Take comfort: Ninety percent of the horror you see are merely projections from repressed traumatic experiences you had at birth and in the womb. Stop giving them energy by believing in them.

A good friend asked me, today: 

“I’m a little confused and no one close to homes seems to understand my take on this … I would appreciate yours.

“I have come across ideas that when we die, pass over, death, whatever one would call it, that we are met by false light and guides, etc, and tricked into being reincarnated back to earth … we keep recycling  to continue the slavery as energy, etc.

My response: 

first, don’t believe that stuff….

i know that of which i speak….. plus, many others have been where i’ve been and will tell you the same thing…. not to mention, the spiritual literature throughout the ages….

second, it is common as hell for folks to project their horrors onto the unknown … it is the most common thing in the world…

indeed, if there is one thing i want to share in my writing it is that i’ve found out that those negative, often horrific, views of life and the afterlife are not true in reality … indeed, they are rooted in traumatic events that we all experienced in the womb and at birth….

they are common fears, but they are not true in reality ….

third, i, myself, and others like me have found that those kinds of views go away as growth continues … the farther along one is, the more it is that Reality is seen as perfect and wonderful….

lastly, to get an idea of the way stuff like you mention happens, just take what you said and take away the idea that someone, some evil or dark entity, is doing that …. well, then it says nothing more than that some of us reincarnate and some of us don’t…. 

what is left out is that whatever happens to us is meant to happen to us…. and it is not like there is even an Other making these decisions … it is our higher self (or selves) and ultimately it is God…

my books, Experience Is Divinity and Funny God, and especially Falls from Grace, tell how and why that stuff happens … that is, why we have those horrific thoughts …. and what is actually true and real…. 

i recommend them to give you peace of mind… it is the peace of mind that i have that i wish to share, if at all possible, through my writing. though personal growth is the only corrective in the long run, my works can help to the extent that one can be helped by having a different conceptualization, a different  map of reality …. 

some people have told me they are helped in exactly that way … they feel more hopeful and less fearful and more optimistic when viewing reality through the lenses i provide … which explain everything … all the important things … but show how they are part of a divine plan, one which we can all surrender to and take comfort in….

see Funny God: The Tao of Funny God and the Mind’s True Liberation

http://www.amazon.com/Funny-God-Minds-Liberation-Return/dp/1499504845/ref=sr_1_1_twi_pap_2?s=books&ie=UTF8&qid=1443582787&sr=1-1&keywords=michael+adzema

as well as, “Experience Is Divinity: Matter As Metaphor”

http://www.amazon.com/Experience-Divinity-Matter-Metaphor-Return/dp/1492932213/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=

and, “Falls from Grace: The Devolution and Revolution in Consciousness”

http://www.amazon.com/Falls-Grace-Devolution-Revolution-Consciousness/dp/1499297998/ref=asap_bc?ie=UTF8

and especially, the soon-to-be-released “Wounded Deer and Centaurs: The Necessary Hero and the Prenatal Matrix of Human Events”

http://sillymickel.blogspot.mx/2015/09/the-people-who-are-really-making.html

For any of Michael Adzema’s books, go to Michael Adzema at Amazon

http://www.amazon.com/Michael-Adzema/e/B00J7F0URC/ref=dp_byline_cont_book_1

#darkness #false #guides #God #Reality #evil #higher self #peace

QUOTES

“An angel is seen as a devil until one is (w)holy enough to perceive her.”

“About demons, ghosts, devils, false guides, evil entities, Satan, hell…. don’t believe that shit.”

“I want to comfort you.”

 

Loving Warriors and Silly Heroes: The Necessary Hero Dances Above Dissonance, Lightens Up in the Face of Stress, and Sees Divinity Not Demons Behind It All

Play Cards with Your Dragons: The New Hero’s Cycle Involves Surrender Not Struggle, Sacrifice Not Slaying, Compassion Not “Toughness,” and Silliness Not Stoicism

Apocalypse – No! Chapter Thirteen: Peaceful Warriors and Silly Heroes

You Just Can’t Slay a Volcano: The Necessary Hero Uses Surrender, not Struggle … For Why Would You Not Be Borne Up by a Universe That Is You

We Need Compassionate Warriors, Not Fighters: It’s Not Enough Just to Slay Dragons, We Need to Jump Into Volcanoes

Volcano-Jumping: A Different Heroic Response

This different kind of heroic response—which characterizes the perinatal arena and is sorely needed at this time in history—is exemplified in another contemporary movie of cult status. We will deal with it in some detail to bring out the elements of the kind of hero that is now required to stop the cycles of destruction that have currently driven us to the abyss…to the very edge of a “volcano.”

In “Joe Versus the Volcano,” the main character, played by Tom Hanks, is given a heroic task. But unlike a typical hero’s cycle task which stereotypically involves the slaying of a fire-spewing dragon, Joe is asked to give up his life by jumping into a fire-erupting volcano.

The connection between volcano and dragon is that at the second-line or psychodynamic level the fire-spewing aspects of the perinatal, which might be compared to a volcano, can be seen as “embodied” or reduced in the form of a dragon. In the same way, the volcanic energy of perinatal feelings is initially embodied in easier-to-face and “dragonized” psychodynamic, second-line, or childhood traumas and feelings.

You Just Can’t Slay a Volcano

But what may seem to work at the second-line or psychodynamic level—the conquering or slaying of negative feelings…and notice that I said “seem”—has no place at all at the perinatal. For here the pain energy is overwhelming and pervasive. Thus the difference is analogous to that between facing the energy of a dragon and facing that of a volcano.

The Heroes We Need – The New Hero’s Cycle

First Anima, Then Community

Keep in mind that this movie shows Joe, earlier on, going through all the major stages of the hero’s cycle—the retreat from mundane reality, the sailing off into a new and exotic realm of existence and adventure.

It even depicts a typical “dragon slaying”—the hero’s conquering of inner fears and risking of one’s life for another that results in the uniting with anima energy–the saving of the damsel. So earlier on there is a dealing with psychodynamic energy, just as in “Nothing but Trouble” Chevy Chase deals with psychodynamic material and enacts a dragon slaying by risking his life to rescue Demi Moore from a giant chopping machine. But, also similarly, this results in the opening up of another level, requiring a completely different—indeed, opposite—response. Thus, in “Joe Vs. the Volcano,” Joe is asked to give up his life to save an entire community, not merely to risk his life to rescue his anima, his feeling self.

Risking It All

The ensuing plot has interesting elements as it shows Joe having to decide whether to sacrifice his newly won relationship with his anima ally for the benefit of an entire—but anonymous—community. This demonstrates that at a progressed level of the spiritual process—that having to do with one’s inter-connection with the larger community of living things, not just one’s personal unconscious—one must risk even one’s newly regained creativity, inner child playfulness, and personal feelings, i.e., one’s anima.

But in telling fashion, in order to make the higher “community” sacrifice the anima elements that have been let go of, symbolized by Meg Ryan as the anima damsel, end up going with Joe to his chosen fate and are borne up, renewed, along with him.

Borne Up by a Beneficent Universe

On Joe’s part, the climax shows the same quality of a beneficent Universe aiding a true and dharmic heart. Joe (with his anima) face what they think is death. Instead they find themselves “borne up” by the volcano, not consumed; and they are deposited (reborn) in a typical perinatal watery surround—the ocean, symbolizing therefore a spiritual birth. This is a perfect depiction of how surrender, not “heroic” resistance, is done and why it needs to be done currently, as I have been pointing out.

“Away From the Things of Man”

In the end, the main characters are floating in the middle of a wide open sea—signifying the immensity of potentiality that is now open, and facing a gigantic moon on the horizon—symbolizing the beneficent nature of the Universe to which they are opening, that is, it is beautiful and lit with possibilities.

They are seen sitting on only their luggage—symbolizing the “stripped down” nature of the self, that is, stripped of ego trappings of status, vainglory, defenses, and so on. Their final comment at the very end of the film is that they do not know where they’ll end up but only that it will be “away from the things of man”—indicating their desire to never go back to the drama of ego and its puerile catacomb pathways of darkened experience.

The Universe Is You

We see then that in this movie, like “Nothing but Trouble,” the heroic response required is surrender, not resistance or control, and that the response from the Universe is cooperative and helpful, and hardly antagonistic as was feared, especially at earlier levels.

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This is in keeping with the discovery at the perinatal, which borders it on the transpersonal, that in fact the Universe, not only is not antagonistic, not only is beneficent and helpful, but in fact is no different from oneself, indeed is oneself…and one begins to wonder why one would ever expect not to be borne up by a Universe that is now seen as inextricably united with one’s Self.

Note

While the interpretation of Joe Versus the Volcano presented in the video below – Joe vs. the Volcano: Losing my Soul, Part One – is annoyingly suffused with theological terminology – hell, devil – and suffers from the paranoia that happens lacking a perinatal or even a Jungian understanding, it does succeed on a more superficial level of basic insight. It does get the highly metaphorical and philosophical import of the film and picks up on major themes of the movie. It strikes me as having the problem of just understanding religion while knowing nothing about psychology. And it suffers, as I’ve put it elsewhere, from the problem of projecting one’s perinatal underbelly onto the Universe or of funneling revelation through the filter of personal pain.

Silly Heroes and Evolution in Attitudes to the Perinatal: The Necessary Hero Jives with the Monsters, Dances Above the Dissonance, and Is Ever Aware of Divinity Everywhere

What the World Needs Now … Is Loving Warriors and Silly Heroes: Jiving with Your Monsters, Dancing Above the Dissonance, and The Universality of Divinity Remembered

Responses to the Perinatal

Returning now to “Nothing But Trouble,” an aspect of it that has significance for dealing with perinatal issues is the way different characters are shown responding to the embodiment of arbitrary justice, the judge. In the wonderfully Kafkaesque courtroom scenes, we see several different types of people—representing different responses to unconscious material—hauled before the judge. The musicians, signifying artists, creative people; the hedonistic criminals; and the main characters, representing average people, each present distinct attitudes, which are responded to differently by the representative of the unconscious, the judge.

