“We are merely the glove on the fingers of the Divine. We are sock puppets for Divinity.”

Did you know? We are not the doer and the actor. God is. All is God.

We are merely the glove on the fingers of the Divine. We are sock puppets for Divinity.

Our only job is to enjoy the ride. Enlightenment is merely getting to know that fact.

***

Everything is perfect.

There is no way you can screw it up..

Surrender.

Be taught.

Enjoy.

https://www.facebook.com/sillymickel/posts/10206542023781990?comment_id=10206542046062547&offset=0&total_comments=1&notif_t=feed_comment

— for more of the Teachings of SillyGod, see http://www.amazon.com/Funny-God-Minds-Liberation-Return/dp/1499504845/ref=sr_1_1_twi_pap_2?s=books&ie=UTF8&qid=1442083698&sr=1-1&keywords=michael+adzema

for any of Michael Adzema’s books, go to http://www.amazon.com/Michael-Adzema/e/B00J7F0URC/ref=dp_byline_cont_book_1

#consciousness #enlightenment #perfection #spirituality #quotes #God #surrender #doer #actor

How Can You Be Borne Up, If You Won’t Let Go? Spiritual Experience Is Distorted by One’s Birth Trauma … The Necessary Hero Descends Into the Perinatal Below

When Everything Appears to Be Conspiring Against You, You Might Want to Stop Fighting Rebirth: Atman Projects Versus Surrender Solutions and a Different Hero’s Journey

Apocalypse – No! Chapter Twelve: Atman Projects vs. Surrender Solutions

The Necessary Hero and Descent Into the Underground–When There’s “Nothing But Trouble,” You Know You’re in The Perinatal Below

A Different Kind of Hero’s Journey for Our Times Is Depicted in the Cult Classic, “Nothing But Trouble”

A Perinatal Flick

A film of postmodern times that is bold with revelation for us is the cult classic, “Nothing but Trouble,” which was released in 1991. It is an especially potent example of the rising pre- and perinatal influence in the media we’ve been discussing as well as the different heroic response required in these strangest of days because of it. It is all this, plus a twist: As a comedy it represents an unlikely approach to such material and themes. More about that later.

It was produced and written by Peter and Dan Aykroyd and stars Dan Aykroyd, Chevy Chase, Demi Moore, and John Candy.Its reception by modern audiences mirrors exactly the perception in general, to date, that has been had of the perinatal material it depicts so well. For despite the movie’s star power and the popularity of its co-creator, Dan Aykroyd, it was met with overwhelmingly negative reviews and received six Razzie nominations, garnering one. I fully expect that until we know better I can expect much the same kind of reaction to this book, because of the perinatal perspective it is revealing of the dark underside of everyday pleasantries and sugar-coated media realities. Yet there is hope for all that we will integrate this hard-to-face yet redemptive material in the fact that the movie does have a strong following among some in our population, just as at present there are some who are not in denial of the bittersweet perinatal vision being revealed.

 

The Lure Into the Underworld and Call to Adventure

The perinatal adventure of “Nothing but Trouble” begins innocuously with the main characters “leaving the beaten path” on a rather ordinary trip out of the city. Interestingly, the Brazilian couple who have forced themselves on the main characters of Chevy Chase and Demi Moore in making the trip act as impish other-worldly instruments in the change of route.

Joseph Campbell pointed out that the “call to adventure,” which marks the beginning of the descent into the transformative nether regions, may be instigated by the merest chance or blunder. [Footnote 1]

Campbell also writes that the heralds of such a rite of spiritual passage are often loathly and underestimated characters. The Brazilian couple—as gaudy, overbearing, quirky, and from “down under”—perform just this function of luring into the underworld. Thus, they remind us that it is the quirky yet underestimated element in our familiar daily experience that opens us up to the process whose ramifications are huge by comparison.

The Merest Blunder, The Adventure Begins

Sure enough, this innocent-appearing outing is soon disturbed. The merest blunder of map reading results in an ominous tour of an eerie town and its somber and menacing-looking inhabitants. This is followed by a high-speed car chase as the police attempt to pull the innocents over for a bogus traffic violation.

In the tour of the town, it is as if the ego is shown getting a preview or having a precognition of what lies ahead and attempts to flee back into its safe familiar environs. But of course, this emerging piece of unconscious material will not be denied and is able to capture the fleeing ego that we see safely ensconced in its trappings of status and power—symbolized by the BMW with car phone. At this point the main characters, representing the ego, are led, under guard, into the bizarre town of Valkenvania—the encounter with unconscious perinatal begins.

Perinatal Elements

The Junkyard of the Psyche

Campbell says that in the unconscious deep, to which one is beckoned, “are hoarded all the rejected, unadmitted, unrecognized, unknown, or undeveloped factors, laws, and elements of existence.” [Footnote 2]

Likewise, the set in “Nothing But Trouble” is replete with refuse. Bits of history—of rusted and broken refrigerators, automobiles, kitchen appliances, assorted junk, and pieces and parts of all the preceding…the wreckage of the past—are strewn about as well as heaped in clusters to construct the architecture and delineate the outlines of the drama. The correlation with subconscious remnants of forgotten memories and past emotional experiences is obvious.

Thus the drama evolves in the dumping ground and junkyard of the psyche—where all the rejected tidbits of experience have been relegated.

Stripped of Ego, Perinatal Begins

After being separated from the automobile—that is to say, the ego stripped of defensive trappings of status and worldly position—the characters are rather quickly shuttled into encounters with a myriad of perinatal elements. A few of the obvious ones are as follows:

• Mr. Bonestripper, which is a roller-coaster type ride whose entrance is a large vagina dentate mouth that swallows, chews up, and kills. Notice the roller-coaster ride aspect of Mr. Bonestripper, which reflects the emotional extremes and changingness of perinatal, specifically Basic Perinatal Matrix III (BPM III), events. [Footnote 3]
  
  
• The chutes inside the house and of Mr. Bonestripper indicate birth canal symbolism.
• Sexual elements, indicating BPM III influence, are manifest in the scantily clad heroine and the penis-nose of the judge.
• The dark foundry symbolizes the foundation work of the psyche as well as the ominous and eerie aspects of perinatal experience.
• The slave labor surroundings represent similar feelings in the enforced and helpless character of doings just prior to and at the time of birth.
  
  
• Notice that the body—the car, the “Beamer”—gets trimmed down, the excess removed, symbolic of the cutting away of past attachments and concerns of a worldly nature, one’s “status” reduced.
  
• Chevy Chase as the main character is at one point forced into a marriage with a huge woman, who is tellingly androgynous in that she is played by John Candy. In her threatening and suffocating embraces we see symbolism of the crushing womb.
  
  
• The entire site of these doings is surrounded by a watery trench. This obviously reflects the amniotic surround in the womb.
  
  
• Police and guns point to the authoritative character of perinatal doings—in other words, do, or else!
  
  
• Death/rebirth symbolism of the perinatal exists in the form of skeletons and huge piles of skulls and bones.
  
  
• Scatological, that is to say, fecal symbolism is seen in the “bat-room,” which contains an enormous pile of wet bat-shit…excuse the wording, but it really is shit and not feces.
  
• The arbitrary nature of justice in the courtroom speaks to that perinatal feeling that one tiny thing, event, or action, has huge and horrifying ramifications.

