Posts Tagged possibility

Over the Last 25,000 Years, the Truth of What It Means to Be Human Became Increasingly Invisible, Say the Planetmates

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You Don’t Know. You Don’t Know That You Don’t Know. But Now You Need to Know: The Second Prasad from the Planetmates

The Great Reveal from the Planetmates, The Second Prasad: Truth Become Invisible

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Planetmates Release The Second Prasad

“Real hope” and “challenge” are the words I am hearing most often, as I seek to position myself closer and closer.

bren-goose-38223The Missives are arriving randomly-timed but with regularity. We could be on the verge of something big. The Prasads so far seem to point to some major overview of us humans extending over an incredibly long time, not to mention the possibilities that arise from this first ever category of a “species” for a source. Anything can happen but the indications are that it is to our benefit; Prasad is the Sanskrit word for a blessing from a saint or a divine being.

I’ll stay on top of this. I’ll make sure whatever I get, jacobs-ladder-mccaulay-culkin-and-tim-robbins_thumbwhatever it says, I will post. Of this, I make my solemn vow. It’s beginning to feel that I should make that sort of commitment, lest I should be tempted to shy from parts that I, myself, might want to slant or overlook. It’s guaranteed that something this big isn’t going to be all complimentary; but it must also be said that I’ve received assurances that while shining a bright and harsh light, the Missives are far more positive than they are critical. “Real hope” and “challenge” are the words I am hearing most often, as I seek to position myself closer and closer to the Inner Circles.

"The early on Unapproved and Hidden, with time...with never a challenge to their exclusion ever arising...so, becoming increasingly invisible."

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The Second Prasad – The Truth Become “Increasingly Invisible”

THE TRUTH ABOUT THE HUMAN SPECIES HAS BEEN HIDDEN IN THE VAULT OF THE “UNAPPROVED AND HIDDEN” THAT EXISTS IN EVERY CULTURE THAT HAS EVER EXISTED SINCE THE BEGINNING OF THE AGRARIAN REVOLUTION, APPROXIMATELY 25,000 YEARS AGO.

A multitude of understandings of your Nature spread widely into every corner of possibilities by virtue of randomness of culture multiplied by randomness of personality and finally multiplied by the randomness of changes in societies and humans occurring over many millennia so as to fill out and seep into and saturate every seeming possibility of existing as a human, leaving no possible human experience unexplored…except, that early on Unapproved and Hidden!

Further, the early on Unapproved and hidden, with time, have added to them the increasing weight of time, peoples, and individuals coming and going with never a challenge to their exclusion ever arising…and never named, nor pointed out, nor in any way indicated, so, becoming increasingly invisible.

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Paraphrase/ Elaboration of “The Second Prasad” — by SillyMickel Adzema

So, despite all these efforts there was one thing missing from all the reports to you of the Nature of It All from these seekers of actual sanity. It was found in none of their conceptualizations or teachings, absolutely none. 0015-summerwood_ipThe actual Truth of you has been completely hidden and perfectly unknown.

Certainly, every one of your cultures has areas of knowledge that are taboo and are covered up…in word but also in thought. These vary by culture, mostly.indigenous Some items of knowledge, information, and fact are brought out into acceptable discourse whereas those same things might be completely unapproved and hidden in another culture.

Still, in the depths of the Unapproved and Hidden of every culture is the actual truth about your species—who you are and how you got to be who you are and what makes you different from all other species, what distinguishes you.indigenous_bkg This specific understanding is absent from absolutely every view you have of yourselves; there are few cultures that have conceptualizations of humans that are even dimly reminiscent of your truth; most human populations have ways of thinking about Reality and who they are in relation to It platos_caveartyedgy_verysmallthat are exactly opposite to Actuality … that are almost perfect mirror images of It. In particular this includes what you call Western civilization, with all its myriad and varied cultures. And among the views that are exactly opposite and exact mirror images of Truth, the most obvious and fundamental one is your materialistic assumption about the Universe.

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babelYou would think this absolute lack of Truth among all peoples at all times could not be possible, we know. For with the incredible variety of culture you created, you came up with what might seem to be every possible way of thinking of yourselves and every conceptualization of Reality. Considering as well the even more varied personalities existing in each culture—with each and every one of you different, at least somewhat, from every one of you that has ever existed—you would think surely this way of thinking has been Jacobs-Ladder-1989seriously pursued by some one. Further, you must think that with all the different experiences that each individual has in the course of a lifetime, this view must have been stimulated in some personality at some point in their life. Finally, you would think that with all the changes in your societies and peoples over such a long period of time that this Truth must have been stumbled across at some point in the course of it all. Multiplied together—with all these possibilities of culture, individual personality, and time—certainly the actual view of you has been conveyed somewhere in some place. You would think this had to be true.

