Posts Tagged creativity
“People who are chained to the products of their hands are never happy or free, regardless how much of that product comes back to those hands.”
Posted by sillymickel in activism, authenticity, being yourself, Culture, economics, Generations, globalrevolution, History, individualism, life, meaning, nonconform, occupywallstreet, philosophy, Politics, psychology, spirituality on June 4, 2014
The Planetmates reveal why civilization equals suffering, Marxism, free life and human misery, enslavement: “The huge structures of civilization are monuments to, and are equal in size to, the size of the freedom lost”:
— from Planetmates: The Great Reveal , which is now available in print and e-book format. at Amazon
Falls from Grace: The Devolution and Revolution of Consciousness — is also available in print and e-book formats.
To purchase any of Michael Adzema’s books, available in print and e-book formats, go to Michael Adzema’s books at Amazon.
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“With defense of stores, or “investment,” we have another reason children were more desired, after you became sedentary. They act like little soldiers.
Posted by sillymickel in activism, authenticity, being yourself, Culture, economics, Generations, globalrevolution, History, individualism, life, meaning, nonconform, philosophy, Politics, psychology, spirituality on April 28, 2014
“At any rate, in addition to all the extra work you brought into Nature through your controlling ways as it expressed itself in food production and storage, there is additional work involved in defending those stores. Unlike the “possessions” of those in Nature, which are easily acquired and just as easily discarded for they can be easily acquired again, this new classification of possessions that are your “stores” represent a dearly acquired (through “work”) collection of things. They are the physical manifestation of human suffering. Hence they are valued highly for the fact that they are not easily or quickly replaceable. Hence also, they represent quite a concentration of labor, wrought of suffering, which, if acquired, would reduce the amount of such suffering (labor or work) for someone else. So, they are viewed with extreme attraction by equally famished … and suffering … others. With these concentrations of labor-suffering — these stores — then, comes the need to defend them from those others.
“With defense of stores, or “investment,” we have another reason children were more desired, after you became sedentary. Children are not just extra hands in the extra work you have created in your descent into ever more controlling, they are enlisted in keeping others from stealing it. They act like little soldiers.
“So, with humans we have this added labor, this added, actual, work. Your Marxists like to talk about the surplus value of worker’s labor and how the capitalist owners take that. They say it really belongs to the workers. But they have never looked deeply into its nature.
“They say there is an additional value that is created through collective endeavors over what would be created individually. What they are saying is that if one adds up the value of what people create, working individually and being self-determining, it is a certain amount — say, the total number of chairs that can be fashioned by that group in that amount of time acting on their own. However, if those workers are organized and working collectively, they produce that amount, plus more — say, the number of chairs produced by that same group acting on an assembly line.
“Anyone who has ever worked in a team knows this. Imagine you are clearing land for farming. You are leveling trees and pulling out stumps. Obviously, you can accomplish a lot more having workers collectively hauling heavy logs than if each worker is on his own straining away. Surplus value is, also, evident in Amish barn-raisings, where working together, structures can be thrown up in a day that would take weeks or months working on one’s own with one’s own strength and energy.
“This is, indeed, a benefit that accrues to humans living in groups of any kind, and it was a huge benefit of tribe life.
“But with sedentary-agrarian ways and hierarchical societies you have an additional surplus value, for humans can be organized around projects in greater numbers and working in tandem and cooperatively. Combining their strength they are able to do things that simply cannot be done, no matter how long one worked away at it, individually or in small groups.
“This is how the pyramids were built. It explains why such things were not done previous to hierarchical societies … they simply could not be.
“Further, with different units applying themselves to specific tasks within the project while other units focus on others, these units become more skilled, more efficient, and more productive in those tasks. This is the “benefit” of division of labor and, in the public sphere, of specialization in regards to task.
“These factors are realized most clearly in industrialized societies; they are the reason the assembly line and manufacturing are so much more productive than the cottage industry of previous times.
“No doubt, right now, you are thinking what a great idea this is. You see it as people having it easier because they are working together to accomplish more.
“Well, not only does that surplus value not come to the workers — this is the essence of the Marxists’ complaint — for it goes to the ones at the top, the ones doing the organizing, the ones doing the enslaving; but it is the product of effort that is onerous because it is coerced. You simply do not have people agreeing to link themselves together hour after hour — perhaps day after, day, perhaps month after month — pulling together against heavy loads. You do not have anyone, of their own volition, wanting to, over and over again, hour after hour, repeat the same simple actions, perhaps actions that are part of the creation of a product that they never see completed, so never getting even the satisfaction and pleasure of manifesting something in reality that was not there before.
“So not only are such workers deprived of the satisfaction of seeing something manifest out of nothingness through the efforts of one’s own hands, they are even ripped off of the pleasure of its completion. They are coerced into giving up their time, their life, in the carrying out of activities in which they find no real pleasure or joy. They hardly appreciate the product that results from their efforts. Not only was the actual decision to create what was created not theirs … it did not spring forth from their desires, their “instincts” … but they were allowed to participate in only a tiny part of its creation. It is about as pleasurable as chewing food that someone else has picked out for themselves, which one does not get to swallow, having to be turned over to the “employer” when one is done.
“So with hired, coerced labor, we have an example of work and free will versus “instinct.” The upshot is that for the worker, that pure pleasure involved in creating something out of relatively nothing, that feeling of awe and magic that one has for that moment identified with the creative principle of the Universe, bringing something from no-thingness into thingness, and had a sense of divinity that way, is denied them.
“There is no planetmate who is similarly deprived….”
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[Pt 4 of 25rd prasad — Family Fortress.
— excerpted from Planetmates: The Great Reveal – now available in print and e-book format.
ABOUT THE AUTHOR, Michael Adzema. Video below … interviewed by Michael Harrell
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https://www.youtube-nocookie.com/embed/2mm9OBbYjRE
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— Related: See also other published versions of these ideas….
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*Dance of the Seven Veils I* (2017).
At Amazon at
*The Secret Life of Stones: Matter, Divinity, and the Path of Ecstasy* (2016).
*Falls from Grace: The Devolution and Revolution of Consciousness* (2014).
*Apocalypse NO: Apocalypse or Earth Rebirth and the Emerging Perinatal Unconscious* (2013).
,
*Culture War, Class War: Occupy Generations and the Rise and Fall of “Obvious Truths”* (2013).
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To purchase any of Michael Adzema’s books, available in print and e-book formats, go to Michael Adzema’s books at Amazon.
“To the extent one lowers the barriers of early pain and the mental defenses from it, you also can feel such Divine instruction, as “instinct,” say Planetmates
Posted by sillymickel in activism, authenticity, being yourself, Culture, Generations, globalrevolution, History, individualism, life, meaning, nonconform, philosophy, psychology, spirituality on April 25, 2014
“…there would be much more “instinctual” knowledge available to you — and is available to you — were you, for reasons of your birth and infancy and the way they have caused you to run away from the feelings in your bodies, not split off from them. Indeed, to the extent that you have not run away from such pain, or to the degree that one has turned and faced and integrated that pain and reconnected with one’s body, you do feel and receive such specific “instinctual” instruction.
“In fact, think of it, when we say we do not know where those messages come from, which we experience in the body, do you see that, to be more specific, we know them to come from the “divine”? For they are “instructions,” as it were, that guide us in the care of ourselves in life and the carrying out of our life’s actions along lines most beneficial and pleasurable. And other than a force that is comforting, beneficial, and wiser than our limited selves, what else is the Divine? For certainly that is enough for us. Keeping that in mind, do you not see that it is the same for you? And that to the extent that one is able to lower the barriers of early pain and the mental defenses that arose from it, you also can feel such Divine instruction … of an increasingly more specific quality … and become more “instinctual.” Or, in your words, divinely inspired or guided by God.
“Backing up, so you denigrate our experience as “instinctual,’ when it is no different from your own experience of life … and if there is any difference it has to do with the greater access we have, the stronger and clearer connection we have, with a wisdom and beneficence beyond our limited selves, which you have separated from, but which is still accessible deep inside you, below the levels of your early pain. Just because we have more access to Mind at Large, which contains all information and knowledge, does not mean we are mindless, feelingless machines. Does it not mean the opposite? Indeed, we are your angels in nature, as we said earlier.
“So, keep in mind, our “instinct” is what guides us in having the experiences of the joy, pleasure, and happiness of life … something you have lost so much of. And it hardly matters where it “came from.” Certainly, the fact that we are more divinely inspired is no reason to trivialize our experience, or our knowledge … any more than you should demean the brilliance of your Shakespeare or Einstein or Jesus just because they happened to have found a way to stay or become sensitive to the wisdom of the Universe and the Divine, which is everywhere around, but which you, most of you and for the most part, block yourself from feeling.
“And for us this pleasure and joy, this “instinctual” guidance, includes having offspring. It is another capacity that wants to be actualized, which, in doing so, planetmates feel pleasure. It also is not a chore, or work, which for you it has often become.
“But you also know what life is that is lived under the direction of the Divine instead of the direction of higher ups, extracting from you the suffering equivalent to the control of you, which is termed work.
For, you ask a child digging in the sand with a shovel if that is work. Ask the athlete if clearing the bar when pole vaulting is work. Ask if it is work to sidestep all tacklers and throw oneself over the goal line. Ask the sculptor if fashioning stone and watching her or his vision of it emerge from it is work.
“Lion cubs fight and wrestle with each other. You say they are just preparing themselves for an adult life of struggle and fighting off predators. Really? Do you really think they are taking it on like a class, or exercise regimen, and not just having fun?
“At any rate, creative people know what we are talking about. They know about the work that is not work, that is actually play and conducive to joy. And they know about that magical, “instinctual” knowledge that comes to one precisely and specifically. For they know that their “works” (their “plays”?) have to be just so. When it fits with their “instinct” — their unconscious knowing which only comes out in actions of following it or expressing it — they know it is done and it cannot be any different. As Amadeus, in an ironic tone, said in the movie when someone criticized his composition for having “too many notes,” “Just exactly which notes would you have me take out?”
“So for the artist in any medium, the creative product arises as if it was done somewhere else, by someone else, and one is just the channel for it. Upon its completion, it feels as if it had come forth perfect and precise in all its details … springing, as it were, “fully formed from the forehead of Zeus.” So this is instinctual knowledge, of a sort, which ultimately comes from a place beyond themselves and ourselves.