Big Babies

The most obviously perinatal element, however, is the gargantuan and grotesquely flabby infant twins in diapers. Perinatal feelings are indicated in their extreme crying neediness. Their freshly newborn quality is evident in their fleshiness, which reminds one of the overweight appearance of some newborns, which is usually lost a little later on in infancy. The glossy, waxy sheen on their bodies is reminiscent of the skin of a newborn, which, fresh out of the womb, is wet and slippery, covered in amniotic fluid and cervical mucosa.

A Spiritual Interface

An interesting aspect that indicates the transpersonal, or spiritual, interface with the perinatal is an attic room—a higher mind of memory, kind of like an Akashic record—where all past IDs—identifications—and reports of them—newspaper clippings—are displayed.

Though, interestingly enough, in true perinatal fashion, a macabre lens is used to view these lives—only the reports of their tragic disappearances are seen. I believe that this is a wonderful depiction of how transpersonal information is distorted by perinatal material—the implications of which are far reaching for the pronouncements of so-called spiritual, or psychological, authorities who have not dealt with their perinatal undersides.

Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

When It Appears the Whole World Has Been Conspiring Against You, You Might Want to Let Yourself Be Blessed

Multilevel Feelings

Just When You Thought….

However an important element in this movie, “Nothing But Trouble,” which is different from artistic representations that deal with only the personal or psychodynamic, is the way the ending opens up under it to a new level, a whole new arena, of issues. Those of us in experiential therapies or breathwork are only too aware of how the perinatal opens up to one, revealing a greater expanse and pervasiveness of dis-ease, at a certain point after dealing with the personal and the psychodynamic.

This layered, or multilevel quality of the movie is shown when the main characters, having heroically escaped through personal effort, find themselves returning to the perinatal realm. Thinking that they have the forces of authority and light on their side, they expect this time to be able to put the evil away once and for all.

But When All Seems Lost….

To their immense surprise, it appears that the whole world has been conspiring against them—a telling perinatal feeling. The evil is discovered to be pervasive, as if infiltrating every corner of the universe—another perinatal feeling. Even the thoroughly trusted elements of light turn out to be on the side of the darker forces—a vantage point that is part of the hopelessness that characterizes the classic no-exit BPM II scenario. And just like in the womb, then, when all seems lost, something new happens, an explosion or eruption of sorts, which brings down the old world and its structures in a violent conflagration.

Atman Projects Versus Surrender Solutions

This hopeless and futile aspect of the perinatal realms — as opposed to the merely personal or psychodynamic ones—lends itself to its distinctive response—which is surrender, not resistance. Unlike the hero of Campbell’s hero’s cycle whose task is to slay the dragon using the sword of analytical or cognitive powers, the correct solution here at the perinatal is to let go of all designs, manipulations, and attempts at control and to put oneself into the hands of the seemingly irrational and chaotic Universe, come what may.

How Can You Be Borne Up, If You Won’t Let Go?

The Universe’s response in the movie — the upsurge of fire from below the earth that brings down the evil structures—demonstrates the theme of being saved by higher forces when one finally is able to surrender. In the same way, in our perinatal experiences, we find ourselves “borne up” and elevated when we once are able to submit to the upsurge of fear-evoking perinatal emotion.

Indeed, when Chevy Chase is seen rolling and setting fire to barrels of oil in a superhuman nick-of-time rescue attempt—in typical “hero’s journey” style—I had an odd disjointed sense that we had switched modes. The element seemed incongruous.

Say “Good Night,” John Wayne

But, then again, not so. For the movie shows that the successful escape performed through one’s own effort is, in actuality, futile. In perinatal terms, such heroics are illusory “atman projects” that ultimately fail against the onslaught of perinatal material, which must be surrendered to, not heroically resisted or conquered.

Interestingly, the eventual surrender solution is echoed earlier on when Chevy Chase is about to go through the chomping jaws of Mr. Bonestripper, the devouring womb. His response, at the prospect of his imminent failure, is to pray—to call on higher forces.

Trusting in Higher Forces

Amazingly, the machine breaks at that moment, signaling the response of such “external” or higher forces. He alone, of all the others who have faced that fate, goes through the machine unscathed. Notice also that he says “Thank you, Lord” afterwards.

Thus it is not on one’s own powers that one makes it through perinatal material, rather it is by the relinquishing of such attempts at control and the relying and trusting in higher forces. We are reminded that Dante required the angelic Beatrice to show the way through purgatorio and inferno to paradisio.

The Message

In the next chapter, we will use another postmodern film to expand on these themes. This will allow us to fill out an emerging pattern, as we then compare it with “Nothing But Trouble” and other perinatal evidence.

So let us watch, now, as the pattern, like a photo emerging in solution, reveals to us its features, thus delivering to us the message it has come to bring.

Footnotes

1. Joseph Campbell, The Hero With a Thousand Faces. Princeton, NJ: Princeton University Press, 1968, p. 51.

2. Ibid., p. 52.

3. As a reminder, BPM III events (Basic Perinatal Matrix III events), using the typology set forth by Stanislav Grof in his many works, are the events surrounding the actual birth struggle of the infant during delivery. These parts on the perinatal in film make mention also of BPM II, which is related to the time of severe compression and constriction of the fetus in the latter stages of pregnancy and prior to the actual onset of delivery—which are characterized by feelings of “no-exit”; of BPM IV, which is concerned with the feelings of release, triumph, being saved, and whatever else occurs immediately after delivery; and of BPM I, which is related to the state of the fetus earlier in pregnancy—prior to compression—which is often conceived to have “oceanic” and “blissful” qualities, though not always.

Continue with Apocalypse – No! Chapter Thirteen: Peaceful Warriors and Silly Heroes

Return to Apocalypse – No! Chapter Eleven: Control Versus Surrender … Heaven Leads Through Hell

Invite you to join me on Twitter:
http://twitter.com/sillymickel

friend me on Facebook: https://www.facebook.com/sillymickel

We Are the Centaurs, My Friends: We Are the Necessary Heroes for Deluded Promethean “Fathers,” Open the Jar, Pandora, and Why the Gods Are LOL

We’ve Fallen and We Can’t Get Up: Like Chiron, We Need to Take Inside Us the “Sins” of Promethean Fathers to Stop Millennial Cycles of Suffering

Wounded Deer and Centaurs, Chapter Seven: Return of the Centaur and How We Look to the Gods

Enter the Centaur: Wherein Lies Real Hope – Sixties and Millennial Generations Are Shamans for Deluded Promethean “Fathers”

Blind Hope vs. Real Hope … Chiron Is Martyr for The Sins of the Fathers

Prometheus Brought Us Blind Hopes

Another aspect of this is that Prometheus is said to have “caused blind hopes to live in the hearts of men.” Indeed, we are also now seeing how blind was our reliance on technology and the vaunted but vain “rational mind”—which has now been seen to be a rationalizing mind.

For we realize this self-congratulatory thinking has been keeping out uncomfortable truths and building illusory, manic Atman projects of escape from the consequences of our actions. None of which, we are now finding out, are capable of working.

Enter the Centaur: Real Hopes – Chiron

But to jump ahead. There is hope in the Prometheus myth as well. There is shown a way forward for humanity, which at this particular time in history appears to have been prophetic. For Prometheus is saved from his sufferings by the Centaur, Chiron. Chiron sacrifices himself—Christ-like—taking on Prometheus’s suffering and dying in his stead.

Return to The Centaur

Earthy, Sensual, Noble

The Centaur — half human, half animal — does not, like Icarus, paste on wings and try to separate from groundedness in the Earth. No. Centaur qualities are earthy, sensual, sexual. They embrace the noble qualities of the horse … reminding us that as primal beings, early humans, we were noble humans … as they say, a bit ethnocentrically, “noble savages.” We once stood, sure-footed and tall, and we walked confidently upon the Earth, knowing we belonged here.

