Posts Tagged descent

Becoming Controlling, Becoming Killers: In the Tenth Prasad, the Planetmates Tell How Humans Became So Complacent About Taking Life

000-0706091045-prehistoric_man_hunting_bears_thumbcomplacent-about-taking-life When Early Humans Began Killing Planetmates and Eating Flesh, It Was Not Long Until They Were Killing Each Other: Human Savagery Started With Meat-Eatingjacob-wrestles-the-angel

The Great Reveal from the Planetmates, The Tenth Prasad: Descent Into Savagery Begins … Becoming Controlling, Becoming Killers

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Planetmates Release The Tenth Prasad

You first began your fearful, deluded controlling when you added Planetmate flesh to your former vegetarian diet

Pig was First Consciousness at The Tenth Prasad.

"Your descent into aggression and savagery started here, because when you learned how to kill fellow Planetmates...it was not too long before you began to be able to kill each other."

The Tenth Prasad – Becoming Controlling, Becoming Killers

Rather than the natural state of being, awareness, and bliss, your state of omnipresent fear caused you to be ever more unable to accept the gifts of life and survival on Nature’s terms, which were uncertain, but on the other hand, adventurous and surprising. It is the state we enjoy and find blissful and playful and always interesting. Your fear made you unable to bear the uncertain state. So, being impatient, and therefore unwilling to receive sustenance and nurturing on Nature’s timetable, you first began taking control of when you would be nourished by adding planetmate flesh to your former vegetarian diet.

Your descent into aggression and savagery started here, because when you learned how to kill fellow planetmates, which had not been in your nature prior to the prematurity trauma and your constant adult state of tension, it was not too long before you began to be able to kill each other. Continuing to lose faith in the reality of divine perfection, love, and nurturing, which all other planetmates know without doubt, you thought you needed to compete over resources and sometimes to kill your own to keep from starving, or to keep from being killed. The first was your delusion, the second was your delusion made real among yourselves.

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Video Commentary by SillyMickel Adzema

What follows is a video of a reading of The Tenth Prasad, as received from The Planetmates, with additional explanation, context, and some commentary by SillyMickel Adzema.

The Tenth Prasad from The Planetmates: Part One – Faith vs. Fear, Playful vs. Predictable

dog-in-daisy-field-paintThe issues highlighted in the commentary relate to that of the blissful existence of the Planetmates based on absolute faith in the goodness of Existence contrasted with the fearful one of humans based on mistrust, and of the adventurous, playful lives of the Planetmates compared to the striving for predictability and certainty of humans.

The Tenth Prasad from The Planetmates: Part Two – Descent Into Savagery Begins

This next video is a continuation of the commentary of The Tenth Prasad, as received from The Planetmates. The issues highlighted in this commentary relate to the descent into savagery that began with the switch from a completely vegetarian diet to one that included planetmate flesh and involved hunting and killing. Very importantly this led to the ability to be able to kill other humans as well. This momentous development—its significance and consequences—is elaborated upon.

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Audio Commentary by SillyMickel Adzema

“The Tenth Prasad” Part One – Faith vs. Fear, Playful vs. Predictable – the audiocast

The link above takes you to the audio-only version of Part One of my commentary on The Tenth Prasad, exactly as is in the video. Click on the link to go to the the audio site, or you can listen to it here using the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=lwbwkkhdnf
Image of The 10th Prasad. “The Great Reveal” By The Planetmates: Pt 1 – Faith Vs. Fear, Playful Vs. Predictable

“The Tenth Prasad” Part Two – Descent Into Savagery Begins – the audiocast

The link above takes you to the audio-only version of Part Two of my commentary on The Tenth Prasad, exactly as is in the video. Click on the link to go to the the audio site, or you can listen to it here using the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=dyzxnwkzdp
Image of Commentary On The 10th Prasad Continued: Descent Into Savagery Begins, By Silly Mickel Adzema

Paraphrase/ Summary/ Abstract of “The Tenth Prasad” — by SillyMickel Adzema

Your state of ominipresent fear caused you to lose faith in the goodness of Nature/ the Divine as it is. You became increasingly fearful of what would happen in any future time and so spent your time seeking to determine that future through fervid controlling activities in the present, which consumed both your consciousness and became your lived Existence. Life is uncertain because we do not know the future consequences of our present actions, but we see that as part of the joyous adventure, whereas that fact causes you dread. So our natural state is one of being, awareness, and bliss, and our lives are surprising, playful, and always interesting; whereas yours became one of impatience, defiance toward Nature/ the Divine in all its forms, and set toward fighting imaginary threats in a state of fervid, obsessive controlling of things inside and around you.