Jiving With Your Monsters

The musicians are able to create rhythm and flow. Therefore they are able to get through the experience unharmed. Indeed, they are even able to elicit a response from the judge—getting him to join in. In this way we see how creative people can actually use perinatal material and get it to cooperate for desired ends. We might consider how this relates to the writing of “Nothing but Trouble” itself.

Peter and Dan Aykroyd, in creating this movie, are, like the musicians in the movie, getting the unconscious to “play along,” to create something beyond what either the writer or the unconscious could accomplish separately. Much of what is interesting in art is done this way: The deeper fear-evoking material is allowed to come in and enrich, enliven, freshen with new ideas and perspectives, stimulate, and invigorate the creative production.

Beware the Tar Baby

On the other hand, the arrogant banker contends with evil, and, like Brer Rabbit with tar baby, gets stuck.

Notice also that the really contentious ones—the alcoholic drug-using criminal hedonists—are completely lost. Thus the two extremes, as well as the average person are depicted.

Lighten Up!

But the truly striking element that indicates an advanced way of dealing with the perinatal material is shown in the genre of the movie itself. As a comedy, it shows a non-attached and transcendent approach. Chevy Chase and Demi Moore, especially Chevy Chase, show an aloofness and silly playfulness in the face of horror and death that has spiritual implications. Like a Tibetan mystic, Chase refuses to get sucked in to the involved drama confronting him. Like a Christian saint about to be martyred, he jokes, teases, and gets silly with the instruments of horror and evil. Similarly, Demi Moore humors and plays cards with her would-be monsters.

Silly Heroes

Standing within the Witness higher self, they are able to take the entire situation lightly—acting and reacting in the moment to each unique situation as it presents itself. One moment Chevy Chase is confronting his own demise, the next moment he is in a love scene. He alternates a frightful encounter with relaxing and smoking a cigar.
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If we want to know what real and transcended behavior is, we might do well to get our hints in the depictions of unattached playfulness — as presented by modern Western actors like Bill Murray, Demi Moore, Tom Hanks, Chevy Chase, Robin Williams, Bruce Willis, and Jim Carey—rather than in the repressively calmed not-with-it-ness—not-witness—that is sometimes mistaken for spiritual attainment.

Darkening Down

Incidentally, this element of humor shows an entirely different way of dealing with the perinatal than most other movies that deal with this kind of material. The movie, “Brazil,” is a good example of this difference. Not only is “Brazil” cast in an eerie, somber, and tragically hopeless and futile air—indicating that one’s response here is to “believe in” the reality of such material—but the only escape in this movie is in a purely conceptual, fantasy way.

The main character cannot face the horror ultimately. He flips out into a reassuring dream sequence brimming with BPM I and BPM IV imagery. Interestingly, reflecting the pattern of progression of our expressions in feeling therapies, the dream includes a BPM III scenario to get him to those later bucolic realms.

But in “Brazil” these are only daydreams. This fact shows a refusal to face this perinatal material or to surrender to it. Rather, in fantasy, one overcomes the horror. It is as if one continues using familiar ego techniques—hero’s journey methods, dragon-slaying methods—for dealing with material on a deeper level where they no longer work—where they are in fact counterproductive.

Thus, these techniques can only succeed in dreaming. Terry Gilliam, the creator of “Brazil,” shows us that the hero, in reality, is doomed.

However, one might interpret the main character’s escape into fantasy as a victory over evil forces. That the ending lends itself so readily to such an interpretation is a telling indictment of the state of progress of some of us in dealing with perinatal material. Apparently, there are those so lost that the only success possible seems to be in insanity or death.

Evolution In Attitudes to the Perinatal?

However, in “Nothing but Trouble,” the main characters do face and deal with all the material. Sometimes they fight it; sometimes run from it; sometimes play with it; sometimes joke, tease, spar, or get silly with it; sometimes are swallowed by it and carried along…but always they are creatively facing and dealing with it. This different air about and attitude towards the perinatal material can be said to be an advance from the earlier movie, “Brazil,” representing perhaps a progression of our collective consciousness in our attitudes and manner of dealing with the perinatal.

Dancing Above the Dissonance

Such a prospect is, indeed, the auspicious legacy of such a creative project. Though it is doubtful they did so consciously, the Aykroyd brothers and the producers of “Nothing But Trouble” deserve our gratitude for their efforts in lighting forward our collective reality endeavor.

Beyond that, we can take hope in the possibility that Western culture may be rising itself, however minimally at first, above the dramas of light and darkness that have plagued it for so long. The Manichean tendency can lead only to ever-spiraling cycles of resistance and assault. Yet we are seeing currently, not only an erosion of defiantly uni-dimensional ego perspectives, not only a movement toward facing and dealing with our inner darkness, but an integration of opposing forces, a dancing above the leela—the play—of light and dark.

The Universality of Divinity Remembered

The perennial understanding of the universality of divinity, both within and without us, in the lowest as well as the highest of places, is the bright at the center of the perinatal bedlam about us. We are guided as well by this gleaming, a rising moon of promise and possibilities.

Continue with Apocalypse – No! Chapter Fourteen:
To Move the World – A Race Against Time

Return to Apocalypse – No! Chapter Twelve: Atman Projects Versus Surrender Solutions

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Where There Is Hope and What Did You Expect Awakening to Look Like? Look Hard Enough, You Just Might See the Seeds of Light Amidst the Darkness Surrounding.

Rebirthing Rituals, the Hard Rain Fallin’, and the Value of Popular Culture in Awakening: The Price of Peace Is Inner Sight … Better Hitler Had Jumped Into Mosh Pits

Chapter Ten: Where There Is Hope, Cultural Rebirthing

Societal Self-Analysis and Talk Show Soul-Searching for Peace … Sorry, I Know You Wanted to Hate Reality Shows.

The Price of Peace Is Inner Sight: Societal Self-Analysis, an Internet Reformation, and Talk Show Soul-Searching for Peace

Societal Self-Analysis

Culture War Replaced Cold War

We see the workings of these opposing tendencies to look away from problems or to embrace them by examining the reactions in America to the collapse of the Soviet Union. The disappearance of this huge object for distraction from inner unhappiness, about which one could rationalize the use of defensiveness and scapegoating, led to continued turning away through the emergence, in America, of a search for other societal scapegoats and therefore the “Republican revolution.” Culture War replaced the Cold War as the way one could be comfortably ignorant of one’s insides and self-assuredly distracted, self-righteously engaged.

This removal of a collective punching bag or scapegoat also resulted in a healthy turning toward the darkness within and a collective self-analysis in America. This reaction has brought to the fore many of our social and political shortcomings.

Talk Show Soul-Searching

For evidence of this latter response we notice beginning in the Nineties the rise of the talk show; the rituals of nationwide self-examination over issues of sexual harassment, spouse abuse, and race relations played out in the Anita Hill–Clarence Thomas hearings and the O. J. Simpson trial; the hashing out of controversial and formerly hidden personal issues around sex, lies, and marital fidelity, played out in the Clinton-Lewinsky Scandal; the reevaluation of matters of faith precipitated by priestly sexual abuse; and many other such national psychodramas staged on cable news networks and the magazine-style, documentary-type TV shows like Frontline, Nightline and the like.

We also witnessed the rise of reality shows as part of this societal pull to see beneath the covers of what is thought to be real. Now, progressives and intellectuals have lots of fun vamping about how superior they themselves are to such interests, as exemplified in reality shows. This can only be the position of elitists out of touch with the ways ordinary folks live their lives.

Sitcom Socialization

To make my point, let me back up a bit. The swagger that the Left, and intellectuals in general, display around reality shows is the same superiority they have expressed for decades concerning sitcoms. First, let me say that I consider most sitcoms and reality shows to be rather boring and a bit inane with their laugh and soundtrack framing. Yet, when I was a child, growing up in a medium-sized city in the coal country of Pennsylvania and coming from a very traditional family, it was only through such sitcoms that I had a chance to find out what a different style of family and parenting would be. Today, I would laugh at a “Father Knows Best.” But it was a step up and into socialization from the “Father Knows Little” or “Father Not Around” of many in my social stratum when I was a kid. This exposure allowed me, and many of my generation, to seek for more in our life and for better interpersonal family relationships…and eventually better parenting.

This presentation of better alternatives—middle-class, liberal, “hollywood” ones—to everyone in America has a lot to do with the fact that the Sixties were so explosive. It was the first decade after the introduction of a national culture through the medium of television. Much has been made of the fact that newscasts brought information into living rooms for the first time in that era—which is the thing that intellectual elitists will focus on, blinded by their quaint beliefs that humans are rational actors. It takes an experiential psychologist and social scientist like myself to notice that most folks act out of ideas and attitudes that are rooted in experiences and information that are hardly rational. So, the modeling of a more “advanced” way of family life—not perfect but for many better than the traditional ways they had known, which included things like spanking and attitudes like “children are better seen not heard” and “spare the rod, spoil the child”—through the TVs and cinemas of America was vastly more influential in changing society than newscasts, whose information could just as easily have been shared through the print media. The sitcoms brought liberal middle-class values to everyone in America who owned a tv set; and this was a huge step forward at the time.

A Modern “Priesthood”

This is where righties have it right when targeting “hollywood” for many of the changes in our culture over the last half century…though they see that as a negative influence. But intellectuals and lefties blow an opportunity and lose support among ordinary folks through an unconscious haughtiness and a cultural snobbery they are blind to but display in their turning up their noses at popular culture. Luckily, as an anthropological social scientist, I can study popular culture and get away with it, though not without some snide commentary coming my way from progressive and professional circles. They simply will never understand an intellectual who can speak to working folks because he’s one of them. They simply don’t get my attempts to package the crucial understandings of modern science and social sciences, on which the existence of our very world depends, in words that are not primarily directed to and meant to appease the gods of academia. They consider themselves important within their tiny professional circles, thinking they are changing the world when no one even knows what they are doing beyond that constrained perimeter.