You would be wrong.

For with all these changes more than anything else you fortified your illusion, widened the expanse between us and you, between you and Nature, between your thinking and Truth, and elaborated endlessly your misconceptions and unrealities; rather than the opposite.

With your adoption of horticultural and sedentary ways, beginning 25,000 years ago, the true understanding of you got reversed from what it is. It became permanently relegated to the realms of the taboo, the forgotten, the no longer seeable or even thinkable. In truth, these ways of thinking of and viewing yourselves can hardly come to the human consciousness you created.

Nevertheless, though it is completely absent now, this Actual Truth is knowledge that you once had about yourselves, just as we planetmates have understanding of who we are and where we fit into the pattern of It All. But for all the reasons that we in this Reveal will be bringing forth to you, your true nature was long ago forgotten by you.

So, whereas over many millennia, a multitude of understandings of your nature emerged among humans, seemingly covering every possibility and every possible understanding, and seemingly leaving no possible human experience or understanding unexplored or considered; yet, despite this, the real truth of your nature, purposes, and relationship to Everything Else remained unconsidered and unexplored. Your Truth was everywhere and at all times unapproved and hidden, and never was a challenge raised about this exclusion of the real Truth, nor was this exclusion ever named, pointed out, or in any way indicated.

So the real truth of what it means to be human became increasingly invisible as time went by.

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You don’t know; you don’t know what you don’t know; you don’t know that you don’t know; and you can’t know that you don’t know.

But now you need to know.

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Continue with Planetmate Communion: “I Trust Planetmates Implicitly Now … Got Affection — Huge”

Return to The Great Reveal from the Planetmates, The First Prasad: The “Unapproved and Hidden”

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Loving Warriors and Silly Heroes: The Necessary Hero Dances Above Dissonance, Lightens Up in the Face of Stress, and Sees Divinity Not Demons Behind It All

541997_280034735430484_673206244_n 0038-82a59_screen_shot_2011-09-17_at_11-24-16_am_0-img_assist_customcrppd Play Cards with Your Dragons: The New Hero’s Cycle Involves Surrender Not Struggle, Sacrifice Not Slaying, Compassion Not “Toughness,” and Silliness Not Stoicism

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Apocalypse – No! Chapter Thirteen: Peaceful Warriors and Silly Heroes

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You Just Can’t Slay a Volcano: The Necessary Hero Uses Surrender, not Struggle … For Why Would You Not Be Borne Up by a Universe That Is You

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We Need Compassionate Warriors, Not Fighters: It’s Not Enough Just to Slay Dragons, We Need to Jump Into Volcanoes

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Volcano-Jumping: A Different Heroic Response

clip_image003This different kind of heroic response—which characterizes the perinatal arena and is sorely needed at this time in history—is exemplified in another contemporary movie of cult status. We will deal with it in some detail to bring out the elements of the kind of hero that is now required to stop the cycles of destruction that have currently driven us to the abyss…to the very edge of a “volcano.”

In “Joe Versus the Volcano,” the main character, played by Tom Hanks, is given a heroic task. But unlike a typical hero’s cycle task which stereotypically involves the slaying of a fire-spewing dragon, Joe is asked to give up his life by jumping into a fire-erupting volcano.

The connection between volcano and dragon is that at the second-line or psychodynamic level the fire-spewing aspects of the perinatal, which might be compared to a volcano, can be seen as “embodied” or reduced in the form of a dragon. In the same way, the volcanic energy of perinatal feelings is initially embodied in easier-to-face and “dragonized” psychodynamic, second-line, or childhood traumas and feelings.

You Just Can’t Slay a Volcano

clip_image004But what may seem to work at the second-line or psychodynamic level—the conquering or slaying of negative feelings…and notice that I said “seem”—has no place at all at the perinatal. For here the pain energy is overwhelming and pervasive. Thus the difference is analogous to that between facing the energy of a dragon and facing that of a volcano.

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The Heroes We Need – The New Hero’s Cycle

First Anima, Then Community

clip_image007Keep in mind that this movie shows Joe, earlier on, going through all the major stages of the hero’s cycle—the retreat from mundane reality, the sailing off into a new and exotic realm of existence and adventure.