The basic needs of physical existence, like sustenance, food, we accept as gifts from God; your crazed state caused you to seek to control this aspect of existence, to make it less certain. Your first attempt to do that involved your adding Planetmate flesh to your former, exclusively vegetarian, diet. You had been happy accepting God’s varied and often surprising gifts through foraging, but now you began what you called “hunting,” as well. This began your descent into savagery.

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Prior to your prematurity trauma it had not been in your nature to kill, let alone eat, flesh that resembled your own—those that you call “animals.” But with your lives of increasing tension and as your continued loss of touch with Real Existence diminished and your lives lived in your substitute world of monochromatic ghostly symbols expanded, you became insensitive enough to the spilling of blood to make life and death decisions over fellow Planetmates. After that, it was not long before you were intruding on God’s domain by making these decisions about each other, as well.

You first began to kill each other out of your fear that there would not be enough sustenance for all—what you call “competition over resources.” Planetmates know without doubt that they are interwoven with and therefore infinitely loved and sustained by a God who is perfect in His care and nurturing of us in every way, even the tiniest and most insignificant. So your fear of dying through lack of sustenance was your delusion wrought of your crazed, increasingly ghostly existence.

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But as more of you believed it, you created the very real threat of being killed, for that reason, by one of your own kind. So, out of your delusion of scarcity of resources, you created the reality that you would need to kill in order to keep from being killed.

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Continue with The Great Reveal from the Planetmates, The Eleventh Prasad: “Agrarian Revolution” – Interference in Flora Empire

Return to The Great Reveal from the Planetmates, The Ninth Prasad: Eden and the Fall … Harmony with Nature, Early Humans, Foragers

To Read the Entire Book … on-line, free at this time … Go to The Great Reveal from The Planetmates

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How Can You Be Borne Up, If You Won’t Let Go? Spiritual Experience Is Distorted by One’s Birth Trauma … The Necessary Hero Descends Into the Perinatal Below

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When Everything Appears to Be Conspiring Against You, You Might Want to Stop Fighting Rebirth: Atman Projects Versus Surrender Solutions and a Different Hero’s Journey

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Apocalypse – No! Chapter Twelve: Atman Projects vs. Surrender Solutions

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The Necessary Hero and Descent Into the Underground–When There’s “Nothing But Trouble,” You Know You’re in The Perinatal Below

A Different Kind of Hero’s Journey for Our Times Is Depicted in the Cult Classic, “Nothing But Trouble”

A Perinatal Flick

A film of postmodern times that is bold with revelation for us is the cult classic, “Nothing but Trouble,” which was released in 1991.clip_image002 It is an especially potent example of the rising pre- and perinatal influence in the media we’ve been discussing as well as the different heroic response required in these strangest of days because of it. It is all this, plus a twist: As a comedy it represents an unlikely approach to such material and themes. More about that later.

It was produced and written by Peter and Dan Aykroyd and stars Dan Aykroyd, Chevy Chase, Demi Moore, and John Candy.clip_image008Its reception by modern audiences mirrors exactly the perception in general, to date, that has been had of the perinatal material it depicts so well. For despite the movie’s star power and the popularity of its co-creator, Dan Aykroyd, it was met with overwhelmingly negative reviews and received six Razzie nominations, garnering one. I fully expect that until we know better I can expect much the same kind of reaction to this book, because of the perinatal perspective it is revealing of the dark underside of everyday pleasantries and sugar-coated media realities. Yet there is hope for all that we will integrate this hard-to-face yet redemptive material in the fact that the movie does have a strong following among some in our population, just as at present there are some who are not in denial of the bittersweet perinatal vision being revealed.