Keeping the People Down

Indeed the attitude of academics and progressives about popular culture, especially talk and reality show tv programming and although they would be appalled to ever think it, is no different from the attitudes of the Catholic church and the clergy about matters of faith during medieval times. There, too, we had an elite wanting to “keep out the unwashed.” There, too, we had a distinction between people in the know and the rabble, with the anointed ones requiring ordinary folks to go through them for matters of truth and faith. We had then also this sharp distinction between the “high culture” of the Church and aristocracy—exemplified in the chamber music of the time—and the “low culture” of the masses—exemplified by the folk music of the troubadours of that day.

Nowadays this poo-pooing of tv culture by intellectuals is the same kind of attempt to funnel reality to the masses through the filters of a new “priesthood.” The cultural purists and intellectual elites would prefer that for truth you go through them in academia, where you ‘d have to pay a toll of course, just as the priests of the Middle Ages required you to pass their way on the road to the divine.

Therapy for the Masses

At any rate throwing off the snootiness of intellectualism, I contend, allows us to notice that sitcoms, reality shows, and talk shows serve functions in society that are, overall, beneficial in advancing our culture and catalyzing increased growth. They may not reflect, yet, where intellectuals and progressives think we should be, but for many they show something beyond where they are.

We should know that they are overall helpful in our cause from the fact that conservatives want to attack hollywood and limit freedom of expression on any airwave. The fact that many reactionaries want to keep their children out of schools, home-schooled, and away from tv sets should be telling progressives something about the value of popular culture.

Rebirth Denied

My point is that the rise in reality and talk shows are coincident with a need for a kind of societal “therapy” that came about when we took back our projections from the Soviets and were forced to look at ourselves. I’m saying this was a healthy way of doing it, and this was helping us, though it was tumultuous and difficult, in the Nineties. It is unfortunate, but it suited the forces of war and fascism, for the 1% to bring forth in the millennium the bugaboo of terrorism…perfectly bringing about another endless feud with another concocted enemy to project our own darknesses onto so we can escape from having to notice them ourselves and bring about actual personal growth and cultural advance…let alone the cultural rebirth that has been trying to happen for decades.

American Rehab

Reality shows are like watching group therapy happening. It is not surprising that there was even one reality program that was about therapy—Celebrity Rehab. Reality shows also expose ordinary folks to what amounts to crude but informative sociological experiments. If academics could see beyond their pretensions they would applaud this sort of, however haphazard and imprecise, understanding of group processes and individual psychology arising in the masses.

If there weren’t reality shows, folks would have a harder time knowing appropriate ways for men and women to act with each other. The gains of feminism would not have spread so widely or as fast if they were not being modeled and reinforced repeatedly on talk and reality shows. They demonstrate parenting and social skills—“politically correct” ones, in the good sense—to folks who would otherwise not know any better than to behave crudely and abusively. They bring the world, geography, travel, and history to the masses.

Intellectuals quibble about the quality of that, which comes across as quite childish, for it arises as if out of a jealousy of others getting the attention they want and out of a fear of competition for informational matters around science, culture, and humanities. It strikes me as more than ironic that those on the Left who would wish people to wake up from their zombie slumber would want to push programs of literature or drama where truths are filtered through the consciousness, and unconscious, of the artist, while wishing to deprive folks of a direct look—however contrived, it is actual reality and not scripted—at the world around them and people’s actual unplanned behavior and spontaneous reactions to unusual events.

Seeing people’s behavior in some of these shows does often remind me of the dynamics I’ve seen in therapy groups, and some of the personal changes in the participants mirror some of the evolutions I’ve seen in folks undergoing deep experiential psychotherapy. The audience participation part often sounds like group therapy or an intervention. I’ve been struck by how some of the group processes in the show remind me of family day in rehab, with folks reflecting back what they see in each other and how others’ behavior has affected them. These are all things that conservatives cringe at…actually hate. Yet liberals, except for notable exceptions like Jerry Springer, are not seeing the opening they have here. Lefties are fighting rather than using these forces, which are in the direction of personal growth and, cumulatively, much needed societal change.

As a psychologist and simply someone who loves people, I am fascinated by some of the things I see in these shows. They can be heart-wrenchingly real at times. So it occurs to me that folks who disparage these shows, comparing them with literature and dramatic productions, is another thing where some are wanting to have their reality filtered, managed, and packaged for them, lest it be too “disruptive” to their prejudices of things.

The Price of Peace Is Inner Sight

The upshot of all this is to say that just as a lack of a Cold War caused both collective acting out—another war, a Culture War—and collective inner searching via television talk shows, documentaries, and such. So also the prevention of “hot” wars on an international, not just intercultural, scale and the cause of peace in general require such inner soul-searching and such confrontation with one’s darker sides. And if we must, it is better to endure the psychotic acting out of a culture war—with its battles played out on the airwaves—than an actual war.

For is there any doubt that either of these or any combinations of these alternatives, however uncomfortable and even violent…on a smaller scale…at times, is a small price to pay compared to the price of outright war and violence which, by any measurement, is a cost horrifyingly huge and unacceptable?

America Currently Refusing to Pay Such Price

The converse of this is also true: When the dramas wanting to be discussed are suppressed in the mainstream media, it is as stifling of the growth of a nation as an individual’s growth. Unfortunately we have seen this as well recently. There have been massive worldwide and nationwide Occupy Wall Street demonstrations, massive Wisconsin union outpourings, and events in Japan and about Fukushima that the American people really want to and need to know and discuss, but they are being blacklisted from being broadcasted on. There has been a change in government in Iceland, with banksters being jailed, that Americans are not hearing about; there have been demonstrations in Japan about their insane response to their tragedy, which Americans won’t be told about; there have been massive demonstrations in Israel against the colonial policies of their own government that curiously do not make it into the offerings of news programs. These are things that in the Nineties would have fed the talk on tv and stimulated the necessary societal hashing out for there to be a chance of going beyond them.

What Is the Cost of Denial? Of Complacency?

It is hard to know, though, what happens when the natural urges of a nation to grow and change are thwarted. While I discussed this abortion of cultural renewal and the abomination that results from it at length in Chapter Seven of a companion book to this one, Culture War, Class War, under the title Cultural Rebirth, Aborted, the question remains what happens when this societal “rebirthing” is more urgent than ever. What happens when—for the sake of the survival of the human race and of the planet—it is necessary that this growth happen and instead it is continuously derailed and snuffed out of the light of collective consciousness?

Internet Revolution Is Another Reformation

Luckily all this is changing as the internet and social networking have upended the academic elitists, swarming around and over their petty barriers of intellectual privilege. The blogsters and “rabble” of the net have taken over the cultural dialogue of the time as assuredly as Martin Luther and the Reformation changed religion forever and helped to bring to an end the cultural stagnation of the Middle Ages and to ignite an Age of Reason and of Enlightenment.

We Could Use More “Narcissistic” Generations: Know Thyself … Let the Buck Stop Here!

Moratorium … Let the Buck Stop Here! We Could Use More “Narcissistic” Generations

“Know Thyself” ~ “Narcissistic”?

Self-Discovery, Soul-Searching, Psychological-Mindedness, Self-Analysis – Sixties Generation

So, we have taken a look at the need for societies to “do therapy” on themselves, to hash out and process, however messy that might seem to be, the perinatal projections from the unconscious, as they manifest in the tribulations of the times—both profound and mundane. It must be kept in mind that it is the products of nearly the most “advanced” mode of child-caring—the delegated-release subclass of the socializing psychoclass — who have proved most willing to pay such prices for peace, as for example, in increased soul-searching. In fact they would be later stigmatized for just this quality of introspection, this supposed fault of looking into themselves, through the derogatory appellation, narcissistic.

Indeed, Keniston foresaw this when he studied the Sixties generation as college students. Observing the amount of inner exploration they engaged in during their quests for self-discovery, he would describe this attribute in a biased way as “the overexamined life,” and more fairly, for the activist youth, as a “psychological-mindedness” and “self-analysis.” [Footnote 1]

“Let It All Out? No, Leave Some of It In!” – Pat Buchanan, Fifties Generation

No doubt those who criticized these youth in the past are some of the same ones or their surrogates who, now older, are wrongly castigating the self-analyzing characteristics of contemporary society as the Sixties generation is now in its “triumphant” phase—the time when as adults a psychoclass takes over the reins of society and most strongly influences it. I have already taken note of the tendencies of the right to rile against the collective processing that is happening in their attacks on popular culture and in particular what they call “hollywood.” They express their desire that “such matters” not come to public light, for they deem them “offensive” or an affront to their (oh so delicate) sensibilities. They sense a threat to the precious untruths that prop up their self-destructive way of life, woven through as it is with war, fascism, planetary and planetmate annihilation, and the other horrors mushrooming about them in the postmodern era. [Footnote 2]

These highly defended and fear-minded conservatives, prone to projection, are incapable of appreciating the integrity of an inner-thinking generation like the Boomers are. These outer-minded authoritarians would not get, would outright hate those who “questioned authority” in the Sixties.

These defended entrenched egos would be secretly jealous of and overtly aggressive to a generational emergence that since the Sixties has been psychologically, emotionally, and spiritually working on themselves to be free of inner tyranny. As one of their exemplars, Pat Buchanan, long ago phrased it, “Let it all out? No, leave some of it in!”

Let the Buck Stop Here!

Nonetheless this cadre of kindred Sixties spirits would in their actions declare for the first time in history as a generation, “Let the buck stop here!” And they would seek to turn themselves, and by extension their children and society-at-large, into a more loving, wise, and less acting-out humanity…most importantly, one willing to cooperate rather than war with Nature, or other nations.

If Not Us, Who? If Not Now, When?

What virtually all the folks outside “my generation” never get is the unimpeachable vision we had of the complete and utter wrongness of the path and tendencies of modern times and the abyss toward which civilization was heading. We were proven right, of course, as especially in the last decade we have seen the disintegration wrought of those tendencies on all fronts—political, environmental, personal. The Sixties generation saw modern civilization as being unreformable and needing complete remaking, so that everything we did was an attempt to create reality and culture from scratch, sans tradition.