It even depicts a typical “dragon slaying”—the hero’s conquering of inner fears and risking of one’s life for another that results in the uniting with anima energy–the saving of the damsel. So earlier on there is a dealing with psychodynamic energy, just as in “Nothing but Trouble” Chevy Chase deals with psychodynamic material and enacts a dragon slaying by risking his life to rescue Demi Moore from a giant chopping machine. But, also similarly, this results in the opening up of another level, requiring a completely different—indeed, opposite—response. Thus, in “Joe Vs. the Volcano,” Joe is asked to give up his life to save an entire community, not merely to risk his life to rescue his anima, his feeling self.

Wall Street Protest Denver

Risking It All

The ensuing plot has interesting elements as it shows Joe having to decide whether to sacrifice his newly won relationship with his anima ally for the benefit of an entire—but anonymous—community. This demonstrates that at a progressed level of the spiritual process—that having to do with one’s inter-connection with the larger community of living things, not just one’s personal unconscious—one must risk even one’s newly regained creativity, inner child playfulness, and personal feelings, i.e., one’s anima.

But in telling fashion, in order to make the higher “community” sacrifice the anima elements that have been let go of, symbolized by Meg Ryan as the anima damsel, end up going with Joe to his chosen fate and are borne up, renewed, along with him.

Borne Up by a Beneficent Universe

clip_image008On Joe’s part, the climax shows the same quality of a beneficent Universe aiding a true and dharmic heart. Joe (with his anima) face what they think is death. Instead they find themselves “borne up” by the volcano, not consumed; and they are deposited (reborn) in a typical perinatal watery surround—the ocean, symbolizing therefore a spiritual birth. This is a perfect depiction of how surrender, not “heroic” resistance, is done and why it needs to be done currently, as I have been pointing out.

“Away From the Things of Man”

In the end, the main characters are floating in the middle of a wide open sea—signifying the immensity of potentiality that is now open, and facing a gigantic moon on the horizon—symbolizing the beneficent nature of the Universe to which they are opening, that is, it is beautiful and lit with clip_image010possibilities.

They are seen sitting on only their luggage—symbolizing the “stripped down” nature of the self, that is, stripped of ego trappings of status, vainglory, defenses, and so on. Their final comment at the very end of the film is that they do not know where they’ll end up but only that it will be “away from the things of man”—indicating their desire to never go back to the drama of ego and its puerile catacomb pathways of darkened experience.

The Universe Is You

We see then that in this movie, like “Nothing but Trouble,” the heroic response required is surrender, not resistance or control, and that the response from the Universe is cooperative and helpful, and hardly antagonistic as was feared, especially at earlier levels.

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This is in keeping with the discovery at the perinatal, which borders it on the transpersonal, that in fact the Universe, not only is not antagonistic, not only is beneficent and helpful, but in fact is no different from oneself, indeed is oneself…and one begins to wonder why one would ever expect not to be borne up by a Universe that is now seen as inextricably united with one’s Self.

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Note

While the interpretation of Joe Versus the Volcano presented in the video below – Joe vs. the Volcano: Losing my Soul, Part One – is annoyingly suffused with theological terminology – hell, devil – and suffers from the paranoia that happens lacking a perinatal or even a Jungian understanding, it does succeed on a more superficial level of basic insight. It does get the highly metaphorical and philosophical import of the film and picks up on major themes of the movie. It strikes me as having the problem of just understanding religion while knowing nothing about psychology. And it suffers, as I’ve put it elsewhere, from the problem of projecting one’s perinatal underbelly onto the Universe or of funneling revelation through the filter of personal pain.

Silly Heroes and Evolution in Attitudes to the Perinatal: The Necessary Hero Jives with the Monsters, Dances Above the Dissonance, and Is Ever Aware of Divinity Everywhere

What the World Needs Now … Is Loving Warriors and Silly Heroes: Jiving with Your Monsters, Dancing Above the Dissonance, and The Universality of Divinity Remembered

Responses to the Perinatal

Returning now to “Nothing But Trouble,” an aspect of it that has significance for dealing with perinatal issues is the way different characters are shown responding to the embodiment of arbitrary justice, the judge. In the wonderfully Kafkaesque courtroom scenes, we see several different types of people—representing different responses to unconscious material—hauled before the judge. The musicians, signifying artists, creative people; the hedonistic criminals; and the main characters, representing average people, each present distinct attitudes, which are responded to differently by the representative of the unconscious, the judge.