  524507_2908389329214_21521452_n

The Lure Into the Underworld and Call to Adventure

clip_image004The perinatal adventure of “Nothing but Trouble” begins innocuously with the main characters “leaving the beaten path” on a rather ordinary trip out of the city. Interestingly, the Brazilian couple who have forced themselves on the main characters of Chevy Chase and Demi Moore in making the trip act as impish other-worldly instruments in the change of route.

Joseph Campbell pointed out that the “call to adventure,” which marks the beginning of the descent into the transformative nether regions, may be instigated by the merest chance or blunder. [Footnote 1]

Campbell also writes that the heralds of such a rite of spiritual passage are often loathly and underestimated characters. The Brazilian couple—as gaudy, overbearing, quirky, and from “down under”—perform just this function of luring into the underworld. Thus, they remind us that it is the quirky yet underestimated element in our familiar daily experience that opens us up to the process whose ramifications are huge by comparison.

clip_image006

The Merest Blunder, The Adventure Begins

Sure enough, this innocent-appearing outing is soon disturbed. The merest blunder of map reading results in an ominous tour of an eerie town and its somber and menacing-looking inhabitants. This is followed by a high-speed car chase as the police attempt to pull the innocents over for a bogus traffic violation.

In the tour of the town, it is as if the ego is shown getting a preview or having a precognition of what lies ahead and attempts to flee back into its safe familiar environs. But of course, this emerging piece of unconscious material will not be denied and is able to capture the fleeing ego that we see safely ensconced in its trappings of status and power—symbolized by the BMW with car phone. At this point the main characters, representing the ego, are led, under guard, into the bizarre town of Valkenvania—the encounter with unconscious perinatal begins.

Perinatal Elements

The Junkyard of the Psyche

Campbell says that in the unconscious deep, to which one is beckoned, “are hoarded all the rejected, unadmitted, unrecognized, unknown, or undeveloped factors, laws, and elements of existence.” [Footnote 2]

clip_image011

Likewise, the set in “Nothing But Trouble” is replete with refuse. Bits of history—of rusted and broken refrigerators, automobiles, kitchen appliances, assorted junk, and pieces and parts of all the preceding…the wreckage of the past—are strewn about as well as heaped in clusters to construct the architecture and delineate the outlines of the drama. The correlation with subconscious remnants of forgotten memories and past emotional experiences is obvious.

Thus the drama evolves in the dumping ground and junkyard of the psyche—where all the rejected tidbits of experience have been relegated.

Stripped of Ego, Perinatal Begins

After being separated from the automobile—that is to say, the ego stripped of defensive trappings of status and worldly position—the characters are rather quickly shuttled into encounters with a myriad of perinatal elements. A few of the obvious ones are as follows:

  • Mr. Bonestripper, which is a roller-coaster type ride whose entrance is a large vagina dentate mouth that swallows, chews up, and kills. Notice the roller-coaster ride aspect of Mr. Bonestripper, which reflects the emotional extremes and changingness of perinatal, specifically Basic Perinatal Matrix III (BPM III), events. [Footnote 3]

  • The chutes inside the house and of Mr. Bonestripper indicate birth canal symbolism.
  • clip_image013Sexual elements, indicating BPM III influence, are manifest in the scantily clad heroine and the penis-nose of the judge.
  • The dark foundry symbolizes the foundation work of the psyche as well as the ominous and eerie aspects of perinatal experience.
  • The slave labor surroundings represent similar feelings in the enforced and helpless character of doings just prior to and at the time of birth.

  • Notice that the body—the car, the “Beamer”—gets trimmed down, the excess removed, symbolic of the cutting away of past attachments and concerns of a worldly nature, one’s “status” reduced.clip_image015
  • Chevy Chase as the main character is at one point forced into a marriage with a huge woman, who is tellingly androgynous in that she is played by John Candy. In her threatening and suffocating embraces we see symbolism of the crushing womb.
    clip_image017
  • The entire site of these doings is surrounded by a watery trench. This obviously reflects the amniotic surround in the womb.

    clip_image019
  • Police and guns point to the authoritative character of perinatal doings—in other words, do, or else!

  • Death/rebirth symbolism of the perinatal exists in the form of skeletons and huge piles of skulls and bones.