Wounded Healers, Shamans, Gardeners of Consciousness, Poets … Brave and Foolhardy Journeyers Into the Unapproved and Hidden

Traditionally associated with intoxicants and with the bacchanalian, centaurs can see into other realities, nonordinary ones. They are open to altered states of consciousness. They are not averse to looking into their deeper natures, their “undersides,” their unconscious; that is how they came to be one with Nature in the first place.

Indeed, Chiron is also known as the wounded healer and is associated with the shamanic. Being, like Chiron, healers, centaurs are skilled in both physical and mental health. Thus they are wholistic and psychotherapeutical. They are philosophical. Plato was one. Walt Whitman was one. They are poetic.

Mystics, Scapegoats, Natural … A-mused and A-musing Not Deluded and A-mazed

They are scapegoated, like Chiron was, for the sins of society, and in modern times they have scornfully been referred to as “hippies” and “beatniks” — but they include the bohemian types of all times. Being rooted in a more fundamental nature or reality they are mystic. Jesus was one. Following a “different drummer,” as it were, they are the Wayseers.

Connected to the real source of truth in Nature and the Divine, they are in touch with their muse … and are both a-mused and a-musing…but they are not into the maze of culture, the matrix, they are not fooled or a-mazed.

The Centaur is completely in tune with her and his planetmate-nature, the Divine and Natural order—as in the Jungian and mystic understandings of individuation as being a re-uniting with a fundamental and earlier reality — returning home, humble and prodigal-son like.

The Opposite of Ordinary Folks…Who Build Stairways to Heaven and Towers to Their Vanity

This is the opposite of most folks who spend their lives seeking to vainly build stairways to heaven, Towers of Babel to the divine, to be muscular Nietzchian supermen, or to struggle up Wilberian ladder-style paths for imaginary achievements and to an understandably elusive “enlightenment.”

We Are the Centaurs, My Friends

This self-sacrificing tendency in humans I will be talking about at length at the end of this book where I point out how we need to stop acting out and begin taking back the projections we make onto the Unknown and thereby stop the Promethean cycles of suffering going on for millennia. We need to, like Chiron, take upon ourselves the “sins of the fathers.” As Tom Waits sang it, “I’m gonna take the sins of my father (mother, brother, sister), down to the pond…I’m gonna wash them.”

Exactly that. We must make the heroic sacrifice of taking inside ourselves those perennial urges to act out on others what was done to us. In environmental terms we must make the sacrifices of lowering our standard of living and cutting back on the lavish appetites and lazy indulgences fed by excessive technology, cultural trinkets, and superfluous commercialism, which other generations were allowed to take to the limits of their times. For if we do not, then there will be very little left for future generations—assuming there’ll be any.

These cultural “achievements” — wrought of burning of fossil fuels, release of fiery energy from the atom, and despoiling of natural resources — all of them in some way rooted in the theft of fire long ago, which started it all, must be let go of. We must refrain from being driven by these addictions and substitutes for actual felt experience, take the “fire” within instead of burning it up without. So in physical terms we must bring those excessive urges home within ourselves and ground them in Nature, bring them back into our physical bodies, we must be Centaurs. And within our bodies experience the discomfort of such a monumental millennial turnabout.

So, no. This is not easy or comfortable.

No. Not easy or comfortable.

Real Hope Lies in Pandora’s Jar and Return of the Centaur … Since the Last Time Was 1961, It’s None Too Soon

Open the Jar, Pandora, and Return of The Centaur … Wherein Lies Real Hope

Open the Jar, Pandora

In psychological terms, real change lies in peering deep into the Pandora’s jar of the unconscious to recover the real hope that is there. Remember, Zeus punished humanity for Prometheus’s theft by sending Pandora. Pandora opened the jar she was told never to look into—another broken law of the Divine, like that of Eve and Prometheus—and out came all the ailments that now plague humankind. It is said Pandora tried to close it but “it was too late.” Still, the legend tells us what was left inside was hope.

I don’t think you have a better description of the way most folks, including most psychologists, handle the discomfort of early pain: They can’t help but be affected by it…some of it does “leak out.” But they expend all kinds of efforts toward bottling it up as much as possible, suppressing, repressing, using all kinds of defenses—including what mainstream psychotherapists call “healthy” ones.

Well, There’s No Sense Going Half Way!

Yet I can tell you as a primal therapist, breathworker, and primal person that is the exact wrong thing to do. From the perspective of deep experiential psychotherapy and Holotropic Breathwork one must open the “jar” all the way up. One must surrender to the discomfort within—not acting it out but acting it in…or rather, surrendering to the feelings that come up and expressing them (opening the jar wide).

The jar is the personal unconscious, and what we find is that the only answer to all these troubles is to look deeply into them; for when we do we find the real hope that lies beneath the pain. Or as I have phrased it, there comes a time when one feels through the “negative grids” (the “pain grids”) to the “positive grids” (the “joy grids”). Therein is the hope.

What we find is that when one has faced and integrated perinatal pain, then the blissful experiences from earlier in womb time opens up. In Grof’s terms referred to earlier in this book, when one allows oneself to experience the depression of BPM II (constricted womb) and the tribulations of BPM III (birth itself), then one is open to the euphoria of BPM I (early womb experience). Rather than seeing through a veil of perinatal negativity and illusion and acting out from the unreal self or ego, one is getting closer to one’s real self as a positive, truly creative being, .

This is not a fleeting experience, for it allows a completely new perception on one’s life, vastly different from what one normally thinks. One has access to positive patterns laid down at earlier and more fundamental times in one’s life. One can build a life that works, for once. One can make choices that trigger one into happiness, not ones that are self-destructive and conducive to unhappiness.

This is true in therapy and on the spiritual path but also in ordinary life. For any time one confronts or looks deeply into one’s discomforts there is a time when there is release from it, there is a time when one is in a better place for having faced it. As the Tao symbol indicates, there is a seed of light in the depths of darkness.

Additionally I can tell you that opening up even more to the reality of consciousness, as opposed to constructing egoic “castles in the sky,” leads to uncovering the “spiritual grids” beyond even the “positive grids.” That is when we go beyond even hope to actual redemption, re-union with estranged divinity, faith, empathy, love, and finally compassion. And that is when we as Centaurs go from being just wounded and suffering to being, like Chiron, healers…and caring teachers.

So, for centaurs, for those who take this path, it is more depressive than aggressive. And up to the euphoric culmination I described above, it is painful and ongoing as well, just as Chiron’s wound was incurable and tormenting. These become the shamans and wounded healers, like Chiron, throwing themselves into the fire, rather than shooting fire all about themselves at others. Centauric folks take on the suffering lest they end up being like all those before them who sheepishly and selfishly passed the burden down.

Return of the Centaur

In another part of this book I point out how there are, beginning with the Sixties, now generations who are doing just that—working out these pains, not acting them out.

I just recently delineated the way these primal pains are emerging and how they are being worked through, not acted out, in younger generations and in alternative, rock music, and therapeutic cultures for a number of decades now.

Finally, in a related work of mine, Culture War, Class War, I have written how the Sixties Generation is a centaur generation and how the millennial generation is continuing that tradition. I’ve pointed out Sixties folk are centauric in standing upon (sitting upon) the achievements of previous generations but also reversing the perverse Promethean human direction by reuniting with our rootedness in Nature.

Chiron Return…Every Fifty-One Years

This humble and correct primal returning has been done, is continuing to be done, and will keep on being done as the Sixties generation continues working out its power struggle at the top, but now aided by a Millennial generation—comprised mainly of their daughters and sons — who are rather centaur-like themselves … as this book and the related works continue to show.

And who, because of this, following different stars grounded in realities both deeper and higher, they boldly confront their societies, bringing about change, creating rapid evolution, revolution; and in doing this they have already created an Arab Spring and an Occupy Wall Street movement. They will bring about profound change in that they are opposed to the powers that be, just as their parents were opposed to the “establishment” of their day and created a “counter” culture.

The Chiron cycle is fifty-one years, meaning the last time we had energies like we do now in 2013 was in 1962. If you lived through or know about that decade, you know that 1962 through 1972 were among the most transformative, progressive, and revolutionary years in the history of the world…and it indeed was a worldwide phenomenon. Considering the dire developments and challenges being laid at our feet, as this book has been laying them out…and requiring as much social but personal change as well…the centaurs couldn’t have returned any too soon.

How We Look to the Gods and Prometheus Redux … Building More Nukes and Drilling More Holes – Icarus Keeps Flapping and the Gods Can’t Stop Laughing

View From the Heavens and Prometheus Redux … Icarus Is Flapping and the Gods Are Laughing as We Build Nukes and Drill Holes

Prometheus Redux

Before leaving Prometheus for good, let us consider some other interesting aspects of its rendering that provide insight into this book’s exploration of the deepest psychological—perinatal—roots of our apocalypse now:

There are four legends of the Prometheus myth—all of them are reflected, coincidentally, in themes in this and its related books, Culture War, Class War and The Great Reveal. They are

According to the first, he was clamped to a rock in the Caucasus for betraying the secrets of the gods to men, and the gods sent eagles to feed on his liver, which was perpetually renewed.

“Betraying the secrets of gods to men” includes the biggest divine prerogative—dominion over death. Also, this implies that humans were given the forbidden knowledge which humans are incapable of controlling, which I dealt with at length in a previous section, using as modern examples our stirring up the forces of the atom and the secrets of the DNA.

According to the second, Prometheus, goaded by the pain of the tearing beaks, pressed himself deeper and deeper into the rock until he became one with it.

One of the results of Promethean hubris was control of Nature but therein also detachment from Nature. As I have been showing, our birth pain led us to the Promethean mistake of fire and meat. Both of these contribute to what I have called the thingification of humans, especially in modern/postmodern times. By that I mean our extraordinary pain coming into the world and then in general in life causes us to split off from the feelings in our bodies. We objectify all of Nature: We remove all its feeling and spiritual components and leave Things as the only reality, including ourselves and other humans. We “thingify” our babies; and as adults we embrace thingification (repression, detachment, estrangement, suppression, alienation) as a way of defending against this pain.

According to the third, his treachery was forgotten in the course of thousands of years, forgotten by the gods, the eagles, forgotten by himself.

This separation from the pain creates the personal unconscious. But as a species, we have created a collective unconscious—what I have called the Unapproved and Hidden of all cultures. And as I have said, the truth became increasingly invisible over time…our real nature, what we did, and the true cost of our estrangement became ever more buried, obscure…eventually unknowable.

According to the fourth, everyone grew weary of the meaningless affair. The gods grew weary, the eagles grew weary, the wound closed wearily.

This refers to what happens when we face these uncomfortable truths and resolve them. Ultimately we leave behind these dramas when we have dealt with them so much they no longer have any charge for us… in other words, they become boring… we “weary.” The patterns are still there, but they contain no charge for us.

So the first legend asserts that we are damaged and pained as karmic retribution for our defiance of Nature. And in these last three legends we have the ways we have reacted to the Promethean wound within us: ”We become unfeeling, detached, rock-like. We become one with our defenses, thingified.

The second says that we repress this information and it becomes increasingly hidden (“forgotten”) as our species has “evolved,” but also individually, as we get older in life. This is generally what is done with the Promethean wound of birth pain. The third says that some of us face and deal with the wounds. Eventually they are gone beyond, truly gone beyond, as eventually all the charge on them disappears, they have no more control over us or pull on us, as we just naturally weary of them…they dissipate.

There remains the inexplicable mass of rock. The legend tried to explain the inexplicable. As it came out of a substratum of truth it had in turn to end in the inexplicable.^[28]

Finally, inexplicable substratum of truth is a pretty damn good description of the Unapproved and Hidden … also known as the Collective Unconscious… But in my rendering of it—dealing with our species unconscious, not just personal, “racial,” societal, or cultural—it contains much more than Jung imagined and because of that reverses many of the interpretations and meanings arising from it from what the Jungians, Joseph Campbell, or Freud understood.

Finally – Futility… The Gods Are Laughing at Us

One final message can be taken from these ancient minings of unconscious Truth which is also a commentary on our current mainstream reactions to the dire developments which are now reaching an apocalyptic peak:

Icarus Flapping – LOL

In the Icarus myth, “Icarus kept flapping his wings but soon realized that he had no feathers left and that he was only flapping his bare arms.” I don’t think there is a better image for the way we look in our actions in the face of apocalypse. The gods, aliens, Titans, angels, and the planetmates must be laughing their asses off at the sight of humans continued “flapping” about with ever more technology, pushing ever forward into the face of doom and apocalypse—the sun, the fire for Icarus—even as the Earth below us continues to fail, disintegrate, get polluted and poisoned, and no longer support our continued hubris.

We’re Falling and We Can’t Get Up

Oh, yes, we’ve started the Icarus fall…our wings of technology are “melting”—literally in the case of Fukushima—but ever faster we “flap”—seeking to build more nuclear plants, hiding from the populace the extinction level events that are happening RIGHT NOW at Fukushima, seeking to drill ever more even with the BP spill clear as can be in the rear view mirror, lining the Koch Brothers pockets in touting the benefits of coal as an energy source, melting the rocks around natural gas so that our tap water catches fire and poisons folks who drink it, and so much more. So, yes, even more furiously we flap, the harder for every increase in our fall.

We furiously pick up litter as our organs rot from radiation poisoning. Oh, yes, we’ll die. But where we fall it will be tidy. We register voters and sign petitions as our organs rot from radiation poisoning. Oh, yes, we’ll die. But we’ll all be able to vote. [Footnote 1]

View From the Edge

We’ve had a long journey through the world of ancient myths and prehistory in delving into the way our prenatal state of oxygen insufficiency has pushed us to make fire and polluted environments attractive to us. We’ve seen how these early pushes have set us apart from all other species and placed us on an inexorable slide—which we in good time embraced and claimed as a goal and achievement even—to the edge of an apocalyptic abyss.

Next we look at how this unconscious state of an Oliver Twist style of oxygen deprivation affects us politically and socially…no matter any conscious or moral rearranging of “furniture” on the decks of our individual Titanics.

Continue with Prenatal Hunger Games and “Blood Wars”: The Fetal Fight About “Pure Blood” We Act Out in Politics, War, and Oppression … Class War, Culture War, Revolution….

Return to Will “Progress of Man” Be Humanity’s Epitaph? Apocalyptic Foretellings Hidden in Myth and a Re-Visioning of “Civilization” in Light of Impending Ecocide

Footnote

1. Every time I look at this, It looks worse than I thought. This one makes me think there’s no way any of us will survive this. And if we do, then our children won’t. It’s that bad. And what pisses me off is that progressives want to poo-poo this.

Continue with Prenatal Hunger Games and “Blood Wars”: The Fetal Fight About “Pure Blood” We Act Out in Politics, War, and Oppression … Class War, Culture War, Revolution….