Jiving With Your Monsters

clip_image002The musicians are able to create rhythm and flow. Therefore they are able to get through the experience unharmed. Indeed, they are even able to elicit a response from the judge—getting him to join in. In this way we see how creative people can actually use perinatal material and get it to cooperate for desired ends. We might consider how this relates to the writing of “Nothing but Trouble” itself.

Peter and Dan Aykroyd, in creating this movie, are, like the musicians in the movie, getting the unconscious to “play along,” to create something beyond what either the writer or the unconscious could accomplish separately. Much of what is interesting in art is done this way: The deeper fear-evoking material is allowed to come in and enrich, enliven, freshen with new ideas and perspectives, stimulate, and invigorate the creative production.

Beware the Tar Baby

clip_image004On the other hand, the arrogant banker contends with evil, and, like Brer Rabbit with tar baby, gets stuck.

Notice also that the really contentious ones—the alcoholic drug-using criminal hedonists—are completely lost. Thus the two extremes, as well as the average person are depicted.

Lighten Up!

imagkyghljlbesBut the truly striking element that indicates an advanced way of dealing with the perinatal material is shown in the genre of the movie itself. As a comedy, it shows a non-attached and transcendent approach. Chevy Chase and Demi Moore, especially Chevy Chase, show an aloofness and silly playfulness in the face of horror and death that has spiritual implications. Like a Tibetan mystic, Chase refuses to get sucked in to the involved drama confronting him. Like a Christian saint about to be martyred, he jokes, teases, and gets silly with the instruments of horror and evil. Similarly, Demi Moore humors and plays cards with her would-be monsters.

Silly Heroes

2128380832_cbf329bf5fStanding within the Witness higher self, they are able to take the entire situation lightly—acting and reacting in the moment to each unique situation as it presents itself. One moment Chevy Chase is confronting his own demise, the next moment he is in a love scene. He alternates a frightful encounter with relaxing and smoking a cigar.
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clip_image006If we want to know what real and transcended behavior is, we might do well to get our hints in the depictions of unattached playfulness — as presented by modern Western actors like Bill Murray, Demi Moore, Tom Hanks, Chevy Chase, Robin Williams, Bruce Willis, and Jim Carey—rather than in the repressively calmed not-with-it-ness—not-witness—that is sometimes mistaken for spiritual attainment.

Darkening Down

clip_image008Incidentally, this element of humor shows an entirely different way of dealing with the perinatal than most other movies that deal with this kind of material. The movie, “Brazil,” is a good example of this difference. Not only is “Brazil” cast in an eerie, somber, and tragically hopeless and futile clip_image010air—indicating that one’s response here is to “believe in” the reality of such material—but the only escape in this movie is in a purely conceptual, fantasy way.

The main character cannot face the horror ultimately. He flips out into a reassuring dream sequence brimming with BPM I and BPM IV imagery. Interestingly, reflecting the pattern of progression of our expressions in feeling therapies, the dream includes a BPM III scenario to get him to those later bucolic realms.

clip_image012But in “Brazil” these are only daydreams. This fact shows a refusal to face this perinatal material or to surrender to it. Rather, in fantasy, one overcomes the horror. It is as if one continues using familiar ego techniques—hero’s journey methods, dragon-slaying methods—for dealing with material on a deeper level where they no longer work—where they are in fact counterproductive.

Thus, these techniques can only succeed in dreaming. Terry Gilliam, the creator of “Brazil,” shows us that the hero, in reality, is doomed.

However, one might interpret the main character’s escape into fantasy as a victory over evil forces. That the ending lends itself so readily to such an interpretation is a telling indictment of the state of progress of some of us in dealing with perinatal material. Apparently, there are those so lost that the only success possible seems to be in insanity or death.

Evolution In Attitudes to the Perinatal?

clip_image013However, in “Nothing but Trouble,” the main characters do face and deal with all the material. Sometimes they fight it; sometimes run from it; sometimes play with it; sometimes joke, tease, spar, or get silly with it; sometimes are swallowed by it and carried along…but always they are creatively facing and dealing with it. This different air about and attitude towards the perinatal material can be said to be an advance from the earlier movie, “Brazil,” representing perhaps a progression of our collective consciousness in our attitudes and manner of dealing with the perinatal.