“But with sedentary ways you forgot all that and you created work, which is the non-divine actions emanating as urges, not from the inside and the body (ultimately the Divine), but from the outside, driven and pushed by coercion. Rather than the positive reinforcement one receives in following one’s “instinctual” guidance, which makes of one’s life a happy one, acting in response to the promptings of the outside is largely a product of negative reinforcement. One is not, as in Nature, just rewarded when one follows its promptings, one is punished when one does not. Overall, such a life is not a happy one….”
Pt 3 of 25rd prasad — Family Fortress. .
ABOUT THE AUTHOR, Michael Adzema. Video below … interviewed by Michael Harrell
.
https://www.youtube-nocookie.com/embed/2mm9OBbYjRE
.
.
— Related: See also other published versions of these ideas….
.
*Dance of the Seven Veils I* (2017).
At Amazon at
.
.
.
*Prodigal Human: The Descents of Man* (2016).
At Amazon at
.
.
.
*The Secret Life of Stones: Matter, Divinity, and the Path of Ecstasy* (2016).
At Amazon —https://t.co/WMyo609jCi
.
.
.
At Amazon at
.
.
.
At Amazon at
.
.
.
*Falls from Grace: The Devolution and Revolution of Consciousness* (2014).
At Amazon — http://amzn.to/2anYVzi
.
.
.
.
.
At Amazon — http://amzn.to/2aeeZUA
.
.
*Apocalypse NO: Apocalypse or Earth Rebirth and the Emerging Perinatal Unconscious* (2013).
At Amazon at
.
.
.
At Amazon at
.
.
,
*Culture War, Class War: Occupy Generations and the Rise and Fall of “Obvious Truths”* (2013).
At Amazon at
.
.
.
See Michael Adzema at Amazon for any other of the twelve books currently in print.
.
.
https://www.youtube-nocookie.com/embed/2mm9OBbYjRE
*The Secret Life of Stones: Matter, Divinity, and the Path of Ecstasy* (2016).
*Apocalypse NO: Apocalypse or Earth Rebirth and the Emerging Perinatal Unconscious* (2013).
,
*Culture War, Class War: Occupy Generations and the Rise and Fall of “Obvious Truths”* (2013).
Loving Warriors and Silly Heroes: The Necessary Hero Dances Above Dissonance, Lightens Up in the Face of Stress, and Sees Divinity Not Demons Behind It All
Posted by sillymickel in activism, allegory, authenticity, being yourself, Class, Comedy, Culture, economics, Generations, globalrevolution, History, Humor, individualism, nonconform, occupywallstreet, philosophy, Politics, psychology, spirituality, uniqueness, US on August 1, 2013
Play Cards with Your Dragons: The New Hero’s Cycle Involves Surrender Not Struggle, Sacrifice Not Slaying, Compassion Not “Toughness,” and Silliness Not Stoicism
Apocalypse – No! Chapter Thirteen: Peaceful Warriors and Silly Heroes
You Just Can’t Slay a Volcano: The Necessary Hero Uses Surrender, not Struggle … For Why Would You Not Be Borne Up by a Universe That Is You
We Need Compassionate Warriors, Not Fighters: It’s Not Enough Just to Slay Dragons, We Need to Jump Into Volcanoes
Volcano-Jumping: A Different Heroic Response
This different kind of heroic response—which characterizes the perinatal arena and is sorely needed at this time in history—is exemplified in another contemporary movie of cult status. We will deal with it in some detail to bring out the elements of the kind of hero that is now required to stop the cycles of destruction that have currently driven us to the abyss…to the very edge of a “volcano.”
In “Joe Versus the Volcano,” the main character, played by Tom Hanks, is given a heroic task. But unlike a typical hero’s cycle task which stereotypically involves the slaying of a fire-spewing dragon, Joe is asked to give up his life by jumping into a fire-erupting volcano.
The connection between volcano and dragon is that at the second-line or psychodynamic level the fire-spewing aspects of the perinatal, which might be compared to a volcano, can be seen as “embodied” or reduced in the form of a dragon. In the same way, the volcanic energy of perinatal feelings is initially embodied in easier-to-face and “dragonized” psychodynamic, second-line, or childhood traumas and feelings.
You Just Can’t Slay a Volcano
But what may seem to work at the second-line or psychodynamic level—the conquering or slaying of negative feelings…and notice that I said “seem”—has no place at all at the perinatal. For here the pain energy is overwhelming and pervasive. Thus the difference is analogous to that between facing the energy of a dragon and facing that of a volcano.
The Heroes We Need – The New Hero’s Cycle
First Anima, Then Community
Keep in mind that this movie shows Joe, earlier on, going through all the major stages of the hero’s cycle—the retreat from mundane reality, the sailing off into a new and exotic realm of existence and adventure.
It even depicts a typical “dragon slaying”—the hero’s conquering of inner fears and risking of one’s life for another that results in the uniting with anima energy–the saving of the damsel. So earlier on there is a dealing with psychodynamic energy, just as in “Nothing but Trouble” Chevy Chase deals with psychodynamic material and enacts a dragon slaying by risking his life to rescue Demi Moore from a giant chopping machine. 
But, also similarly, this results in the opening up of another level, requiring a completely different—indeed, opposite—response. Thus, in “Joe Vs. the Volcano,” Joe is asked to give up his life to save an entire community, not merely to risk his life to rescue his anima, his feeling self.
Risking It All
The ensuing plot has interesting elements as it shows Joe having to decide whether to sacrifice his newly won relationship with his anima ally for the benefit of an entire—but anonymous—community. This demonstrates that at a progressed level of the spiritual process—that having to do with one’s inter-connection with the larger community of living things, not just one’s personal unconscious—one must risk even one’s newly regained creativity, inner child playfulness, and personal feelings, i.e., one’s anima.
But in telling fashion, in order to make the higher “community” sacrifice the anima elements that have been let go of, symbolized by Meg Ryan as the anima damsel, end up going with Joe to his chosen fate and are borne up, renewed, along with him.
Borne Up by a Beneficent Universe
On Joe’s part, the climax shows the same quality of a beneficent Universe aiding a true and dharmic heart. Joe (with his anima) face what they think is death. Instead they find themselves “borne up” by the volcano, not consumed; and they are deposited (reborn) in a typical perinatal watery surround—the ocean, symbolizing therefore a spiritual birth. This is a perfect depiction of how surrender, not “heroic” resistance, is done and why it needs to be done currently, as I have been pointing out.
“Away From the Things of Man”
In the end, the main characters are floating in the middle of a wide open sea—signifying the immensity of potentiality that is now open, and facing a gigantic moon on the horizon—symbolizing the beneficent nature of the Universe to which they are opening, that is, it is beautiful and lit with 
possibilities.
They are seen sitting on only their luggage—symbolizing the “stripped down” nature of the self, that is, stripped of ego trappings of status, vainglory, defenses, and so on. Their final comment at the very end of the film is that they do not know where they’ll end up but only that it will be “away from the things of man”—indicating their desire to never go back to the drama of ego and its puerile catacomb pathways of darkened experience.
The Universe Is You
We see then that in this movie, like “Nothing but Trouble,” the heroic response required is surrender, not resistance or control, and that the response from the Universe is cooperative and helpful, and hardly antagonistic as was feared, especially at earlier levels.
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This is in keeping with the discovery at the perinatal, which borders it on the transpersonal, that in fact the Universe, not only is not antagonistic, not only is beneficent and helpful, but in fact is no different from oneself, indeed is oneself…and one begins to wonder why one would ever expect not to be borne up by a Universe that is now seen as inextricably united with one’s Self.
Note
While the interpretation of Joe Versus the Volcano presented in the video below – Joe vs. the Volcano: Losing my Soul, Part One – is annoyingly suffused with theological terminology – hell, devil – and suffers from the paranoia that happens lacking a perinatal or even a Jungian understanding, it does succeed on a more superficial level of basic insight. It does get the highly metaphorical and philosophical import of the film and picks up on major themes of the movie. It strikes me as having the problem of just understanding religion while knowing nothing about psychology. And it suffers, as I’ve put it elsewhere, from the problem of projecting one’s perinatal underbelly onto the Universe or of funneling revelation through the filter of personal pain.
Silly Heroes and Evolution in Attitudes to the Perinatal: The Necessary Hero Jives with the Monsters, Dances Above the Dissonance, and Is Ever Aware of Divinity Everywhere
What the World Needs Now … Is Loving Warriors and Silly Heroes: Jiving with Your Monsters, Dancing Above the Dissonance, and The Universality of Divinity Remembered
Responses to the Perinatal
Returning now to “Nothing But Trouble,” an aspect of it that has significance for dealing with perinatal issues is the way different characters are shown responding to the embodiment of arbitrary justice, the judge. In the wonderfully Kafkaesque courtroom scenes, we see several different types of people—representing different responses to unconscious material—hauled before the judge. The musicians, signifying artists, creative people; the hedonistic criminals; and the main characters, representing average people, each present distinct attitudes, which are responded to differently by the representative of the unconscious, the judge.
Jiving With Your Monsters
The musicians are able to create rhythm and flow. Therefore they are able to get through the experience unharmed. Indeed, they are even able to elicit a response from the judge—getting him to join in. In this way we see how creative people can actually use perinatal material and get it to cooperate for desired ends. We might consider how this relates to the writing of “Nothing but Trouble” itself.
Peter and Dan Aykroyd, in creating this movie, are, like the musicians in the movie, getting the unconscious to “play along,” to create something beyond what either the writer or the unconscious could accomplish separately. Much of what is interesting in art is done this way: The deeper fear-evoking material is allowed to come in and enrich, enliven, freshen with new ideas and perspectives, stimulate, and invigorate the creative production.
Beware the Tar Baby
On the other hand, the arrogant banker contends with evil, and, like Brer Rabbit with tar baby, gets stuck.
Notice also that the really contentious ones—the alcoholic drug-using criminal hedonists—are completely lost. Thus the two extremes, as well as the average person are depicted.
Lighten Up!
But the truly striking element that indicates an advanced way of dealing with the perinatal material is shown in the genre of the movie itself. As a comedy, it shows a non-attached and transcendent approach. 
Chevy Chase and Demi Moore, especially Chevy Chase, show an aloofness and silly playfulness in the face of horror and death that has spiritual implications. Like a Tibetan mystic, Chase refuses to get sucked in to the involved drama confronting him. Like a Christian saint about to be martyred, he jokes, teases, and gets silly with the instruments of horror and evil. Similarly, Demi Moore humors and plays cards with her would-be monsters.