  • clip_image021Scatological, that is to say, fecal symbolism is seen in the “bat-room,” which contains an enormous pile of wet bat-shit…excuse the wording, but it really is shit and not feces.
  • The arbitrary nature of justice in the courtroom speaks to that perinatal feeling that one tiny thing, event, or action, has huge and horrifying ramifications.

Big Babies

The most obviously perinatal element, however, is the gargantuan and grotesquely flabby infant twins in diapers. Perinatal feelings are indicated in their extreme crying neediness. Their freshly newborn quality is evident in their fleshiness, which reminds one of the overweight appearance of some newborns, which is usually lost a little later on in infancy. The glossy, waxy sheen on their bodies is reminiscent of the skin of a newborn, which, fresh out of the womb, is wet and slippery, covered in amniotic fluid and cervical mucosa.

 4.1.1

A Spiritual Interface

An interesting aspect that indicates the transpersonal, or spiritual, interface with the perinatal is an attic room—a higher mind of memory, kind of like an Akashic record—where all past IDs—identifications—and reports of them—newspaper clippings—are displayed.

Though, interestingly enough, in true perinatal fashion, a macabre lens is used to view these lives—only the reports of their tragic disappearances are seen. I believe that this is a wonderful depiction of how transpersonal information is distorted by perinatal material—the implications of which are far reaching for the pronouncements of so-called spiritual, or psychological, authorities who have not dealt with their perinatal undersides.

Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

When It Appears the Whole World Has Been Conspiring Against You, You Might Want to Let Yourself Be Blessed

Aquarius-The-Water-Bearer

Multilevel Feelings

Just When You Thought….

10-emergence-440_thumbHowever an important element in this movie, “Nothing But Trouble,” which is different from artistic representations that deal with only the personal or psychodynamic, is the way the ending opens up under it to a new level, a whole new arena, of issues. Those of us in experiential therapies or breathwork are only too aware of how the perinatal opens up to one, revealing a greater expanse and pervasiveness of dis-ease, at a certain point after dealing with the personal and the psychodynamic.

clip_image003The_Crusades_WallpaperThis layered, or multilevel quality of the movie is shown when the main characters, having heroically escaped through personal effort, find themselves returning to the perinatal realm. Thinking that they have the forces of authority and light on their side, they expect this time to be able to put the evil away once and for all.

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But When All Seems Lost….

To their immense surprise, it appears that the whole world has been conspiring against them—a telling perinatal feeling. The evil is discovered to be pervasive, as if infiltrating every corner of the universe—another perinatal feeling. Even the thoroughly trusted elements of light clip_image004turn out to be on the side of the darker forces—a vantage point that is part of the hopelessness that characterizes the classic no-exit BPM II scenario. And just like in the womb, then, when all seems lost, something new happens, an explosion or eruption of sorts, which brings down the old world and its structures in a violent conflagration.

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Atman Projects Versus Surrender Solutions

557920_426192764089005_1036145378_nclip_image006This hopeless and futile aspect of the perinatal realms — as opposed to the merely personal or psychodynamic ones—lends itself to its distinctive response—which is surrender, not resistance. Unlike the hero of Campbell’s hero’s cycle whose task is to slay the dragon using the sword of analytical or cognitive powers, the correct solution here at the perinatal is to let go of all designs, manipulations, and attempts at control and to put oneself into the hands of the seemingly irrational and chaotic Universe, come what may.

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How Can You Be Borne Up, If You Won’t Let Go?

tumblr_m2dsa5cmDR1r46foao1_400clip_image007The Universe’s response in the movie — the upsurge of fire from below the earth that brings down the evil structures—demonstrates the theme of being saved by higher forces when one finally is able to surrender. In the same way, in our perinatal experiences, we find ourselves “borne up” and elevated when we once are able to submit to the upsurge of fear-evoking perinatal emotion.

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two_thousand_ten_ver1 2010,crpd

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Indeed, when Chevy Chase is seen rolling and setting fire to barrels of oil in a superhuman nick-of-time rescue attempt—in typical “hero’s journey” style—I had an odd disjointed sense that we had switched modes. The element seemed incongruous.

Say “Good Night,” John Wayne

But, then again, not so. For the movie shows that the successful escape performed through one’s own effort is, in actuality, futile.clip_image008 In perinatal terms, such heroics are illusory “atman projects” that ultimately fail against the onslaught of perinatal material, which must be surrendered to, not heroically resisted or conquered.