Dancing Above the Dissonance

Such a prospect is, indeed, the auspicious legacy of such a creative project. Though it is doubtful they did so consciously, the Aykroyd brothers and the producers of “Nothing But Trouble” deserve our gratitude for their efforts in lighting forward our collective reality endeavor.

clip_image015Beyond that, we can take hope in the possibility that Western culture may be rising itself, however minimally at first, above the dramas of light and darkness that have plagued it for so long. The Manichean tendency can lead only to ever-spiraling cycles of resistance and assault. Yet we are seeing currently, not only an erosion of defiantly uni-dimensional ego perspectives, not only a movement toward facing and dealing with our inner darkness, but an integration of opposing forces, a dancing above the leela—the play—of light and dark.

The Universality of Divinity Remembered

The perennial understanding of the universality of divinity, both within and without us, in the lowest as well as the highest of places, is the bright at the center of the perinatal bedlam about us. We are guided as well by this gleaming, a rising moon of promise and possibilities.

clip_image017

Continue with Apocalypse – No! Chapter Fourteen:
To Move the World – A Race Against Time

Return to Apocalypse – No! Chapter Twelve: Atman Projects Versus Surrender Solutions

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Silly Heroes and Evolution in Attitudes to the Perinatal: The Necessary Hero Jives with the Monsters, Dances Above the Dissonance, and Is Ever Aware of Divinity Everywhere

What the World Needs Now … Is Loving Warriors and Silly Heroes: Jiving with Your Monsters, Dancing Above the Dissonance, and The Universality of Divinity Remembered

Responses to the Perinatal

Returning now to “Nothing But Trouble,” an aspect of it that has significance for dealing with perinatal issues is the way different characters are shown responding to the embodiment of arbitrary justice, the judge. In the wonderfully Kafkaesque courtroom scenes, we see several different types of people—representing different responses to unconscious material—hauled before the judge. The musicians, signifying artists, creative people; the hedonistic criminals; and the main characters, representing average people, each present distinct attitudes, which are responded to differently by the representative of the unconscious, the judge.

Jiving With Your Monsters

clip_image002The musicians are able to create rhythm and flow. Therefore they are able to get through the experience unharmed. Indeed, they are even able to elicit a response from the judge—getting him to join in. In this way we see how creative people can actually use perinatal material and get it to cooperate for desired ends. We might consider how this relates to the writing of “Nothing but Trouble” itself.

Peter and Dan Aykroyd, in creating this movie, are, like the musicians in the movie, getting the unconscious to “play along,” to create something beyond what either the writer or the unconscious could accomplish separately. Much of what is interesting in art is done this way: The deeper fear-evoking material is allowed to come in and enrich, enliven, freshen with new ideas and perspectives, stimulate, and invigorate the creative production.

Beware the Tar Baby

clip_image004On the other hand, the arrogant banker contends with evil, and, like Brer Rabbit with tar baby, gets stuck.

Notice also that the really contentious ones—the alcoholic drug-using criminal hedonists—are completely lost. Thus the two extremes, as well as the average person are depicted.

Lighten Up!

But the truly striking element that indicates an advanced way of dealing with the perinatal material is shown in the genre of the movie itself. As a comedy, it shows a non-attached and transcendent approach. Chevy Chase and Demi Moore, especially Chevy Chase, show an aloofness and silly playfulness in the face of horror and death that has spiritual implications. Like a Tibetan mystic, Chase refuses to get sucked in to the involved drama confronting him. Like a Christian saint about to be martyred, he jokes, teases, and gets silly with the instruments of horror and evil. Similarly, Demi Moore humors and plays cards with her would-be monsters.

Silly Heroes

Standing within the Witness higher self, they are able to take the entire situation lightly—acting and reacting in the moment to each unique situation as it presents itself. One moment Chevy Chase is confronting his own demise, the next moment he is in a love scene. He alternates a frightful encounter with relaxing and smoking a cigar.

clip_image006If we want to know what real and transcended behavior is, we might do well to get our hints in the depictions of unattached playfulness — as presented by modern Western actors like Bill Murray, Demi Moore, Tom Hanks, Chevy Chase, Robin Williams, Bruce Willis, and Jim Carey—rather than in the repressively calmed not-with-it-ness—not-witness—that is sometimes mistaken for spiritual attainment.