Return to Will “Progress of Man” Be Humanity’s Epitaph? Apocalyptic Foretellings Hidden in Myth and a Re-Visioning of “Civilization” in Light of Impending Ecocide

Invite you to join me on Twitter:
http://twitter.com/sillymickel

friend me on Facebook: https://www.facebook.com/sillymickel

You Just Can’t Slay a Volcano: The Necessary Hero Uses Surrender, not Struggle … For Why Would You Not Be Borne Up by a Universe That Is You

We Need Compassionate Warriors, Not Fighters: It’s Not Enough Just to Slay Dragons, We Need to Jump Into Volcanoes

Volcano-Jumping: A Different Heroic Response

This different kind of heroic response—which characterizes the perinatal arena and is sorely needed at this time in history—is exemplified in another contemporary movie of cult status. We will deal with it in some detail to bring out the elements of the kind of hero that is now required to stop the cycles of destruction that have currently driven us to the abyss…to the very edge of a “volcano.”

In “Joe Versus the Volcano,” the main character, played by Tom Hanks, is given a heroic task. But unlike a typical hero’s cycle task which stereotypically involves the slaying of a fire-spewing dragon, Joe is asked to give up his life by jumping into a fire-erupting volcano.

The connection between volcano and dragon is that at the second-line or psychodynamic level the fire-spewing aspects of the perinatal, which might be compared to a volcano, can be seen as “embodied” or reduced in the form of a dragon. In the same way, the volcanic energy of perinatal feelings is initially embodied in easier-to-face and “dragonized” psychodynamic, second-line, or childhood traumas and feelings.

You Just Can’t Slay a Volcano

But what may seem to work at the second-line or psychodynamic level—the conquering or slaying of negative feelings…and notice that I said “seem”—has no place at all at the perinatal. For here the pain energy is overwhelming and pervasive. Thus the difference is analogous to that between facing the energy of a dragon and facing that of a volcano.

The Heroes We Need – The New Heroes Cycle

First Anima, Then Community

Keep in mind that this movie shows Joe, earlier on, going through all the major stages of the hero’s cycle—the retreat from mundane reality, the sailing off into a new and exotic realm of existence and adventure.

It even depicts a typical “dragon slaying”—the hero’s conquering of inner fears and risking of one’s life for another that results in the uniting with anima energy–the saving of the damsel. So earlier on there is a dealing with psychodynamic energy, just as in “Nothing but Trouble” Chevy Chase deals with psychodynamic material and enacts a dragon slaying by risking his life to rescue Demi Moore from a giant chopping machine. But, also similarly, this results in the opening up of another level, requiring a completely different—indeed, opposite—response. Thus, in “Joe Vs. the Volcano,” Joe is asked to give up his life to save an entire community, not merely to risk his life to rescue his anima, his feeling self.

Risking It All

The ensuing plot has interesting elements as it shows Joe having to decide whether to sacrifice his newly won relationship with his anima ally for the benefit of an entire—but anonymous—community. This demonstrates that at a progressed level of the spiritual process—that having to do with one’s inter-connection with the larger community of living things, not just one’s personal unconscious—one must risk even one’s newly regained creativity, inner child playfulness, and personal feelings, i.e., one’s anima.

But in telling fashion, in order to make the higher “community” sacrifice the anima elements that have been let go of, symbolized by Meg Ryan as the anima damsel, end up going with Joe to his chosen fate and are borne up, renewed, along with him.

Borne Up by a Beneficent Universe

On Joe’s part, the climax shows the same quality of a beneficent Universe aiding a true and dharmic heart. Joe (with his anima) face what they think is death. Instead they find themselves “borne up” by the volcano, not consumed; and they are deposited (reborn) in a typical perinatal watery surround—the ocean, symbolizing therefore a spiritual birth. This is a perfect depiction of how surrender, not “heroic” resistance, is done and why it needs to be done currently, as I have been pointing out.

“Away From the Things of Man”

In the end, the main characters are floating in the middle of a wide open sea—signifying the immensity of potentiality that is now open, and facing a gigantic moon on the horizon—symbolizing the beneficent nature of the Universe to which they are opening, that is, it is beautiful and lit with possibilities.

They are seen sitting on only their luggage—symbolizing the “stripped down” nature of the self, that is, stripped of ego trappings of status, vainglory, defenses, and so on. Their final comment at the very end of the film is that they do not know where they’ll end up but only that it will be “away from the things of man”—indicating their desire to never go back to the drama of ego and its puerile catacomb pathways of darkened experience.

The Universe Is You

We see then that in this movie, like “Nothing but Trouble,” the heroic response required is surrender, not resistance or control, and that the response from the Universe is cooperative and helpful, and hardly antagonistic as was feared, especially at earlier levels.

This is in keeping with the discovery at the perinatal, which borders it on the transpersonal, that in fact the Universe, not only is not antagonistic, not only is beneficent and helpful, but in fact is no different from oneself, indeed is oneself…and one begins to wonder why one would ever expect not to be borne up by a Universe that is now seen as inextricably united with one’s Self.

Continue with Silly Heroes and Evolution in Attitudes to the Perinatal: The Necessary Hero Jives with the Monsters, Dances Above the Dissonance, and Is Ever Aware of Divinity Everywhere

Return to Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

Invite you to join me on Twitter:
http://twitter.com/sillymickel

friend me on Facebook: https://www.facebook.com/sillymickel

Note

While the interpretation of Joe Versus the Volcano presented in the video below – Joe vs. the Volcano: Losing my Soul, Part One – is annoyingly suffused with theological terminology – hell, devil – and suffers from the paranoia that happens lacking a perinatal or even a Jungian understanding, it does succeed on a more superficial level of basic insight. It does get the highly metaphorical and philosophical import of the film and picks up on major themes of the movie. It strikes me as having the problem of just understanding religion while knowing nothing about psychology. And it suffers, as I’ve put it elsewhere, from the problem of projecting one’s perinatal underbelly onto the Universe or of funneling revelation through the filter of personal pain.

Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

When It Appears the Whole World Has Been Conspiring Against You, You Might Want to Let Yourself Be Blessed: Atman Projects Vs. Surrender Solutions, Part Two

Multilevel Feelings

Just When You Thought….

However an important element in this movie, “Nothing But Trouble,” which is different from artistic representations that deal with only the personal or psychodynamic, is the way the ending opens up under it to a new level, a whole new arena, of issues. Those of us in experiential therapies or breathwork are only too aware of how the perinatal opens up to one, revealing a greater expanse and pervasiveness of dis-ease, at a certain point after dealing with the personal and the psychodynamic.

This layered, or multilevel quality of the movie is shown when the main characters, having heroically escaped through personal effort, find themselves returning to the perinatal realm. Thinking that they have the forces of authority and light on their side, they expect this time to be able to put the evil away once and for all.

But When All Seems Lost….

To their immense surprise, it appears that the whole world has been conspiring against them—a telling perinatal feeling. The evil is discovered to be pervasive, as if infiltrating every corner of the universe—another perinatal feeling. Even the thoroughly trusted elements of light turn out to be on the side of the darker forces—a vantage point that is part of the hopelessness that characterizes the classic no-exit BPM II scenario. And just like in the womb, then, when all seems lost, something new happens, an explosion or eruption of sorts, which brings down the old world and its structures in a violent conflagration.

Atman Projects Versus Surrender Solutions

This hopeless and futile aspect of the perinatal realms — as opposed to the merely personal or psychodynamic ones—lends itself to its distinctive response—which is surrender, not resistance. Unlike the hero of Campbell’s hero’s cycle whose task is to slay the dragon using the sword of analytical or cognitive powers, the correct solution here at the perinatal is to let go of all designs, manipulations, and attempts at control and to put oneself into the hands of the seemingly irrational and chaotic Universe, come what may.

How Can You Be Borne Up, If You Won’t Let Go?

The Universe’s response in the movie — the upsurge of fire from below the earth that brings down the evil structures—demonstrates the theme of being saved by higher forces when one finally is able to surrender. In the same way, in our perinatal experiences, we find ourselves “borne up” and elevated when we once are able to submit to the upsurge of fear-evoking perinatal emotion.

Indeed, when Chevy Chase is seen rolling and setting fire to barrels of oil in a superhuman nick-of-time rescue attempt—in typical “hero’s journey” style—I had an odd disjointed sense that we had switched modes. The element seemed incongruous.

Say “Good Night,” John Wayne

But, then again, not so. For the movie shows that the successful escape performed through one’s own effort is, in actuality, futile. In perinatal terms, such heroics are illusory “atman projects” that ultimately fail against the onslaught of perinatal material, which must be surrendered to, not heroically resisted or conquered.

Interestingly, the eventual surrender solution is echoed earlier on when Chevy Chase is about to go through the chomping jaws of Mr. Bonestripper, the devouring womb. His response, at the prospect of his imminent failure, is to pray—to call on higher forces.

Trusting in Higher Forces

Amazingly, the machine breaks at that moment, signaling the response of such “external” or higher forces. He alone, of all the others who have faced that fate, goes through the machine unscathed. Notice also that he says “Thank you, Lord” afterwards.

Thus it is not on one’s own powers that one makes it through perinatal material, rather it is by the relinquishing of such attempts at control and the relying and trusting in higher forces. We are reminded that Dante required the angelic Beatrice to show the way through purgatorio and inferno to paradisio.

The Message

In the next chapter, we will use another postmodern film to expand on these themes. This will allow us to fill out an emerging pattern, as we then compare it with “Nothing But Trouble” and other perinatal evidence.

So let us watch, now, as the pattern, like a photo emerging in solution, reveals to us its features, thus delivering to us the message it has come to bring.

Continue with You Just Can’t Slay a Volcano: The Necessary Hero Uses Surrender, not Struggle … For Why Would You Not Be Borne Up by a Universe That Is You

Return to The Necessary Hero and Descent Into the Underground–When There’s “Nothing But Trouble,” You Know You’re in The Perinatal Below

Invite you to join me on Twitter:
http://twitter.com/sillymickel

friend me on Facebook: https://www.facebook.com/sillymickel

http://www.youtube.com/watch?v=n4cqujPMXLI&feature=share

The Necessary Hero and Descent Into the Underground–When There’s “Nothing But Trouble,” You Know You’re in The Perinatal Below

A Different Kind of Hero’s Journey for Our Times Is Depicted in the Cult Classic, “Nothing But Trouble”: Atman Projects Vs. Surrender Solutions, Part One

A Perinatal Flick

A film of postmodern times that is bold with revelation for us is the cult classic, “Nothing but Trouble,” which was released in 1991. It is an especially potent example of the rising pre- and perinatal influence in the media we’ve been discussing as well as the different heroic response required in these strangest of days because of it. It is all this, plus a twist: As a comedy it represents an unlikely approach to such material and themes. More about that later.

It was produced and written by Peter and Dan Aykroyd and stars Dan Aykroyd, Chevy Chase, Demi Moore, and John Candy.Its reception by modern audiences mirrors exactly the perception in general, to date, that has been had of the perinatal material it depicts so well. For despite the movie’s star power and the popularity of its co-creator, Dan Aykroyd, it was met with overwhelmingly negative reviews and received six Razzie nominations, garnering one. I fully expect that until we know better I can expect the same kind of reaction to this book of mine and the perinatal perspective it is revealing of the dark underside of everyday pleasantries and sugar-coated media realities. Yet there is hope for all that we will integrate this hard-to-face yet redemptive material in the fact that the movie does have a strong following among some in our population, just as at present there are some who are not in denial of the bittersweet perinatal vision being revealed.

The Lure Into the Underworld and Call to Adventure

The perinatal adventure of “Nothing but Trouble” begins innocuously with the main characters “leaving the beaten path” on a rather ordinary trip out of the city. Interestingly, the Brazilian couple who have forced themselves on the main characters of Chevy Chase and Demi Moore in making the trip act as impish other-worldly instruments in the change of route.

Joseph Campbell pointed out that the “call to adventure,” which marks the beginning of the descent into the transformative nether regions, may be instigated by the merest chance or blunder. [Footnote 1]

Campbell also writes that the heralds of such a rite of spiritual passage are often loathly and underestimated characters. The Brazilian couple—as gaudy, overbearing, quirky, and from “down under”—perform just this function of luring into the underworld. Thus, they remind us that it is the quirky yet underestimated element in our familiar daily experience that opens us up to the process whose ramifications are huge by comparison.

The Merest Blunder, The Adventure Begins

Sure enough, this innocent-appearing outing is soon disturbed. The merest blunder of map reading results in an ominous tour of an eerie town and its somber and menacing-looking inhabitants. This is followed by a high-speed car chase as the police attempt to pull the innocents over for a bogus traffic violation.

In the tour of the town, it is as if the ego is shown getting a preview or having a precognition of what lies ahead and attempts to flee back into its safe familiar environs. But of course, this emerging piece of unconscious material will not be denied and is able to capture the fleeing ego that we see safely ensconced in its trappings of status and power—symbolized by the BMW with car phone. At this point the main characters, representing the ego, are led, under guard, into the bizarre town of Valkenvania—the encounter with unconscious perinatal begins.

Perinatal Elements

The Junkyard of the Psyche

Campbell says that in the unconscious deep, to which one is beckoned, “are hoarded all the rejected, unadmitted, unrecognized, unknown, or undeveloped factors, laws, and elements of existence.” [Footnote 2]

Likewise, the set in “Nothing But Trouble” is replete with refuse. Bits of history—of rusted and broken refrigerators, automobiles, kitchen appliances, assorted junk, and pieces and parts of all the preceding…the wreckage of the past—are strewn about as well as heaped in clusters to construct the architecture and delineate the outlines of the drama. The correlation with subconscious remnants of forgotten memories and past emotional experiences is obvious.

Thus the drama evolves in the dumping ground and junkyard of the psyche—where all the rejected tidbits of experience have been relegated.

Stripped of Ego, Perinatal Begins

After being separated from the automobile—i.e., the ego stripped of defensive trappings of status and worldly position—the characters are rather quickly shuttled into encounters with a myriad of perinatal elements. A few of the obvious ones are as follows:

• Mr. Bonestripper, which is a roller-coaster type ride whose entrance is a large vagina dentate mouth that swallows, chews up, and kills. Notice the roller-coaster ride aspect of Mr. Bonestripper, which reflects the emotional extremes and changingness of perinatal, specifically Basic Perinatal Matrix III (BPM III), events. [Footnote 3]
  
  
• The chutes inside the house and of Mr. Bonestripper indicate birth canal symbolism.
• Sexual elements, indicating BPM III influence, are manifest in the scantily clad heroine and the penis-nose of the judge.
• The dark foundry symbolizes the foundation work of the psyche as well as the ominous and eerie aspects of perinatal experience.
• The slave labor surroundings represent similar feelings in the enforced and helpless character of doings just prior to and at the time of birth.
  
  
• Notice that the body—the car, the “Beamer”—gets trimmed down, the excess removed, symbolic of the cutting away of past attachments and concerns of a worldly nature, one’s “status” reduced.
  
• Chevy Chase as the main character is at one point forced into a marriage with a huge woman, who is tellingly androgynous in that she is played by John Candy. In her threatening and suffocating embraces we see symbolism of the crushing womb.
  
  
• The entire site of these doings is surrounded by a watery trench. This obviously reflects the amniotic surround in the womb.
  
  
• Police and guns point to the authoritative character of perinatal doings—i.e., do, or else!
  
  
• Death/rebirth symbolism of the perinatal exists in the form of skeletons and huge piles of skulls and bones.
  
  
• Scatological, that is to say, fecal symbolism is seen in the “bat-room,” which contains an enormous pile of wet bat-shit…excuse the wording, but it really is shit and not feces.
  
• The arbitrary nature of justice in the courtroom speaks to that perinatal feeling that one tiny thing, event, or action, has huge and horrifying ramifications.

Big Babies

The most obviously perinatal element, however, is the gargantuan and grotesquely flabby infant twins in diapers. Perinatal feelings are indicated in their extreme crying neediness. Their freshly newborn quality is evident in their fleshiness, which reminds one of the overweight appearance of some newborns, which is usually lost a little later on in infancy. The glossy, waxy sheen on their bodies is reminiscent of the skin of a newborn, which, fresh out of the womb, is wet and slippery, covered in amniotic fluid and cervical mucosa.

A Transpersonal Interface

An interesting aspect that indicates the transpersonal interface with the perinatal is an attic room—a higher mind of memory, kind of like an Akashic record—where all past IDs—identifications—and reports of them—newspaper clippings—are displayed.

Though, interestingly enough, in true perinatal fashion, a macabre lens is used to view these lives—only the reports of their tragic disappearances are seen. I believe that this is a wonderful depiction of how transpersonal information is distorted by perinatal material—the implications of which are far reaching for the pronouncements of so-called spiritual, or psychological, authorities who have not dealt with their perinatal undersides.

Continue with Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

Return to Yes, Tina Turner, We Do Need Another Hero … a Different Kind. Dreaming Out Loud, Part 2: The Path to Heaven Leads Through Hell

Footnotes

1. Joseph Campbell, The Hero With a Thousand Faces. Princeton, NJ: Princeton University Press, 1968, p. 51.

2. Ibid., p. 52.

3. As a reminder, BPM III events (Basic Perinatal Matrix III events), using the typology set forth by Stanislav Grof in his many works, are the events surrounding the actual birth struggle of the infant during delivery. These parts on the perinatal in film make mention also of BPM II, which is related to the time of severe compression and constriction of the fetus in the latter stages of pregnancy and prior to the actual onset of delivery—which are characterized by feelings of “no-exit”; of BPM IV, which is concerned with the feelings of release, triumph, being saved, and whatever else occurs immediately after delivery; and of BPM I, which is related to the state of the fetus earlier in pregnancy—prior to compression—which is often conceived to have “oceanic” and “blissful” qualities, though not always.

Continue with Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

Return to Yes, Tina Turner, We Do Need Another Hero … a Different Kind. Dreaming Out Loud, Part 2: The Path to Heaven Leads Through Hell

Invite you to join me on Twitter:
http://twitter.com/sillymickel

friend me on Facebook: https://www.facebook.com/sillymickel

Religions Are About Control; Spirituality, Surrender; and the Cure for the Arrogant Modern Ego: Dreaming Out Loud, Part 2: We Need a Different Hero

Religions Are About Control; Spirituality, Surrender. Let Go, Let God to Correct an Arrogant Modern Ego

The Path to Heaven Leads Through Hell

Those in the know about the pervasive pre- and perinatal influence on personality and behavior, and especially those of us actively engaged in working through the effects of such early traumas, are fully aware, like Dante, that the path to heaven leads through hell. We have found that the path to the transpersonal light leads through the psychodynamic and perinatal darkness, that the path up and the path down are parts of the same path outward. [Footnote 2]

A Dark and Hideous Shadow World

Our experience has been that the information avalanche and multicultural onslaught have eroded our personal boundaries to an influx, not only of transpersonal bliss-love-compassion, but equally—and very often, initially—to a dark and hideous shadow world, a backwards bizarro world, of pernicious and insidious disorganized feelings comprised of elements ancient, infantile, pathological, biological, scatological, and perinatal. These are some of the forms spiritual emergence can take, especially initially. And they are the ones most likely to be seen as spiritual emergencies.

Pre- and Perinatal Themes in Cinema

Therefore, it is interesting to see these views confirmed by the bubbling up of psychodynamic and perinatal themes in our collective consciousness as evidenced by current films, books, and music. I have mentioned the pre- and perinatal themes and symbolism in films and explained why, along with other elements of postmodern times, they are evidence of something significant occurring in the consciousness of our age—an emerging perinatal unconscious.

But there is another element evolving in current films which has to do with a changing or evolving collective attitude toward these perinatal elements. And along with a changing attitude, there is evidence pointing to an evolving collective response to it.

Control vs. Surrender, Death vs. Life

“Control Spiritualities” and Patriarchal Cultures

Specifically, a different kind of heroic response, which characterizes the perinatal arena, can be said to characterize the postmodern movies replete with perinatal symbolism. Most striking of all, this different kind of heroic response corresponds to a different kind of spirituality than what is commonly portrayed in this society, or at least has been the norm up until now.

For basically there are “control” spiritualities and “surrender” spiritualities, with rarely the twain meeting. “Control spiritualities” are adapted to patriarchal cultures and involve the use of the ego to “control” and be in charge of even the realms of the supernatural. This is so because an ultimate evil—a devil or Satan—is postulated, which is given equal weight along with God in determining one’s ultimate fate. This type of spirituality is normally what is called religion.

“Surrender Spiritualities” and God As Being Good

But there is another brand of spirituality that is based on a belief in the ultimate goodness and rightness of All That Is. God’s goodness being essentially the dominant force in the Universe, herein it is considered safe to “surrender” in one’s relation to Reality, to expect that one will be guided correctly, in fact perfectly, in the act of letting go. Thus letting go is not to be feared—as in the control spirituality—but is to be practiced and fostered. In this perspective, which we might call surrender spirituality, control is seen as the problem, not the solution.

“Control” and “Surrender” Psychotherapies

Of course these two approaches to spirituality represent two approaches to psychotherapy as well. The control attitude is the dominant mode of psychoanalytically-based approaches—those in which the “demon” of the id is postulated.

The attitude of “letting go” and “surrender,” on the other hand, is the dominant mode of the experiential psychotherapies, which are themselves rooted in the tradition of humanistic psychology with its belief in the ultimate goodness of the human organism and which thus allows a faith in the ultimate rightness of human processes.

“Hero’s Journey” As “Control” Psychotherapy

Since the control attitude, in any of its manifestations, requires the postulation of an ultimate evil against which one must remain vigilant and must fight, the common “hero’s journey” myth—with its typical fighting and slaying of supposedly evil parts of the personality and reality symbolized as dragons and other monsters—is a prevalent focal myth to this attitude. Corresponding to this myth are the emphasis on disciplines and practices seeking to develop the ego and the will…over against the dangers that are postulated to exist in the Universe requiring these disciplines and, so-called, ego developments.