Silly Heroes
Standing within the Witness higher self, they are able to take the entire situation lightly—acting and reacting in the moment to each unique situation as it presents itself. One moment Chevy Chase is confronting his own demise, the next moment he is in a love scene. He alternates a frightful encounter with relaxing and smoking a cigar.
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If we want to know what real and transcended behavior is, we might do well to get our hints in the depictions of unattached playfulness — as presented by modern Western actors like Bill Murray, Demi Moore, Tom Hanks, Chevy Chase, Robin Williams, Bruce Willis, and Jim Carey—rather than in the repressively calmed not-with-it-ness—not-witness—that is sometimes mistaken for spiritual attainment.
Darkening Down
Incidentally, this element of humor shows an entirely different way of dealing with the perinatal than most other movies that deal with this kind of material. The movie, “Brazil,” is a good example of this difference. Not only is “Brazil” cast in an eerie, somber, and tragically hopeless and futile 
air—indicating that one’s response here is to “believe in” the reality of such material—but the only escape in this movie is in a purely conceptual, fantasy way.
The main character cannot face the horror ultimately. He flips out into a reassuring dream sequence brimming with BPM I and BPM IV imagery. Interestingly, reflecting the pattern of progression of our expressions in feeling therapies, the dream includes a BPM III scenario to get him to those later bucolic realms.
But in “Brazil” these are only daydreams. This fact shows a refusal to face this perinatal material or to surrender to it. Rather, in fantasy, one overcomes the horror. It is as if one continues using familiar ego techniques—hero’s journey methods, dragon-slaying methods—for dealing with material on a deeper level where they no longer work—where they are in fact counterproductive.
Thus, these techniques can only succeed in dreaming. Terry Gilliam, the creator of “Brazil,” shows us that the hero, in reality, is doomed.
However, one might interpret the main character’s escape into fantasy as a victory over evil forces. That the ending lends itself so readily to such an interpretation is a telling indictment of the state of progress of some of us in dealing with perinatal material. Apparently, there are those so lost that the only success possible seems to be in insanity or death.
Evolution In Attitudes to the Perinatal?
However, in “Nothing but Trouble,” the main characters do face and deal with all the material. Sometimes they fight it; sometimes run from it; sometimes play with it; sometimes joke, tease, spar, or get silly with it; sometimes are swallowed by it and carried along…but always they are creatively facing and dealing with it. This different air about and attitude towards the perinatal material can be said to be an advance from the earlier movie, “Brazil,” representing perhaps a progression of our collective consciousness in our attitudes and manner of dealing with the perinatal.
Dancing Above the Dissonance
Such a prospect is, indeed, the auspicious legacy of such a creative project. Though it is doubtful they did so consciously, the Aykroyd brothers and the producers of “Nothing But Trouble” deserve our gratitude for their efforts in lighting forward our collective reality endeavor.
Beyond that, we can take hope in the possibility that Western culture may be rising itself, however minimally at first, above the dramas of light and darkness that have plagued it for so long. The Manichean tendency can lead only to ever-spiraling cycles of resistance and assault. Yet we are seeing currently, not only an erosion of defiantly uni-dimensional ego perspectives, not only a movement toward facing and dealing with our inner darkness, but an integration of opposing forces, a dancing above the leela—the play—of light and dark.
The Universality of Divinity Remembered
The perennial understanding of the universality of divinity, both within and without us, in the lowest as well as the highest of places, is the bright at the center of the perinatal bedlam about us. We are guided as well by this gleaming, a rising moon of promise and possibilities.
Continue with Apocalypse – No! Chapter Fourteen:
To Move the World – A Race Against Time
Return to Apocalypse – No! Chapter Twelve: Atman Projects Versus Surrender Solutions
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The Second Retreat from the Natural Self — Patriarchal Culture: One Gains the World in Exact Proportion to Which One Has Relinquished One’s Soul
Posted by sillymickel in activism, authenticity, being yourself, Class, Culture, economics, History, Humor, individualism, life, meaning, nonconform, occupywallstreet, philosophy, Politics, psychology, spirituality on January 13, 2013
Ritual Is the Attempt to Control Something Symbolically, Indirectly That One Has Split Off from and Is a Poor Substitute for the Real Potential of At-one-ment with Reality
It is this attempt to control something symbolically, indirectly that is the basis of ritual…. Ritual is a poor substitute for the real potential of identifying with and acting in accord with that reality…. The tragedy is that the indirect attempt pre-empts and thus makes impossible the true relationship and true accord, the at-one-ment, that could otherwise be.
Ritual and matriarchal religion are thus the “act-outs” of our repressed identification with Nature and not a reattunement with Nature as the Goddess-religion advocates would have it. From this perspective, then, ritual is not a way of tapping into a deeper relationship with feeling and Nature, it is an avoidance of real feeling, a running away from Nature, from one’s natural self, from the real, the authentic, the genuine self, from genuine action, from spontaneous and ever-creative being-in-the-world.
The Second Retreat: Patriarchal Culture
Now, patriarchal cultures, along with their patriarchal religions, follow a parallel but different pattern from the matriarchal ones, as discussed. Whereas matriarchal cultures are associated with agricultural lifeways and thus tied to the Earth and to sedentary living, Patriarchal cultures are said to be associated originally with nomadic lifestyles. I say nomadic, but I do not wish to confuse it with the nomadic ways of the forager and hunter-gatherer cultures. Early lifeways were nomadic in the sense of following the food source. They were not nomadic by choice.
However, the nomadic cultures, and the great patriarchies, evolved on the vast plains of Eurasia where the disconnection from the land involved in animal husbandry, in particular sheep herding, gave rise to nomadic warrior lifestyles and a conquering mentality. But there are other reasons why this sort of consciousness arose.
Parallel to the matriarchal cultures splitting off from true connection with Nature as Mother—that is, adopting agriculture and thus controlling, and alternately appeasing, the Nature which they at one time followed, patriarchal cultures entail a splitting off from oneself as Father, as Spirit, and a consequent need to act out and appease those energies. To understand this better, let us back up a little bit.
In hunter-gatherer cultures, we tend to have shamans as religious practitioners. These shamans can often journey in altered states of consciousness, can journey in the cosmos so to speak. Thus, although such people, as all of us, are ordinarily limited in time and space, they have a freedom of spirit — a spiritual freedom — quite unlike anything we know.
Corresponding to this, it is true that some hunter-gatherer societies focus a great deal more on their inner states and on altered realities — their much noted concern with dreams and their dream life is an example. The notable example of this is the Australian aboriginal culture. And this involves a democratization, if you will, of shamanic experience. Everyone dreams, many go on walkabouts, or as in the case of Native American cultures, on vision quests. Many other examples of profound spiritual journeying—often involving hallucinogens—could be given that are available to most if not all members of indigenous cultures.
However, patriarchal cultures tend to be hierarchical and specialized. This means that spiritual journeying is relegated to a select few, a specialized sect of priests. The vast majority of individuals in patriarchal cultures live onerous and oppressive lives that do not allow much in the way of spiritual journeying.
Is it any wonder then that these cultures are nomadic? The usual pattern is that when some inner potential is split off from and repressed—when one disidentifies with it—that one begins acting it out in the external world. So we find that the inner potential for spiritual journeying and growing is acted out in patriarchal cultures in the form of nomadic wandering. The direct relationship with Spirit, with Father, which characterizes the hunter-gatherer, is repressed in patriarchal cultures; and Spirit and Father are projected outside of oneself where one must now seek to enter into a relationship with It.
In later centuries, nomadic wandering became nomadic invading and conquering, and ultimately imperialism. In all of these an inner journey into the self is replaced by a desire to extend one’s ego boundaries outward over greater and greater expanses of territory. 
The amount of territory gathered outside is equivalent to the amount relinquished inside, for what one doesn’t know inside one fears. And what one fears, one wishes to control and subjugate. So the fears of inner forces motivate the expansion outward; one projects one’s inner “unknowns” onto the vast unknown outside oneself, in the physical world of land and people, of geography and society. “What does it profit a man to gain the world and lose his soul?” is instead: One gains the world in the exact proportion to that which a man has relinquished his soul. (See Enlightenment Lobotomies – White Color Slavery… in Culture War, Class War)
Thus, in patriarchal cultures there are religions which seek to relate to and appease gods which represent their forgotten and 
repressed inner potentials of fate, destiny, spiritual growth, and adventure—their inner “fire.” The fire or light that one has dimmed within is sought without; one cannot help but do so. Since one cuts oneself off from one’s core creative and authentic decision-making center one feels oneself in the hands of a whimsical fate that is outside of oneself . . . and that is called Father and God, and is that which one must seek to appease.
Summary, Ritual as Symbolic Obfuscation and Addiction to Control
So the pattern is the same in both matriarchal and patriarchal cultures. It is the same pattern of disidentifying with some inner potential, repressing it, being forced to act it out symbolically in the outside world, projecting it outside of oneself as an external force or power, and then seeking to enter into a symbolic relationship with it wherein one can hope to have some indirect control over it since one has lost one’s direct relationship with it. And the reason for doing all this, in either case, is the same: It is fear, mistrust of 
the Universe, in either the Universe’s maternal or paternal aspects … or, of course, both.
The patriarchal person is fearful of the spiritual forces within him- or herself. Hence she or he disidentifies with them and projects them outside of him- or herself
where they must be related to symbolically. The matriarchal person mistrusts the Natural world and disidentifies with It, and with the physical body which is a part of It, in an attempt to control It. In doing so, these natural forces are projected outside of oneself where they can then only be related to symbolically.
In either case, it is this attempt to control something symbolically, indirectly that is the basis of ritual. In both cases ritual is a poor substitute for the real potential of identifying with and acting in accord with that reality. And in each instance, the tragedy is that the indirect attempt pre-empts and thus makes impossible the true relationship and true accord, the at-one-ment, that could otherwise be.
Continue with Ritual As Shadow, Part Four: Ritual Is Hardly Transformation … In Actuality, We “Die” to Our Real Self and Are Remade Into Something Society Can Use
Return to Ritual As Shadow: Magic, Ritual, and Superstition Occur with the Beginnings of Ego and the Agrarian Desire to Control Nature — the Matriarchal Consciousness
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The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life
Posted by sillymickel in activism, authenticity, being yourself, Culture, individualism, life, meaning, philosophy, psychology, spirituality on January 9, 2013
The Perinatal Veil: Dangling Above an Abyss and Everyday Rebirthing — The Perinatal Predilections of Everyperson
Wounded Deer and Centaurs, Chapter Three: Twenty-First Century and Its Discontents—The Primal Screen
Dangling Above an Abyss
Beyond the entertainment media, it seems perinatal themes and elements are showing up everywhere else in our surrounding environment and culture. The scenery of our everyday reality consists of pollution of our air, water, and food; threat of death “at any moment,” caused by the knowledge of the power 
of nuclear weapons; fantasies of apocalypse of all kinds, magnified, perhaps, by the ending of one millennium and the approach of the end of the Mayan calende—including fundamentalist Christian imaginings of an end to human civilization in an apocalyptic “rapture”; New Age fantasies of ecological, spiritual, and social utopias; and so on.
First, let us consider a few of the most blatantly birth-related of the events around us.
The Primal Screen: Aliens … Ooooooooooo … Sca-ry….
Alien abduction stories, while a relatively recent addition to our cultural landscape, 
are unusual in the rapidity with which they have gained cultural currency and are telling in the extreme fascination the public has with them. They have catapulted more than one show—The X Files being the prime example, of course—to cult-like status. The photo here is a scene after the abduction of Fox Mulder, one of The X-Files main characters.
Fetal Aliens
Yet Alvin Lawson has pointed out how alien abduction stories are replete with 
perinatal elements: passing through walls, umbilical 
beams of connection to the “mother ship”—the placenta—either fetal-looking aliens or aliens whose eyes are most prominent and the lower parts of their faces undistinguished—similar to the way a newborn might see an obstetrician wearing a medical mask.
Then of course there are the elements of being medically probed, measured, samples taken from one, and being swooshed from one place to another with no say on one’s part—all remarkably like the experience of a newborn, right out of the womb. [Footnote 1]
Pretty Much
While I do not think that the “alien abduction” phenomenon is just derivative of birth, as Lawson does, I do believe that we perceive these events through a veil of birth trauma, the likes of which the world has never known. My position is explained in the article, “Alien Abductors: Angelic Midwives or Hounds From Hell?“
Mouth Suctioning…”Oh, What Pretty Teeth You Have, My Alien”
An interesting development in the alien face is the “shoved down the throat” thing going on. Similar to the “Jacob’s Ladder” kind of vegetable thrusting out, which was described in the last chapter, it was popularized greatly in the movie, “Alien.”
As a neonate we cannot see the mouths of the masked attendants at our birth. In a traumatic situation, whatever is hidden is more feared than what can be seen. As in anything else, onto the unknown we can project the most magnified versions of our fears. When these images arise in us, then, it makes sense that if the mouth is shown it might be even more frightening than that above the mouth.
So in modern times, for the first time in history, we see something going on where these feelings are symbolized as a ferocious mouth coming out of the mouth. The fact that it appears like something that would gag reveals that this image contains elements of the trauma 
around ungentle mouth suctioning or clearing as well as the reveal of what might be under the mask of the seeming attacker, the 
obstetrician. Add lots of teeth and you have the perinatal vagina dentata as well, symbolizing the trauma occurring at birth, when actually emerging from the mother.
The Perinatal Veil: Rock Concerts (For some, ditto)
Lawson has also described perinatal elements in rock concerts. [Footnote 2]
Mosh Wombs
Keep in mind that rock music popularity and concert rituals are world-wide phenomena. Youth from nearly all 
countries are involved in rock culture. 
Among other things, Lawson, in his article, refers to placental guitars, umbilical mikes, and youths jumping into mosh pits. Mosh pits suggest birth feelings in that they simulate the crushing in the womb.
At birth our consciousness is filled with the feeling of flesh all around. The world is crushing, heaving, rollicking, bouncing flesh everywhere. During a non-cesarean birth one struggles and moves through this flesh to reach space, air, light…freedom. We re-create this pattern of struggle in order to reach the light, or freedom and space, throughout life. It is obvious that mosh pits are attractive, appealing places to re-create the danger of birth alongside the hope of being “held up,” uplifted, and reborn.
The Doors of Perception…Stormed
We could also mention the loud music, fireworks, and flashing and bright explosions of light at these concerts as perinatal in that they re-create the assault of sensation that occurs to the newly emerged fetus—an assault which in one’s mind is like unto a bomb exploding.
The rock groups and their lyrics themselves are often blatantly perinatal. The most obvious example of this was the group, Nirvana, who came out with a CD titled “In Utero.” The fact that the leader of the group, Kurt Cobain, committed suicide is a strong indication of his closeness and access to his perinatal trauma…as I will soon explain.
Pacifiers, Trolls, and Collective Rebirth
Turning from rock, we see perinatal BPM III elements in the scenery of our everyday lives evident in the rising incidence of violence by children at ever younger ages.
In Europe, as pointed out by Mayr and Boederl, it appears a collective regression to the perinatal is going on, especially among the youth. [Footnote 3]
Collective Navel-Gazing
The forms this “regression” has taken include the surprising popularity of a pop song, sung by a very young child, expressing the difficulties of being a baby; the wearing of baby pacifiers as ornaments as a powerful fashion fad; and being enamored of troll-like dolls, which, according to the authors indicate a “regression to the womb.”
I would say a progression to the womb, by the way….I will soon explain why.
Overpopulation Bring Up in Us Uncomfortable Claustrophobic Feelings From Our Births
We have no-exit, claustrophobic BPM II elements manifesting in the crushing populations in major cities throughout the world. In the later stages of our womb lives, we are increasingly compressed with flesh all around. It is a time of ever more compression, constriction, restriction of movement, suppression of freedom, 
and suffering, which seems unending. However uncomfortable, we are compelled to manifest similar situations in our later adult lives, as in creating our crowded cities. We then find ourselves triggered into feelings like the ones we had back then.
Though it is irrational to draw suffering to oneself, it makes psychic sense in that consciousness seeks to integrate that which was overwhelming at the time. 
Think of this as a memory of a dire threat to one’s life that a part of ourselves remembers and tries to remove as a threat to our well-being by drawing it to ourselves repeatedly in life until we have managed to accept it—deal with it, perceive it differently than being a threat—so that we can go beyond it.
For the psyche’s main goal is to grow and heal itself, We see this intention of consciousness manifest in observing the body that Consciousness creates and which we see, which does exactly that growing and healing throughout life. Consciousness seeks, always, greater consciousness. Consciousness seeks unity.
Earlier we looked into how we do that seeking of psychological healing at rock concerts and with their mosh pits, in particular.
So we unconsciously create situations in life that make us feel like we once did but could not deal with at the time. And these feelings of course are uncomfortable…why else could we not deal with them originally? This does not mean that by bringing suffering to us we solve it and accept it. We would not be bringing it repeatedly to us if we successfully got beyond it.
No, we create suffering such as overpopulation because we are NOT dealing with, accepting, resolving, facing the memories that are making us continually manifest situations that should remind us…but don’t. The fact that some people are facing these issues or are on the verge of doing so—those Wounded Deer and Centaurs—is the hopeful message of this work. For this trend is auspicious for solving the biggest problems of all on Earth—those huge environmental and geopolitical woes that are threatening to do us all in. But I digress. Stay tuned, though.
We Manifest the Opposite of Crushing Populations Also — Floating Fantasies and Experiences
BPM I and “Birth” Day Parties
We also manifest the opposite of crushing, claustrophobic feelings for perinatal reasons. Remember that in the early stages of our womb lives, described as BPM I states, we are surrounded by flesh as well but it is not constricting. It is blissful and euphoric. No doubt we create our parties and festivals out of our desires to re-experience such wonderful, comforting feelings.
In this situation, one moves freely, with people (flesh) at a comfortable distance. Ideally one wishes to be the “life of the party,” in other words, the reason everyone else is there and the person around which everything else revolves. For such is the case in the early stages of life inside one’s mother, in general. Everything that was going on then around one’s embryonal and fetal selves, biologically speaking for sure, was about oneself; but more: It was about one’s overall happiness and well-being. As they say, It doesn’t get any better than this.
It is understandable that we would create “birth” days and bring people to gather around us at “birth” day parties. Certainly our births were fraught with discomfort and trauma. But we did make it out. And birthdays and their parties are ways we try to remind ourselves that life is not always 
the discomfort and struggle of birth or the aloneness, separateness immediately after birth—BPM IV—but can be the blissful love surround of unity with one’s mother in the early womb state. We try to cover over the struggles and alienation of life—which we are pushed to unconsciously manifest in our lives because of traumas around the process of coming into the world—with reminders of the most pleasurable time of our lives, our early womb existence—which we intentionally wish to bring about again.
BPM I and Dancing
People go to dance halls to surround themselves with writhing flesh in a way that they themselves can still move freely and well, even acrobatically they’d like to think. We want the freedom of blissful, perfect movement. Perfection and precise movement is sought, along with bliss, for our experience was of a process of biological perfection; precise and perfect beyond anything we would later experience.
It is even better if it defies gravity, as our experience in the womb seemed to. 
Gymnastics and break dancing are perfect recreations of blissful womb experience. We can move euphorically in three-dimensional space, overcoming the constraints of gravity. This is exactly our experience in early womb life. We both do these activities and are fascinated by others performing them because of early memories of perfection and weightlessness.
BPM I and Weightlessness
Since our early life is felt as weightless, it is also the reason we are enamored of the gravityless experience in space. Not only does our media replay depictions of space walks and astronauts in floating zero-gravity environments, but we are attracted to and seek to re-experience this. I remember a reality show where the participants were rewarded with a weightless experience caused by an aircraft descending from high in the stratosphere at such a speed as to create it.
BPM I and Floating
Plus, we sky-dive. And if we do not, we view with awe and appreciation via the media the videos of the most acrobatic and gravity defying stunts performed in descent by sky-divers. We have created machines where we on the ground can force air up strongly enough so we can experience floating in the air above it similar to sky diving.
I cannot leave the topic of floating without pointing to the most obvious and frequent activity of humans to re-create the weightless experience of BPM I—swimming. Being in water simulates the gravity-free state of our earliest life. It is one of the commonest activities of humans.
It is also no coincidence that for a time in the Seventies and Eighties it was popular to try to re-create birth, perinatal experiences by doing warm water “rebirthing” in hot tubs. The water was often made to be body temperature. And, by the way, it did stimulate these early memories in a powerful—though perhaps not optimal—way.
Even our depictions of release from the constraints of physical existence are viewed through this BPM I veil of blissful weightlessnes—whether it is the evangelical Christian idea of “the rapture” or my own depiction of transcendence via a Jacob’s Ladder style of transformation of human consciousness.
The Human Nature That Is Not
Having looked at the the most obvious perinatal propensities of the postmodern person in this chapter, let us go deeper. In the next chapter we look at how imprints from our early life in the womb affect us in many of the currently dire activities we are engaged in, for example, environmental destruction, war, capitalism, and imperialism. We discover that there are prenatal imprints for all these activities, which we normally ascribe to being rooted in our human nature–depicted as one of insatiable acquisition, violence and competitiveness, and desire to control and dominate. The fact that we find that they are in fact not part of our nature but are instead products of some personality forming experiences–however early those experiential events may be–is auspicious in the extreme. In looking at the prenatal blueprints for our self-destructive “human nature,” we learn why we do the things we do and realize we are not doomed to continuing to do them.
Continue with Four Earliest Roots of War, Bigotry, Capitalism, and Pollution: Blueprints of Human Nature and Prenatal Personalities … Profound Sculpting of Who We Are Occurs at a Time We Cannot See
Return to Everything You Always Wanted to Know About Being Born … Playing Now, in Theaters Near You!
Footnotes
1. Alvin H. Lawson, “UFO abductions or birth memories?” Fate, 38(3) March 1985, pp. 68-80; and Alvin H. Lawson, “Perinatal imagery in UFO abduction reports.” In T. Verny (ed.): Pre- and Perinatal Psychology: An Introduction. Human Sciences Press, New York, 1987.
2. Alvin H. Lawson, “Placental Guitars, Umbilical Mikes, and the Maternal Rock-Beat: Birth Fantasies and Rock Music Videos.” The Journal of Psychohistory 21 (1994): 335-353.
3. Daniela F. Mayr & Artur R. Boelderl, “The Pacifier Craze: Collective Regression in Europe.” The Journal of Psychohistory 21 (1993): 143-156.
Continue with Four Earliest Roots of War, Bigotry, Capitalism, and Pollution: Blueprints of Human Nature and Prenatal Personalities … Profound Sculpting of Who We Are Occurs at a Time We Cannot See
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Silly Heroes and Evolution in Attitudes to the Perinatal: The Necessary Hero Jives with the Monsters, Dances Above the Dissonance, and Is Ever Aware of Divinity Everywhere
Posted by sillymickel in activism, allegory, authenticity, being yourself, Class, Culture, economics, Generations, globalrevolution, History, individualism, life, meaning, nonconform, occupywallstreet, Politics, psychology, spirituality on October 14, 2012
What the World Needs Now … Is Loving Warriors and Silly Heroes: Jiving with Your Monsters, Dancing Above the Dissonance, and The Universality of Divinity Remembered
Responses to the Perinatal
Returning now to “Nothing But Trouble,” an aspect of it that has significance for dealing with perinatal issues is the way different characters are shown responding to the embodiment of arbitrary justice, the judge. In the wonderfully Kafkaesque courtroom scenes, we see several different types of people—representing different responses to unconscious material—hauled before the judge. The musicians, signifying artists, creative people; the hedonistic criminals; and the main characters, representing average people, each present distinct attitudes, which are responded to differently by the representative of the unconscious, the judge.
Jiving With Your Monsters
The musicians are able to create rhythm and flow. Therefore they are able to get through the experience unharmed. Indeed, they are even able to elicit a response from the judge—getting him to join in. In this way we see how creative people can actually use perinatal material and get it to cooperate for desired ends. We might consider how this relates to the writing of “Nothing but Trouble” itself.
Peter and Dan Aykroyd, in creating this movie, are, like the musicians in the movie, getting the unconscious to “play along,” to create something beyond what either the writer or the unconscious could accomplish separately. Much of what is interesting in art is done this way: The deeper fear-evoking material is allowed to come in and enrich, enliven, freshen with new ideas and perspectives, stimulate, and invigorate the creative production.
Beware the Tar Baby
On the other hand, the arrogant banker contends with evil, and, like Brer Rabbit with tar baby, gets stuck.
Notice also that the really contentious ones—the alcoholic drug-using criminal hedonists—are completely lost. Thus the two extremes, as well as the average person are depicted.
Lighten Up!
But the truly striking element that indicates an advanced way of dealing with the perinatal material is shown in the genre of the movie itself. As a comedy, it shows a non-attached and transcendent approach. Chevy Chase and Demi Moore, especially Chevy Chase, show an aloofness and silly playfulness in the face of horror and death that has spiritual implications. Like a Tibetan mystic, Chase refuses to get sucked in to the involved drama confronting him. Like a Christian saint about to be martyred, he jokes, teases, and gets silly with the instruments of horror and evil. Similarly, Demi Moore humors and plays cards with her would-be monsters.
Silly Heroes
Standing within the Witness higher self, they are able to take the entire situation lightly—acting and reacting in the moment to each unique situation as it presents itself. One moment Chevy Chase is confronting his own demise, the next moment he is in a love scene. He alternates a frightful encounter with relaxing and smoking a cigar.
If we want to know what real and transcended behavior is, we might do well to get our hints in the depictions of unattached playfulness — as presented by modern Western actors like Bill Murray, Demi Moore, Tom Hanks, Chevy Chase, Robin Williams, Bruce Willis, and Jim Carey—rather than in the repressively calmed not-with-it-ness—not-witness—that is sometimes mistaken for spiritual attainment.
Darkening Down
Incidentally, this element of humor shows an entirely different way of dealing with the perinatal than most other movies that deal with this kind of material. The movie, “Brazil,” is a good example of this difference. Not only is “Brazil” cast in an eerie, somber, and tragically hopeless and futile air—indicating that one’s response here is to “believe in” the reality of such material—but the only escape in this movie is in a purely conceptual, fantasy way.
The main character cannot face the horror ultimately. He flips out into a reassuring dream sequence brimming with BPM I and BPM IV imagery. Interestingly, reflecting the pattern of progression of our expressions in feeling therapies, the dream includes a BPM III scenario to get him to those later bucolic realms.
But in “Brazil” these are only daydreams. This fact shows a refusal to face this perinatal material or to surrender to it. Rather, in fantasy, one overcomes the horror. It is as if one continues using familiar ego techniques—hero’s journey methods, dragon-slaying methods—for dealing with material on a deeper level where they no longer work—where they are in fact counterproductive.
Thus, these techniques can only succeed in dreaming. Terry Gilliam, the creator of “Brazil,” shows us that the hero, in reality, is doomed.
However, one might interpret the main character’s escape into fantasy as a victory over evil forces. That the ending lends itself so readily to such an interpretation is a telling indictment of the state of progress of some of us in dealing with perinatal material. Apparently, there are those so lost that the only success possible seems to be in insanity or death.
Evolution In Attitudes to the Perinatal?
However, in “Nothing but Trouble,” the main characters do face and deal with all the material. Sometimes they fight it; sometimes run from it; sometimes play with it; sometimes joke, tease, spar, or get silly with it; sometimes are swallowed by it and carried along…but always they are creatively facing and dealing with it. This different air about and attitude towards the perinatal material can be said to be an advance from the earlier movie, “Brazil,” representing perhaps a progression of our collective consciousness in our attitudes and manner of dealing with the perinatal.
Dancing Above the Dissonance
Such a prospect is, indeed, the auspicious legacy of such a creative project. Though it is doubtful they did so consciously, the Aykroyd brothers and the producers of “Nothing But Trouble” deserve our gratitude for their efforts in lighting forward our collective reality endeavor.
Beyond that, we can take hope in the possibility that Western culture may be rising itself, however minimally at first, above the dramas of light and darkness that have plagued it for so long. The Manichean tendency can lead only to ever-spiraling cycles of resistance and assault. Yet we are seeing currently, not only an erosion of defiantly uni-dimensional ego perspectives, not only a movement toward facing and dealing with our inner darkness, but an integration of opposing forces, a dancing above the leela—the play—of light and dark.
The Universality of Divinity Remembered
The perennial understanding of the universality of divinity, both within and without us, in the lowest as well as the highest of places, is the bright at the center of the perinatal bedlam about us. We are guided as well by this gleaming, a rising moon of promise and possibilities.
Continue with Apocalypse? Or Earth Rebirth? A Smaller Number of Us — Standing in the Right Place and With a Lever Big Enough — Might Be All That Is Needed to Move the World
Return to You Just Can’t Slay a Volcano: The Necessary Hero Uses Surrender, not Struggle … For Why Would You Not Be Borne Up by a Universe That Is You
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You Just Can’t Slay a Volcano: The Necessary Hero Uses Surrender, not Struggle … For Why Would You Not Be Borne Up by a Universe That Is You
Posted by sillymickel in activism, allegory, authenticity, being yourself, Comedy, Culture, globalrevolution, individualism, life, meaning, nonconform, occupywallstreet, Politics, psychology, spirituality, US on October 12, 2012
We Need Compassionate Warriors, Not Fighters: It’s Not Enough Just to Slay Dragons, We Need to Jump Into Volcanoes
Volcano-Jumping: A Different Heroic Response
This different kind of heroic response—which characterizes the perinatal arena and is sorely needed at this time in history—is exemplified in another contemporary movie of cult status. We will deal with it in some detail to bring out the elements of the kind of hero that is now required to stop the cycles of destruction that have currently driven us to the abyss…to the very edge of a “volcano.”
In “Joe Versus the Volcano,” the main character, played by Tom Hanks, is given a heroic task. But unlike a typical hero’s cycle task which stereotypically involves the slaying of a fire-spewing dragon, Joe is asked to give up his life by jumping into a fire-erupting volcano.
The connection between volcano and dragon is that at the second-line or psychodynamic level the fire-spewing aspects of the perinatal, which might be compared to a volcano, can be seen as “embodied” or reduced in the form of a dragon. In the same way, the volcanic energy of perinatal feelings is initially embodied in easier-to-face and “dragonized” psychodynamic, second-line, or childhood traumas and feelings.
You Just Can’t Slay a Volcano
But what may seem to work at the second-line or psychodynamic level—the conquering or slaying of negative feelings…and notice that I said “seem”—has no place at all at the perinatal. For here the pain energy is overwhelming and pervasive. Thus the difference is analogous to that between facing the energy of a dragon and facing that of a volcano.
The Heroes We Need – The New Heroes Cycle
First Anima, Then Community
Keep in mind that this movie shows Joe, earlier on, going through all the major stages of the hero’s cycle—the retreat from mundane reality, the sailing off into a new and exotic realm of existence and adventure.
It even depicts a typical “dragon slaying”—the hero’s conquering of inner fears and risking of one’s life for another that results in the uniting with anima energy–the saving of the damsel. So earlier on there is a dealing with psychodynamic energy, just as in “Nothing but Trouble” Chevy Chase deals with psychodynamic material and enacts a dragon slaying by risking his life to rescue Demi Moore from a giant chopping machine. But, also similarly, this results in the opening up of another level, requiring a completely different—indeed, opposite—response. Thus, in “Joe Vs. the Volcano,” Joe is asked to give up his life to save an entire community, not merely to risk his life to rescue his anima, his feeling self.
Risking It All
The ensuing plot has interesting elements as it shows Joe having to decide whether to sacrifice his newly won relationship with his anima ally for the benefit of an entire—but anonymous—community. This demonstrates that at a progressed level of the spiritual process—that having to do with one’s inter-connection with the larger community of living things, not just one’s personal unconscious—one must risk even one’s newly regained creativity, inner child playfulness, and personal feelings, i.e., one’s anima.
But in telling fashion, in order to make the higher “community” sacrifice the anima elements that have been let go of, symbolized by Meg Ryan as the anima damsel, end up going with Joe to his chosen fate and are borne up, renewed, along with him.
Borne Up by a Beneficent Universe
On Joe’s part, the climax shows the same quality of a beneficent Universe aiding a true and dharmic heart. Joe (with his anima) face what they think is death. Instead they find themselves “borne up” by the volcano, not consumed; and they are deposited (reborn) in a typical perinatal watery surround—the ocean, symbolizing therefore a spiritual birth. This is a perfect depiction of how surrender, not “heroic” resistance, is done and why it needs to be done currently, as I have been pointing out.
“Away From the Things of Man”
In the end, the main characters are floating in the middle of a wide open sea—signifying the immensity of potentiality that is now open, and facing a gigantic moon on the horizon—symbolizing the beneficent nature of the Universe to which they are opening, that is, it is beautiful and lit with possibilities.
They are seen sitting on only their luggage—symbolizing the “stripped down” nature of the self, that is, stripped of ego trappings of status, vainglory, defenses, and so on. Their final comment at the very end of the film is that they do not know where they’ll end up but only that it will be “away from the things of man”—indicating their desire to never go back to the drama of ego and its puerile catacomb pathways of darkened experience.
The Universe Is You
We see then that in this movie, like “Nothing but Trouble,” the heroic response required is surrender, not resistance or control, and that the response from the Universe is cooperative and helpful, and hardly antagonistic as was feared, especially at earlier levels.
This is in keeping with the discovery at the perinatal, which borders it on the transpersonal, that in fact the Universe, not only is not antagonistic, not only is beneficent and helpful, but in fact is no different from oneself, indeed is oneself…and one begins to wonder why one would ever expect not to be borne up by a Universe that is now seen as inextricably united with one’s Self.
Continue with Silly Heroes and Evolution in Attitudes to the Perinatal: The Necessary Hero Jives with the Monsters, Dances Above the Dissonance, and Is Ever Aware of Divinity Everywhere
Return to Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth
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Note
While the interpretation of Joe Versus the Volcano presented in the video below – Joe vs. the Volcano: Losing my Soul, Part One – is annoyingly suffused with theological terminology – hell, devil – and suffers from the paranoia that happens lacking a perinatal or even a Jungian understanding, it does succeed on a more superficial level of basic insight. It does get the highly metaphorical and philosophical import of the film and picks up on major themes of the movie. It strikes me as having the problem of just understanding religion while knowing nothing about psychology. And it suffers, as I’ve put it elsewhere, from the problem of projecting one’s perinatal underbelly onto the Universe or of funneling revelation through the filter of personal pain.
The 21st Century and Its Discontents … The View From Everyday: Profound Sculpting of Who We Are Occurs at a Time We Cannot See
Posted by sillymickel in activism, allegory, authenticity, being yourself, Class, Culture, economics, Generations, globalrevolution, History, individualism, life, meaning, nonconform, occupywallstreet, philosophy, Politics, psychology, spirituality, uniqueness, US on September 6, 2012
Dangling Above an Abyss and Everyday Rebirthing: The Perinatal Is Rising … The Doors of Perception—Stormed!
Dangling Above the Abyss and Perinatal Aliens, Pretty Much
Dangling Above an Abyss and Pervasive Perinatal Aliens
Dangling Above an Abyss
Beyond the entertainment media, it seems perinatal themes and elements are showing up everywhere else in our surrounding environment and culture. The scenery of our everyday reality consists of pollution of our air, water, and food; threat of death “at any moment,” caused by the knowledge of the power of nuclear weapons; fantasies of apocalypse of all kinds, magnified, perhaps, by the ending of a millennium and the approach of 2012—including fundamentalist Christian imaginings of an end to human civilization in an apocalyptic “rapture”; New Age fantasies of ecological, spiritual, and social utopias; and so on.
First, let us consider a few of the most blatantly birth-related of the events around us.
The Primal Screen: Aliens … Ooooooooooo … Sca-ry….
Alien abduction stories, while a relatively recent addition to our cultural landscape, are unusual in the rapidity with which they have gained cultural currency and are telling in the extreme fascination the public has with them. They have catapulted more than one show—The X Files being the prime example, of course—to cult-like status. The photo here is a scene after the abduction of Fox Mulder, one of The X-Files main characters.
Fetal Aliens
Yet Alvin Lawson has pointed out how alien abduction stories are replete with perinatal elements: passing through walls, umbilical beams of connection to the “mother ship”—the placenta—either fetal-looking aliens or aliens whose eyes are most prominent and the lower parts of their faces undistinguished—similar to the way a newborn might see an obstetrician wearing a medical mask.
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Then of course there are the elements of being medically probed, measured, samples taken from one, and being swooshed from one place to another with no say on one’s part—all remarkably like the experience of a newborn, right out of the womb. [Footnote 1]
Pretty Much
While I do not think that the “alien abduction” phenomenon is just derivative of birth, as Lawson does, I do believe that we perceive these events through a veil of birth trauma, the likes of which the world has never known. My position is explained in the article, “Alien Abductors: Angelic Midwives or Hounds From Hell?“
Mouth Suctioning…”Oh, What Pretty Teeth You Have, My Alien”
An interesting development in the alien face is the “shoved down the throat” thing going on. Similar to the “Jacob’s Ladder” kind of vegetable thrusting out, which was described in the last chapter, it was popularized greatly in the movie, “Alien.”
As a neonate we cannot see the mouths of the masked attendants at our birth. In a traumatic situation, whatever is hidden is more feared than what can be seen. As in anything else, onto the unknown we can project the most magnified versions of our fears. When these images arise in us, then, it makes sense that if the mouth is shown it might be even more frightening than that above the mouth.
So in modern times, for the first time in history, we see something going on where these feelings are symbolized as a ferocious mouth coming out of the mouth. The fact that it appears like something that would gag reveals that this image contains elements of the trauma around ungentle mouth suctioning or clearing as well as the reveal of what might be under the mask of the seeming attacker, the obstetrician. Add lots of teeth and you have the perinatal vagina dentate as well, symbolizing the trauma occurring at birth, when actually emerging from the mother.
Rock Concert Rebirthing, Mosh Wombs, and the Doors of Perception … Stormed
Fleshy Mosh Wombs, Rock Rebirthing, Trolls, and the Doors of Perception … Stormed
The Perinatal Veil: Rock Concerts (For some, ditto)
Lawson has also described perinatal elements in rock concerts. [Footnote 2]
Mosh Wombs
Keep in mind that rock music popularity and concert rituals are world-wide phenomena. Youth from nearly all countries are involved in rock culture. Among other things, Lawson, in his article, refers to placental guitars, umbilical mikes, and youths jumping into mosh pits. Mosh pits suggest birth feelings in that they simulate the crushing in the womb.
At birth our consciousness is filled with the feeling of flesh all around. The world is crushing, heaving, rollicking, bouncing flesh everywhere. During a non-cesarean birth one struggles and moves through this flesh to reach space, air, light…freedom. We re-create this pattern of struggle in order to reach the light, or freedom and space, throughout life. It is obvious that mosh pits are attractive, appealing places to re-create the danger of birth alongside the hope of being “held up,” uplifted, and reborn.
The Doors of Perception … Stormed
We could also mention the loud music, fireworks, and flashing and bright explosions of light at these concerts as perinatal in that they re-create the assault of sensation that occurs to the newly emerged fetus—an assault which in one’s mind is like unto a bomb exploding.
The rock groups and their lyrics themselves are often blatantly perinatal. The most obvious example of this was the group, Nirvana, who came out with a CD titled “In Utero.” The fact that the leader of the group, Kurt Cobain, committed suicide is a strong indication of his closeness and access to his perinatal trauma…as I will soon explain.
Pacifiers, Trolls, and Collective Rebirth
Turning from rock, we see perinatal BPM III elements in the scenery of our everyday lives evident in the rising incidence of violence by children at ever younger ages.
In Europe, as pointed out by Mayr and Boederl, it appears a collective regression to the perinatal is going on, especially among the youth. [Footnote 3]
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Collective Navel-Gazing
The forms this “regression” has taken include the surprising popularity of a pop song, sung by a very young child, expressing the difficulties of being a baby; the wearing of baby pacifiers as ornaments as a powerful fashion fad; and being enamored of troll-like dolls, which, according to the authors indicate a “regression to the womb.”
I would say a progression to the womb, by the way….I will soon explain why.
Crushing Populations and Its Relief — Perinatal Pulls of Public Life, Sky Diving, Dancing, Swimming, and “Birth”Day Parties
The Perinatal Pulls of Population Explosion, Sky Diving, Dancing, Swimming, and “Birth”Day Parties
Overpopulation Bring Up in Us Uncomfortable Claustrophobic Feelings From Our Births
We have no-exit, claustrophobic BPM II elements manifesting in the crushing populations in major cities throughout the world.
In the later stages of our womb lives, we are increasingly compressed with flesh all around. It is a time of ever more compression, constriction, restriction of movement, suppression of freedom, and suffering, which seems unending. However uncomfortable, we are compelled to manifest similar situations in our later adult lives, as in creating our crowded cities. We then find ourselves triggered into feelings like the ones we had back then.
Though it is irrational to draw suffering to oneself, it makes psychic sense in that consciousness seeks to integrate that which was overwhelming at the time. 
