Posts Tagged The Wall
The Consciousness Revolution They Don’t Want You to Notice. It’s Inconvenient for Them, Initially Hard for Us, and Hopefully Not Too Late: Healing Crisis, Part 6
Getting Sick to Be Well, Part Six: The “Inconvenient” Revolution – Unacknowledged Consciousness Evolution from the WWII Generation to the Millennials … More Suffering, Less Killing
Different Levels, Different Defenses
It is instructive at this time to note that Arthur Janov once compared the defenses that characterized the youth of the time—the late Sixties, early Seventies—with those of their parents and older people in general and came up with findings that amplify my own assertions here.
“Mind’s Made Up, Don’t Confuse Me With the Facts!”
Specifically, Janov found that older people—clients of his as well as others of whom he was aware—were characteristically more repressed, more split off, more prone to dissociation, more defended and, most importantly for our uses here, tended to use defenses of denial and obfuscation against inner information and impulses. Correspondingly, they tended to use drugs that repressed and blotted out reality, such as alcohol and nicotine; and they tended to be sexually repressed. They were also more compulsive. They tended to suppress their tension and hold it in for all their worth.
“How Can You Have Any Pudding if You Don’t Eat Your Meat?”
Truth was greatly feared, and all attempts were made to fend off incoming information that might threaten the delusional reality set of the conscious mind. This left them open to the characterization: “My mind’s made up! Don’t confuse me with the facts!” which was leveled at them by anti-Vietnam War protesters. In more recent years, it is no wonder they have engaged in a war against education and against Hollywood, as really they are at war with new information. Consequently, Janov found that the dominant mode of reaction, when threatened, was to act out aggressively against the supposed “oppressor.” Like prenates up against an overpowering womb, they are in constant war with overwhelm.
On the other hand, he found that his youthful clients—under 30—tended to use defenses of excess, release, and addiction, or to be unusually lacking in defense mechanisms. They were more impulsive. They tended to have weak barriers to incoming information, to be open to negative unconscious content, even at the expense of their self-esteem, and to be tension expressers. They were therefore more likely sexually promiscuous than repressed, and they tended to drugs that opened them to information and unconscious knowledge – such as marijuana and LSD.
Consequently they were less split off from their unconscious truth…though it made them uncomfortable…were less repressed, and, if anything, used defenses of masochism, self-denial, and self-inflicted aggression or depression. Truth was more important to them than emotional comfort. They tended to go out of their way to dig up negative information about themselves, and they accepted the low self-esteem and sense of self-worth that came with that kind of openness to truth.
Their delusional reality set — if it could be called that — entailed taking on the worries and cares of the world as their own, since their openness to their own cares and worries allowed them to empathize with others in obviously similar situations. When triggered into their pain, their dominant reaction was to take it inward and to take it out on themselves causing depression. In doing so they showed they would rather hurt themselves than hurt another.
Generation Gaps … Again
I don’t believe you need to be a rocket scientist to see that Janov was discovering an historical — one might say millennial — ”changing of the guard” as regards access to the unconscious, openness to personal truth, and lessening of the tendency to act out early trauma in violent or belligerent ways. The older generation had more tendencies to blame others, to find scapegoats for their ills, and to act out violently on them. The younger generation had more tendencies to look inward and to blame and punish themselves … and to prefer to hurt themselves before hurting another. They would more likely cut themselves than cut another; they would more likely commit suicide than kill.
The youthful generation might also become alcoholic, addicted to drugs, or do something else to injure themselves…rather than act it out on another.
Less Wars, More Suicides
And this “acting in,” as opposed to acting out, is indicated as well in the rise of teen suicides in recent decades. So you might say that the tradeoff we are currently getting is a reduction in the use of wars and racism to solve problems—that is, a reduction in the tendency to act out one’s Pain on others and to scapegoat. But, since the perinatal trauma is still there, and one is even more conscious of it, we have increased suicides. We have not had a world war or dropped a nuclear weapon on people since World War II; but we suffer unceasingly from relatively less loss of life in regional conflicts and the self-inflicted harm of air, water, and food contamination and from radiation poisoning from nuclear power plants. We have not had millions killed in genocides or purges since World War II, but we have suffered lesser loss of life in uprisings for democracy in China, Iran, Syria, Southeast Asia, and the Arab world. We have not had lynchings and racial riots have ceased, but we have suffered less lethal damage from culture and class wars, increased incarceration, creeping fascism, and struggles for economic justice.
Overall then, less death, more suffering. Less killing in wars, more suicides. Less large scale atrocities, more depression. On a collective level, we are taking our conflicts increasingly inward.
As deMause pointed out,
Those considered ‘neurotic’ in each age may often be a higher psychogenic mode than those considered ‘normal,’ only they must stand the anxiety of not sharing the group-fantasies of the age. [Footnote 1]
Away From Hubris: Nature Balances HerSelf
In this part on healing crisis, we have seen how perinatal acting out can be of two kinds: totally unconscious and trance-like, or semi-conscious with at least some access. We have looked at how a progression to more access to one’s perinatal underbellies has led to more acting in than acting out. We have seen how it has led to less violence and more depression.
Suffering Beats Dying.
At this point, one could make the point that the tradeoff is worth it: That individuals suffering more emotional pain and trauma is preferable to the horrors of world war and nuclear or genocidal holocaust…put bluntly, suffering beats dying.