A Different Heroic Response in “Surrender” Paths

Since the “feeling” therapies and the other spiritual and experiential psychotherapeutic modalities with which they are allied are so different in attitude to the traditional “control” attitude, should there not be corresponding differences in myths to exemplify them? Indeed, there are.

In history, the surrender spiritualities have had correspondences in myth in which the dragon is not fought, conquered, and slain, but rather is either tamed and becomes one’s ally or pet—Saint Margaret is the prime example in the West, but this is a depiction prevalent in the East—or else one is swallowed by the “dragon” or monster and, after a while, is reborn.

Jonah is the prime example in the West for this latter depiction. But again this reaction to the fearful dissociated aspects of the personality, or the Shadow, is not a common one in the Western patriarchy, and it is much more common in traditional cultures and in the East.

A Shift to “Surrender” As a Corrective to a Western Overweening Ego?

All of this may be changing in recent times in the West, as once again the humanistic attitude and the new spiritual perspectives, as well as the experiential psychotherapies such as primal therapy, make us increasingly aware of the ultimate beneficence of the body, and of the Universe beyond even that, and of the importance of surrender and letting go as a corrective to the overweening control and defensiveness of the diminutive Western ego.

Footnote

2. See, for example, Michael Adzema, “A Primal Perspective on Spirituality,” Journal of Humanistic Psychology, 25(3), 83-116. Reprinted online at the Primal Spirit site at “A Primal Perspective on Spirituality.”

Continue with The Necessary Hero and Descent Into the Underground–When There’s “Nothing But Trouble,” You Know You’re in The Perinatal Below

Return to Does It Look Like We’ll Duck Armageddon? The Information Tsunami, Ego Erosion, and Movies Are Collective Dreaming: Dreaming Out Loud, Part One

Invite you to join me on Twitter:
http://twitter.com/sillymickel

friend me on Facebook: https://www.facebook.com/sillymickel

Real Hope Lies in Pandora’s Jar and Return of the Centaur … Since the Last Time Was 1961, It’s None Too Soon: 21st Century and Its Discontents, Part 15

Kaleidoscope of Postmodern Life, Part Fifteen: Open the Jar, Pandora, and Return of The Centaur … Wherein Lies Real Hope

Open the Jar, Pandora

In psychological terms, real change lies in peering deep into the Pandora’s jar of the unconscious to recover the real hope that is there. Remember, Zeus punished humanity for Prometheus’s theft by sending Pandora. Pandora opened the jar she was told never to look into—another broken law of the Divine, like that of Eve and Prometheus—and out came all the ailments that now plague humankind. It is said Pandora tried to close it but “it was too late.” Still, the legend tells us what was left inside was hope.

I don’t think you have a better description of the way most folks, including most psychologists, handle the discomfort of early pain: They can’t help but be affected by it…some of it does “leak out.” But they expend all kinds of efforts toward bottling it up as much as possible, suppressing, repressing, using all kinds of defenses—including what mainstream psychotherapists call “healthy” ones.

Well, There’s No Sense Going Half Way!

Yet I can tell you as a primal therapist, breathworker, and primal person that is the exact wrong thing to do. From the perspective of deep experiential psychotherapy and Holotropic Breathwork one must open the “jar” all the way up. One must surrender to the discomfort within—not acting it out but acting it in…or rather, surrendering to the feelings that come up and expressing them (opening the jar wide).

The jar is the personal unconscious, and what we find is that the only answer to all these troubles is to look deeply into them; for when we do we find the real hope that lies beneath the pain. Or as I have phrased it, there comes a time when one feels through the “negative grids” (the “pain grids”) to the “positive grids” (the “joy grids”). Therein is the hope.

What we find is that when one has faced and integrated perinatal pain, then the blissful experiences from earlier in womb time opens up. In Grof’s terms referred to earlier in this book, when one allows oneself to experience the depression of BPM II (constricted womb) and the tribulations of BPM III (birth itself), then one is open to the euphoria of BPM I (early womb experience). Rather than seeing through a veil of perinatal negativity and illusion and acting out from the unreal self or ego, one is getting closer to one’s real self as a positive, truly creative being, .

This is not a fleeting experience, for it allows a completely new perception on one’s life, vastly different from what one normally thinks. One has access to positive patterns laid down at earlier and more fundamental times in one’s life. One can build a life that works, for once. One can make choices that trigger one into happiness, not ones that are self-destructive and conducive to unhappiness.

This is true in therapy and on the spiritual path but also in ordinary life. For any time one confronts or looks deeply into one’s discomforts there is a time when there is release from it, there is a time when one is in a better place for having faced it. As the Tao symbol indicates, there is a seed of light in the depths of darkness.

Additionally I can tell you that opening up even more to the reality of consciousness, as opposed to constructing egoic “castles in the sky,” leads to uncovering the “spiritual grids” beyond even the “positive grids.” That is when we go beyond even hope to actual redemption, re-union with estranged divinity, faith, empathy, love, and finally compassion. And that is when we as Centaurs go from being just wounded and suffering to being, like Chiron, healers…and caring teachers.

So, for centaurs, for those who take this path, it is more depressive than aggressive. And up to the euphoric culmination I described above, it is painful and ongoing as well, just as Chiron’s wound was incurable and tormenting. These become the shamans and wounded healers, like Chiron, throwing themselves into the fire, rather than shooting fire all about themselves at others. Centauric folks take on the suffering lest they end up being like all those before them who sheepishly and selfishly passed the burden down.

Return of the Centaur

In another part of this book I point out how there are, beginning with the Sixties, now generations who are doing just that—working out these pains, not acting them out.

I just recently delineated the way these primal pains are emerging and how they are being worked through, not acted out, in younger generations and in alternative, rock music, and therapeutic cultures for a number of decades now.

Finally, in a related work of mine, Culture War, Class War, I have written how the Sixties Generation is a centaur generation and how the millennial generation is continuing that tradition. I’ve pointed out Sixties folk are centauric in standing upon (sitting upon) the achievements of previous generations but also reversing the perverse Promethean human direction by reuniting with our rootedness in Nature.

Chiron Return…Every Fifty-One Years

This humble and correct primal returning has been done, is continuing to be done, and will keep on being done as the Sixties generation continues working out its power struggle at the top, but now aided by a Millennial generation—comprised mainly of their daughters and sons — who are rather centaur-like themselves … as this book and the related works continue to show.

And who, because of this, following different stars grounded in realities both deeper and higher, they boldly confront their societies, bringing about change, creating rapid evolution, revolution; and in doing this they have already created an Arab Spring and an Occupy Wall Street movement. They will bring about profound change in that they are opposed to the powers that be, just as their parents were opposed to the “establishment” of their day and created a “counter” culture.

The Chiron cycle is fifty-one years, meaning the last time we had energies like we do now in 2012 was in 1961. If you lived through or know about that decade, you know that 1961 through 1971 were among the most transformative, progressive, and revolutionary years in the history of the world…and it indeed was a worldwide phenomenon. Considering the dire developments and challenges being laid at our feet, as this book has been laying them out…and requiring as much social but personal change as well…the centaurs couldn’t have returned any too soon.

Continue with How We Look to the Gods and Prometheus Redux … Building More Nukes and Drilling More Holes – Icarus Keeps Flapping and the Gods Can’t Stop Laughing: 21st Century and Its Discontents, Part 16

Return to Enter the Centaur: Wherein Lies Real Hope – Sixties and Millennial Generations Are Shamans for Deluded Promethean “Fathers”: 21st Century and Its Discontents, Part 14

Invite you to join me on Twitter:
http://twitter.com/sillymickel

friend me on Facebook: https://www.facebook.com/sillymickel