Think of this as a memory of a dire threat to one’s life that a part of ourselves remembers and tries to remove as a threat to our well-being by drawing it to ourselves repeatedly in life until we have managed to accept it—deal with it, perceive it differently than being a threat—so that we can go beyond it.
For the psyche’s main goal is to grow and heal itself. We see this intention of consciousness manifest in observing the body that Consciousness creates and which we see, which does exactly that growing and healing throughout life. Consciousness seeks, always, greater consciousness. Consciousness seeks unity.
Earlier we looked into how we do that seeking of psychological healing at rock concerts and with their mosh pits, in particular.
So we unconsciously create situations in life that make us feel like we once did but could not deal with at the time. And these feelings of course are uncomfortable…why else could we not deal with them originally? This does not mean that by bringing suffering to us we solve it and accept it. We would not be bringing it repeatedly to us if we successfully got beyond it.
No, we create suffering such as overpopulation because we are NOT dealing with, accepting, resolving, facing the memories that are making us continually manifest situations that should remind us…but don’t. What to do about this—and how this might be hopeful for solving the biggest problems of all on Earth—is what I deal with in time in this work. But I digress. Stay tuned, though.
Air Pollution, Fetal Suffocation, and Human Nature: Profound Sculpting of Who We Are Occurs at a Time We Cannot See
Pollution and The Greenhouse Effect Pushes Up Perinatal Pulls and Political Palpitations … and Vice Versa
The Perinatal Pulls of Pollution: Air Pollution and Fetal Oxygen Starvation
Increased Carbon Dioxide, But Also Decreased Oxygen
One overlooked, but hugely pervasive perinatal element of these strange days is connected to the increasing carbon dioxide concentration in our atmosphere called “the greenhouse effect” which occurs alongside the curiously overlooked yet necessarily corresponding decreases in oxygen levels. There is increasingly less oxygen as we use it up burning carbon-based fossil fuels and making carbon dioxide. [Footnote 4]
We have more carbon dioxide for that reason and also because we are stupidly destroying the Earth’s mechanisms for turning that carbon dioxide back into oxygen…forests and ocean plankton, for example. This increased carbon dioxide is called “the greenhouse effect.” While this has been looked at from the perspective of it creating global warming and climate change, there are even stronger corporate (profit-motivated) as well as personal psychological reasons why we do not look at its most immediate effect on humans—the amount of oxygen we get from the air we breathe. 
We will steal at least a brief glance into some psychological reasons now and while we are at it uncover rich veins of understanding of and possible solutions for not only our current environmental problems but certain political and social dilemmas which we will find are operating dialectically with them. For there are provocative and profound influences from our experiences in the late stages of our womb life on the kaleidoscope of our current postmodern lives.
Air Pollution Bring Up in Us Uncomfortable Feelings From Our Births
For the increased carbon dioxide and reduced oxygen of the globe is analogous to the situation of “fetal malnutrition,” described by Briend and DeMause, that occurs prior to birth, and which is the basis for DeMause’s explanation of poisonous placenta symbolism. Keep in mind in particular that we experience this reduction in oxygen and increase in carbon dioxide in the form of air pollution, which is most pronounced in larger cities. [Footnote 5]
Raging to Reenter, Vampire Apocalypse, Drug Use, and Being Gratefully Dead – Perinatal Printouts Of Sixties, X, and Millennial Generations
Perinatal Arising in Sixties and Generations Since as Seen in Drug Use, Fantasy of Fusion, Vampire Apocalypse, and Being Gratefully Dead
Perinatal Arising in Sixties and Generations Since
Other evidence for closeness to the perinatal unconscious comes from Kenneth Keniston, who studied the youth of the Sixties. In Keniston’s widely read book of the time titled The Uncommitted: Alienated Youth in American Society, he described an increasingly prevalent, unusually influential, and relatively newly emerging personality type, which he discovered in his sociopsychological study of youthful college students.
Raging to Reenter, Digging Under Ground, Fantasy of Fusion
Among other traits, he found these youth to be characterized by fantasies of a “rage to reenter” the womb; and a “fantasy of fusion” with the mother, which took 
perinatal forms of all kinds including stories of wishing to dig one’s way back into the earth; a fascination with and wish to return to the past, the long forgotten, and the under ground; and a desire to find oblivion in some enveloping medium…even at the price of self-destruction!
Existential Angst, Death and Dying, Peter Pan
Some of the other noticeably perinatal elements of Sixties youth were existential angst, being enamored of death and dying, and a refusal of “normal” adulthood. (See BPM I, BPM II, and BPM II.) And think about it. Are these descriptions also not a lot like what we have heard of the generation that followed Sixties youth…the so-called Generation X?
Vampire Apocalypse…It’s All So Black and White
For Generation X, black clothes, white painted faces, and black lipstick were the fashion statement of the Eighties and Nineties.
And what was this statement of that sector of Gen X youth—a statement that began in the 
Seventies among what was then called the “punk” movement, which includes now the fad of vampirism—except the same fascination with death as Sixties “alienated” youth…again. This mental set is an obvious reflection of the death/rebirth aspects of the perinatal I’ve been discussing. The “perinatal veil” through which they saw things was becoming more blatant.
Being Gratefully Dead
But this trend began with the Boomer Generation. Need I remind of this same theme of being dead and then reborn coming from the Sixties as in being “gratefully dead”? It seems that this trend toward easier access to and higher awareness of perinatal influences has been going on for a while now.
A Perinatal Printout Is Indicated by Drug Use
There are other perinatal similarities between the youth of the Sixties and the generations to follow—this time specifically with the Millennial Generation, the one that followed Gen X and who are predominantly the sons and daughters of Boomer parents. Millennials were born after the mid-Seventies; they are a different cohort from those born 1960 till roughly 1974—Gen X; and those born 1945 to 1959—the Boomers.
Drug Usage Rising Since the Nineties Shows Perinatal Attraction
Illegal drug use among youth, beginning in the Nineties, began going up again. This coincides with the coming into young adulthood of the Millennial Generation. Unlike drug usage of the legal and mind-debilitating kind (booze and tobacco), drug usage of the illegal and mind-facilitating kind (pot, LSD, speed, ecstacy) is an indication of an emerging 
perinatal unconscious. Drugs are intimately woven with perinatal influences in a number of ways. Not only can some drugs bring up birth feelings, as Grof’s work has shown, but the mother being drugged while giving birth to her child can result in drug abuse by that child later in life.
Generations – Their Drugs and Politics. Gen Xers Are Fifty-ish, Millennials Are Sixty-ish
An Aside on Drugs and Generations—Sixties, Gen X, Millennials and Their Parents
Millennials Are Sixty-ish
There is another overlooked factor or aspect of this rise in drug use in the Nineties by Millennials: These youngsters were the sons and daughters of the Sixties generation who, in their own youth, as we all know too well, engaged in drug experimentation. In fact, this younger generation of drug users has sometimes been called the baby-boomer “echo” generation.
Gen Xers Are Fifty-ish
Millennials are quite a bit different from the previous “echo” generation — Gen X. The generation that came to age during the Eighties—Yuppies and Xers—had parents who were 
born during the Great Depression and 
World War Two, who had their young adult formative years during the Eisenhower — Joe McCarthy –Presley Fifties. So Gen X was influenced by their parents to conservatism, career-mindedness, and, for drug-of-choice, alcohol.
But this “echo” generation of Millennials has parents whose young adulthood was forged in the rebellion, drug and sex experimentation, activism, liberal-radicalism, and idealism of the Sixties, not the Fifties. [Footnote 6]
Forget What You’ve Heard About Generation Gap
Generationally speaking, we know that children do not predominantly rebel to the opposite of their parents’ values. Kenneth Keniston, for one, has made it clear—referring to studies—that children are paramountly influenced by the values and attitudes…conscious and unconscious…of their parents. So this most recent cohort of youth was of course going to be more liberal in their attitude to drug use than Gen X, even if their parents, in their coming into adulthood, overtly decry or are against the use of drugs. Keep in mind also that many of the baby-boomers have retained, not reversed, their acceptance of drug experimentation, and many still believe in and use drugs; many still considering the occasional use of certain types—especially the psychedelics, and to some extent, pot—to be an aid to self-development and/or spiritual awareness.
Family Lies Not “Family Ties”
The myth that youth rebel against their parents’ values was expressed and propagandized by the TV show “Family Ties.” 
This was an oh-so-convenient portrayal, as it contributed to the pervasive scapegoating of the Sixties generation by the Fifties Generation—the Eisenhower–Joe McCarthy–Presley generation—who came into their Triumphant Phase, that is, took over the reins of society as mature adults in the Eighties.
Rebellion in Youth Amounts to Being Uncompromising About Parents’ Values Not Defying Them
This “Family Ties” kind of rebellion, however inaccurate, seems to be credible largely as a result of the observation that youth do rebel against their parents. But it 
ignores the fact that when they do, and they don’t always, they revolt or rebel, as in the Sixties youth, most often in the direction of being more insistent of actually living the values of their parents, not simply voicing them. 
As Keniston found out, for example, as he described in his follow-up to The Uncommitted, in the book, Young Radicals: Notes on Committed Youth, radical youth had liberal (hardly conservative!) parents.
When Sixties youth were angry at their parents it was out of their perception of their parents as compromising and not living out their own expressed ideals, as laid out to their children in raising them. Therefore, Sixties rage against adults came out of their disgust at their parents for “not walking their talk.” As we may recollect, there was the oft-repeated charge of “hypocrite” directed by some of these youth toward their parental generation.
Millennials and Their Sixties Parents
In this regard notice also that this latest crop of young—born mid-70s through roughly 2000 (Boomers had children over a longer expanse of time than generations previous and since, for reasons that I’ve dealt with in other places) 
and being now in their twenties and thirties…the sons and daughters of the Sixties Generation—has also seen increases in voting for liberal or Democratic candidates. Their turnout for Clinton in 1992 was the first time since the Seventies that the youth vote went Democratic. Their support of Obama was widely given as the reason for his success.
Occupy Wall Street … Sixties Gen Liberals, Millennial Revolutionaries?
In the Nineties we saw — despite the AIDS scare — an end to a fledgling “youth celibacy movement” — which had been a movement of Yuppie/Gen Xers encouraged by their Fifties Generation parents. The Millennials, 
echoing again their parents and this time the sexual revolution, were noted for early and/or increased sexual experimentation.
This latest cohort of youth also has seen increases in idealism, activism, and volunteerism. It is no coincidence that we have finally seen a rising up of activism again in the occupy wall street movement, with Millennials taking the lead and supported, taught, and inspired by their Sixties cohort parents. [Footnote 7]
Tune Inward, Turn Back, Drop Down – Psychedelics, Depression, and Those Nasty Birth Feelings
Perinatal Propensities in LSD Use … Lucy in the Sewer with Depression and No-Exit Wombs
The Epidemic of Depression Shows Pervasive BPM II Influence
Lucy in the Sewer with Depression
Other connections between drug use and perinatal influence: Perinatal feelings are very often of the depressive, no-exit type, and some drugs are temporarily effective antidotes for that. Depression itself is epidemic nowadays, indicating the rise of BPM II feelings. There is widespread use of antidepressants in America currently.
No-Exit Wombs
Stanislav Grof has claimed, based upon the tens of thousands of sessions of exploration into the perinatal unconscious that he has personally facilitated and thus 
observed, that the roots of endogenous—that is to say, deep rooted and engrained, not just situational—depression lie in the no-exit BPM II experience in the womb prior to birth. Furthermore, my personal experience with depression earlier in my life and my primal re-experiencing of prenatal, womb feelings, as well as birth, confirms his statement.
Psychedelics and Birth: Tune Inward, Turn Back, Drop Down
Finally, psychedelic drugs..LSD… “they’re ba-a-a-ack.” Though they are more discreetly used these days and so are less obviously evident. Various psychedelics and hallucinogens are used at postmodern raves, among many other places.
Their increased use also points to perinatal influences in that it is known that psychedelics—LSD in particular—can help people to access and to some extent resolve perinatal trauma, when taken for purposes of personal growth.
Corrective on LSD Misinformation
For those who have cynically adopted the line that either psychedelics are another drug that blots out one’s Pain or that they are only used for recreational or sensual/hedonistic purposes or that the kinds of birth experiences that Grof describes as occurring on LSD only occur in supervised and guided sessions, like the ones he offered…for those who have dismissed psychedelics and LSD in any of these ways, let me say,
LSD is Hardly Escapist
First, psychedelics, especially LSD and to some extent, even marijuana, are known to act in the brain in a way almost exactly the opposite of the drugs used to escape from reality—such as, for example, alcohol, nicotine, or heroin—though this news flies in the face of the myth put out by the all-encompassing anti-drug propaganda machine, which puts all drugs in the same category. This 
is common knowledge among researchers and scientists who study these things. For elaboration, see Culture War, Class War Chapter Three: Drugs of Choice and Generational Cultures – Opposing Worlds—especially the part on “Drugs and Consciousness“—as well as subsequent chapters of that book/blog.
Drugs—Not Just for Fun Anymore
Second, that drugs are only used for recreational purposes is patently false. Though the vast majority of drug use is recreational, there are in print many examples, and the admissions of many authors, of the use of LSD by individuals and groups for purposes of personal 
growth. 
And, in my own limited exploration, personal growth was my motivation. In fact, many people are afraid to take the drug LSD, knowing full well that its effects are not always pleasurable or recreational. So why would they accept that risk if they did not have some other intent, like personal growth, for experimenting on themselves with it?
LSD and Birth Reliving
Finally, before I had ever heard of such a possibility of reliving one’s birth, let alone heard of Grof, or Janov for that matter, I learned that at least one person at my university on LSD found himself feeling like a fetus and then going through a process of struggling through a birth canal, and so on.
“Most Peculiar, Mama!”
In this book so far, we have considered the uniqueness of our times and the elements of the perinatal unconscious. 
We have followed that with a look at the predominant underlying fantasies and myths of our times—our contemporary collective dreams as projected onto the silver screen, boob tube, and printed page, with a perinatal rock heartbeat of a soundtrack.
Our Nightly News and Neighborhoods
Finally we have taken a look at the anomalous elements of our everyday reality — those confusing and bizarre, newly emerging 
images that permeate our nightly news and neighborhoods, along with those totally unprecedented cultural, environmental, and social factors that weave the backdrops of our lives.
Going Forward, Explore Our Hells and Heavens
Let us now go deeper. Let us make the connections. Let us explore the way we have reflected our innermost intimate hells and heavens into 
the fabric of our times. And back again, let us uncover the way the warp and woof of 
these strangest of days has affected each of us, in our most superficial of behaviors to the most intimate and deepest of our minds. The way forward is down.
Continue with Apocalypse No! Chapter Ten:
Birth Wars, World Woes
Return to Apocalypse No! Chapter Eight: The Perinatal Media
Footnotes
1. Alvin H. Lawson, “UFO abductions or birth memories?” Fate, 38(3) March 1985, pp. 68-80; and Alvin H. Lawson, “Perinatal imagery in UFO abduction reports.” In T. Verny (ed.): Pre- and Perinatal Psychology: An Introduction. Human Sciences Press, New York, 1987.
2. Alvin H. Lawson, “Placental Guitars, Umbilical Mikes, and the Maternal Rock-Beat: Birth Fantasies and Rock Music Videos.” The Journal of Psychohistory 21 (1994): 335-353.
3. Daniela F. Mayr & Artur R. Boelderl, “The Pacifier Craze: Collective Regression in Europe.” The Journal of Psychohistory 21 (1993): 143-156.
4. This obvious though insistently overlooked fact has scientific support, of course:
According to a study conducted by scientists from the Scripps Institute there is less oxygen in the atmosphere today than there used to be. The ongoing study, which accumulated and interpreted data from NOAA monitoring stations all over the world, has been running from 1989 to the present. It monitored both the rise of carbon dioxide in the atmosphere and the decline in oxygen. The conclusion of that 20 year study is that, as carbon dioxide (produced primarily by burning fossil fuels) accumulates in the atmosphere, available oxygen is decreasing.
Carbon dioxide seems to be almost the total focus of attention in the climate change model as it exists today. After reviewing the results of this study and talking with Dr. Ralph Keeling (one of the lead scientists on the study), it seemed to me that the consequences of atmospheric oxygen depletion should be included in any discussion of atmospheric change….
Read more: “Atmospheric Oxygen Levels Fall as Carbon Dioxide Rises” http://blogcritics.org/scitech/article/atmospheric-oxygen-levels-fall-as-carbon/#ixzz1ru2460V8
5. A. Briend, “Fetal Malnutrition: The Price of Upright Posture?” British Medical Journal 2 (1979): 317-319. [return to text]
6. See my blog/book Culture War, Class War, especially Chapter Two: Matrix Aroused, the Sixties and Chapter Four: Drugs of Choice and Generational Cultures – Concocted Worlds and Chapter Five: The King Won’t Die – An Aborted Changing of the Guard.
7. These aspects and generational phenomena are spelled out in more detail in my work-in-progress, Regression, Mysticism, and “My Generation.” Right at hand, however, you can read an elaboration of some of these ideas in the chapters mentioned in Culture War, Class War—especially Chapters One through Seven and the post, Awakening Millennial Generation Occupy Global Revolution.
Continue with Apocalypse No! Chapter Ten:
Birth Wars, World Woes
Return to Apocalypse No! Chapter Eight: The Perinatal Media
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Kaleidoscope of Postmodern Life, Part Two: Fleshy Mosh Wombs, Rock Rebirthing, Trolls, and the Doors of Perception…Stormed
Posted by sillymickel in activism, authenticity, being yourself, Culture, Generations, globalrevolution, History, individualism, life, meaning, nonconform, philosophy, Politics, psychology, spirituality, uniqueness on April 14, 2012
Rock Concert Rebirthing, Mosh Wombs, and the Doors of Perception…Stormed: 21st Century and Its Discontents, Part 2
The Perinatal Veil: Rock Concerts (For some, ditto)
Lawson has also described perinatal elements in rock concerts. [Footnote 1]
Mosh Wombs
Keep in mind that rock music popularity and concert rituals are world-wide phenomena. Youth from nearly all countries are involved in rock culture. Among other things, Lawson, in his article, refers to placental guitars, umbilical mikes, and youths jumping into mosh pits. Mosh pits suggest birth feelings in that they simulate the crushing in the womb.
At birth our consciousness is filled with the feeling of flesh all around. The world is crushing, heaving, rollicking, bouncing flesh everywhere. During a non-cesarean birth one struggles and moves through this flesh to reach space, air, light…freedom. We re-create this pattern of struggle in order to reach the light, or freedom and space, throughout life. It is obvious that mosh pits are attractive, appealing places to re-create the danger of birth alongside the hope of being “held up,” uplifted, and reborn.
The Doors of Perception…Stormed
We could also mention the loud music, fireworks, and flashing and bright explosions of light at these concerts as perinatal in that they re-create the assault of sensation that occurs to the newly emerged fetus—an assault which in one’s mind is like unto a bomb exploding.
The rock groups and their lyrics themselves are often blatantly perinatal. The most obvious example of this was the group, Nirvana, who came out with a CD titled “In Utero.” The fact that the leader of the group, Kurt Cobain, committed suicide is a strong indication of his closeness and access to his perinatal trauma…as I will soon explain.
Pacifiers, Trolls, and Collective Rebirth
Turning from rock, we see perinatal BPM III elements in the scenery of our everyday lives evident in the rising incidence of violence by children at ever younger ages.
In Europe, as pointed out by Mayr and Boederl, it appears a collective regression to the perinatal is going on, especially among the youth. [Footnote 2]
Collective Navel-Gazing
The forms this “regression” has taken include the surprising popularity of a pop song, sung by a very young child, expressing the difficulties of being a baby; the wearing of baby pacifiers as ornaments as a powerful fashion fad; and being enamored of troll-like dolls, which, according to the authors indicate a “regression to the womb.”
I would say a progression to the womb, by the way….I will soon explain why.
Footnotes
1. Alvin H. Lawson, “Placental Guitars, Umbilical Mikes, and the Maternal Rock-Beat: Birth Fantasies and Rock Music Videos.” The Journal of Psychohistory 21 (1994): 335-353. [return to text]
2. Daniela F. Mayr & Artur R. Boelderl, “The Pacifier Craze: Collective Regression in Europe.” The Journal of Psychohistory 21 (1993): 143-156. [return to text]
Continue with Crushing Populations and Its Relief—Perinatal Pulls of Public Life, Sky Diving, Dancing, Swimming, and “Birth”Day Parties: 21st Century and Its Discontents, Part 3
Return to Dangling Above the Abyss and Perinatal Aliens, Pretty Much: 21st Century and Its Discontents, Part 1
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Culture War, Class War 