown responding to the embodiment of arbitrary justice, the judge. In the wonderfully Kafkaesque courtroom scenes, we see several different types of people—representing different responses to unconscious material—hauled before the judge. The musicians, signifying artists, creative people; the hedonistic criminals; and the main characters, representing average people, each present distinct attitudes, which are responded to differently by the representative of the unconscious, the judge.

Jiving With Your Monsters

The musicians are able to create rhythm and flow. Therefore they are able to get through the experience unharmed. Indeed, they are even able to elicit a response from the judge—getting him to join in. In this way we see how creative people can actually use perinatal material and get it to cooperate for desired ends. We might consider how this relates to the writing of “Nothing but Trouble” itself.

Peter and Dan Aykroyd, in creating this movie, are, like the musicians in the movie, getting the unconscious to “play along,” to create something beyond what either the writer or the unconscious could accomplish separately. Much of what is interesting in art is done this way: The deeper fear-evoking material is allowed to come in and enrich, enliven, freshen with new ideas and perspectives, stimulate, and invigorate the creative production.

Beware the Tar Baby

On the other hand, the arrogant banker contends with evil, and, like Brer Rabbit with tar baby, gets stuck.

Notice also that the really contentious ones—the alcoholic drug-using criminal hedonists—are completely lost. Thus the two extremes, as well as the average person are depicted.

Lighten Up!

But the truly striking element that indicates an advanced way of dealing with the perinatal material is shown in the genre of the movie itself. As a comedy, it shows a non-attached and transcendent approach. Chevy Chase and Demi Moore, especially Chevy Chase, show an aloofness and silly playfulness in the face of horror and death that has spiritual implications. Like a Tibetan mystic, Chase refuses to get sucked in to the involved drama confronting him. Like a Christian saint about to be martyred, he jokes, teases, and gets silly with the instruments of horror and evil. Similarly, Demi Moore humors and plays cards with her would-be monsters.

Silly Heroes

Standing within the Witness higher self, they are able to take the entire situation lightly—acting and reacting in the moment to each unique situation as it presents itself. One moment Chevy Chase is confronting his own demise, the next moment he is in a love scene. He alternates a frightful encounter with relaxing and smoking a cigar.

If we want to know what real and transcended behavior is, we might do well to get our hints in the depictions of unattached playfulness — as presented by modern Western actors like Bill Murray, Demi Moore, Tom Hanks, Chevy Chase, Robin Williams, Bruce Willis, and Jim Carey—rather than in the repressively calmed not-with-it-ness—not-witness—that is sometimes mistaken for spiritual attainment.

 Darkening Down

Incidentally, this element of humor shows an entirely different way of dealing with the perinatal than most other movies that deal with this kind of material. The movie, “Brazil,” is a good example of this difference. Not only is “Brazil” cast in an eerie, somber, and tragically hopeless and futile air—indicating that one’s response here is to “believe in” the reality of such material—but the only escape in this movie is in a purely conceptual, fantasy way.

The main character cannot face the horror ultimately. He flips out into a reassuring dream sequence brimming with BPM I and BPM IV imagery. Interestingly, reflecting the pattern of progression of our expressions in feeling therapies, the dream includes a BPM III scenario to get him to those later bucolic realms.

But in “Brazil” these are only daydreams. This fact shows a refusal to face this perinatal material or to surrender to it. Rather, in fantasy, one overcomes the horror. It is as if one continues using familiar ego techniques—hero’s journey methods, dragon-slaying methods—for dealing with material on a deeper level where they no longer work—where they are in fact counterproductive.

Thus, these techniques can only succeed in dreaming. Terry Gilliam, the creator of “Brazil,” shows us that the hero, in reality, is doomed.

However, one might interpret the main character’s escape into fantasy as a victory over evil forces. That the ending lends itself so readily to such an interpretation is a telling indictment of the state of progress of some of us in dealing with perinatal material. Apparently, there are those so lost that the only success possible seems to be in insanity or death.

Evolution In Attitudes to the Perinatal?

However, in “Nothing but Trouble,” the main characters do face and deal with all the material. Sometimes they fight it; sometimes run from it; sometimes play with it; sometimes joke, tease, spar, or get silly with it; sometimes are swallowed by it and carried along…but always they are creatively facing and dealing with it. This different air about and attitude towards the perinatal material can be said to be an advance from the earlier movie, “Brazil,” representing perhaps a progression of our collective consciousness in our attitudes and manner of dealing with the perinatal.

Dancing Above the Dissonance

Such a prospect is, indeed, the auspicious legacy of such a creative project. Though it is doubtful they did so consciously, the Aykroyd brothers and the producers of “Nothing But Trouble” deserve our gratitude for their efforts in lighting forward our collective reality endeavor.

Beyond that, we can take hope in the possibility that Western culture may be rising itself, however minimally at first, above the dramas of light and darkness that have plagued it for so long. The Manichean tendency can lead only to ever-spiraling cycles of resistance and assault. Yet we are seeing currently, not only an erosion of defiantly uni-dimensional ego perspectives, not only a movement toward facing and dealing with our inner darkness, but an integration of opposing forces, a dancing above the leela—the play—of light and dark.

The Universality of Divinity Remembered

The perennial understanding of the universality of divinity, both within and without us, in the lowest as well as the highest of places, is the bright at the center of the perinatal bedlam about us. We are guided as well by this gleaming, a rising moon of promise and possibilities.

Continue with Apocalypse? Or Earth Rebirth? A Smaller Number of Us — Standing in the Right Place and With a Lever Big Enough — Might Be All That Is Needed to Move the World

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Religions Are About Control; Spirituality, Surrender; and the Cure for the Arrogant Modern Ego: Dreaming Out Loud, Part 2: We Need a Different Hero

Religions Are About Control; Spirituality, Surrender. Let Go, Let God to Correct an Arrogant Modern Ego

The Path to Heaven Leads Through Hell

Those in the know about the pervasive pre- and perinatal influence on personality and behavior, and especially those of us actively engaged in working through the effects of such early traumas, are fully aware, like Dante, that the path to heaven leads through hell. We have found that the path to the transpersonal light leads through the psychodynamic and perinatal darkness, that the path up and the path down are parts of the same path outward. [Footnote 2]

A Dark and Hideous Shadow World

Our experience has been that the information avalanche and multicultural onslaught have eroded our personal boundaries to an influx, not only of transpersonal bliss-love-compassion, but equally—and very often, initially—to a dark and hideous shadow world, a backwards bizarro world, of pernicious and insidious disorganized feelings comprised of elements ancient, infantile, pathological, biological, scatological, and perinatal. These are some of the forms spiritual emergence can take, especially initially. And they are the ones most likely to be seen as spiritual emergencies.

Pre- and Perinatal Themes in Cinema

Therefore, it is interesting to see these views confirmed by the bubbling up of psychodynamic and perinatal themes in our collective consciousness as evidenced by current films, books, and music. I have mentioned the pre- and perinatal themes and symbolism in films and explained why, along with other elements of postmodern times, they are evidence of something significant occurring in the consciousness of our age—an emerging perinatal unconscious.

But there is another element evolving in current films which has to do with a changing or evolving collective attitude toward these perinatal elements. And along with a changing attitude, there is evidence pointing to an evolving collective response to it.

Control vs. Surrender, Death vs. Life

“Control Spiritualities” and Patriarchal Cultures

Specifically, a different kind of heroic response, which characterizes the perinatal arena, can be said to characterize the postmodern movies replete with perinatal symbolism. Most striking of all, this different kind of heroic response corresponds to a different kind of spirituality than what is commonly portrayed in this society, or at least has been the norm up until now.

For basically there are “control” spiritualities and “surrender” spiritualities, with rarely the twain meeting. “Control spiritualities” are adapted to patriarchal cultures and involve the use of the ego to “control” and be in charge of even the realms of the supernatural. This is so because an ultimate evil—a devil or Satan—is postulated, which is given equal weight along with God in determining one’s ultimate fate. This type of spirituality is normally what is called religion.

“Surrender Spiritualities” and God As Being Good

But there is another brand of spirituality that is based on a belief in the ultimate goodness and rightness of All That Is. God’s goodness being essentially the dominant force in the Universe, herein it is considered safe to “surrender” in one’s relation to Reality, to expect that one will be guided correctly, in fact perfectly, in the act of letting go. Thus letting go is not to be feared—as in the control spirituality—but is to be practiced and fostered. In this perspective, which we might call surrender spirituality, control is seen as the problem, not the solution.

“Control” and “Surrender” Psychotherapies

Of course these two approaches to spirituality represent two approaches to psychotherapy as well. The control attitude is the dominant mode of psychoanalytically-based approaches—those in which the “demon” of the id is postulated.

The attitude of “letting go” and “surrender,” on the other hand, is the dominant mode of the experiential psychotherapies, which are themselves rooted in the tradition of humanistic psychology with its belief in the ultimate goodness of the human organism and which thus allows a faith in the ultimate rightness of human processes.

“Hero’s Journey” As “Control” Psychotherapy

Since the control attitude, in any of its manifestations, requires the postulation of an ultimate evil against which one must remain vigilant and must fight, the common “hero’s journey” myth—with its typical fighting and slaying of supposedly evil parts of the personality and reality symbolized as dragons and other monsters—is a prevalent focal myth to this attitude. Corresponding to this myth are the emphasis on disciplines and practices seeking to develop the ego and the will…over against the dangers that are postulated to exist in the Universe requiring these disciplines and, so-called, ego developments.

A Different Heroic Response in “Surrender” Paths

Since the “feeling” therapies and the other spiritual and experiential psychotherapeutic modalities with which they are allied are so different in attitude to the traditional “control” attitude, should there not be corresponding differences in myths to exemplify them? Indeed, there are.

In history, the surrender spiritualities have had correspondences in myth in which the dragon is not fought, conquered, and slain, but rather is either tamed and becomes one’s ally or pet—Saint Margaret is the prime example in the West, but this is a depiction prevalent in the East—or else one is swallowed by the “dragon” or monster and, after a while, is reborn.

Jonah is the prime example in the West for this latter depiction. But again this reaction to the fearful dissociated aspects of the personality, or the Shadow, is not a common one in the Western patriarchy, and it is much more common in traditional cultures and in the East.

A Shift to “Surrender” As a Corrective to a Western Overweening Ego?

All of this may be changing in recent times in the West, as once again the humanistic attitude and the new spiritual perspectives, as well as the experiential psychotherapies such as primal therapy, make us increasingly aware of the ultimate beneficence of the body, and of the Universe beyond even that, and of the importance of surrender and letting go as a corrective to the overweening control and defensiveness of the diminutive Western ego.

Footnote

2. See, for example, Michael Adzema, “A Primal Perspective on Spirituality,” Journal of Humanistic Psychology, 25(3), 83-116. Reprinted online at the Primal Spirit site at “A Primal Perspective on Spirituality.”

Continue with The Necessary Hero and Descent Into the Underground–When There’s “Nothing But Trouble,” You Know You’re in The Perinatal Below

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Does It Look Like We’ll Duck Armageddon? The Information Tsunami, Ego Erosion, and Movies Are Collective Dreaming: Dreaming Out Loud, Part One

Dreaming Out Loud, Part 1: Are the Changes Needed to Avoid Apocalypse Occurring? The “Royal Road” to Our Collective Mind, Putting Our Society “on the Couch”

Is there any evidence that the changes that need to happen for us to stave off apocalypse and save our world are actually occurring?

The “Royal Road” to Our Collective Mind

I have mentioned there are studies of the psychology of generations, beginning with the Baby-Boomers or Sixties Generation, that show both an increased access to the perinatal as well as a tendency to act out perinatal influences in less harmful…though more blatant…ways than generations prior. We have seen that this tendency goes hand in hand with actual engagement in activities to counter the negative perinatal act-outs that exist in our environment, for example, campaigning against war, pollution, racism, violence, and so on.

But in “Chapter Eight: The Perinatal Media,” I introduced the common anthropological tenet that the projective systems of a culture—that is, its art and artifacts—can be analyzed to get a glimpse into the worldview of a particular society. For our purposes, I pointed out how our movies are especially potent glimpses into our collective consciousness as well as our collective unconscious. You might say that our cinema is the “royal road” to our collective unconscious.

Movies As Collective Dreaming

Our flicks perform admirably well as collective dreams in that, unlike the other products of our collective consciousness such as other art and artifacts, they are multimedia stories, much like dreams are. But more than that, they are shared by more of the populace than any other art form. I am not including TV separately as an art form, since I put it in the same category as films, especially when many films are broadcast on TV and much else on TV also has the same character of being multimedia stories.

Finally, the strength of a particular element of the collective consciousness can be easily determined by the popularity of a particular movie that represents it or by that element’s increasing inclusion in a number of films. For example, in “The Perinatal Media,” I discussed the emerging new elements of faces coming out of walls and forceful oral insertion.

Putting Our Society “on the Couch”

All together, these mean that, just as a psychotherapist might analyze a client’s dreams to get an idea of his or her unconscious workings and contents, one can interpret mainstream movies to get an idea of the workings and contents of our society’s “collective mind”—both conscious and unconscious.

This is no more complex than saying that when we see things in movies that people rush to see, they are drawn to it because those things are also in their own minds. And the more they flock—the greater the success of a movie—the more pervasive in a society are those themes, elements, and contents. Certain aspects—themes or elements in films—are said to really “resonate” with people and therefore people make the movies that contain them popular and successful.

When this is said, it only means that people are consciously or unconsciously drawn to things that exist within themselves. Conversely, no existence inside? No interest.

So in this and upcoming chapters I will use films as the dreaming out loud of our collective mind. Put less esoterically, I will be analyzing a few examples of mainstream movies for their content, and I will be assuming the content I find there exists as well in the society that has watched it…has dreamt it.

I will also be assuming that movies that are mainstream, by which I mean can be found readily for sale as DVDs on-line or in retail stores and have become part of the popular conversation are indicative of pervasive elements in our collective consciousness and unconscious. They can be looked at for the unacknowledged workings of our society as a whole.

I will not deal with the actual numbers of people who have attended particular movies. For I will assume out of the tens of thousands of movies that are produced each year—by small and large producers—those that have made it into the theaters of virtually all the communities of our society, and from there onto the DVD lists and the shelves of stores of all those communities, have by those facts alone demonstrated their resonance with the collective social mind. Otherwise, we would get into the maelstrom of analyzing critic’s opinions of these movies; and with that, to modify a saying, opinions are like asses: everyone has a different one.

Something’s Happening Here … Again

One final point about the heuristic value of the analysis of films for the workings of the collective mind: Elements and themes in movies change over time. I have shown how new elements may be evidence of new elements of our collective unconscious minds coming into consciousness in detailing how the faces-in-the-wall element has developed. (See “All in All It’s Just Another Face in the Wall.”)

But when old, familiar plots have different outcomes, this is important as well. When elements change or evolve over time, this speaks of something going on. This points to changes or evolutions in our collective consciousness. And when elements and themes and plots change or evolve rapidly, we can accurately say that the changes in consciousness are equally swift.

These are some of the tools we will be using in this and upcoming chapters as we take a look at a few examples of mainstream films and what they might be reflecting back to us about our own society’s changes in consciousness. But first let me say something about what may turn out to be the most important of the thematic evolutions or changes in film elements that we have been seeing.

Information Avalanche and Pre- and Perinatal Themes

In the last half century we have been hearing a great deal about the need to expand consciousness to balance the negative effects of the extremes of technological advance. Fortunately this change of consciousness is to some extent inevitable—or at least greatly aided—by certain side effects of the technological explosion…specifically in the area of telecommunications.

Ego-Eroding Information Deluge

As cultural boundaries are eroded by a multicultural information avalanche, people are forced to lower their inner defenses and ego boundaries. Confronted by such incoming information people will either take some of it in, learn, and thereby grow beyond their former selves or they will need to expend themselves in an all-out effort to shore them up.

A potent example of the first, currently, is the way people worldwide are opening to and learning from each other using social media via the internet; the revolutionary potential of this creation of an open global consciousness is already showing itself in uprising for democracies and economic justice virtually everywhere on Earth. A clear example of the second—where folks are putting everything into blocking out information and beating back the personal growth that would result—is in the backlashes to these liberal forces, which are also occurring throughout the world—as a Tea Party in the United States and as the fortification of authoritarian regimes from China to Syria, from Iran to Israel.

We have seen that the first response—where folks allow the discomfort inherent in personal growth—is typical of a more advanced form of child-caring that is centered on the needs of the child. We know also that the latter reaction goes with child-caring centered on the needs of the care-givers, or parents…and not the child. In this latter instance of parenting, it is understandably called child-rearing or raising a child as opposed to child-caring. We have noticed that the first response goes along with increased self-analysis and introspection and the latter one with acting out, aggression, and culture war.

Information Tsunami Pushes Consciousness Revolution

So, this tsunami of information in all areas, where previously we could smugly hold forth ego-satisfying views, pushes both toward an overthrow of those narrower perspectives and the establishment of broader, more encompassing ones as well as toward an ever increasing irrationality in fending off this information, at any and all costs.

I discussed at length in a previous section how this informational upswelling has led to a need to process it all in new social formats and the rituals of the talk and reality shows.

“Consciousness Raising” As “Shoveling It”

For the most part, this growth or expansion of consciousness, when it happens, is seen as a linear increase and correspondingly is labeled a “raising” of consciousness. This is true whether we are talking about societal or individual progress.

Ken Wilber’s transpersonal theory is the most popular version of such a ladder-style path. In it the process of growth is analogous to that of climbing a mountain or shoveling compost into a pickup truck—one simply moves upward or piles it on. [Footnote 1]

But there are those who think otherwise.

Footnote

1. See especially Ken Wilber, The Atman Project. Wheaton, IL: Theosophical Publishing House, 1980.

Continue with Yes, Tina Turner, We Do Need Another Hero … a Different Kind. Dreaming Out Loud, Part 2: The Path to Heaven Leads Through Hell

Return to Better Hitler Had Jumped Into Mosh Pits. Rebirthing Rituals, Part 8: A Drive to Healing, the Hard Rain Fallin’, and Millennial Promise

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Passion Versus Power, People vs. Corporations, Internet vs. Matrix: Democrats Are Also for Special Interests … After They’ve Convinced You YOU Are One

Creating a (Not So) American Life: Stolen Elections, Crazy-Making Social Processes, and Your Mind Made Fertile for the Planting of Lies … The Rise of “Obvious Truths” (updated)

Culture War, Class War, Chapter Nine: Creating an American Life

Power vs. Passion, Money vs. Authenticity – Opposing Ways of Changing America

Opposing Ways of Changing America – Passion vs. Power, Authenticity vs. Money

In the last half century, Americans have experienced unprecedented changes in their lives, their lifestyles, in what it means to be alive and a human in America in these times. Rarely have societies experienced this kind of change. What is even more astounding is the way the changes send us shooting dramatically in one way and then in the other direction.

Of course it is amazing that people are able to manage these kinds of change. But we don’t do this easily.

Let us look at the side-to-side careening of American life in that time and where we are today in that.

Creating an America Worthy of its Name

In introducing “Obvious Truths,” I talked about how politicians and leaders can only do so much and that the effects of their words are often fleeting. I said that social change that’s either reinforced or carried forward, or even initiated, by something like music or something that affects your feelings, can be greater and longer lasting. The powerful feelings that are stirred this way can affect people for their whole lives and even have influence for generations. I mentioned that these emotional influences reach more deeply into people because feelings exist at a deeper level of the brain undergirding words, thought, or even reason.

Finally, keep in mind that this is titled the rise and fall of “obvious truths.”

Obvious “Truth” – “Money Changes Everything”…. Really? … Only?

So I’m gonna start looking over what has transpired so far. I said at the beginning there was a title, one that pointed to the power and grandeur of these social movements. I wrote at the time that if the title’s claim–casting ordinary folks, along with revolutionary art, as the instigators of grand movements…the people of the Sixties and the music of bands like the Beatles, for example—sounds silly or trite to you that you are operating out of social prejudices we all carry from childhood, like most people do, particularly around status.

And by that I meant we have a tendency to assume that it is money that changes everything and that ordinary folks have little power without it.

For example, we assume that artists and musicians can’t affect anything. They more often arise from non-affluent beginnings; we have the term, starving artist, for example. Their power in society is considered to be as minimal as their finances.

“Real World” vs. “Flaky”

But this is not true—that is what I’m getting at. For, has the power of people been created with money, solely? Well, I think there’s a tendency to think it is.

Sergeant Pepper’s Lonely Hearts Club Band

Not long ago, America and I went through such a change arising artistically from the masses. The Beatles affected us in such a great way that we were changed forever and society’s traditional momentum in a direction benefiting its moneyed royalty was stopped and even reversed. Their music and that of those like them changed the world in terms of the way we saw peace. The way we saw love. The way we saw drugs. The way we saw tolerance of other people…the way we looked at other people.

Status and Money, More Than Ever, Determining What Is “Real”

But I’m not going to go too far there, because that’s all coming up, too. I’m just saying that we do have these preconceptions about status and money that affects what we think is more important or powerful. It affects what we think of as “real” and “real world” versus what is considered silly or superfluous … “flaky” … “kumbaya.”

I was talking earlier about how, these days, it seems like only people with money have power. Everybody knows that and assumes it can only be that way. This is so because many people today have not had the experience of seeing it being different than that.

The Exception That Reveals the Rule

There is one exception and as it happens this exception does reveal the rule.

The Blue Meanies Dissed, Dismissed

For Obama’s rise to the presidency was startling, shocking even, because it was a unique phenomenon for this time. It was a grand and sweeping phenomenon because people got a chance, for the first time in a long time, to see that ordinary folks getting together could effect massive change…without the power of gobs of money. We can recall how his campaign was largely done over the internet and with small contributions. People could feel again, some for the first time, that they had the power in their passion and numbers to throw off the shackles of the filthy rich. Unbelievable.

Stolen Elections, Complacent Electorate – Creating an America That Is Not

Creating an America That Is Not – Stolen Elections, Complacent Electorate

Creating an America That Is Not

Obama’s success was astounding, but look what it took! Look at what had to happen before a Democrat, Obama, and the first African-American ever, could win the presidency. It only came about after a long time of national suffering, disgrace, war, loss of life, incompetence, cronyism, scandal, atrocity, erosion of rights, squandering of money, tragedy, and more. Bush was in the presidency for a full eight years; he actually got to steal a second election.

The Blue Meanies – Stolen Election

It is clear that Bush’s first term was not won fairly. Even putting aside the intimidation of black voters in Florida and similar unfair and illegal practices perpetrated by Republicans, we still have the fact that Bush was given the presidency by a decision of the Supreme Court. Our history records how vote counting was stopped before the outcome could be determined; the Supreme Court decided on a winner, Bush; and subsequently the vote tally came out that Gore had actually won the presidency! These are simply the facts, the things not in dispute.

The Rule Itself—Money Changes Everything.

The facts of Bush’s second election are less well known; in fact they are more assiduously covered up. Still, in the vote tally against John Kerry it should not have even been close…but for more obscure reasons.

There is plenty of documented public evidence that the electronic voting machines were fixed, making the outcome fraudulent. The machines were owned by Diebold Corporation, a firm solidly in the Republican camp, the head of which promised the Republicans, before the election, that he was going to get Bush elected. I mean, seriously. Isn’t that pretty much an admission that the voting machines were going to be fixed?

And in fact this is what they discovered to have taken place.

Now, is this not the kind of thing that in the past would have brought people out into the streets? [Footnote 1]

Anyway, it was confirmed, to some extent even prior to the election, that even a person walking by with an iPhone or something similar could hack into these electronic voting machines and change the votes. That is, if they had the correct access information. And the only ones who had that and therefore could decide the vote tally were the Diebold Corporation in league with the Republicans. Is it any wonder Bush “won”?

The Battleground for America

“Only people know just how to change the world.” – J. Lennon

So the two things of relevance in this example are that in previous times this would have brought people out into the streets, would have caused people to rise up in outrage against authority when it was found out.

The Duty, and Failure, of the Press

Which brings out the second relevant point: The public’s power could be stirred only by these facts coming out and becoming widely known. This information did come out; entire popular books were written describing how and that it was done. It came out in the broadcast media as well.

It is unlikely that you know that, however. That can only be because it wasn’t told enough in the media, that it was downplayed in the media, covered up, or the media directed your attention away from it. And that is the problem I’m getting at.

Changing America by Changing its People

But you see there’s another thing that happened. Even with a responsible media you have to have a citizenry that is open to this kind of information and able and willing to process it and draw conclusions from it. That is what I will be addressing now.

Your Mind Made Fertile for the Planting of Lies

Creating a (Not So) American Life: Your Mind Made Fertile For the Planting of Lies

Going back, I was saying we all have these prejudices regarding what is deemed powerful and important. We all have stuff from childhood that makes us shrink before authority, cower before money, status, and power. We all have irrational ideas magnifying the power of our oppressors, telling us to obey, to not question, to go along with that which others would have of us but which is not in our own interest and in fact brings suffering into our lives. And on top of all that, these early imprints and social teachings would have us rationalize our subjugation and deny our felt experience ever fending off inner and outer information, clues threatening to our precious conscious untruths and instilled self-sabotaging beliefs and notions.

Thinking About There Not Being Enough Time to Think

But you know sometimes you have a chance to kick back and not be caught up in the struggle to survive. You have a chance to reflect on your circumstances, your prejudices, and to re-evaluate matters. You have leisure time in which to do more than survive, to actually re-create, re-new yourself, and to grow in wisdom so you are not so blinkered by the blinders of the comfortable ignorance of grade-school propaganda and other early conditionings, prejudices. So society benefits both through your productivity but also through the fact that you have leisure time to become a wiser social actor. You have this leisure time….

Or, do you?

Well, not too long ago we had more leisure time, let’s put it that way. We had more leisure time; we had more time to pause and reflect. So some things might occur to us that were different than what we originally thought…than our preconceived notions; we might actually change our mind about things if we thought about them. I am not saying that was what everybody did all the time or anything like that. I am saying it could happen, and it happened more. So I’m saying that a lot has changed.

Well, you don’t think we have less leisure time? If you are much younger than me, you probably don’t know. But I am old enough to know that I have never seen Americans so busy…so busy and so preoccupied.

Climbing Down the Ladder of Your Todo List

Backing up, so imagine you or somebody like you is saying, “Ah, naw naw naw, naw, y’know, musicians, ordinary folks, they can’t do anything; they’re not politicians, they’re not powerful, they’re not rich!” Ok? But this person or you may not have had occasion to actually pause your life…to step back from the twenty-four hour climbing down the ladder of your todo list to success. Y’know?

How long is your todo list by the way? Busy, busy all the time is now required for survival concerns. There was a time in which you might be really motivated…you’d see people that were really striving …trying hard to be a big success or something like that. But it wasn’t required.

Forms Fill Up Free Time…”Fax It Over, I’ll Look At It.”

There is also the increased paper load, the mountains of red tape, which is also filling up the supposed “free time” of the average American. Man! What the hell is with that!?

Now they can blame it on computers; they can say it’s because we have more information and they can store larger amounts of it electronically, and they can put more… aw, c’mon, it’s people deciding that you have to fill things out and that you have to get and give more and more and more and more information, this is a lot of time!

Did you ever buy a house? You sign that Sisyphian hill of documents? I can only just imagine the day when there was just a deed, signed over. I’m not that old.

So, with exorbitantly more paperwork, there’s less time for thought, less time to think. We’re busy, and we’re nervous. Why? We got a lot of red tape, we got a lot of things to do. We’re under stress…

Taxes to Twist You With

And part of that paperwork … probably the worst part, if you’re like me, is due to the complex and contradictory tax codes. Part of the leisure time lost disappears into the black hole around tax forms. Seriously, I am old enough to have seen taxes get more contradictory and complex over the years. In fact the tax codes are rather convoluted abominations twisting themselves to benefit corporate special interest, with little or no rationale even presented to explain why these special interests should be benefited. And this sort of corporate special interest input into tax codes has just exploded over the years.

In the previous times, such things as a benefit to any special interest were usually presented to the legislature, and the public, in a particular way to justify them. You can just imagine like, in some kind of bargaining session in Congress, they would say, “Well, if we provide a break here, that’ll result in benefits over in this sector…” Or they might say, “…and it benefits our economy as a whole, which will…” and they might add a few elements into the equation before the inevitable, “it’ll benefit the average American or be a boon to our society as a whole.” And the reaction, we imagine, would be like, “Aw, yeah, yeah…ok.” Then it’s good; it’s approved.

Crazy-Making Social Processes Aid Manipulation

But over time, even this linking to the common good was not necessary, so the tax codes got exceedingly more convoluted and hopelessly contradictory, essentially lacking any reason. We all know that. It’s a dead document, so to speak, which would never, ever, ever be able to be brought back to rational health, so riddled with myriad kinds of cancers which are special interest convolutions of its elements so that it would be impossible to excise them all.

You have probably all heard the story. You call up the tax adviser, you have a question about how to fill something out…how to do something. And you’ll ask one person and they’ll tell you one thing; and then you call back and you get a different person and they’ll tell you something entirely different; then if you call again, somebody else will tell you something again … all different. Well, this is crazy-making.

And that crazy-making takes up your time; and it makes you worry more…and, well, it works itself into your time to ponder things, especially important things.

If Both Parties Are Equally Funded by Corporations, Why Have Democrats Always Been Woefully Underfunded? Money Changing Everything – The Planting of Lies

Creating a (Not So) American Life, Part Four: Both Parties Are Funded by Special Interests, If You Consider People a “Special Interest” for Democrats

So, the tax code is hopelessly brain dead, and everyone knows it. Any former link to fairness, reasonableness, or coherency has been severed; it has become a coffin into which anything can be thrown and in which any corporate wish can be granted. So the country has now turned completely into the hands of the corporations, ok?

The Money Changing Everything

And with corporations firmly backing Republicans, the Democrats in every election that I can recall, especially in the presidential elections, always were way underfunded and the GOP overfunded because the Rich-publicans were carrying the wishes of those corporations into the board rooms of Congress along with their huge amounts of money.

Corporations Invest in America (Government).

But these payoffs were small investments to corporations, relative to the benefits they would get in the changes in government policy which affected them. Republicans were—It was obvious…it was all on public record—were getting huge amounts of money going into their campaign coffers and were way overfunded. One hell of a lot of money was put toward putting and keeping Republicans in office. It was not even a fair fight.

Democrats Not Wanting to Be Totally Disarmed

So with no hope then…and this is what I saw happen…Democrats, who were still wanting to work for a better America and therefore better government, were forced into a choice of either continuing to rely only on contributions from the American people…as for example unions, keeping them woefully underfunded, and therefore losing…or to accept what was being offered them also by corporations.

So you began to have some Democrats making compromises with their principles and accepting some corporate money. Though even then it remained true that for the most part Democrats are funded by unions and organizations dealing with issues, like education, health care, seniors, jobs, and so on that affect the average American.

Now, this is where I get to one of those Big Lies, one of those concocted untruths that end up everyone just knowing to be true.

Obvious “Truth” – Politicians Are Like the People We Want Others to Think We Are Like (But Aren’t)…Like Who We Pretend to Be

To make this point, I need to back up to that thing related to convoluted tax codes and corporations. I was saying that eventually it was getting to where a huge increase in that problem could be attributed to corporations not even having to justify that the paybacks they wanted were good for America anymore. How did this happen?

Breaking News—Politicians Are Human.

Well, we have the situation mentioned where eventually Democrats were virtually required to accept corporate money or else they had no chance to win election. Naturally then, they had to produce at least a little for their benefactor corporations as well.

People Can Still Be Good, Even if Not Mother-Theresa Good.

It is crucial to keep in mind the fact that Democrats were not getting near as much money from corporations as Republicans, by and large, and they remained largely staying afloat through contributions from unions and from organizations of masses of people pushing issues of overall social benefit. So Democrats were backed for the most part by actual people not corporations; still they had to produce something for the overlords.

Alright, so it happened that Democrats would seek to strengthen their overall hand to accomplish beneficial things for society by tossing occasional bones of tax concessions to their corporate backers. They would go to their gop counterparts and would want something in the tax code, for example. And the Republicans would say, “Well you want that? Well, I’ll give you that, you give me this.” So it could not help but happen that taxes and public policy got more and more convoluted in conforming to these complications and outright contradictions. We saw this increasingly over the second half of the Twentieth Century.

Obvious “Truth” – Both Parties Funded by Special Interests

But Republicans were always seen, rightfully so, as the ones who were representing various corporations and what were called the special interests–defense, big agriculture, big oil, the Chamber of Commerce, insurance companies, and so on.

But then this is what also happened: This huge lie was created, becoming a big part of the Matrix, the Matrix of confusion that was being put out to cover up truth. This lie was impossible to make out, blocked out by an omnipresent media saying all the same thing, in rather like this monotone voice almost like Pravda in the old days of the Soviet Union. I saw this happen too. You no longer had differences of opinion you just had the same thing being said.

Anyway, this Big Lie, firmly woven into the fabric of the Matrix as to be both invisible and therefore unchallengeable even by rational arguments…this lie, and I’m sure you’ve heard it is that: Well, both parties are funded by special interests!

Real Truth: Democrats Funded by a Special Interest—People

Now, of course, you know you’ve got Big Oil and Big Coal, and you’ve got the Pharmaceuticals and the Defense Industry and they’re funding the Republicans, and they would come back and say, “Special interests?! Well you Democrats have them too. What about your unions? You’re being funded by them!”

Well let’s just take the unions for starters, ok? Seriously, the unions as special interests? The unions?

Real Truth: Republicans Funded by Non-People—Corporations

Ok, let me step back. We got corporations, which are a few people getting rich and it’s not even benefiting people. They’re not even including the people who work at the corporations, because they’re union people, maybe, or else they’re non-union people but they’re certainly not making any money off of what the corporations are getting in laws and benefits from their paid-for Republican representatives.

Obvious “Truth” – Both Parties Funded by Special Interests: Democrats’ “Special” Interests of Unions, Education, Health, Elderly Only Benefit Those Who Work, Think, Get Sick, and Age

Creating a (Not So) American Life, Part Five: So, What Is a Special Interest? Republicans Benefit Corporations, Democrats Benefit People, So They’re Equal?

Obvious “Truth” – Unions Are a “Special” Interest

So, what is a special interest now? Ok, so, is the American public a special interest? Wait, I thought the government was supposed to be for the people. Now if the people are workers, primarily; and at one time there was a lot of them that were union workers, ok? But even if they’re not union workers, aren’t the unions aiming for benefits for their membership that also carries over to the non-union workers? If the unions are able to get medical benefits, for example, which is one big thing that they pushed for, well then it became common for all workers to get medical benefits.

Is It a “Special” Interest If It Benefits Virtually Everyone?

Ok…that’s a special interest? I thought special interest was something that was against the interests of the American people and it was only going to benefit a certain small segment, a certain handful of people. That’s why it’s called special, isn’t it? But there’s the Republicans saying, “Oh, they’re unions, workers benefits are for unions.” And I just wonder if the unions are just a handful of people, who the hell is making all the stuff in America, who’s building the buildings, who’s…? Geez! I think you got the point.

For, I’m sure you’ve all heard it, and I’m sure you’ve all accepted it that “unions are special interests.” But I just don’t get it how…well maybe I don’t have a high paying job, or anything like that. But I work…doesn’t everybody?..I’m a working person and unions aren’t against me. I just wish there were more unions, so that whenever I would have a job or something like that I could have one to represent me against the powerful corporate owners.

Put Out to Cover Up and Confuse

So here, quite clearly, we have one of those obvious “truths” put out to cover up and confuse clear thinking: Unions are a special interest.

Obvious “Truth” – Education Is a “Special” Interest

But what else is a “special interest” for Democrats? Oh, it’s the teacher’s union or stuff like that, or, education.

Oh, great! So, what is that again? So education is for who now? Ok, now that’s a special interest. Mmmm hm. That’s a special interest? Does that mean that there are like only a few people that have kids that need education?

Education Is a “Special” Interest … It Is Only for Those Who Own Brains.

I’m starting to get sick here. I don’t quite get it. I mean I’ m getting confused, you know what I mean. This is what I’m talking about, this is that irrationality: Special interest, education? Aw, c’mon, c’mon, I want to say.

An America Without People Is an America That Doesn’t Need Education.

I mean, c’mon, aw, c’mon, somebody, somebody point out that education is not a special interest. It’s… Jesus! We won’t have an America in the future unless we have kids!

Don’t Need Education… It Doesn’t Matter if Stupid People Make Our Corporate and Governmental Decisions. *sarcasm*

Not to mention how can it be a special interest if were we to give more money to education, we would have better educated people growing up…these people would even benefit the corporations by being better corporate employees. They would, in fact, benefit all of society by making better decisions.

I kind of think we have an idea of what a big difference intelligence makes… what a big difference it is when you have intelligent people running things and when you don’t.

We Kind of Know How That Works (Stupid People Running Things).

For didn’t we have a kind of a little contrast there; didn’t we have a kind of a little experiment in that recently? I believe it had to do with C-student Bush…if you remember some things like Katrina and things like that…or maybe what hits you is something about a huge costly war that…well, it was gotten into on false grounds, illegally, we were lied to…but the whole matter and even the conduct of it, wasn’t it all rather…stupid what happened?

Bush Gets Presidency—Kind of Like He Won the Lottery.

Such things that happened under Bush are incompetencies that never happened before. Never! Not even under Republicans. We got Bush here, taking more time off from the presidency than any president in history…it was kind of like he thought he won the lottery or something. Didn’t even bother to look like he had a job to do. Wasn’t his first press conference something like ten months after he was sworn in?

Obama Gets Presidency—Kind of Like He Got a Job!

Now, contrast that with Harvard Law Review editor Obama. How many press conferences did he have after taking office? How frequently have you seen him on the job? He’s handling some of the biggest problems this country has every had. And people are impressed that he can do it. And there’s so much of it. So, isn’t intelligence kind of a good thing for us all?

Anyway. You get the point. Education a special interest? Seriously now.

Obvious “Truth” – The Sick and the Elderly Are “Special” Interests

How about medical care? Health and life are not for the common good. God, no, we don’t need medical care, that’s a special interest, that’s just for them people who get sick…and I’m starting to get sick here, I mean, y’know, for people who get sick? C’mon!

Health Care Is a Special Interest…. It’s Only for People Who Have Bodies.

And, it’s like, “Oh, no, no, it’s not just for those people who get sick, it’s those people who have to pay medical bills.” Oh, I see, then that must be just for…. Who’s gotta pay medical bills, again? Well none of us have to pay medical bills, it’s all free, right? Nooo, it’s not.

The Elderly Are a Special Interest…. It Only Benefits Those Who Are Affected by Time.

And is it really necessary to point out that seniors and the retired are not a special interest? I suppose if you’re thinking the current group is the last humans ever to reach an advanced age it would limit their numbers some.

So unless we all suddenly stop getting older, help to the elderly and the retired is help to us all; it is not special. Am I not right?

Obvious “Truth” – Democrats and Republicans Are Equal

So, where do you hear anybody pointing this out? I don’t know but if you’re hearing the same media and TV coverage that I am, you’re hearing that they’re equal. The Democrats and Republicans are equal because they’re equally funded by special interests, and the special interests…. What are these special interests again? Well, sometimes it’s like, “What are those special interests?” “Well, it’s the union, and the education, and it’s the medical care.” Oh, geez, just listen sometimes.

It’s the Internet Versus the Matrix: Corporations Fund the Elections of both Republicans and Democrats? Then I Must Be a Corporation

Creating a (Not So) American Life, Part 6: Obvious “Truth” – Democrats and Republicans Are Equal? Internet Versus Matrix, and Magical Republicans

I don’t know but if you’re hearing the same media and TV coverage that I am, you’re hearing that they’re equal. The Democrats and Republicans are equal because they’re equally funded by special interests, and the special interests…. “What are those special interests?” “Well, it’s the union, and the education, and it’s the medical care.” Oh, geez, just listen sometimes.

Obvious “Truth” – Corporations Fund the Elections of both Republicans and Democrats.

And by the way, I said this was the rise and fall of Obvious “Truths.” The idea that both parties are funded by huge corporations, what they call large donor contributors, was blatantly revealed as the lie it is during the 2008 presidential election.

Remember, contrasted with Republican McCain’s funding from those real special interests–that related to Big Business and Defense…what Eisenhower termed the military-industrial complex…Democrat Obama ran a campaign in 2008 where the donations were voluntarily capped at an unusually low level. The upper limit was set at $1,000, which meant that his backing would have to come from numerous small contributors not special interests benefiting only a group. And, amazingly, he received a record amount of money to support him. It was said he had all kinds of money more than McCain, even though McCain was backed by corporations.

Then I Must Be a Corporation, Because I Gave to Obama.

Now, how did that happen? Well it could only have happened because the masses of Americans wanted to give, even if it was $5, $10, or whatever…whatever they had. It required that donations come from a huge number more of people than contributed to McCain. I gave. My wife gave…several times. Didn’t you give, too?

For a change, in recent memory, this demonstrated that strength I was talking about before–that strength that’s of so many people feeling the same way, therefore acting in solidarity with each other. Surprisingly this happened despite them not being in face-to-face contact with each other, in general. This was one of the interesting things about this development: that it was largely accomplished just through the power of the internet.

It’s the Internet Versus the Matrix.

So the internet kind of brought folks together in solidarity of purpose the same way maybe a rally or demonstration in the past would have brought people together.

It was significant that most of this happened from the actions of people sitting alone in front of computers, not buoyed up by the effusiveness of a demonstration. It showed an unexpected power of social media.

In the Past, Face-to-Face, like Demonstrations, Were Where People Connected with People Like Them.

Remember, in demonstrations in the past…and I’ve been to them…you would go and you would share your feelings of outrage and hurt, you would be affirmed in the importance of your concerns and be instilled with hope of a change in them, most of all you would have your sense of what was going on expressed out loud. Previous to that, you may have been reading the newspapers, say, and feeling, this is wrong, this is an outrage. This would have motivated you to attend a demonstration, and there you would have found other people who were feeling the same things. So you would be confirmed in your beliefs that it was wrong.

In the Past, Face-to-Face, like Demonstrations, Were Where People Learned and Grew in Understanding.

Nowadays, social media and the internet have provided a similar thing where you can express your concern and rage and find others who feel the same way you do and so confirm your beliefs, and even expand on them with more information. So you can grow in your understanding of events and in your knowledge of what you can do about them.

This function of developing your insight and your effectiveness was provided by the rallies and demonstrations in the pre-electronic eras. The point is that over the election of Obama people connected again; and it was people not loads of military-industrial money that got him elected.

Bush Brought Us All Together…

Well, that’s one thing that Bush gave back to America. He united us. He united us around at least one obvious rallying standard. He made our minds finally clear that…it’s true he’s an idiot! It’s true Republicans can’t handle government. It’s true that they will claim to be fiscally responsible and yet…what happened? Well the largest economic collapse in American history second to the Depression…and it was the largest collapse in the economy of the world. (So, thank you, George W. Bush!… See Footnote 2 as well.)

Obvious “Truth” – Republicans/ Conservatives Are Fiscally Responsible

So this financial “meltdown” is coming from the people who are supposed to know so much about economics. But at the same time, like McCain said, “I don’t know too much about economics.” He don’t know too much about economics! Who does McCain think he is, the Herman’s f-ing Hermits!? Anyway, McCain kind of spilled the beans there. Some of the actual truth came it: About conservatives and fiscal matters…Republicans “don’t know too much” about it.

Coming Up – Watch Black be Made White, White Be Made Black!
Oh, Those Rascally Magical Republicans!

OK, that’s it for Part One of “The Rise and Fall of ‘Obvious Truths,’”—Chapters Eight and Nine in this book.

Part Two is available here too—Chapters Ten through Thirteen. And in Part Two I go more into how they were able to get American people—including the media and the pundits and everybody—to accept this obvious unreality which is that both parties are funded by “special interests”; and you probably believe that yourself.

Oh, The Things They Do

But I think if you hear what I have to say, I think I’ll convince you of how amazing it was that they were able to pull that off. I think it will shock you to see how they could get so many people thinking irrationally about something that is so obviously not true. And there’ll be other things like that too.

Watch ‘em Turn Black into White!

There’s a pattern I’ll be talking about where…it’s like black is made white, white made black, where things are turned around. For example Republicans might have a proposal to help with the health care problem, for as they say, and we all know, the costs of health care are high and people are not getting covered. But their proposals end up accomplishing the exact opposite of what they say they will. And they know they will do that even when they propose them.

It is a matter of record that these sorts of swindles have been proposed and pushed by Republicans fully knowledgeable of what they were accomplishing. These things happened; we see they continue to happen. Taking health care again: Obviously we were left a very, very bad health care problem by Republicans. The point is that right from the beginning—you can go back to Nixon on this—they knew what they were doing. They knew how it would turn out, and there’s proof of this. We have their very words…

A Glimpse Ahead

The last thing to be disclosed in this series: the Why. The actual events that led these people to decide on this path toward us all, and moved them to increase and add and elaborate those initial moves to the levels of the most comprehensive totalitarian controls over a people ever attempted, let alone succeeding, as far as we know right now.

Continue with Culture War, Class War, Chapter Ten: Erosion of Reason, Self-Confidence

Return to Culture War, Class War, Chapter Eight: Creating an American Mind

Footnotes

1. Helen Caldicott compares our complacency in the face of dire happenings–such as Fukushima–to the parents who respond emotionless when she has to tell them their child has leukemia. She says, “Get mad. Get emotional.” She urges us to take back our governments from these mad perpetrators of the darkest doom imaginable. And, in the least, occupy! She proclaims,

It’s time you took your country back…. Use your bodies like they did in Wisconsin. Do a Tahrir Square here. Take back New York. Take back the Congress. Invade the Congress! Those people belong to you. They are your representatives, and you are their leaders. But you’ve got to have some guts! And stop being so goddamn polite all the time! And don’t need approval. Step up to the plate….

We’ve got to be emotional…. It’s time we used our emotions and become incensed! Otherwise we’re not going to make it.

2. You might want to step back and enjoy the humor in this as I did. This is my little, oh, “thank you note” to George W. Bush.

It is a satirical piece. A supposed admirer-fan-chum of George W. Bush encourages thank-yous for Bush’s “accomplishments,” which, described glowingly by the fan, sound quite the opposite to the listener. The fan has the most admiration for the great caper Bush “pulled off” at the end.

This comedic monologue combines the actual facts of recent history with a simple, unspun speculation of them, coming from the mouth of a fawning admirer who, for that reason, is allowed to elaborate on the shady dealings. So Bush, it is intimated, basks in the glory of having his ideas for illegal dealings praised as clever and awesome, or even cute.

This is political satire that will have you laughing from the total incongruity and irony of the monologue, but it will also leave you more informed and thinking. This is provocative, funny stuff.

And the audio only version of the above:

A Big “Thank You” to George W. Bush,
with Admiration for the Great Bush-Paulson-”Filthy Rich” Caper
by SillyMickel Adzema

About the audio and video above.

[From February 2, 2010] Yesterday the airwaves were abuzz re: the CEO of Goldman Sachs taking $100 million in bonuses and thumbing his nose at Obama in doing so. Other reports this week are confirming the sleight-of-hand and shadiness surrounding the TARP bailout of the banks: Specifically, that TARP money handed out by Paulson was not recorded, let alone accounted for or monitored; and therefore it cannot be traced or even determined whether it went to benefit American corporations, let alone Americans, and not foreign corporations or even private interests or parties.

With these recent developments coming to light, along with the tea-baggers and Republicans continued blaming of Obama for everything from being born, daring to take the oath of office with unpresidential skin pigmentation, to daring to reverse the direction of the country from the cliff that Bush had so clearly left us heading for, it seems it’s time to revisit those days of yore, those nostalgic last glimmerings of a time when we had a government solidly on the side of the people, that is, helping them in keeping them comfortably distracted from the sight of the truckloads of loot being removed from the Treasury to the coffers of the filthy rich and the huge, oftentimes, foreign or international corporations.

Let us return, then, to December, 2009, and President Bush’s last couple months in office, and recalling those halcyon days, render our gratitude anew:

And the text of the “Oh, Thank You..” audio and video:

A Big “Thank You” to George W. Bush,
with Admiration for “The Great Bush-Paulson-’Filthy Rich’ Caper”

C’MON EVERYONE, JOIN IN NOW!: “Why, Thank you, George Bush!”

…………….This is my little, let us say, oh, “thank you note” to George Bush for all his “hard work.”

Also, in appreciation of the “Paulsie Scam,” which we will be dealing with forever….
luckily it’s been arranged that won’t be too long.
…………….

“Thanks George W. Bush for all your efforts and “hard work” which have led,
your decisions and your Administration solely to blame –

thank you for being “THE DECIDER!” by the way –

to leave us in the midst of so many dire and rapidly expanding problems, so that many people are not just wondering if they will have a job or money, but that even if this planet will make it through another fifty years.

So, hey, thanks for all the hard work and for relieving us and all our grandchildren of any money, and….

oh, I see, there probably won’t be any planet for the little dears to live on.

And everyone dead and all….

Why, gosh, Mr. W., you’re so smart, you probably knew that!

So that’s why you and your cronies went so far as to commit grand larceny even at the end, scraping out the last of any money in the Treasury — wasn’t much left for Obama to do with anyway, after your eight years of partying on high with your Halliburton and your god-only-knows faceless “filthy rich,” gang.

Must’ve felt like the ol’ times, eh, except for the cocaine. . . Er, I mean, I didn’t mean to presume, I mean, you can have cocaine, who am I…

Oh! What a relief, glad to hear you did not partake like the others. It’s just that….

I mean George, friend, my Man here, c’mon there were some pretty weird dancing and stuff and things — right at the end there — that had me wondering and worrying…

Oh, I get it, no cocaine, but wink, wink, you’ve got your ways you say? Hmmm?

Finding things better than cocaine and getting away with it?

Well, he he, I’m not about to judge. I mean if we can have Rush Limbaugh asking for drug users to be hung up by their finger nails, even as he’s got a constant drip for a codeine fix, and he gets away scot free, why shouldn’t you have your fun? You always said it was haaaard work.

But I gotta get back to that stunt with the Treasury at the very end. I mean many, many a lesser, “criminal,” shall we say, mind would never go back again and again, let alone in broad daylight and in front of the entire world! Gad!

Was this all your idea to totally take everything while you could? Somebody else’s?

Anyway, it was brilliant. First, you enlist the support of that guy Paulson. Er, now that I know more about him, being worth $700 million, like and, getting bonuses of $37 million in 2005 and then 16.4 million the next year before he came into office with you…..

Why, could it actually be that he was the one that talked you into it!!! Naaaaaaw?

Certainly, he’d have to be characterized as one of them “filthy rich” that you helped to create, making people wonder who’s really calling the shots in Washington. …

But, never mind, even if it was his good idea — and now I understand he’s had plenty of experience — being involved with the folks who did Watergate and all…way back in his early days… with Ehrlichman and all — so that — no doubt he’s got lots of good ideas, ya gotta give him that.

But, hell, don’t want to take any shine off your apples. No, it was you who chose him. And despite his background, managed to get him on your side and portrayed as one of the most well-respected men on Wall Street, at the time… I remember that well…. I’d never know about his background, and I was most respect…everybody said it was a big…a good pick for you? ‘Course that was the old Wall Street; ‘cuz we now know those bonuses and stuff aren’t too popular right now.

Anyhow, brilliant move, you put this man of yours on task for the high-pressured auto trading that you knew would be required to pull off such a heist.

So you had your guy Paulson, former head of Goldman Sachs…coming to take this position of Secretary of Treasury for you. And now we find out that none of that money went where it was intended to go and it did not change the situation but rather exacerbated it! Brilliant! More on that later, but…

more on that later, but, Jesus! I gotta say though…pretty incredible!!? I mean, Paulson himself, gets like, uh, what was it…50 some billion to a German bank? That then owes…Goldman Sachs 16 billion, and so he makes off with 16 billion on top, is that like…

What a crackup this guy is being! I mean he had everyone fooled, and, in fact, there is nothing at all being said about his involvement or his possible effects on what happened, even to this day.

That’s smoothness even you and I could learn from , y’know, Mr. W and……..stay away from him, man…. He’s just tooo smart for all of us, ok, I think he’ll have……. He, he, I think he’s already had his hands in all of our pockets, he, he, I figure… (I’m sorry bout that)… But anyway…

Naw, c’mon, let’s, let’s…we wanta go over your accomplishments tonight, Mr. President, I mean…. I mean..the whole thing…y’know, going to Congress, there…. Getting them to tally up that un-be-leiv-able sev-en hun-dred bill-ion dollars! …like almost a trillion dollars…. I mean they could not get that high, I mean….

Anyway…so we heard how you guys gathered these guys together in Congress…I mean how it was done, y’know, it was like…well musta been like one of those movies….like Ocean’s elev…. Like an Ocean’s 33, yeah! And. Anyway, so you gathered those suckers, those guys, in Congress together, who had the money, huh?

And, he, he, he, y’know, like, we heard afterwards how you guys gathered, Congressional Leaders… and… without explaining exactly how it would happen – of course Congressmen could not be expected to understand the workings of economics and high finance like a Paulson could. So, kindly Paulson and his deputies explained using analogies, how nice of them to bring it down to their level, so sweet of them….

Y’know analogies…like this is like this, this is like this, y’know, and…yea, like that….

I just want to say how cute you are, W.. I mean, it was just, soooooo you….

Anyway, the analogy they used was that if Congress didn’t cough up the dough pronto – perhaps those weren’t the exact words, my bad. But anyway, that the consequences – and tell me W. this was all you, right? – The consequences would be that of a “GLOBAL ECONOMIC MELTDOWN” (tell me, that part was you, right?) a terminal global economic meltdown that would… (wait, I’m getting an inkling here… was this next part, Cheney’s?) “End modern civilization as we know it for the foreseeable future.”

Wow! It gives me shivers just hearing it. I mean there ain’t no auto salesman in his wildest fantasies that could come up with something so absolutely, well, disabling.

You guys really took those suckers in Congress “out by the knees”! How could they have had a chance!

And, boy, there’s that implied nuclear thing again…”the meltdown”; yea. Doesn’t have to make any sense; I mean economics melting, but hey close enough. How clever! I mean that whole image of mushroom cloud, why it just worked stupendously to get us into a war. And now, this being economics…

Oh, my God, I see it; it’s like a fifties movie — “Oh, please help, we’re meeee-ee-llll-tiiinggg. It’s the economics mel-ting!” Yea, super scary. Heck, anything like that from fifties horror flicks…just good stuff. Heck, you know that most people believe that stuff anyway. So, I see, you feed them what they always feared anyway. Brilliant. Brilliant.

But that’s my George, the W. himself, going with what he knows. And, hey, why bother coming up with anything else, that card’s a winner for you, my man….

And c’mon, level with me, I just gotta know, won’t tell anyone else… Was that Cheney with the “end of civilization” part? C’mon, he’s already living the Wild West out there in Wyoming, he’s probably thinkin Mad Maxin it and everything… I mean, c’mon…. C’mon, it’s got to be him, that’s just sooo Darth Vader, who else could think like that?

Please tell me I’m right…I feel like I know this guy and that is….well, that is just sooooo him!…

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The Rise and Fall of “Obvious Truths,” Part One
an Audio Reading by SillyMickel Adzema

Here is an audio of the author’s impassioned reading of this part. Though it is of the first, unedited and unpolished version, and it does not contain all the detail of its current form below, it does capture the flavor of it all. I offer it here for your listening pleasure. For the reading of this part, “The Rise and Fall of ‘Obvious Truths,’ Part One,” click on the link to the audio site above or click below to launch the audio player here.

http://ecdn0.hark.com/swfs/player.swf?1305835359

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Continue with Culture War, Class War, Chapter Ten: Erosion of Reason, Self-Confidence

Return to Culture War, Class War, Chapter Eight: Creating an American Mind

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Birthing Into the Media and the Perinatal Zeitgeist: Everything You Always Wanted to Know About Being Born But Were Afraid to Ask

Apocalypse No! Chapter Eight: The Perinatal Media

ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Everything You Always Wanted to Know About Being Born

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize our times.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds…And Oh, the Shark Has Pretty Teeth, Dear…

In these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time—”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie “Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and was overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention.

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

Also, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

Speaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A Hundred Monkeys and Counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

XXX

There is lots of violence, and of course also sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable

Newborns and Monsters and Hells, Oh My!–Of Time Travel, Claustrophobia, Cesarean Births, and Death by Vegetable

Monsters, Vaginas, and Hairs, Oh My!

Recurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

One most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

The perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

“Noah, How Long Can You Tread Water?”

Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before birth, placental fluid. Near the end of gestation, the mother, when standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

Told You I Didn’t Like Vegetables!

Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

Gag Me With a Toxin.

This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids from the neonate’s mouth by the attendants immediately after birth.

This latter connection—the ungentle mouth cleaning of birth fluids—I can personally validate through my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence its popularity.

Becoming Thingified – Modern Birth Tells the Baby, “Welcome to the World, Now Screw You!”

“Welcome to the World, Now Go to Hell!” – A Baby Becomes Thingified Through Modern Birth

Treated Like a “Piece of Meat”

This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the neonate—can leave one with lifelong feelings of being treated like a “thing.”

Many report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb. Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

Confused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms, they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of course both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

Welcome to the World … Now f u

Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, feel manipulated and used, treated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other people, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

This also sheds light on the seemingly “mindless” violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be acting out their “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

All in All, It’s Just Another Face in the Wall – Threatening Enclosures From Which One Wishes to Push Out or Escape

All in All, It’s Just Another Face in the Wall – Enclosing, Threatening Things That One Wishes to Push Out or Escape From

Faces Coming Out of the Walls

I would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

We have had, over and over again, the image of the “evil fetus” erupting from the abdomen, as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing (see the previous section titled, “Gag Me With Asparagus“).

Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

Ventura Out of the Womb

A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carrey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working after a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

We witness the actual “birth”: Jim Carey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

Couldn’t Fight Your Way Out of a Plastic Bag!

Other examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal, as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

Existential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs which become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells, solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of the entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

But the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians

Worse Homes and Gardens – Houses, Prisons, UFOs and Spaceships, Dungeons … and Their Obstetricians

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

House; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boat, especially a submarine; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

In the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

The Wall

In the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. We have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out in the previous post/section, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.

Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

I remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, is the ideas of dungeons or castles…with mad scientists, no less—obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Through the Looking Glass Into Parallel Universes … But “There’s No Place Like Home”

Through the Looking Glass Into Parallel Universes, But “There’s No Place Like Home”

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

I might start by pointing out the element of there being another realm into which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. We see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

“There’s No Place Like Home.”

But death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

In this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

Through the Looking Glass

And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course), which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

This depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

Aliens, Abductions, Hell … Birth and Death: Freedom Is Just a Membrane Away

Aliens, Abductions, Hell, and Fear: Freedom Is Just a Membrane Away

Love, Fear Relationship

To put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see in the next chapter, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

To Hell With It…

So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

Face Me, or You’re Mine!

And this book is primarily about that necessity to face the ultimate and horrible truths if we are to save ourselves. Not only are we closer to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

Fear and Freedom … Only a Membrane Away

Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

Perinatal Spamming

We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

Getting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced. There is no doubt that we are letting our newest members know they will not be able to move freely in life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.

Baby Abductees and Masked Medical Aliens

Finally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an alien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

The point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as