We had seen normal ways of doing things to be impotent and often dangerous and most importantly leading to apocalyptic endings in our near future. This understanding is what was responsible for all the “non-normal” behaviors my generation displayed—communes, confrontations, clothes, relationships, organics, alternative ways of everything…an entire counterculture. We have been laughed at for essentially being ahead of the curve on the messages of modern events. We have been called crazy for our inconvenient prophecies, virtually all of which are now coming to pass.

While I and my cohorts, to use just one example, spoke out on the dangers of nuclear energy and in particular the insanity of building plants on fault lines, the professional pundits scoffed and boasted they lived near nuclear plants. This was thirty years and more before the world ever heard the word, Fukushima. The examples like this are endless. We saw all these unworkable endings and asked ourselves, “What would be a real way of doing that?” “What would be a workable, sustainable way?” “What would be a sane and happy life, ethic, and lifestyle.” “What would be a loving, peaceful mode of being?”

While we sought to redo culture from scratch, building it on perennial and unimpeachable principles, the threatened elders and the jealous youngers, who would soon enough come behind, poked fun from within the confines of their assured and comfortable wrongness. They called us narcissistic for thinking we could look at ourselves and the world and dare to think we could change it from ancient ways. They thought we were making ourselves important that way, putting on airs, even. Actually we were shouldering responsibility we did not want—yearning for a simpler, less serious time—but which we accepted for the sake of all those who would come after, knowing their very existence depended on our actions. We took faith in the touchstone of love itself—the only thing that did not crumble under examination—and sought to bend all emerging along its outlines.

So our seeming impertinence was born of an inconvenient prompting, an unwanted vision now proving prophetic. It was hardly selfish, as many of the best of my generation paid the ultimate price and are no longer with us or they are imprisoned. It was hardly narcissistic as it was done out of love…for each other, for the peoples of all the world and of all the religions, for our children, for the planetmates and for the Nature of which we learned we were a part, and for the generations unborn.

What others will never get is that our “overexamined life,” our “psychological-mindedness,” our perinatal propensities, and our soul-searching and self-analysis were not about being narcissistic. It was about needing to start everything anew as a rational response to the horrors we saw about us in our culture and in the world… horrors which we were correct in trying to address at the time. For their existence today, because of our inability to be completely successful in remedying them, are bringing about all the political, economic, and environmental armageddons I’ve been discussing in this, and its related, books. And we knew, and still know, that only some change huge and radical will help us, and for that we need to find and stand upon the deepest and firmest of ground within us. That is what we’ve been looking for, are still looking for…only now we have lots of company .

Better Hitler Had Jumped Into Mosh Pits: A Drive to Healing, the Hard Rain Fallin’, and Millennial Promise

A Drive to Healing and What Did You Expect Peace to Look Like? Better Hitler Had Jumped Into Mosh Pits

A Drive to Healing

We cannot expect that everyone will heal their birth traumas when they arise into consciousness during periods of peace. However, we can expect—especially now that there is understanding of these dynamics and there are techniques and modalities available for healing them—that some people will!

Furthermore, even the more ritualistic and superficial yet blatant regressions to infancy, birth, prenatal, or even prior to that—for example, as Mayr and Boelderl describe in Europe—are not the indication of a “death drive” or “death instinct” as these researchers claimed. [Footnote 3]

These highly symbolic collective rituals are instead the manifestations of a drive to healing—a drive to regressing to early traumas and to reexperiencing the events that occurred then and thus recapturing an integrity of self that existed prior to the dissociation that happened as a result of those traumas. This drive to regression is no more a “death wish” than the mystical or spiritual quest is a “death wish,” and for the same reasons, as Jung correctly admonished Freud a long time ago. And we can expect that more good than bad can come, eventually, from engaging in them.

What Did You Expect Peace to Look Like?

Better Hitler Had Jumped Into Mosh Pits

In conclusion, when we see blatant collective regressions, by the sorts of people mentioned, to these perinatal dynamics in undisguised, and relatively harmless, social rituals—as described by Mayr and Boelderl, and Lawson—we can expect that, because of their closeness to their unconscious pain, they are likely—even if only a little more likely because of their more advanced mode of child-caring—to have insight into these dynamics and to resist acting them out in a more extreme form, like war, global pollution, and overpopulation.

To put it another way, I would have preferred that Hitler had acted out his craziness by jumping into mosh pits, humming baby tunes, wearing a pacifier…or even engaging in sexual orgies…than the way he did.

So these current signs of blatant regression by youth and others in Europe or the US, or in fact anywhere in the world as in rock concerts, are not signs of an impending war. What did you expect peace to look like? You might call it messy, but it is the scenery of human healing, we should expect to be seeing, on the pathway to an Earth rebirth.

What Might We Expect?

Millennial Promise

What might we expect from the future? Well if ecological/environmental consciousness and refusal to use projection onto others is accepted as evidence of perinatal access, as I have been asserting, then the current generation of youth and young adults—the Baby-Boomer Echo Generation, also called the Millennial Generation, whose two main concerns, as I have mentioned, have been polled as being the environment and racism—may also be expected to be more open to their perinatal trauma, and hence more likely to resolve it and further the gains of their parents against war and global apocalypse.

“A Hard Rain’s Gonna Fall”

For, as Janov has pointed out, closer to one’s Pain—one’s unconscious—is closer to being real. And this closeness holds out the possibility both of healing…and of self-destruction.

From the roads and TV screens of America the scenery can often appear bleak. Sure, heavy changes are coming down…but what should we expect? “A hard rain’s gonna fall,” sang Bob Dylan. And that’s what it takes to blossom the spring. Look hard enough, you just might see the seeds of Light amidst the darkness surrounding.

Evidence in Our Collective Dreaming

Next we will take a look at one of the projective systems of our society, specifically, our cinema, to see if it shows evidence of the change of consciousness that we have here been describing as necessary to derail the cycles of war and violence that have plagued our species for millennia uncountable and have led us to the brink of extinction.

Films are both the collective dreams of our society as well as the only truly widely shared method of collectively experiencing a nonordinary state of consciousness. Thus they are telling, in the messages they contain, as well as powerful in their impact on the audience, who in this mild nonordinary state of consciousness are more open to suggestion and to receiving mental impressions and information.

We will look to examples from films of the last few decades for indications that our collective consciousness is actually changing and that there are grounds for hoping that we will be able to stave off apocalypse…creating instead the quantum leap to an Earth rebirth.

Footnote

1. For “overexamined life”see Keniston, op. cit., 1965; for “psychological-mindedness” and “self-analysis” see Keniston, op. cit., 1968, especially p. 81.

2. Davis, op. cit., especially Ch. 7, “The Great Society and The Youth Revolt.”

3. Mayr and Boelderl, op. cit., p. 149.

Continue with Apocalypse – No! Chapter Eleven: Control Versus Surrender … Heaven Leads Through Hell

Return to Apocalypse No! Chapter Nine: Regressions in the Service of Society — Messy Healing

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Everything You Always Wanted to Know About Being Born … Playing Now, in Theaters Near You!

Projecting the Perinatal Zeitgeist: Everything You’ve Managed to Forget About Being Born

Wounded Deer and Centaurs, Chapter Two: Everything You’ve Forgotten About Birth … Projecting the Perinatal Zeitgeist

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize twenty-first century life.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds … And Oh, the Shark Has Pretty Teeth, Dear…

In these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time — ”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie “Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and were overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention. [Footnote 1]

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

Also, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

Speaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A Hundred Monkeys and Counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

XXX

There is lots of violence, and of course, sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Monsters, Vaginas, and Hairs, Oh My!

Recurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

One most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

The perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

“Noah, How Long Can You Tread Water?”

Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before birth, placental fluid. Near the end of gestation, the mother, when standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

Told You I Didn’t Like Vegetables!

Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

This sequence of pics from an episode of The Outer Limits is a rather good depiction of this. Notice that at the point the object emerging from the mouth is most visible it takes on the form of a vagina dentata. This links the images with birth and indicates the aggressive character of the feelings being depicted, that is, we have repressed anger feelings left over inside us from what was done to us. It is also more than just coincidence that the person to whom this is happening is in a hospital room and is dressed in a hospital gown; the plot is about this woman carrying a baby and this scene happens just after the birth. This is significant for the reason following, which states that this image has its roots in an event that indeed happened right after birth..

Gag Me With a Toxin.

This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids from the neonate’s mouth by the attendants immediately after birth.

This latter connection — the ungentle mouth cleaning of birth fluids — I can personally validate from my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence the popularity of such images in the media of recent decades.

Treated Like a “Piece of Meat”

This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the neonate—can leave one with lifelong feelings of being treated like a “thing.”

Many report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb. Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

Confused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms, they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of course both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

Welcome to the World … Now f u

Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, feel manipulated and used, treated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other people, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

This also sheds light on the seemingly “mindless” violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be acting out their “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

Faces Coming Out of the Walls

I would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

We have had, over and over again, the image of the “evil fetus” erupting from the abdomen, as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing.

Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

Ventura Out of the Womb

A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carrey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working after a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

We witness the actual “birth”: Jim Carrey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

Couldn’t Fight Your Way Out of a Plastic Bag!

Other examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal, as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

Existential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs which become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells, solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of the entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

But the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

House; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boats, especially submarines; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

In the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

The Wall

In the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. We have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out above, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.

Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

I remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, is the ideas of dungeons or castles … with mad scientists, no less — obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

I might start by pointing out the element of there being another realm into which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. We see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

“There’s No Place Like Home.”

But death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

In this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

Through the Looking Glass

And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course), which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

This depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

Love, Fear Relationship

To put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see subsequent chapters, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

To Hell With It…

So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

Face Me, or You’re Mine!

Central to this book is the idea that we need to face the ultimate and horrible truths if we are to save ourselves. Wounded Deer are those people who suffer from closeness to these perinatal truths. Centaurs are those wounded ones who have accepted these facts of life; they have accepted the fact that fundamentally they, as all of us, are wounded. And in embracing it this way they become healers for those who cannot face their truth or who are struggling with doing so.

For not only are we closer to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

Fear and Freedom … Only a Membrane Away

Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

Perinatal Spamming

We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

Getting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced. There is no doubt that we are letting our newest members know they will not be able to move freely in life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.

Baby Abductees and Masked Medical Aliens

Finally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an alien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

The point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.

Birthing Into Everyday Life

Whether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, whether they will they lead to the armageddon that many are predicting or to a consciousness evolution and a new Earth—will be something for us to consider further on.

Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.

To Be Continued with Wounded Deer and Centaurs, Chapter Three: The Perinatal Furniture of Everyday Living

Return to Wounded Deer and Centaurs, Chapter One: We Are a Fever

Enjoy your own virtual emergence by following the pics below:

Now add a blissful period and go back around again; that’s the way it works in life.

Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spiritwebsite: “‘Independence Day’: Pre- and Perinatal Adventure in Film.”

2.The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh

3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed“

Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide

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Wonderful Can Happen: With Dumbness at the Top and Media as the New Opiate of the Masses, Still, “Yes, We Can” Proved We Could.

To Our Amazement, Charlie Brown Connected, Lucy Apologized, a Man Who Said “Yes We Can,” Would: Anything Is Possible … Means Everything Is Possible

Culture War, Class War, Chapter 23: Something Wonderful Can Happen

There Are Good Reasons Why Our Financial and Environmental Fortunes Careen Wildly About: Dumbness Rises to the Top

Blinded by Their Greed, They Overlook the Obvious: Why Our National Misfortunes Are Greeted with Such Surprise by Authorities and Pundits

Voices Never Heard

What I’ve been trying to say here is, there are perspectives that are relevant and are never heard. And I’m talking about perspectives that are right outside the doors of power ready to talk and be heard; often having been perspectives that had been embraced not long ago, but suddenly, not having any credibility at all…so that our democracy of many voices—now with the filthy rich and their Republican lackeys and their paid-for media in collusion to mine only one avenue of discourse—begins to echo the Soviet Union of old with its one voice, Pravda.

Horrors Far Worse

Back in 2000, I also had written,

“I believe we are in grave danger of losing things far worse than those horrors. I believe we are in danger of losing all hope of maintaining, let alone progressing, in the freedoms and privileges that we take for granted.”

I believe our friend speaks eloquently about some of those far greater horrors, and indicates they are there right now on our doorstep. We had a surplus and a will to tackle them a decade ago. Sadly we have wasted the last ten years reversing those environmental policies whose intent it was to help. And we have reversed our financial situation, which could have helped. In addition, we have reversed the restrictions on corporations and other policies that would have helped and at least slowed down this ominous impending doom.

So we are a decade further along in environmental collapse, and it is has increased its acceleration toward us. Meanwhile we have slashed away at our financial and other resources for dealing with it and chopped back the time in which to work. The way I phrased it a decade ago.

So is this election important? I believe it is. For me it is especially important, for I feel that if the Republicans take over, they will do so much to damage to the dreams of my generation that even if the Democrats were to be reelected to all branches of government in 4 or 8 years, they will do so much damage (the example of Reagan-Bush nearly QUADRUPLING the National Debt in their mere 12 years being the perfect example) that My Generation will have to clean up their mess afterwards, taking more years. And only then will we be in a position to progress in this country and world and bring it more in line with the ideals of peace, love, community, and harmony we envisioned in the Sixties.

So what I mean is that if we fail in the next 80 days, I can envision no more time of real hope again, for this country or the world, until I am in my Sixties, Seventies, or older. And then, even then, there will be no real hope. For as it is said of the poor, these forces of regression, Cowboy shoot-ourselves-in-the-foot, cynicism, and – let us call it what it really is: evil – will always be with us.

Dumbness Rises to the Top

And sure enough, as we all know…and what these people could not even imagine, as that trader put it, well, it is happening. One wonders what these buffoons who could not foresee such things will do in terms of fixing them; having acknowledged their extreme lack of foresight (and we’ve added, their extreme inability to look anywhere farther than their tight knit group of true believers for answers.) This should be something to see.

As for Wall Street and the economy, let’s take another look at how the media has dealt with other perspectives to flesh out my claims above of these perspectives not being far off.

On CNBC, a couple of years before the economic downturn, they used to have as a commentator, Robert Reich, who was President Clinton’s Secretary of the Treasury and the mastermind of the great economic turnaround of the Nineties.

But he was talked over, laughed at, and was routinely talked to as if he was a child or suffered sadly from some kind of bleeding heart brain cloud. Well, as his words began to be the ones that should have been listened to, he was no longer to be seen on CNBC. And then afterward we have such a comment like, “Well, nobody could have seen it coming.”

Well how could they, if they were no longer put on the show?

No, apparently there was such an insular crowd on Wall Street, the White House, and, most unfortunate, among the very media whose job it was neither to make news as prognosticators or economic experts, nor was it to be part of a partisan “anti-plunge patrol.” Their lack of even-handedness and their alliance with particular theories created just the kind of apparent reality that the trader bemoaned. No, it wasn’t that nobody was seeing it coming–as you see below, I was seeing it as inevitable from the shared experience of a mere decade or so ago. And I mention one figure who was silenced. So to the mystified trader who knew no one who saw anything but, as one particularly wrong-headed man phrased it, “a goldilocks economy.”

So, blinded by their greed, they missed what the people I knew were all seeing—danger ahead, and the unsustainability of a rally that had risen on so much manipulation, misinformation, and constant drum blows of obviously wrong economic talking points hammered over and over across our airwaves and drowning out every sound of warning or opposition, so that surprise and misinformation informed the trading decisions of the great bull traders.

So many people were hurt by this partisan power play. But that was the way of just about everything during those 8 years of, as one recent writer dubbed it, dictatorship.

If you’re still reading, you will see I have reasons for pointing these things out, providing this background, for it is this context of a kind of dumbness rising to the top which, even now, makes for the strangest of comments on TV talk shows, and the most asinine and foot-shooting policies and stances of the remaining Republicans.

Media Feel-Good Talk Does Not Equal Reality … and Why We’re Helpless to Prevent the Future Fukushimas and Killer Hurricanes.

Media Is the New “Opiate of the Masses,” with Pundits a New Priestly Caste Between Modern Pharoahs and the New Enslaved.

Media Mollifies Masses

All this being said, now, perhaps for you the Message in a Bottle provides, as it did to me, a provocative window into the workings of cause and effect. More than that I hope it sheds light on the huge efforts of deception that are ever needed to advance false partisan ideas which, though proven wrong, will by greed be raised anew and banner-like be carried forth to beat back the voices of common sense in favor of a reality that must be forced to be made to be true only because its rich adherents would wish it to be so.

Media Feel-Good Talk Does Not Equal Reality

Another advantage of having the time capsule is what we can learn about such warnings. Will the media tell you of impending doom, so that we might avert it?

No, they will, for the sake of ratings (profits), be a “feel good” media. They will spin out “comfort truth” — junk food for the mind — insubstantial and inconsequential and hardly soul-satisfying. But it will soothe the stresses brought to listeners through their otherwise participation in the capitalist matrix. As empty of truth as junk food is empty of nutrition it will act as medicine for the troubles of the postmodern soul—enslaved and unfree—but unaware even of that…and unable to even know that. So this media will serve the functions that religion once did for the elite, becoming another opiate of the masses. And the pundits will play the role of the priestly intermediaries between our modern pharoahs—the banksters and the filthy rich—and the masses upon which they feed.

So no, it is not the media’s role to warn us of disaster. Hardly. Indeed, when that disaster is one of the many forthcoming from the actions of those elite they serve, it will be the media’s job to set up the screens of smoke and trivia to distract and entertain away from real concerns. Then they will, as we’ve seen, report afterward on it and bring out the “No one could have foreseen this happening.” Well that is a self-serving lie. I hope that is gleaned from all this if nothing else.

I’ve been detailing on the media complicity, indeed, facility in the Great Recession caused by the tax cutting policies of George W Bush. But since then we have seen Fukushima, the BP oil spill, and Sandy. Could Fukushima have been prevented? Yes. For I can personally tell you, as an anti-nuke activist in the Eighties, how we were warning back then of the immense dangers of nuclear power plants and especially those on earthquake fault lines. Has the media advanced that story line? You know the answer to that.

Has the media since Fukushima kept us informed on developments there so we might prepare for the consequences coming to us from that? I’ll put it this way, I’ve had otherwise knowledgeable people tell me that “It is a good thing Fukushima turned out how it did … it could have been worse.” Worse? Something far worse than Chernobyl—which itself resulted in one million deaths (where’s the media on that fact?)—turned out ok? For this we can thank a media that stopped reporting on developments there when it turned out they could not spin it in any feel-good way. Things got worse, are still getting worse, and they stopped covering it.

Then there’s Sandy. It is being said this has brought climate change and global warming back into the dialogue. But why was it not in already? We have an entire political party in America hell bent on ignoring global warming in their insane pursuit of profits at any and all costs. Has the media been on top of this? Those self-interested climate-denying Republicans—has the media been holding their feet to the fire? Have they even lit a match near their feet? You know the answer again. For prior to Sandy and in four presidential and vice presidential debates there was not even ONE question … from the media, mind you … on the environment … let alone, climate change or Fukushima. Yet there was plenty of interest in setting up the candidates to see who could be the most manly on drilling and fracking our way to ecological hell.

Feel good media? I think so! At odds with reality? You tell me.

In the Past It Has Had Horrific Consequences.

Feel-good talk does not equal reality. If it did there would not have been the Nazis, the Holocaust, a Stalin—five million dead; a Cambodia—millions dead; a Rwanda—dead dead dead; or an AIDS epidemic—uncountable dead and growing.

Yet what I wrote over a decade ago, at the time if it had been shared in any place of power, would no doubt have been challenged by this word: “Paranoid.” This is the common way the public uses denial to avoid harsh realities. Blame the messengers, the dangers go away. I’m sure my planetmate friend’s piece earlier has already been labeled that way: “Paranoid.” “It’s all paranoia on the part of some crazies” is the common attitude.

That is the way we keep out the truth. It is like using a drug to ease the pain of your cancer, but it doesn’t do anything to keep you from dying.

Indeed, the planetmates’ lament, though it be labeled paranoid, is based on the findings of the best scientific minds of our times about the environmental collapses—the outright ecocide that is upon us from so many causes and in ways that are now uncountable in number. Their message is so much more important in that we will likely reach the point of no return long before the masses of humanity are severely suffering from the continued environmental assault. I don’t like to say it, but it needs to be said that some are convinced that it is already too late, that we had a window of opportunity and blew it. I know of groups in the know who are absolutely convinced there is no saving us now and that it is naïve to expect anything but doom.

Troubling it is that, on top all that’s been said about this message and what it has told us about what we lost and how far we are now from where we need to go, not to mention knowing we were betrayed by our government obviously, we now realize without a doubt our media too helped when they could have stopped it all.

Wonderful Can Happen, Part Three — Amazingly, Charlie Brown Connects: Remember … “Yes, We Can” Proved We Could

Shaken Out of Our Mental Maze, We Would Be A-Mazed: Lucy Apologizes, Sisyphus Rests, A Man Who Said “Yes We Can,” Would

Why Know This? Amazingly, Charlie Brown Connects

So, these things we know. They are sobering rationalizations and ones we should not run from.

But lastly and most importantly, these prescient thoughts of long ago help me. I find that these time-capsule writings from my former mind are able to inform me and sharpen my vision of the Now, as the events continue unfolding and rolling relentlessly over and through us and are reflected in high-pixel, high-def, infinite colors clarity on the flat screens all about. This time is felt and witnessed, the story being revealed cinema-like, but with pundits galore expounding 24/7, like loud-mouthed fellow movie-goers.

But then also they become the movie and are interwoven into the times themselves. And their words, with this time capsule before me, are sounding childish, repetitive, forgetful, amnesiacal. Especially this is true as many of the ones speaking now are remembered as being the exact persons commenting then. And their words, little changed, bespeak a zen-like ability to be newly alarmed, being reborn in every minute, but yet totally unchanged and untaught by all the years of witnessing and commentary. So they also have forgotten the way they once saw the world and their life … just as I once did.

If We Knew, Would We Act?

It seems a defense mechanism to forget that we saw all this coming. For to know that is to despair in realizing the impotence, even, of awareness. Who wants to realize that in these matters even a knowledge of the story line, as if having seen the movie once before, is totally useless? Who wants to think that there is a helplessness in affecting the events of our lives and times, that there is a total futility in changing or steering away or around even the tragedies clearly seen beforehand?

For knowing this we feel as detached as actual cinema-goers from the unfolding of the plotline. We feel ourselves to be not actors and hardly even the scriptwriters of our lives, instead merely the witnesses of intensely shocking and stunning events, which we actually expected but hoped we would be wrong about. So wouldn’t we want to block out that awareness of the futility of our actions? Wouldn’t we have to in order to have the heart to keep going at it? To get up and keep trying every day?

Sisyphus Remembering, Would He Continue Pushing?

If we remembered, like Charlie Brown approaching the football, or like Sisyphus rolling the boulder up the hill… if we remembered, would we continue to act?

No, we have to believe that we will be surprised this time, that indeed Lucy will hold the football and we will complete the kick. It is said that those who forget history are doomed to repeat it. As true as that is, how ironic then that we realize that those who remember history too clearly are doomed to helplessness in the midst of its unfolding. So it seems we are ineffectual either way.

But There’s More To It

Yet this is not the whole truth. If it were, then the cynicism we felt about “The Audacity of Hope”…remember that book?…well, that cynicism would have proven a correct perception. We would have been bored, again, watching a naïve young idealistic black man—like the many before, differing only in skin color—seeing his efforts, visions, hopes, and heartfelt desires to be helpful and to love away some of the darkness in the world around him vanish like the memory of yesterday’s storm-driven winds. But we, I, was one time wrong in that cynicism.

Lucy Apologizes, Sisyphus Rests.

To the astonishment, truly, of an entire world, Charlie Brown connected with the football, Lucy apologized for her past actions, and one heavy boulder remained steady on the top of a hill and gave a man a much needed rest from his endless labors.

For one incredible and glorious time, the movie we’d seen had a different ending—amazing enough in itself. But also the tragedy in the original did not occur. And as if God had for a time touched this planet, this Reality we call our World, our Life…as if God had just for one time touched, tipped, and turned our events, the awesomely unexpected happened.

A man so unbelievably naïve and unaware as to declare the “audacity of hope” and to call out and stir up the masses, deluding them as we’ve seen so many times before, that “yes, we can,” would.

Shaken Out of Our Mental Maze, We Would Be A-Mazed.

And we’d have to pinch ourselves to believe it to actually be happening even as we witnessed it. That he would actually succeed in doing exactly what he said he would do would not only show us that a man could actually affect the course of events, would show us that a person could not only change things from the way they’d always been (what kind of man can this be?). But that he would do it in a grand and sweeping way would be all the more astonishing. We would be all the more unbelieving that a man who said “yes we can” not only could but he could do it in a way that achieved beyond merely succeeding; never mind that merely succeeding would be doing the impossible.

The Only Thing We Can Be Truly Sure Of … Is We Can Never Be Sure… Which Means That Anything Is Possible… Which Means That Everything Is Possible.

Our Inability to Know Is the Source of a Hope That IS Real: Wonderful Can Happen, Part Four: It’s Just as Likely the Miraculous Will Happen.

Just When We Thought We Knew…

So I am saddened having been awakened from my forgetfulness by this catscan of a mind perfectly preserved in an electronically sealed time capsule… oh, what could have been…. But then I remember, happily, that we are, I am, imperfect prophets and seers. That just when it seems we know, for sure now, how things are, the way the world is, and how the movie will end; that just then when we know, totally convinced we are, that truly things will be as they will be and that it is futile to rail against the inevitable, to hope, even to try; that just then when we have finally accepted “reality for what it is,” accepted “life on its own terms” not ours; that when we’d given up the things of youth, accepted the limitations of life, addressed ourselves, resignedly, to carrying forward on the mundane things of life, to the ordinary activities of everyperson, to the simple responsibilities and expectations of every man, every person, from every time that’s ever been and accepted the unrelenting lack of specialness in either our times or ourselves…that just at that time we would be touched and wakened to see that the most unchanging thing of life is not its utter resistance to change, its utter forgetfulness and repetition, but is the mysterious darkness surrounding the utter clarity of everyday knowingness, is in fact the imperfection of ourselves even as we observe so clearly the assured imperfection of the world.

Anything Is Possible… Which Means That Everything Is Possible

Sounds complicated. What I’m saying I think is important enough to repeat. I’ll say it more simply.

The most unchanging thing of life is not the things we see that never change. They are not the most unchanging thing of life. The most unchanging thing of life is something surrounding the absolute clarity we have about these things, these harsh realities even. When you’ve finally come to accept life, you’ve accepted these unpleasant things, these hard truths, and you think that for sure now you’ve got it, that it was all about learning to accept that…and thereby become the “adult,” the seasoned, assured cynic.

Accepting Life’s Pain. But Because We Are Imperfect…

But rather, the most unchanging and most true thing about life is that no matter how much we think we know how exactly life is, there’s a darkness surrounding that utter everyday clarity that we carry around and share with our neighbors, reinforcing it’s trueness. There’s a darkness surrounding it. And that darkness is in fact the imperfection of our selves. We’re not perfect; we’re not all-knowing. It is in fact the imperfection of ourselves even as we observe so clearly the assured imperfection of the world, you see. I’m being sarcastic there.

What I’m saying is: Knowing that, we know that it is exactly the imperfection that is the most solid thing in life. You see? It’s not the things that they try to make solid. This is the thing that is solid, is gonna be there, always. Nobody has to try to make that happen, there’s always going to be an unknown.

Therefore, since there’s always going to be an unknown there’s always going to be human imperfection. For we may think we know everything, sometimes. But only a fool goes through life very long thinking that. And so, in knowing that, knowing that that’s the most unchanging thing of life, the thing you can really count on, that’s never going to go away…well, we know that it is exactly the imperfection, that lack that’s in a person, that evil, that unmoving wrongness of the world that we have tried so futilely to change, that being in us, is the source of the blessedness of life, which is the fact that our ultimate unknowingness is the only true source of a hope that IS real,

It’s Possible “Something Wonderful Is Going to Happen.”

It is only because we know that we cannot really know, for sure, that then we can know for sure that there’s always got to be hope because we could never know for sure that there wasn’t. So, what a blessing that is. That being wrong, being imperfect means something unbelievable when you think of it: Which is that against all odds, “something wonderful is going to happen.”

Ultimate unknowingness is the only true source of a hope that is real. And you say, how can you say that? You say, that’s not true. Then I ask you, are you perfect? You say, no. Then I say, the only true thing is that you’re not perfect, so that anything you are absolutely sure is wrong has a possibility of being right.

And Anything Is Possible … Means Everything Is Possible.

So, who knows? You might say that we don’t know what’s real. That’s true, of course, so why would we necessarily think things are dire right now? Why, it’s just as possible that something wonderful is going to happen. It’s just as likely that, in spite of ourselves, the miraculous can happen; that magic is real; and that hope, and happiness, and blessedness, and forgiveness, and glorious divine wonders beyond even the envisioning of our ideals are possible.

And all because the only thing that we can be truly sure of—even when we are finally convinced that we should not expect anything special—is that we can never be sure… which means that anything is possible… which means that everything is possible.

Continue with Culture War, Class War, Chapter Twenty-Four: Naked Republicans

Return to Culture War, Class War, Chapter 22: Horrors Worse Than That

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There Are Good Reasons Why Our Financial and Environmental Fortunes Careen Wildly About: Dumbness Rises to the Top

Blinded by Their Greed, They Overlook the Obvious: Why Our National Misfortunes Are Greeted with Such Surprise by Authorities and Pundits

Voices Never Heard

What I’ve been trying to say here is, there are perspectives that are relevant and are never heard. And I’m talking about perspectives that are right outside the doors of power ready to talk and be heard; often having been perspectives that had been embraced not long ago, but suddenly, not having any credibility at all…so that our democracy of many voices—now with the filthy rich and their Republican lackeys and their paid-for media in collusion to mine only one avenue of discourse—begins to echo the Soviet Union of old with its one voice, Pravda.

Horrors Far Worse

Back in 2000, I also had written,

“I believe we are in grave danger of losing things far worse than those horrors. I believe we are in danger of losing all hope of maintaining, let alone progressing, in the freedoms and privileges that we take for granted.”

I believe our friend speaks eloquently about some of those far greater horrors, and indicates they are there right now on our doorstep. We had a surplus and a will to tackle them a decade ago. Sadly we have wasted the last ten years reversing those environmental policies whose intent it was to help. And we have reversed our financial situation, which could have helped. In addition, we have reversed the restrictions on corporations and other policies that would have helped and at least slowed down this ominous impending doom.

So we are a decade further along in environmental collapse, and it is has increased its acceleration toward us. Meanwhile we have slashed away at our financial and other resources for dealing with it and chopped back the time in which to work. The way I phrased it a decade ago.

So is this election important? I believe it is. For me it is especially important, for I feel that if the Republicans take over, they will do so much to damage to the dreams of my generation that even if the Democrats were to be reelected to all branches of government in 4 or 8 years, they will do so much damage (the example of Reagan-Bush nearly QUADRUPLING the National Debt in their mere 12 years being the perfect example) that My Generation will have to clean up their mess afterwards, taking more years. And only then will we be in a position to progress in this country and world and bring it more in line with the ideals of peace, love, community, and harmony we envisioned in the Sixties.

So what I mean is that if we fail in the next 80 days, I can envision no more time of real hope again, for this country or the world, until I am in my Sixties, Seventies, or older. And then, even then, there will be no real hope. For as it is said of the poor, these forces of regression, Cowboy shoot-ourselves-in-the-foot, cynicism, and – let us call it what it really is: evil – will always be with us.

Dumbness Rises to the Top

And sure enough, as we all know…and what these people could not even imagine, as that trader put it, well, it is happening. One wonders what these buffoons who could not foresee such things will do in terms of fixing them; having acknowledged their extreme lack of foresight (and we’ve added, their extreme inability to look anywhere farther than their tight knit group of true believers for answers.) This should be something to see.

As for Wall Street and the economy, let’s take another look at how the media has dealt with other perspectives to flesh out my claims above of these perspectives not being far off.

On CNBC/, a couple of years before the economic downturn, they used to have as a commentator, Robert Reich, who was President Clinton’s Secretary of the Treasury and the mastermind of the great economic turnaround of the Nineties.

But he was talked over, laughed at, and was routinely talked to as if he was a child or suffered sadly from some kind of bleeding heart brain cloud. Well, as his words began to be the ones that should have been listened to, he was no longer to be seen on CNBC. And then afterward we have such a comment like, “Well, nobody could have seen it coming.”

Well how could they, if they were no longer put on the show?

No, apparently there was such an insular crowd on Wall Street, the White House, and, most unfortunate, among the very media whose job it was neither to make news as prognosticators or economic experts, nor was it to be part of a partisan “anti-plunge patrol.” Their lack of even-handedness and their alliance with particular theories created just the kind of apparent reality that the trader bemoaned. No, it wasn’t that nobody was seeing it coming–as you see below, I was seeing it as inevitable from the shared experience of a mere decade or so ago. And I mention one figure who was silenced. So to the mystified trader who knew no one who saw anything but, as one particularly wrong-headed man phrased it, “a goldilocks economy.”

So, blinded by their greed, they missed what the people I knew were all seeing—danger ahead, and the unsustainability of a rally that had risen on so much manipulation, misinformation, and constant drum blows of obviously wrong economic talking points hammered over and over across our airwaves and drowning out every sound of warning or opposition, so that surprise and misinformation informed the trading decisions of the great bull traders.

So many people were hurt by this partisan power play. But that was the way of just about everything during those 8 years of, as one recent writer dubbed it, dictatorship.

If you’re still reading, you will see I have reasons for pointing these things out, providing this background, for it is this context of a kind of dumbness rising to the top which, even now, makes for the strangest of comments on TV talk shows, and the most asinine and foot-shooting policies and stances of the remaining Republicans.

Continue with Media Feel-Good Talk Does Not Equal Reality … and Why We’re Helpless to Prevent the Future Fukushimas and Killer Hurricanes.

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Horrors Worse Than That

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Silly Heroes and Evolution in Attitudes to the Perinatal: The Necessary Hero Jives with the Monsters, Dances Above the Dissonance, and Is Ever Aware of Divinity Everywhere

What the World Needs Now … Is Loving Warriors and Silly Heroes: Jiving with Your Monsters, Dancing Above the Dissonance, and The Universality of Divinity Remembered

Responses to the Perinatal

Returning now to “Nothing But Trouble,” an aspect of it that has significance for dealing with perinatal issues is the way different characters are shown responding to the embodiment of arbitrary justice, the judge. In the wonderfully Kafkaesque courtroom scenes, we see several different types of people—representing different responses to unconscious material—hauled before the judge. The musicians, signifying artists, creative people; the hedonistic criminals; and the main characters, representing average people, each present distinct attitudes, which are responded to differently by the representative of the unconscious, the judge.

Jiving With Your Monsters

The musicians are able to create rhythm and flow. Therefore they are able to get through the experience unharmed. Indeed, they are even able to elicit a response from the judge—getting him to join in. In this way we see how creative people can actually use perinatal material and get it to cooperate for desired ends. We might consider how this relates to the writing of “Nothing but Trouble” itself.

Peter and Dan Aykroyd, in creating this movie, are, like the musicians in the movie, getting the unconscious to “play along,” to create something beyond what either the writer or the unconscious could accomplish separately. Much of what is interesting in art is done this way: The deeper fear-evoking material is allowed to come in and enrich, enliven, freshen with new ideas and perspectives, stimulate, and invigorate the creative production.

Beware the Tar Baby

On the other hand, the arrogant banker contends with evil, and, like Brer Rabbit with tar baby, gets stuck.

Notice also that the really contentious ones—the alcoholic drug-using criminal hedonists—are completely lost. Thus the two extremes, as well as the average person are depicted.

Lighten Up!

But the truly striking element that indicates an advanced way of dealing with the perinatal material is shown in the genre of the movie itself. As a comedy, it shows a non-attached and transcendent approach. Chevy Chase and Demi Moore, especially Chevy Chase, show an aloofness and silly playfulness in the face of horror and death that has spiritual implications. Like a Tibetan mystic, Chase refuses to get sucked in to the involved drama confronting him. Like a Christian saint about to be martyred, he jokes, teases, and gets silly with the instruments of horror and evil. Similarly, Demi Moore humors and plays cards with her would-be monsters.

Silly Heroes

Standing within the Witness higher self, they are able to take the entire situation lightly—acting and reacting in the moment to each unique situation as it presents itself. One moment Chevy Chase is confronting his own demise, the next moment he is in a love scene. He alternates a frightful encounter with relaxing and smoking a cigar.

If we want to know what real and transcended behavior is, we might do well to get our hints in the depictions of unattached playfulness — as presented by modern Western actors like Bill Murray, Demi Moore, Tom Hanks, Chevy Chase, Robin Williams, Bruce Willis, and Jim Carey—rather than in the repressively calmed not-with-it-ness—not-witness—that is sometimes mistaken for spiritual attainment.

 Darkening Down

Incidentally, this element of humor shows an entirely different way of dealing with the perinatal than most other movies that deal with this kind of material. The movie, “Brazil,” is a good example of this difference. Not only is “Brazil” cast in an eerie, somber, and tragically hopeless and futile air—indicating that one’s response here is to “believe in” the reality of such material—but the only escape in this movie is in a purely conceptual, fantasy way.

The main character cannot face the horror ultimately. He flips out into a reassuring dream sequence brimming with BPM I and BPM IV imagery. Interestingly, reflecting the pattern of progression of our expressions in feeling therapies, the dream includes a BPM III scenario to get him to those later bucolic realms.

But in “Brazil” these are only daydreams. This fact shows a refusal to face this perinatal material or to surrender to it. Rather, in fantasy, one overcomes the horror. It is as if one continues using familiar ego techniques—hero’s journey methods, dragon-slaying methods—for dealing with material on a deeper level where they no longer work—where they are in fact counterproductive.

Thus, these techniques can only succeed in dreaming. Terry Gilliam, the creator of “Brazil,” shows us that the hero, in reality, is doomed.

However, one might interpret the main character’s escape into fantasy as a victory over evil forces. That the ending lends itself so readily to such an interpretation is a telling indictment of the state of progress of some of us in dealing with perinatal material. Apparently, there are those so lost that the only success possible seems to be in insanity or death.

Evolution In Attitudes to the Perinatal?

However, in “Nothing but Trouble,” the main characters do face and deal with all the material. Sometimes they fight it; sometimes run from it; sometimes play with it; sometimes joke, tease, spar, or get silly with it; sometimes are swallowed by it and carried along…but always they are creatively facing and dealing with it. This different air about and attitude towards the perinatal material can be said to be an advance from the earlier movie, “Brazil,” representing perhaps a progression of our collective consciousness in our attitudes and manner of dealing with the perinatal.

Dancing Above the Dissonance

Such a prospect is, indeed, the auspicious legacy of such a creative project. Though it is doubtful they did so consciously, the Aykroyd brothers and the producers of “Nothing But Trouble” deserve our gratitude for their efforts in lighting forward our collective reality endeavor.

Beyond that, we can take hope in the possibility that Western culture may be rising itself, however minimally at first, above the dramas of light and darkness that have plagued it for so long. The Manichean tendency can lead only to ever-spiraling cycles of resistance and assault. Yet we are seeing currently, not only an erosion of defiantly uni-dimensional ego perspectives, not only a movement toward facing and dealing with our inner darkness, but an integration of opposing forces, a dancing above the leela—the play—of light and dark.

The Universality of Divinity Remembered

The perennial understanding of the universality of divinity, both within and without us, in the lowest as well as the highest of places, is the bright at the center of the perinatal bedlam about us. We are guided as well by this gleaming, a rising moon of promise and possibilities.

Continue with Apocalypse? Or Earth Rebirth? A Smaller Number of Us — Standing in the Right Place and With a Lever Big Enough — Might Be All That Is Needed to Move the World

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It Was Hardly Narcissistic, It Was About Needing to Redo Everything from Scratch as a Rational Response to the Horrors We Saw Around Us: Sixties … Know Thyself!

Moratorium … Let the Buck Stop Here! Rebirthing Rituals, Part 7: We Could Use More “Narcissistic” Generations

“Know Thyself” ~ “Narcissistic”?

Self-Discovery, Soul-Searching, Psychological-Mindedness, Self-Analysis – Sixties Generation

So, we have taken a look at the need for societies to “do therapy” on themselves, to hash out and process, however messy that might seem to be, the perinatal projections from the unconscious, as they manifest in the tribulations of the times—both profound and mundane. It must be kept in mind that it is the products of nearly the most “advanced” mode of child-caring—the delegated-release subclass of the socializing psychoclass — who have proved most willing to pay such prices for peace, as for example, in increased soul-searching. In fact they would be later stigmatized for just this quality of introspection, this supposed fault of looking into themselves, through the derogatory appellation, narcissistic.

Indeed, Keniston foresaw this when he studied the Sixties generation as college students. Observing the amount of inner exploration they engaged in during their quests for self-discovery, he would describe this attribute in a biased way as “the overexamined life,” and more fairly, for the activist youth, as a “psychological-mindedness” and “self-analysis.” [Footnote 22]

“Let It All Out? No, Leave Some of It In!” – Pat Buchanan, Fifties Generation

No doubt those who criticized these youth in the past are some of the same ones or their surrogates who, now older, are wrongly castigating the self-analyzing characteristics of contemporary society as the Sixties generation is now in its “triumphant” phase—the time when as adults a psychoclass takes over the reins of society and most strongly influences it. I have already taken note of the tendencies of the right to rile against the collective processing that is happening in their attacks on popular culture and in particular what they call “hollywood.” They express their desire that “such matters” not come to public light, for they deem them “offensive” or an affront to their (oh so delicate) sensibilities. They sense a threat to the precious untruths that prop up their self-destructive way of life, woven through as it is with war, fascism, planetary and planetmate annihilation, and the other horrors mushrooming about them in the postmodern era. [Footnote 23]

These highly defended and fear-minded conservatives, prone to projection, are incapable of appreciating the integrity of an inner-thinking generation like the Boomers are. These outer-minded authoritarians would not get, would outright hate those who “questioned authority” in the Sixties.

These defended entrenched egos would be secretly jealous of and overtly aggressive to a generational emergence that since the Sixties has been psychologically, emotionally, and spiritually working on themselves to be free of inner tyranny. As one of their exemplars, Pat Buchanan, long ago phrased it, “Let it all out? No, leave some of it in!”

Let the Buck Stop Here!

Nonetheless this cadre of kindred Sixties spirits would in their actions declare for the first time in history as a generation, “Let the buck stop here!” And they would seek to turn themselves, and by extension their children and society-at-large, into a more loving, wise, and less acting-out humanity…most importantly, one willing to cooperate rather than war with Nature, or other nations.

If Not Us, Who? If Not Now, When?

What virtually all the folks outside “my generation” never get is the unimpeachable vision we had of the complete and utter wrongness of the path and tendencies of modern times and the abyss toward which civilization was heading. We were proven right, of course, as especially in the last decade we have seen the disintegration wrought of those tendencies on all fronts—political, environmental, personal. The Sixties generation saw modern civilization as being unreformable and needing complete remaking, so that everything we did was an attempt to create reality and culture from scratch, sans tradition.

We had seen normal ways of doing things to be impotent and often dangerous and most importantly leading to apocalyptic endings in our near future. This understanding is what was responsible for all the “non-normal” behaviors my generation displayed—communes, confrontations, clothes, relationships, organics, alternative ways of everything…an entire counterculture. We have been laughed at for essentially being ahead of the curve on the messages of modern events. We have been called crazy for our inconvenient prophecies, virtually all of which are now coming to pass.

While I and my cohorts, to use just one example, spoke out on the dangers of nuclear energy and in particular the insanity of building plants on fault lines, the professional pundits scoffed and boasted they lived near nuclear plants. This was thirty years and more before the world ever heard the word, Fukushima. The examples like this are endless. We saw all these unworkable endings and asked ourselves, “What would be a real way of doing that?” “What would be a workable, sustainable way?” “What would be a sane and happy life, ethic, and lifestyle.” “What would be a loving, peaceful mode of being?”

While we sought to redo culture from scratch, building it on perennial and unimpeachable principles, the threatened elders and the jealous youngers, who would soon enough come behind, poked fun from within the confines of their assured and comfortable wrongness. They called us narcissistic for thinking we could look at ourselves and the world and dare to think we could change it from ancient ways. They thought we were making ourselves important that way, putting on airs, even. Actually we were shouldering responsibility we did not want—yearning for a simpler, less serious time—but which we accepted for the sake of all those who would come after, knowing their very existence depended on our actions. We took faith in the touchstone of love itself—the only thing that did not crumble under examination—and sought to bend all emerging along its outlines.

So our seeming impertinence was born of an inconvenient prompting, an unwanted vision now proving prophetic. It was hardly selfish, as many of the best of my generation paid the ultimate price and are no longer with us or they are imprisoned. It was hardly narcissistic as it was done out of love…for each other, for the peoples of all the world and of all the religions, for our children, for the planetmates and for the Nature of which we learned we were a part, and for the generations unborn.

What others will never get is that our “overexamined life,” our “psychological-mindedness,” our perinatal propensities, and our soul-searching and self-analysis were not about being narcissistic. It was about needing to start everything anew as a rational response to the horrors we saw about us in our culture and in the world… horrors which we were correct in trying to address at the time. For their existence today, because of our inability to be completely successful in remedying them, are bringing about all the political, economic, and environmental armageddons I’ve been discussing in this, and its related, books. And we knew, and still know, that only some change huge and radical will help us, and for that we need to find and stand upon the deepest and firmest of ground within us. That is what we’ve been looking for, are still looking for…only now we have lots of company .

Continue with Better Hitler Had Jumped Into Mosh Pits. Rebirthing Rituals, Part 8: A Drive to Healing, the Hard Rain Fallin’, and Millennial Promise

Return to Rebirthing Rituals, Part – 6: Societal Self-Analysis and Talk Show Soul-Searching for Peace … Sorry, I Know You Wanted to Hate Reality Shows.

Footnotes

22. For “overexamined life”see Keniston, op. cit., 1965; for “psychological-mindedness” and “self-analysis” see Keniston, op. cit., 1968, especially p. 81.

23. Davis, op. cit., especially Ch. 7, “The Great Society and The Youth Revolt.”

Continue with Better Hitler Had Jumped Into Mosh Pits. Rebirthing Rituals, Part 8: A Drive to Healing, the Hard Rain Fallin’, and Millennial Promise

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Birthing Into the Media and the Perinatal Zeitgeist: Everything You Always Wanted to Know About Being Born But Were Afraid to Ask

Apocalypse No! Chapter Eight: The Perinatal Media

ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Everything You Always Wanted to Know About Being Born

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize our times.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds…And Oh, the Shark Has Pretty Teeth, Dear…

In these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time—”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie “Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and was overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention.

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

Also, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

Speaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A Hundred Monkeys and Counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

XXX

There is lots of violence, and of course also sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable

Newborns and Monsters and Hells, Oh My!–Of Time Travel, Claustrophobia, Cesarean Births, and Death by Vegetable

Monsters, Vaginas, and Hairs, Oh My!

Recurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

One most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

The perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

“Noah, How Long Can You Tread Water?”

Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before birth, placental fluid. Near the end of gestation, the mother, when standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

Told You I Didn’t Like Vegetables!

Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

Gag Me With a Toxin.

This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids from the neonate’s mouth by the attendants immediately after birth.

This latter connection—the ungentle mouth cleaning of birth fluids—I can personally validate through my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence its popularity.

Becoming Thingified – Modern Birth Tells the Baby, “Welcome to the World, Now Screw You!”

“Welcome to the World, Now Go to Hell!” – A Baby Becomes Thingified Through Modern Birth

Treated Like a “Piece of Meat”

This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the neonate—can leave one with lifelong feelings of being treated like a “thing.”

Many report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb. Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

Confused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms, they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of course both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

Welcome to the World … Now f u

Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, feel manipulated and used, treated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other people, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

This also sheds light on the seemingly “mindless” violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be acting out their “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

All in All, It’s Just Another Face in the Wall – Threatening Enclosures From Which One Wishes to Push Out or Escape

All in All, It’s Just Another Face in the Wall – Enclosing, Threatening Things That One Wishes to Push Out or Escape From

Faces Coming Out of the Walls

I would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

We have had, over and over again, the image of the “evil fetus” erupting from the abdomen, as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing (see the previous section titled, “Gag Me With Asparagus“).

Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

Ventura Out of the Womb

A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carrey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working after a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

We witness the actual “birth”: Jim Carey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

Couldn’t Fight Your Way Out of a Plastic Bag!

Other examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal, as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

Existential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs which become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells, solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of the entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

But the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians

Worse Homes and Gardens – Houses, Prisons, UFOs and Spaceships, Dungeons … and Their Obstetricians

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

House; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boat, especially a submarine; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

In the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

The Wall

In the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. We have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out in the previous post/section, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.

Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

I remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, is the ideas of dungeons or castles…with mad scientists, no less—obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Through the Looking Glass Into Parallel Universes … But “There’s No Place Like Home”

Through the Looking Glass Into Parallel Universes, But “There’s No Place Like Home”

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

I might start by pointing out the element of there being another realm into which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. We see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

“There’s No Place Like Home.”

But death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

In this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

Through the Looking Glass

And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course), which opens u