 Darkening Down

clip_image008Incidentally, this element of humor shows an entirely different way of dealing with the perinatal than most other movies that deal with this kind of material. The movie, “Brazil,” is a good example of this difference. Not only is “Brazil” cast in an eerie, somber, and tragically hopeless and futile clip_image010air—indicating that one’s response here is to “believe in” the reality of such material—but the only escape in this movie is in a purely conceptual, fantasy way.

The main character cannot face the horror ultimately. He flips out into a reassuring dream sequence brimming with BPM I and BPM IV imagery. Interestingly, reflecting the pattern of progression of our expressions in feeling therapies, the dream includes a BPM III scenario to get him to those later bucolic realms.

clip_image012But in “Brazil” these are only daydreams. This fact shows a refusal to face this perinatal material or to surrender to it. Rather, in fantasy, one overcomes the horror. It is as if one continues using familiar ego techniques—hero’s journey methods, dragon-slaying methods—for dealing with material on a deeper level where they no longer work—where they are in fact counterproductive.

Thus, these techniques can only succeed in dreaming. Terry Gilliam, the creator of “Brazil,” shows us that the hero, in reality, is doomed.

However, one might interpret the main character’s escape into fantasy as a victory over evil forces. That the ending lends itself so readily to such an interpretation is a telling indictment of the state of progress of some of us in dealing with perinatal material. Apparently, there are those so lost that the only success possible seems to be in insanity or death.

Evolution In Attitudes to the Perinatal?

clip_image013However, in “Nothing but Trouble,” the main characters do face and deal with all the material. Sometimes they fight it; sometimes run from it; sometimes play with it; sometimes joke, tease, spar, or get silly with it; sometimes are swallowed by it and carried along…but always they are creatively facing and dealing with it. This different air about and attitude towards the perinatal material can be said to be an advance from the earlier movie, “Brazil,” representing perhaps a progression of our collective consciousness in our attitudes and manner of dealing with the perinatal.

Dancing Above the Dissonance

Such a prospect is, indeed, the auspicious legacy of such a creative project. Though it is doubtful they did so consciously, the Aykroyd brothers and the producers of “Nothing But Trouble” deserve our gratitude for their efforts in lighting forward our collective reality endeavor.

clip_image015Beyond that, we can take hope in the possibility that Western culture may be rising itself, however minimally at first, above the dramas of light and darkness that have plagued it for so long. The Manichean tendency can lead only to ever-spiraling cycles of resistance and assault. Yet we are seeing currently, not only an erosion of defiantly uni-dimensional ego perspectives, not only a movement toward facing and dealing with our inner darkness, but an integration of opposing forces, a dancing above the leela—the play—of light and dark.

The Universality of Divinity Remembered

The perennial understanding of the universality of divinity, both within and without us, in the lowest as well as the highest of places, is the bright at the center of the perinatal bedlam about us. We are guided as well by this gleaming, a rising moon of promise and possibilities.

clip_image017

Continue with Apocalypse? Or Earth Rebirth? A Smaller Number of Us — Standing in the Right Place and With a Lever Big Enough — Might Be All That Is Needed to Move the World

Return to You Just Can’t Slay a Volcano: The Necessary Hero Uses Surrender, not Struggle … For Why Would You Not Be Borne Up by a Universe That Is You

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The Second Prasad, of “The Great Reveal” by The PlanetMates

The Second Prasad:

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SillyCat Muff Was First Consciousness at The Second Prasad

THE TRUTH ABOUT THE HUMAN SPECIES HAS BEEN HIDDEN IN THE VAULT OF THE “UNAPPROVED AND HIDDEN” THAT EXISTS IN EVERY CULTURE THAT HAS EVER EXISTED SINCE THE BEGINNING OF THE AGRARIAN REVOLUTION, APPROXIMATELY 25,000 YEARS AGO.

A multitude of understandings of your Nature spread widely into every corner of possibilities by virtue of randomness of culture multiplied by randomness of personality and finally multiplied bythe randomness of changes in societies and humans occurring over many millennia so as to fill out and seep into and saturate every seeming possibility of existing as a human, leaving no possible human experience unexplored…except, that early on Unapproved and Hidden!

Further, the early on Unapproved and hidden, with time, have added to them the increasing weight of time, peoples, and individuals coming and going with never a challenge to their exclusion ever arising…and never named, nor pointed out, nor in any way indicated, so, becoming increasingly invisible.

(to be continued)

What follows is a video of a reading of The Second Prasad, with commentary, elaboration, and context, by SillyMickel Adzema.


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