This is natural of course, in that this is always the way we have thought of things—that is to say, as if all things were to be considered around the concerns of humans. This is called anthropocentrism—a form of species-centrism—in which Homo sapiens is considered the reason for the existence of the rest of the Universe.
Likewise, with a mind-boggling number of species living or having lived on this planet alone—species numbering in the hundreds of millions, if not trillions—again one might question the validity of choosing the perspective of our species alone in making our analyses.
How ‘Bout We Step Outside?
Yet this is the way we have always done it. And this is the way I have been slanting my perspective so far in this book.
But now let us do something radically different. Let us walk out of ourselves — figuratively speaking — and seek to stand upon that Archimedean point from which we might view the events currently transpiring.
From such an attempted non-species-centric viewpoint let us view this emerging perinatal unconscious as it is currently manifesting in humans. However tenuous our attempt, let us at least try such a new-paradigm viewpoint. For certainly all old-paradigm ones—containing all the hubris of anthropocentrism that they do—have failed in their attempts to save our species and indeed have contributed to such a likelihood.
Let us attempt to see through the eyes of Gaia, now—from the viewpoint of Earth itself—as we look at how the current human predicament may in fact be an example of Nature balancing HerSelf. With both perspectives in mind, we can have a complete picture. We will return then to look at where there is cause for hope, what we are doing wrong as well as where there are positive trends and forces at work, and how we might let go of the self-defeating and instead apply ourselves to fostering the forces of good going on in global consciousness and the globe itself.
1. Lloyd deMause, The Foundations of Psychohistory. New York: Creative Roots, 1982, p. 143.
Return to Of Goths, Gen X, Anti-Abortionists, Pacifiers, and a Hierarchy of Healing … You Make It When You DON’T Fake It: Healing Crisis, Part 5
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Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians: Perinatal Media, Part 5
Perinatal Media, Part Five: Worse Homes and Gardens – Houses, Prisons, UFOs and Spaceships, Dungeons…and Their Obstetricians
House, Cave, Squids
Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.
To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.
There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.
House; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boat, especially a submarine; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.
Prison, Jail Cell, Schoolroom = Womb
In the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.
Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.
In the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. We have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.
Houses and Spaceships Are Real “Mothers”
One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.
At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.
Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.
Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …
“You Will Be Assimilated.”
The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.
Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out in the previous post/section, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.
Worse Homes and Gardens. Is It Any Wonder It Is Haunted?
I remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”
Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.
Mad Doctor Frankenstein, the obstetrician
At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.
Continue with Through the Looking Glass Into Parallel Universes…But “There’s No Place Like Home”: Perinatal Media, Part 6
Return to All in All, It’s Just Another Face in the Wall–Enclosing, Threatening Things From Which One Wishes to Push Out or Escape: Perinatal Media, Part 4
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Becoming Thingified–Modern Birth Tells the Baby, “Welcome to the world, now screw you!”: Perinatal Media, Part 3
Perinatal Media, Part Three: Welcome to the world, now go to hell!” – A Baby Becomes Thingified Through Modern Birth
Treated Like a “Piece of Meat”
This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the neonate—can leave one with lifelong feelings of being treated like a “thing.”
Many report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.
These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.
This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb. Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.
Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?
Victims Du Jour
By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.
Confused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.
In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, because of professional arrogance, having experienced or undergone these regressions themselves.
Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms, they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of course both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)
Welcome to the world…now f u
Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release…( finally!)…then, “Welcome, baby” — yank! stretch, feel manipulated and used, treated like an object and with no sense that one is a living aware being.
With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other people, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!
This also sheds light on the seemingly “mindless” violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be acting out their “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.
Continue with All in All, It’s Just Another Face in the Wall – Threatening Enclosures From Which One Wishes to Push Out or Escape: Perinatal Media, Part 4
Return to Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable: Perinatal Media, Part 2
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Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable: Perinatal Media, Part 2
Perinatal Media, Part Two: Newborns and Monsters and Hells, oh my!–Of Time Travel, Claustrophobia, Cesarean Births, and Death by Vegetable
Monsters, Vaginas, and Hairs, Oh My!
Recurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”
One most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.
Time Travel Equals Age Regression
Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.
Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.
We have Ever Increasing Cesarean Births
While a “baby” emerging from a person’s belly is obviously indicative of birth, the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.
“Noah, How Long Can You Tread Water?”
We are immersed in water before birth, placental fluid. Near the end of gestation, the mother, when standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.
The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.
Death by Vegetable
I agree, but I don’t like having it “shoved down my throat!”
I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.
Told You I Didn’t Like Vegetables!
In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.
This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.
Gag Me With a Toxin.
This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids from the neonate’s mouth by the attendants immediately after birth.
This latter connection—the ungentle mouth cleaning of birth fluids—I can personally validate through my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence its popularity.
Continue with Becoming Thingified–Modern Birth Tells the Baby, “Welcome to the world, now screw you!”: Perinatal Media, Part 3
Return to ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Everything You Always Wanted to Know About Being Born
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ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Everything You Always Wanted to Know About Being Born
ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Perinatal Media, Part 1
With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize our times.
Baby and Fetal Projections on the Silver Screen
Fetus in the sky with diamonds…and oh, the shark has pretty teeth, dear…
In these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time—”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.
Other examples of perinatal imagery in the media include those in the movie “Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.
ET, Phone Mom!
Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.
“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.
In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and was overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.
There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention.
In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts