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“Bad Blood” — Acting Out Prenatal Feelings of Sickening … Earliest Roots of War, Psychosis, Racism, Xenophobia, Elitism, Homophobia … and Medicine

War, Evil Queens, Mind Control, and the “Unwashed: The Psychotic Acting Out of Feelings—Rooted in Unconscious Uncomfortable Memories—in Insane Societies.

Wounded Deer and Centaurs, Chapter Nine: “Bad Blood” – Poisoned, Infected

“Bad Blood” – Poisoned, Infected … Prenatal Roots of Paranoia, Sado-Masochism, Alien Mind Control, and the Evil Queen

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Imprints for Paranoia, Sado-Masochism, and the Wicked Witch in Poisoned, Infected, “Bad Blood” Aspects of Fetal Oxygen Hunger

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There are three parts to this pain around fetal malnutrition, which defines us as humans and creates what we think of as “human nature” and most often as being genetic, but it is not. We’ve been dealing with the first part — deprivation … we fear there is not enough oxygen/resources coming to us to keep us alive. Another part has to do with the toxic quality of the environment we experience, which we’ll get to soon.

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Bad Blood

But the one I want to deal with next is the second aspect aspect of oxygen starvation in the late stages of gestation. It has to do with our assessment of the “air”—the oxygen and nutrients—we do get.

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We’re Getting Some Blood

As just discussed, we carry an underlying panic that our supply will end at any moment, but we are getting some oxygen from the blood that comes to us, however reduced its flow. It is the contrast from what we knew that is alarming. Imagine blood that is free- and easy-flowing, rich and bright red with oxygen.

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But Is It Bad Blood?

Now, imagine blood that is more trickling than gushing, more depleted of resources—oxygen and nutrients—tainted, darker, barely able to sustain one’s life…. The first was our experience of earlier womb life; the second the way it gradually began being perceived.

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To be clear, we can’t actually see our blood flow as a fetus, of course. This is meant to be an analogy giving you an idea of the difference in the feeling experience of the fetus in this changing situation. It must be close enough to what it actually was like, since out of it we form images and symbols in later life with these differing characteristics, as I will continue to show.

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“Iron Poor Blood”

Drought Deadly AlgaeSo we began feeling poisoned, polluted, decrepit, diseased. Our situation in the womb had portents of death and seemed a dire threat if it were to continue. We received blood sufficient to keep us alive, obviously, but it was felt to be degraded, to be “bad blood.” sitin (2)We began feeling that what we were getting was insufficient, even poisoned. The blood that comes is not only barely sufficient to keep oneself as a fetus alive…or certainly it feels that way…but it is tainted, impure…or certainly it feels that way. And one feels not just deprived but attacked.

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“Don’t Feed Me That Bullcrap!”

Jews-Gas-ChamberSo, the second aspect of fetal malnutrition and the third of prenatal discomfort is the feeling of being forcefed something noxious and deadly. We feel we are being poisoned or infected by what we take in through our breathing or eating. What is coming into us is sour and unhealthy. This is of course related to the previous feeling constellation discussed wherein we fear we are not going to get enough oxygen and so want “pure” blood. clipwitchdipBut this has to do with our feelings about the blood we do get—it is tainted, not pure. In the one you can’t get something you need, you are deprived (panic). In this aspect of it, you get something but it seems intentionally polluted to harm you (paranoia). Earlier I compared this to the difference between being starved for affection as a child versus receiving unwanted attention as in being sexually or physically abused.

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Fractals, Abuse, Sadism/Masochism

66The reason this can be seen so clearly at a later time of life is because these feeling constellations are fractals of each other: They occur in the same pattern again and again at different times of our lives exactly because of 200px-John_Bauer_1915our tendency to re-create unerringly the discomfort we could not face originally (primally). The original Fractal_Broccoliformulation of this pattern in the womb sets up that we will act out on both sides of tendencies to deprive others of affection, Little_Red_Riding_Hood1as well as to subtly and unconsciously push others away. And because of the other aspect of it, we will also force unwanted attention on others and will assault them, as well as being unable to avoid such attacks. Traditionally, this last has been discussed under the headings of sadism and masochism.

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Having dealt with the deprivation/greed aspect of this in previous sections, in this section and the next we will look at the poisoned and infected feelings and their sadistic/masochistic outgrowths. Unraveling this complex at its primal roots in the womb, we expose some fascinating revelations.

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How “Bad Blood” Manifests in Our Thinking

In Psychosis—Food, Aliens, and Tin Foil

glennbeckonstarconversation102509__whitenoiseinsanitydotcomphotoThough not the most common, I must start with the most obvious adult manifestation of this—the curious notion among paranoid psychotics and some obsessive-compulsives that they are being or are in danger of being poisoned. Certainly through the food they eat, but this also manifests tin-foil-hatas the idea that “alien” thoughts are being inserted into their minds/brains. I’ve seen walking neurotics (borderline psychotics) strolling around with wire pyramid or tinfoil hats to prevent this default_Greg_Maroney_Copper_Hatinfection from above.

We have to wonder how much of conspiracy theory is itself skewed by this constellation in concocting the existence of forces that spy on us and influence our actions from behind the moon (behind the placenta) or some other unseen place. This is what happens when big thoughts are channeled through sorry states of mind.

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In Collective Dreams—Myth, Fairy Tale, and the Evil Queen

SNOW_WHITE__IN_THE_FOREST_by_RoberLeSageWe express this idea in our myths and fairy tales, of course—for they are the collective “dreams” we share that are given rise to by our unconscious dynamics. A salient example is Snow White. Consider her name, and remember the part about the purity of blood and children, which was felt to be the earlier situation in the womb. In the same consideration of blissful BPM I experiences occurring prior to late stage, BPM II, discomforts, notice that Snow White enjoys an earlier, idyllic time living in communion with planetmates in the forest. She was supposed to be killed (aborted) by the huntsman (god figure), 1000168-2-the-cottage-in-the-woodsbut he falls in love with her and lets her go, telling her to hide. She finds a tiny cottage (blissful womb), where she is aided by and lives in harmony with seven dwarves. The dwarves, as well as the planetmates, represent the forces of Nature aiding exquisitely perfect growth in the early stages of gestation in the womb.

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But then, BPM II style, her wicked stepmother wants to poison her, but even notice how.

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0321-Snow White_1First the “evil queen” (mother symbol) wants to kill her by crushing her. She ties her tight with stay-laces. Remember that being compressed and crowded was the very first and most obvious aspect of late stage gestation discomfort.

And then begins the poisoning attempts: The evil queen tries to kill Snow White by brushing her hair with a poisoned comb. So, what does this mean? Well, our hair is thousands of tiny filamentsgreen-man that emanate out from our bodies, just as in the womb we have tiny filaments extending from our bodies—arteries and veins—which connect us to our mothers (evil queen). The wicked stepmother poisoning her by combing her hair is saying she is being poisoned through these filaments of arteries extending from her.

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Next, the evil queen wishes to get the girl to eat a poisoned apple. Apple, as the ultimate symbol of food, nutrition in Western culture…it was an apple that was eaten in Eden, for example.

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Now, why? Remember that a red apple is the same color as blood.no-snow-white-no-by-cris-de-lara So a poisoned apple represents the bad blood in the womb with its poor or “poisoned” nutrients…being given to one by one’s mother.

Notice that here as in many fairy tales it is a stepmother…in others it might be a wicked aunt or witch…that does the bad stuff. It has to be a stepmother or aunt, for we wish to preserve the idea that a “good mother” still exists. snowwhiteandqueenwpSo we separate out an idea of a bad part of her, just as we come up with the idea of a bad god…a Satan…who is responsible for all the bad things that a good God would not be…thus preserving the idea of a good God/ good daddy here.

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imagesBut there’s more. She fainted when she was tightly laced, and collapsed again after being brushed with the poisoned comb. But when finally poisoned she falls into a stupor and appears dead. roland-risse-snow-whiteObviously she represents a prenate struggling with the “groggy” and lethargic feelings associated with being trapped, stifled, and poisoned/ drugged … in modern times, sometimes having ingested actual drugs or toxins from smoking or alcohol through the placenta (poisoned through those tiny “hairs” of arteries).

And appearing dead, she is placed in a coffin. Womb symbol, anyone?

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How “Bad Blood” Manifests In Our Doing

Having looked at how this early experience of blood degradation is manifest in our thoughts, madness, and creative product, let’s look into some really important, major act outs of this prenatal mental framework for construing things. This brings us to the ways we act out these crazy ideas, emanating from early experiences, in major ways as cultures, as societies, and even as nations.

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“We Don’t Want Your Kind Around Here!” … Acting Out Prenatal Feelings of Sickening – “Bad Blood” – in Racism, Xenophobia, Elitism, Homophobia … and Medicine

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“Don’t Want Your Kind Around Here!” Prenatal Imprints for Xenophobia, Racism, Medicine, and More

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How “Bad Blood” Manifests in Our Actions

This brings us to the psychotic acting out of these thoughts and feelings—rooted in unconscious discomforts and repressed memory patterns—by insane societies.

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Bloody Games—War

In this aspect of fetal discomfort, a reduced blood flow to the placenta is experienced as a build up of carbon dioxide and toxins, since they are not removed as efficiently as they were before. Lloyd deMause explains how this womb situation is universally expressed among humans as a fear of being “poisoned” by “bad blood.” He has found that feelings of being trapped and at the same time “infused” with bad blood or toxic energies of some sort precede the outbreak of all wars.

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For these wars are the unconscious way humans try to “break free” from these uncomfortable feelings, which are for the most part just early unresolved memories from our beginnings in life. We see “bad blood” as coming from the enemy; We see the enemy as an attacking many-headed monster “encroaching” on the “home”land … a threatening multi-veined placenta, aging and filled with toxins, “filth.” So we wish to attack and destroy the enemy—this placental “monster”—so we can “breathe free” again and escape their “poisonous filth.” (See BPM IV)

How We Act Out “Bad Blood” – Xenophobia, Blood Letting, Smoking

forth33The perfect example, however, is the xenophobia that resulted in the Nazis treatment of the Jews around the time of World War II. I have already pointed out how these walking psychotics injected poisonous gas into Jews in gas chambers out of these prenatal feelings, which they framed in adult thoughts of being themselves infected with tainted money from these Jews. Let us now look at other act outs of this.

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Racism, Xenophobia, Classism, Elitism, Homophobia, Intolerance—We Don’t Want “Your Kind” Around Here! Keeping Racial “Lines” “Pure,” Keeping Out “the Unwashed,” Affecting the Gene “Pool”

mockThis is the basis of racism … blacks are pollutants, as are Jews. They want to take away our purity—our pure children…blood libel; our women’s pure virtue. And so Ku-Klux-Klanwe need to dress in white, indicating “pure” blood, to defend against these incursions (the Ku Klux Klan) of “bad blood.”

tb-racist-fiftiesThese feelings of being “sickened” at the end of our womb existence are the root of all xenophobia with its creation always of a toxic Other work.6107181.1.flat,550x550,075,f.this-is-the-fall-of-woman-in-the-garden-of-edenwhich cannot be allowed to infect the virtue and purity of people of “our blood.”

We see it in intolerance of others of all kinds. A few days ago, on May 21st, 2012, a Baptist preacher from the South made headlines everywhere by announcing from the pulpit that all gays and lesbians should be “rounded up,” placed in an “enclosure,” surrounded by an “electrified fence.” surroundingandattackingagayyouthHe imagined they could have food air dropped to them until they died (obviously an insufficient…oxygen starvation…or poisoned…bad blood…amount.) At this point, I don’t believe I need to unravel the prenatal qualities of the morass his mind was thinking in.

And why all this? His exact words are, because “It makes me pukin’ sick!” what homosexuals do. Need I say more? [Footnote 1]

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But this thinking is found in classism as well, where royalty calls itself “blue bibloods” and only allows marriage between others of its class—from one’s own nation or another, interestingly—and will not allow its “blood” to be mixed with the polluted blood of the masses and photo_verybig_126113“riff raff.”

University intellectuals have a more “refined” take on this primal disgust: They set up barriers to academic entrance in order to “keep out the unwashed,” without a clue they are coming across like scared fetuses inside a virtual womb (academia) trying to protect their continuing flow of blood (money).

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Lieutenant-John-Pike8hitler-andyouth-fullThis fetal malnutrition gives rise to bigoted ideas of keeping racial lines “pure.” It insists upon no mixing of the races … or ethnicities…for fear of affecting the gene “pool” (pool of Eichmann-jew_1875209iblood), but it is always described in terms of “blood” that will be mixed, tainted, holo5polluted, made impure, or degraded. Can you see how these are all instances of fear of encroachment by another from which one senses a threat of pollution and in conjunction which one feels suffocated, made helpless, unable to move freely?

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Blood Letting

crazy-medicine-list-photo-u7For a long time in Western culture, it was thought that when one got sick that one had “bad blood” coursing through one’s system. The idea was that by bleeding a person one would rid the body of some of this impure blood and the person would get better. This bloodletting was employed for hundreds of years in the face of the evidence to the contrary wherein folks got paler and sicker from this “treatment.” But such is the power of these sorry thoughts rooted in unconscious dynamics.

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Smoking Itself

Menthol-attenuates-respiratory-irritation-responses-to-multiple-cigarette-smoke-irritantsI’ve already mentioned how we re-create the atmospheric imbalance of oxygen—carbon dioxide in the womb through burning stuff. The smoking of tobacco and other vegetation I likened to our pushes and pulls to re-create the bad air. But in ingesting this air into one’s lungs, we have a most perfect example of the drive to re-create the imagshgdjfkgsdfesskull_with_a_burning_cigaretteuncomfortable feeling of ingestion of “bad blood,” in this case, inhaling, bad air. With all rationality set aside, we are compelled to poison, infect ourselves again and again with bad air (bad blood). Again, of such depth is the grooves of the imprint created in our prenatal times and along whose lines we make our self-destructive decisions.

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How We Make It Worse

(“Give Us, Oh Lord”) Our Daily Toxins—Drugs, Food Additives, Polluted Air

How we add to this today…how we make it worse: smoking and drinking, taking drugs. We create and imbibe toxins in our food, our air…through the medications we use… The whole idea behind “medicine” is that a toxin (all drugs are) administered in a tiny amount will alter our blood flow in just the exact way to affect some currently felt experience of our blood being bad (sickness).

avoid-gmos-for-a-healthy-babyAnd in doing these things we reinforce the bad blood experience of fetal malnutrition the fetus will experience out of its being human. We insure we will pass along our bad blood experience to the next generation…we will multiply it even. For the mother’s ingestion of these compounds into her system—smoke, drugs, food additives, air toxins, water pollutants—davincifetusare felt as receiving bad blood by the fetus, even worse than it would be otherwise just from pressure on the arteries restricting blood flow. Again we create that which we need to resolve, only this time it is the unborn child who will be “infected” with the bad blood and need to face these feelings later in life, again and again.

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How We Make it True, Create It

Food Pollution/Genetic Engineering and Propaganda

toxicamericaI can’t leave this without pointing out that, as in environmental pollution and in political oppression, it is all not just a figment of a past memory,Monsanto-hungrymanFrankensteinFoods as there are those of us acting out this feeling complex by coming up with such odd creations that end up polluting the food of others (as in the tainted food coming out of corporations like Monsanto, with its Frankensteinian concoctions) Corporate control Fuedelismand that seek to inject alien ideas in others to make us do things we would ordinarily not do—whether that is to buy some unnecessary thing to fatten the wallets of these others (advertising) or to surrender one’s self interest or hand over one’s power and rationality of thought to these others for their political ends (propaganda…in America, Fox News).

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Continue with Prenatal Revulsion and Loss of the “Golden Age”: Creeped Out in the Womb, The Itches We Cannot Scratch, and the Deepest Roots of OCD, Bigotry, and Holocaust

Return to Prenatal Hunger Games and “Blood Wars”: The Fetal Fight About “Pure Blood” We Act Out in Politics, War, and Oppression … Class War, Culture War, Revolution….

Footnote

1. Pastor Worley’s actual words were

Of our president getting up and saying it was all right for two women to marry, for two men to marry, I tell you right now, I was disappointed bad. But I’ll tell you right there, it’s as sorry as you can get. The Bible’s agin’ it, God’s agin’ it, I’m agin’ it, and if you’ve got any sense, you’re agin’ it.

I had way, I figured a way out, a way to get rid of all the lesbians and queers, but I couldn’t get it passed through Congress. Build a great big large fence, 100..50 or 100 miles long. Put all the lesbians in there. Fly over and drop some food. Do the same thing with the queers and the homosexuals. And have that fence electrified ’til they can’t get out. And feed ‘em. And you know what? In a few years they’ll die out. Do you know why? They can`t reproduce.

If a man ever has a young ‘un, praise god it’ll be the first one. All of these… It’s just as well…I’m gonna preach the hell out of all of them. Hey I’ll tell you right now. I ain’t gonna vote for a baby killer and a homosexual lover!

You said, ‘Did you mean to say that?’ You’d better believe I did!

God have mercy it makes me puking sick to think about…I don’t even know whether you ought to say this in the pulpit or not. Could you imagine kissing some man? My god I love you fellas, but not that much.

Continue with Prenatal Revulsion and Loss of the “Golden Age”: Creeped Out in the Womb, The Itches We Cannot Scratch, and the Deepest Roots of OCD, Bigotry, and Holocaust

Return to Prenatal Hunger Games and “Blood Wars”: The Fetal Fight About “Pure Blood” We Act Out in Politics, War, and Oppression … Class War, Culture War, Revolution….

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Everything You Always Wanted to Know About Being Born … Playing Now, in Theaters Near You!

Projecting the Perinatal Zeitgeist: Everything You’ve Managed to Forget About Being Born

Wounded Deer and Centaurs, Chapter Two: Everything You’ve Forgotten About Birth … Projecting the Perinatal Zeitgeist

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize twenty-first century life.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds … And Oh, the Shark Has Pretty Teeth, Dear…

clip_image003_thumbIn these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time — ”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

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Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In thisas in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and were overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention. [Footnote 1]

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

clip_image005_thumbAlso, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

clip_image007_thumbSpeaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

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I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

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Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

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The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

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There is lots of violence, and of course, sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

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Monsters, Vaginas, and Hairs, Oh My!

4340imagghgfjjesRecurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

clip_image00110511066-largeOne most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

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Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

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Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

imagdfhuesThe perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, clip_image003the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

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“Noah, How Long Can You Tread Water?”

neo-wakes-upclip_image004Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before charybirdsbirth, placental fluid. Near the end of gestation, the mother, when nightmare.2989618237_1_3_5JdRXsNxstanding, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

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Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

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Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

clip_image005428004336_a0275cf170Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

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Told You I Didn’t Like Vegetables!

Alien-mouth-e1288810712566Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. thestuff9The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

This sequence of pics from an episode of The Outer Limits is a rather good depiction of this. Notice that at the point the object emerging from the mouth is most visible it takes on the form of a vagina dentata. This links the images with birth and indicates the aggressive character of the feelings being depicted, that is, we have repressed anger feelings left over inside us from what was done to us. It is also more than just coincidence that the person to whom this is happening is in a hospital room and is dressed in a hospital gown; the plot is about this woman carrying a baby and this scene happens just after the birth. This is significant for the reason following, which states that this image has its roots in an event that indeed happened right after birth..

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Gag Me With a Toxin.

matrix-pod (2)This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids clip_image007from the neonate’s mouth by the attendants immediately after birth.

This latter connection — the ungentle mouth cleaning of birth fluids — I can personally validate from my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence the popularity of such images in the media of recent decades.

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Treated Like a “Piece of Meat”

clip_image0071This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the enchufesneonate—can leave one with lifelong feelings of being treated like a “thing.”

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The Wall Movie 1982 (7)

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The Wall Movie 1982 (18)

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b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_hbrainwouldntdieMany report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

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428004336_a0275cf170_thumb1images (2)These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

Jacobs-Ladder-Artcrpdimage_thumb22This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb.safe_image.php Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

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Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

Fox_Mulder's_abductionMonica-Bellucci-Photoshoot-Matrix-Movie-9By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

MSDTORE EC0252886707crppdConfused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, robocop07because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, medusa3to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms,medium_wruef9ycqa0crppd they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of coursethe-matrix-revolutions-give-me-a-chance-film-photo-u1crppd both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

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Welcome to the World … Now f u

blog pic 2 (8-6-11)89615_v1Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, robocop20feel manipulated and used, bush_borgtreated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other -SGC- Unnatural eyes packCRPDpeople, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

silence1This also sheds light on the seemingly “mindless” devils-advocate-560-thumb-560xauto-30306violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be teacherteethMacting out edsullivancartoontheir “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

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Faces Coming Out of the Walls

TheWallFaceScreama-brazil-criterion-single-720-brazil-4crppdI would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

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hopkinscrosbycrppdWe have had, over and over again, the image of the “evil fetus” erupting from the abdomen,AlienChestburster as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing.

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Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

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Ventura Out of the Womb

clip_image002A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carrey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

ultrasound2019-apr-07He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working Scream6gafter a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

Potter-Frontcrppdfacetotal_recall_stomach_creatureWe witness the actual “birth”: Jim Carrey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

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Couldn’t Fight Your Way Out of a Plastic Bag!

hoardnewspaper (2)TotalBitchStoleOurMilkCrippledOurNationOther examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Scream7g (2)Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal,b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_h as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

headbangingExistential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs Robbieabysswhich become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells,Open mask solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of total-recallthe entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

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This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

1218885566_5__3ji-e1320373810749This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

hell_night_3These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

Pink Floyd - The Wall - CoverBut the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

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House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

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To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves clip_image0043once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

image_thumb17_thumbHouse; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boats, especially submarines; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

Open mask_thumbIn the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

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The Wall

wall-poster_thumbIn the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_h_thumbWe have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

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Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out above, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.


Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

clip_image005_thumbclip_image007_thumbI remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

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Related to this, taking this theme back in time, clip_image0023is the ideas of dungeons or castles … with mad scientists, no less — obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

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I might start by pointing out the element of there being another realm small_portal pepper spray copinto which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. jacobs-ladder-mccaulay-culkin-and-tim-robbins_thumbWe see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

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“There’s No Place Like Home.”

clip_image004EnglishGrof_DifferentDoorwayiconBut death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

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Wizard_Oz_Pepper_Spray_PigIn this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

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Through the Looking Glass

Mia-Wasikowska-in-Alice-i-001Secret-Garden3And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course),Close_Encounters_of_the_Third_Kind which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

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The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

clip_image006The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

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Verny_SecretLifeiconLeboyer_BirthViolenceiconThis depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

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2001 Baby Earth

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Love, Fear Relationship

Escape-Alcatrazfrighteners05-thumbTo put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see subsequent chapters, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

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To Hell With It…

clip_image001 13So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

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In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

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Face Me, or You’re Mine!

t10001clip_image002Central to this book is the idea that we need to face the ultimate and horrible truths if we are to save ourselves. Wounded Deer are those people who suffer from closeness to these perinatal truths. Centaurs are those wounded ones who have accepted these facts of life; they have accepted the fact that fundamentally they, as all of us, are wounded. And in embracing it this way they become healers for those who cannot face their truth or who are struggling with doing so.

For not only are we closer terminator-2-1crppd2to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

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Fear and Freedom … Only a Membrane Away

clip_image004zyjbq2d56rkznqfucrrpd2Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

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Perinatal Spamming

T-1000We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

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terminator-2-1crppd1imadddgftggesGetting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

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All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced. There is no doubt that we are letting our newest members know they will not be able to move freely in life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.

Baby Abductees and Masked Medical Aliens

Fox_Mulder's_abductionFinally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an Jacobs-Ladder-Artcrpdthe_joker_straight_jacketalien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

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wyeuacsd2gb6bgsThe point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.

Birthing Into Everyday Life

clip_image006imadddddgesWhether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, whether they will they lead to the armageddon that many are predicting or to a consciousness evolution and a new Earth—will be something for us to consider further on.

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Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.

To Be Continued with Wounded Deer and Centaurs, Chapter Three: The Perinatal Furniture of Everyday Living

Return to Wounded Deer and Centaurs, Chapter One: We Are a Fever

Enjoy your own virtual emergence by following the pics below:

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Now add a blissful period and go back around again; that’s the way it works in life.

Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spiritwebsite:‘Independence Day’: Pre- and Perinatal Adventure in Film.”

2.The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh

3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed

Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide

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Birthing Into the Media and the Perinatal Zeitgeist: Everything You Always Wanted to Know About Being Born But Were Afraid to Ask

Apocalypse No! Chapter Eight: The Perinatal Media

ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Everything You Always Wanted to Know About Being Born

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize our times.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds…And Oh, the Shark Has Pretty Teeth, Dear…

clip_image003_thumbIn these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time—”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and was overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention.

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

clip_image005_thumbAlso, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

clip_image007_thumbSpeaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A Hundred Monkeys and Counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

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Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

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The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

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There is lots of violence, and of course also sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable

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Newborns and Monsters and Hells, Oh My!–Of Time Travel, Claustrophobia, Cesarean Births, and Death by Vegetable

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Monsters, Vaginas, and Hairs, Oh My!

4340imagghgfjjesRecurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

clip_image00110511066-largeOne most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

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Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

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Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

imagdfhuesThe perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, clip_image003the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

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“Noah, How Long Can You Tread Water?”

neo-wakes-upclip_image004Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before charybirdsbirth, placental fluid. nightmare.2989618237_1_3_5JdRXsNxNear the end of gestation, the mother, when standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

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Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

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Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

clip_image005428004336_a0275cf170Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

Fire In The Sky 2

Told You I Didn’t Like Vegetables!

Alien-mouth-e1288810712566Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. thestuff9The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

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Gag Me With a Toxin.

matrix-pod (2)This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids clip_image007from the neonate’s mouth by the attendants immediately after birth.

This latter connection—the ungentle mouth cleaning of birth fluids—I can personally validate through my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence its popularity.

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Becoming Thingified – Modern Birth Tells the Baby, “Welcome to the World, Now Screw You!”

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“Welcome to the World, Now Go to Hell!” – A Baby Becomes Thingified Through Modern Birth

Treated Like a “Piece of Meat”

clip_image0071enchufesThis practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the neonate—can leave one with lifelong feelings of being treated like a “thing.”

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The Wall Movie 1982 (18)

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b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_hbrainwouldntdieMany report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

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428004336_a0275cf170_thumb1images (2)These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

Jacobs-Ladder-Artcrpdimage_thumb22This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb.safe_image.php Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

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Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

Fox_Mulder's_abductionMonica-Bellucci-Photoshoot-Matrix-Movie-9By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

MSDTORE EC0252886707crppdConfused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, robocop07because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, medusa3to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms,medium_wruef9ycqa0crppd they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of coursethe-matrix-revolutions-give-me-a-chance-film-photo-u1crppd both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

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Welcome to the World … Now f u

blog pic 2 (8-6-11)89615_v1Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, robocop20feel manipulated and used, bush_borgtreated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other -SGC- Unnatural eyes packCRPDpeople, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

silence1This also sheds light on the seemingly “mindless” devils-advocate-560-thumb-560xauto-30306violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be teacherteethMacting out edsullivancartoontheir “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

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All in All, It’s Just Another Face in the Wall – Threatening Enclosures From Which One Wishes to Push Out or Escape

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All in All, It’s Just Another Face in the Wall – Enclosing, Threatening Things That One Wishes to Push Out or Escape From

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Faces Coming Out of the Walls

TheWallFaceScreama-brazil-criterion-single-720-brazil-4crppdI would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

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hopkinscrosbycrppdWe have had, over and over again, the image of the “evil fetus” erupting from the abdomen,AlienChestburster as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing (see the previous section titled, “Gag Me With Asparagus“).

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Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

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Ventura Out of the Womb

clip_image002A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carrey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

ultrasound2019-apr-07He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working Scream6gafter a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

Potter-Frontcrppdfacetotal_recall_stomach_creatureWe witness the actual “birth”: Jim Carey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

CareyEmergingFromRhino

Couldn’t Fight Your Way Out of a Plastic Bag!

hoardnewspaper (2)TotalBitchStoleOurMilkCrippledOurNationOther examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Scream7g (2)Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal,b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_h as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

headbangingExistential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs Robbieabysswhich become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells,Open mask solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of total-recallthe entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

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This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

1218885566_5__3ji-e1320373810749This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

hell_night_3These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

Pink Floyd - The Wall - CoverBut the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

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Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians

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Worse Homes and Gardens – Houses, Prisons, UFOs and Spaceships, Dungeons … and Their Obstetricians clip_image0023

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

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To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves clip_image0043once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

image_thumb17_thumbHouse; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boat, especially a submarine; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

Open mask_thumbIn the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

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The Wall

wall-poster_thumbIn the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_h_thumbWe have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

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Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out in the previous post/section, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.


Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

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clip_image007_thumbI remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, clip_image0023is the ideas of dungeons or castles…with mad scientists, no less—obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Through the Looking Glass Into Parallel Universes … But “There’s No Place Like Home”

Through the Looking Glass Into Parallel Universes, But “There’s No Place Like Home”

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

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I might start by pointing out the element of there being another realm small_portal pepper spray copinto which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. jacobs-ladder-mccaulay-culkin-and-tim-robbins_thumbWe see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

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“There’s No Place Like Home.”

clip_image004EnglishGrof_DifferentDoorwayiconBut death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

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Wizard_Oz_Pepper_Spray_PigIn this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

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Through the Looking Glass

Mia-Wasikowska-in-Alice-i-001Secret-Garden3And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course),Close_Encounters_of_the_Third_Kind which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

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The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

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The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

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Verny_SecretLifeiconLeboyer_BirthViolenceiconThis depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

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Aliens, Abductions, Hell … Birth and Death: Freedom Is Just a Membrane Away

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Aliens, Abductions, Hell, and Fear: Freedom Is Just a Membrane Away

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Love, Fear Relationship

Escape-Alcatrazfrighteners05-thumbTo put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see in the next chapter, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

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To Hell With It…

clip_image001 13So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

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In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

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Face Me, or You’re Mine!

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t10001And this book is primarily about that necessity to face the ultimate and horrible truths if we are to save ourselves. Not only are we closer terminator-2-1crppd2to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

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Fear and Freedom … Only a Membrane Away

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zyjbq2d56rkznqfucrrpd2Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

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Perinatal Spamming

T-1000We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

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terminator-2-1crppd1imadddgftggesGetting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

Skynet in the desert

All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced. There is no doubt that we are letting our newest members know they will not be able to move freely in life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.

Baby Abductees and Masked Medical Aliens

Fox_Mulder's_abductionFinally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an Jacobs-Ladder-Artcrpdthe_joker_straight_jacketalien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

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wyeuacsd2gb6bgsThe point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.

Birthing Into Everyday Life

clip_image006imadddddgesWhether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, Earth rebirth or apocalypse—will be something for us to consider further on.

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Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.

Continue with Apocalypse No! Chapter Nine:
Twenty-First Century Life –
Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

Enjoy your own virtual emergence by following the pics below:

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Picture 8

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Now add a blissful period and go back around again; that’s the way it works in life.

Continue with Apocalypse No! Chapter Nine: Twenty-First Century Life – Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spiritwebsite:‘Independence Day’: Pre- and Perinatal Adventure in Film.”

2.The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh

3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed

Continue with Apocalypse No! Chapter Nine:
Twenty-First Century Life – Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

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“We Don’t Want Your Kind Around Here!” … Acting Out Prenatal Feelings of Sickening – “Bad Blood” – in Racism, Xenophobia, Elitism, Homophobia… and Medicine: 21st Century and Its Discontents, Part 20

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Kaleidoscope of Postmodern Life, Part Twenty: “Don’t Want Your Kind Around Here!” Prenatal Imprints for Xenophobia, Racism, Medicine, and More

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How “Bad Blood” Manifests in Our Actions

This brings us to the psychotic acting out of these thoughts and feelings—rooted in unconscious discomforts and repressed memory patterns—by insane societies.

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Bloody Games—War

In this aspect of fetal discomfort, a reduced blood flow to the placenta is experienced as a build up of carbon dioxide and toxins, since they are not removed as efficiently as they were before. Lloyd deMause explains how this womb situation is universally expressed among humans as a fear of being “poisoned” by “bad blood.” He has found that feelings of being trapped and at the same time “infused” with bad blood or toxic energies of some sort precede the outbreak of all wars.

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For these wars are the unconscious way humans try to “break free” from these uncomfortable feelings, which are for the most part just early unresolved memories from our beginnings in life. We see “bad blood” as coming from the enemy; We see the enemy as an attacking many-headed monster “encroaching” on the “home”land … a threatening multi-veined placenta, aging and filled with toxins, “filth.” So we wish to attack and destroy the enemy—this placental “monster”—so we can “breathe free” again and escape their “poisonous filth.” (See BPM IV)

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How We Act Out “Bad Blood” – Xenophobia, Blood Letting, Smoking

forth33The perfect example, however, is the xenophobia that resulted in the Nazis treatment of the Jews around the time of World War II. I have already pointed out how these walking psychotics injected poisonous gas into Jews in gas chambers out of these prenatal feelings, which they framed in adult thoughts of being themselves infected with tainted money from these Jews. Let us now look at other act outs of this.

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Racism, Xenophobia, Classism, Elitism, Homophobia, Intolerance—We Don’t Want “Your Kind” Around Here! Keeping Racial “Lines” “Pure,” Keeping Out “the Unwashed,” Affecting the Gene “Pool”

mockThis is the basis of racism … blacks are pollutants, as are Jews. They want to take away our purity—our pure children…blood libel; our women’s pure virtue. And so Ku-Klux-Klanwe need to dress in white, indicating “pure” blood, to defend against these incursions (the Ku Klux Klan) of “bad blood.”

tb-racist-fiftiesThese feelings of being “sickened” at the end of our womb existence are the root of all xenophobia with its creation always of a toxic Other work.6107181.1.flat,550x550,075,f.this-is-the-fall-of-woman-in-the-garden-of-edenwhich cannot be allowed to infect the virtue and purity of people of “our blood.”

We see it in intolerance of others of all kinds. A few days ago, on May 21st, 2012, a Baptist preacher from the South made headlines everywhere by announcing from the pulpit that all gays and lesbians should be “rounded up,” placed in an “enclosure,” surrounded by an “electrified fence.” surroundingandattackingagayyouthHe imagined they could have food air dropped to them until they died (obviously an insufficient…oxygen starvation…or poisoned…bad blood…amount.) At this point, I don’t believe I need to unravel the prenatal qualities of the morass his mind was thinking in.

And why all this? His exact words are, because “It makes me pukin’ sick!” what homosexuals do. Need I say more? [Footnote 1]

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But this thinking is found in classism as well, where royalty calls itself “blue bibloods” and only allows marriage between others of its class—from one’s own nation or another, interestingly—and will not allow its “blood” to be mixed with the polluted blood of the masses and photo_verybig_126113“riff raff.”

University intellectuals have a more “refined” take on this primal disgust: They set up barriers to academic entrance in order to “keep out the unwashed,” without a clue they are coming across like scared fetuses inside a virtual womb (academia) trying to protect their continuing flow of blood (money).

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Lieutenant-John-Pike8hitler-andyouth-fullThis fetal malnutrition gives rise to bigoted ideas of keeping racial lines “pure.” It insists upon no mixing of the races … or ethnicities…for fear of affecting the gene “pool” (pool of Eichmann-jew_1875209iblood), but it is always described in terms of “blood” that will be mixed, tainted, holo5polluted, made impure, or degraded. Can you see how these are all instances of fear of encroachment by another from which one senses a threat of pollution and in conjunction which one feels suffocated, made helpless, unable to move freely?

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Blood Letting

crazy-medicine-list-photo-u7For a long time in Western culture, it was thought that when one got sick that one had “bad blood” coursing through one’s system. The idea was that by bleeding a person one would rid the body of some of this impure blood and the person would get better. This bloodletting was employed for hundreds of years in the face of the evidence to the contrary wherein folks got paler and sicker from this “treatment.” But such is the power of these sorry thoughts rooted in unconscious dynamics.

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Smoking Itself

Menthol-attenuates-respiratory-irritation-responses-to-multiple-cigarette-smoke-irritantsI’ve already mentioned how we re-create the atmospheric imbalance of oxygen—carbon dioxide in the womb through burning stuff. The smoking of tobacco and other vegetation I likened to our pushes and pulls to re-create the bad air. But in ingesting this air into one’s lungs, we have a most perfect example of the drive to re-create the imagshgdjfkgsdfesskull_with_a_burning_cigaretteuncomfortable feeling of ingestion of “bad blood,” in this case, inhaling, bad air. With all rationality set aside, we are compelled to poison, infect ourselves again and again with bad air (bad blood). Again, of such depth is the grooves of the imprint created in our prenatal times and along whose lines we make our self-destructive decisions.

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How We Make It Worse

(“Give Us, Oh Lord”) Our Daily Toxins—Drugs, Food Additives, Polluted Air

410557How we add to this today…how we make it worse: smoking and drinking, taking drugs. We create and imbibe toxins in our food, our air…through the medications we use… The whole idea behind “medicine” is that a toxin (all drugs are) administered in a tiny amount will alter our blood flow in just the exact way to affect some currently felt experience of our blood being bad (sickness).

avoid-gmos-for-a-healthy-babyAnd in doing these things we reinforce the bad blood experience of fetal malnutrition the fetus will experience out of its being human. We insure we will pass along our bad blood experience to the next generation…we will multiply it even. For the mother’s ingestion of these compounds into her system—smoke, drugs, food additives, air toxins, water pollutants—davincifetusare felt as receiving bad blood by the fetus, even worse than it would be otherwise just from pressure on the arteries restricting blood flow. Again we create that which we need to resolve, only this time it is the unborn child who will be “infected” with the bad blood and need to face these feelings later in life, again and again.

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How We Make it True, Create It

Food Pollution/Genetic Engineering and Propaganda

toxicamericaI can’t leave this without pointing out that, as in environmental pollution and in political oppression, it is all not just a figment of a past memory,Monsanto-hungrymanFrankensteinFoods as there are those of us acting out this feeling complex by coming up with such odd creations that end up polluting the food of others (as in the tainted food coming out of corporations like Monsanto, with its Frankensteinian concoctions) Corporate control Fuedelismand that seek to inject alien ideas in others to make us do things we would ordinarily not do—whether that is to buy some unnecessary thing to fatten the wallets of these others (advertising) or to surrender one’s self interest or hand over one’s power and rationality of thought to these others for their political ends (propaganda…in America, Fox News).

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Continue with Ewww! Prenatal Irritation, Revulsion … Toxic Environment, Touch, Sex, Preadolescent “Creepiness” and Early Roots of Rape and Sexual Abuse: 21st Century and Its Discontents, Part 21

Return to “Bad Blood”—Poisoned, Infected … Prenatal Roots of Paranoia, Sado-Masochism, Alien Mind Control, and the Evil Queen: 21st Century and Its Discontents, Part 19

Footnote

1. Pastor Worley’s actual words were

Of our president getting up and saying it was all right for two women to marry, for two men to marry, I tell you right now, I was disappointed bad. But I’ll tell you right there, it’s as sorry as you can get. The Bible’s agin’ it, God’s agin’ it, I’m agin’ it, and if you’ve got any sense, you’re agin’ it.

I had way, I figured a way out, a way to get rid of all the lesbians and queers, but I couldn’t get it passed through Congress. Build a great big large fence, 100..50 or 100 miles long. Put all the lesbians in there. Fly over and drop some food. Do the same thing with the queers and the homosexuals. And have that fence electrified ’til they can’t get out. And feed ‘em. And you know what? In a few years they’ll die out. Do you know why? They can`t reproduce.

If a man ever has a young ‘un, praise god it’ll be the first one. All of these… It’s just as well…I’m gonna preach the hell out of all of them. Hey I’ll tell you right now. I ain’t gonna vote for a baby killer and a homosexual lover!

You said, ‘Did you mean to say that?’ You’d better believe I did!

God have mercy it makes me puking sick to think about…I don’t even know whether you ought to say this in the pulpit or not. Could you imagine kissing some man? My god I love you fellas, but not that much.

Continue with Ewww! Prenatal Irritation, Revulsion … Toxic Environment, Touch, Sex, Preadolescent “Creepiness” and Early Roots of Rape and Sexual Abuse: 21st Century and Its Discontents, Part 21

Return to “Bad Blood”—Poisoned, Infected … Prenatal Roots of Paranoia, Sado-Masochism, Alien Mind Control, and the Evil Queen: 21st Century and Its Discontents, Part 19

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Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians: Perinatal Media, Part 5

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Perinatal Media, Part Five: Worse Homes and Gardens – Houses, Prisons, UFOs and Spaceships, Dungeons…and Their Obstetricians clip_image0023

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

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To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves clip_image0043once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

image_thumb17_thumbHouse; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boat, especially a submarine; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

Open mask_thumbIn the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

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The Wall

wall-poster_thumbIn the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_h_thumbWe have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

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Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out in the previous post/section, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.


Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

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clip_image007_thumbI remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, clip_image0023is the ideas of dungeons or castles…with mad scientists, no less—obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Continue with Through the Looking Glass Into Parallel Universes…But “There’s No Place Like Home”: Perinatal Media, Part 6

Return to All in All, It’s Just Another Face in the Wall–Enclosing, Threatening Things From Which One Wishes to Push Out or Escape: Perinatal Media, Part 4

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All in All, It’s Just Another Face in the Wall – Threatening Enclosures From Which One Wishes to Push Out or Escape: Perinatal Media, Part 4

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Perinatal Media, Part Four: All in All, It’s Just Another Face in the Wall–Enclosing, Threatening Things That One Wishes to Push Out or Escape From

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Faces Coming Out of the Walls

TheWallFaceScreama-brazil-criterion-single-720-brazil-4crppdI would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

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hopkinscrosbycrppdWe have had, over and over again, the image of the “evil fetus” erupting from the abdomen,AlienChestburster as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing (see the previous section titled, “Gag Me With Asparagus“).

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Membrane walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

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Ventura out of the womb

clip_image002A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

ultrasound2019-apr-07He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working Scream6gafter a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

Potter-Frontcrppdfacetotal_recall_stomach_creatureWe witness the actual “birth”: Jim Carey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

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Couldn’t Fight Your Way Out of a Plastic Bag!

hoardnewspaper (2)TotalBitchStoleOurMilkCrippledOurNationOther examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Scream7g (2)Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal,b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_h as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

headbangingExistential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs Robbieabysswhich become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells,Open mask solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of total-recallthe entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

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This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

1218885566_5__3ji-e1320373810749This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

hell_night_3These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

Pink Floyd - The Wall - CoverBut the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

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Continue with Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians: Perinatal Media, Part 5

Return to Becoming Thingified–Modern Birth Tells the Baby, “Welcome to the world, now screw you!”: Perinatal Media, Part 3

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