Interestingly, the eventual surrender solution is echoed earlier on when Chevy Chase is about to go through the chomping jaws of Mr. Bonestripper, the devouring womb. His response, at the prospect of his imminent failure, is to pray—to call on higher forces.

Trusting in Higher Forces

clip_image010Amazingly, the machine breaks at that moment, signaling the response of such “external” or higher forces. He alone, of all the others who have faced that fate, goes through the machine unscathed. Notice also that he says “Thank you, Lord” afterwards.

Thus it is not on one’s own powers that one makes it through 390550_139027469542957_2115340135_nperinatal material, rather it is by the relinquishing of such attempts at control and clip_image011the relying and trusting in higher forces. We are reminded that Dante required the angelic Beatrice to show the way through purgatorio and inferno to paradisio.

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The Message

In the next chapter, we will use another postmodern film to expand on these themes. This will allow us to fill out an emerging pattern, as we then compare it with “Nothing But Trouble” and other perinatal evidence.

So let us watch, now, as the pattern, like a photo emerging in solution, reveals to us its features, thus delivering to us the message it has come to bring.

gods-hands.crpd

Footnotes

1. Joseph Campbell, The Hero With a Thousand Faces. Princeton, NJ: Princeton University Press, 1968, p. 51.

2. Ibid., p. 52.

3. As a reminder, BPM III events (Basic Perinatal Matrix III events), using the typology set forth by Stanislav Grof in his many works, are the events surrounding the actual birth struggle of the infant during delivery. These parts on the perinatal in film make mention also of BPM II, which is related to the time of severe compression and constriction of the fetus in the latter stages of pregnancy and prior to the actual onset of delivery—which are characterized by feelings of “no-exit”; of BPM IV, which is concerned with the feelings of release, triumph, being saved, and whatever else occurs immediately after delivery; and of BPM I, which is related to the state of the fetus earlier in pregnancy—prior to compression—which is often conceived to have “oceanic” and “blissful” qualities, though not always.

Continue with Apocalypse – No! Chapter Thirteen: Peaceful Warriors and Silly Heroes

Return to Apocalypse – No! Chapter Eleven: Control Versus Surrender … Heaven Leads Through Hell

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The Necessary Hero and Descent Into the Underground–When There’s “Nothing But Trouble,” You Know You’re in The Perinatal Below

A Different Kind of Hero’s Journey for Our Times Is Depicted in the Cult Classic, “Nothing But Trouble”: Atman Projects Vs. Surrender Solutions, Part One

A Perinatal Flick

A film of postmodern times that is bold with revelation for us is the cult classic, “Nothing but Trouble,” which was released in 1991.clip_image002 It is an especially potent example of the rising pre- and perinatal influence in the media we’ve been discussing as well as the different heroic response required in these strangest of days because of it. It is all this, plus a twist: As a comedy it represents an unlikely approach to such material and themes. More about that later.

It was produced and written by Peter and Dan Aykroyd and stars Dan Aykroyd, Chevy Chase, Demi Moore, and John Candy.clip_image008Its reception by modern audiences mirrors exactly the perception in general, to date, that has been had of the perinatal material it depicts so well. For despite the movie’s star power and the popularity of its co-creator, Dan Aykroyd, it was met with overwhelmingly negative reviews and received six Razzie nominations, garnering one. I fully expect that until we know better I can expect the same kind of reaction to this book of mine and the perinatal perspective it is revealing of the dark underside of everyday pleasantries and sugar-coated media realities. Yet there is hope for all that we will integrate this hard-to-face yet redemptive material in the fact that the movie does have a strong following among some in our population, just as at present there are some who are not in denial of the bittersweet perinatal vision being revealed.

The Lure Into the Underworld and Call to Adventure

clip_image004The perinatal adventure of “Nothing but Trouble” begins innocuously with the main characters “leaving the beaten path” on a rather ordinary trip out of the city. Interestingly, the Brazilian couple who have forced themselves on the main characters of Chevy Chase and Demi Moore in making the trip act as impish other-worldly instruments in the change of route.

Joseph Campbell pointed out that the “call to adventure,” which marks the beginning of the descent into the transformative nether regions, may be instigated by the merest chance or blunder. [Footnote 1]

Campbell also writes that the heralds of such a rite of spiritual passage are often loathly and underestimated characters. The Brazilian couple—as gaudy, overbearing, quirky, and from “down under”—perform just this function of luring into the underworld. Thus, they remind us that it is the quirky yet underestimated element in our familiar daily experience that opens us up to the process whose ramifications are huge by comparison.

clip_image006

The Merest Blunder, The Adventure Begins

Sure enough, this innocent-appearing outing is soon disturbed. The merest blunder of map reading results in an ominous tour of an eerie town and its somber and menacing-looking inhabitants. This is followed by a high-speed car chase as the police attempt to pull the innocents over for a bogus traffic violation.

In the tour of the town, it is as if the ego is shown getting a preview or having a precognition of what lies ahead and attempts to flee back into its safe familiar environs. But of course, this emerging piece of unconscious material will not be denied and is able to capture the fleeing ego that we see safely ensconced in its trappings of status and power—symbolized by the BMW with car phone. At this point the main characters, representing the ego, are led, under guard, into the bizarre town of Valkenvania—the encounter with unconscious perinatal begins.

Perinatal Elements

The Junkyard of the Psyche

Campbell says that in the unconscious deep, to which one is beckoned, “are hoarded all the rejected, unadmitted, unrecognized, unknown, or undeveloped factors, laws, and elements of existence.” [Footnote 2]

clip_image011

Likewise, the set in “Nothing But Trouble” is replete with refuse. Bits of history—of rusted and broken refrigerators, automobiles, kitchen appliances, assorted junk, and pieces and parts of all the preceding…the wreckage of the past—are strewn about as well as heaped in clusters to construct the architecture and delineate the outlines of the drama. The correlation with subconscious remnants of forgotten memories and past emotional experiences is obvious.

Thus the drama evolves in the dumping ground and junkyard of the psyche—where all the rejected tidbits of experience have been relegated.

Stripped of Ego, Perinatal Begins

After being separated from the automobile—i.e., the ego stripped of defensive trappings of status and worldly position—the characters are rather quickly shuttled into encounters with a myriad of perinatal elements. A few of the obvious ones are as follows:

  • Mr. Bonestripper, which is a roller-coaster type ride whose entrance is a large vagina dentate mouth that swallows, chews up, and kills. Notice the roller-coaster ride aspect of Mr. Bonestripper, which reflects the emotional extremes and changingness of perinatal, specifically Basic Perinatal Matrix III (BPM III), events. [Footnote 3]

  • The chutes inside the house and of Mr. Bonestripper indicate birth canal symbolism.
  • clip_image013Sexual elements, indicating BPM III influence, are manifest in the scantily clad heroine and the penis-nose of the judge.
  • The dark foundry symbolizes the foundation work of the psyche as well as the ominous and eerie aspects of perinatal experience.
  • The slave labor surroundings represent similar feelings in the enforced and helpless character of doings just prior to and at the time of birth.

  • Notice that the body—the car, the “Beamer”—gets trimmed down, the excess removed, symbolic of the cutting away of past attachments and concerns of a worldly nature, one’s “status” reduced.clip_image015
  • Chevy Chase as the main character is at one point forced into a marriage with a huge woman, who is tellingly androgynous in that she is played by John Candy. In her threatening and suffocating embraces we see symbolism of the crushing womb.
    clip_image017
  • The entire site of these doings is surrounded by a watery trench. This obviously reflects the amniotic surround in the womb.

    clip_image019
  • Police and guns point to the authoritative character of perinatal doings—i.e., do, or else!

  • Death/rebirth symbolism of the perinatal exists in the form of skeletons and huge piles of skulls and bones.

  • clip_image021Scatological, that is to say, fecal symbolism is seen in the “bat-room,” which contains an enormous pile of wet bat-shit…excuse the wording, but it really is shit and not feces.
  • The arbitrary nature of justice in the courtroom speaks to that perinatal feeling that one tiny thing, event, or action, has huge and horrifying ramifications.

Big Babies

The most obviously perinatal element, however, is the gargantuan and grotesquely flabby infant twins in diapers. Perinatal feelings are indicated in their extreme crying neediness. Their freshly newborn quality is evident in their fleshiness, which reminds one of the overweight appearance of some newborns, which is usually lost a little later on in infancy. The glossy, waxy sheen on their bodies is reminiscent of the skin of a newborn, which, fresh out of the womb, is wet and slippery, covered in amniotic fluid and cervical mucosa.

 4.1.1

A Transpersonal Interface

An interesting aspect that indicates the transpersonal interface with the perinatal is an attic room—a higher mind of memory, kind of like an Akashic record—where all past IDs—identifications—and reports of them—newspaper clippings—are displayed.

Though, interestingly enough, in true perinatal fashion, a macabre lens is used to view these lives—only the reports of their tragic disappearances are seen. I believe that this is a wonderful depiction of how transpersonal information is distorted by perinatal material—the implications of which are far reaching for the pronouncements of so-called spiritual, or psychological, authorities who have not dealt with their perinatal undersides.

Continue with Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

Return to Yes, Tina Turner, We Do Need Another Hero … a Different Kind. Dreaming Out Loud, Part 2: The Path to Heaven Leads Through Hell

Footnotes

1. Joseph Campbell, The Hero With a Thousand Faces. Princeton, NJ: Princeton University Press, 1968, p. 51.

2. Ibid., p. 52.

3. As a reminder, BPM III events (Basic Perinatal Matrix III events), using the typology set forth by Stanislav Grof in his many works, are the events surrounding the actual birth struggle of the infant during delivery. These parts on the perinatal in film make mention also of BPM II, which is related to the time of severe compression and constriction of the fetus in the latter stages of pregnancy and prior to the actual onset of delivery—which are characterized by feelings of “no-exit”; of BPM IV, which is concerned with the feelings of release, triumph, being saved, and whatever else occurs immediately after delivery; and of BPM I, which is related to the state of the fetus earlier in pregnancy—prior to compression—which is often conceived to have “oceanic” and “blissful” qualities, though not always.

Continue with Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

Return to Yes, Tina Turner, We Do Need Another Hero … a Different Kind. Dreaming Out Loud, Part 2: The Path to Heaven Leads Through Hell

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The Tenth Prasad, of “The Great Reveal” by The Planetmates

The Tenth Prasad

Rather than the natural state of being, awareness, and bliss, your state of omnipresent fear caused you to be ever more unable to accept the gifts of life and survival on Nature’s terms, which were uncertain, but on the other hand, adventurous and surprising. It is the state we enjoy and find blissful and playful and always interesting.

Your fear made you unable to bear the uncertain state. So, being impatient, and therefore unwilling to receive sustenance and nurturing on Nature’s timetable, you first began taking control of when you would be nourished by adding planetmate flesh to your former vegetarian diet.

Your descent into aggression and savagery started here, because when you learned how to kill fellow planetmates, which had not been in your nature prior to the prematurity trauma and your constant adult state of tension, it was not too long before you began to be able to kill each other.

Continuing to lose faith in the reality of divine perfection, love, and nurturing, which all other planetmates know without doubt, you thought you needed to  compete over resources and sometimes to kill your own to keep from starving, or to keep from being killed. The first was your delusion, the second was your delusion made real among yourselves.

(to be continued)

What follows is a video of a reading of The Tenth Prasad, as received from The Planetmates, with additional explanation, context, and some commentary by SillyMickel Adzema. The issues highlighted in the commentary relate to that of the blissful existence of the Planetmates based on absolute faith in the goodness of Existence contrasted with the fearful one of humans based on mistrust, and of the adventurous, playful lives of the Planetmates compared to the striving for predictability and certainty of humans.

Commentary on the 10th Prasad (from “The Great Reveal” by The Planetmates) Continued:
Descent Into Savagery Begins.

This next video is a continuation of the commentary of The Tenth Prasad, as received from The Planetmates. The issues highlighted in this commentary relate to the descent into savagery that began with the switch from a completely vegetarian diet to one that included planetmate flesh and involved hunting and killing. Very importantly this led to the ability to be able to kill other humans as well. This momentous development — its significance and consequences — is elaborated upon.


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