Posts Tagged ufo
Wounded Healers, Heroes, and the Group Mind: The Universe Bears Up and Rewards with Renewed Life Those who Voluntarily Sacrifice Themselves for All
Centaurs, Shamans, Sacrificial Lambs, and Scapegoats, Part Two: Shared Experience, the Earth Hologram, Volcano-Jumping, and UFOs … Is That Gaia Calling?
I Am You, and You Are Me, and We Are We, and We Are All Together.
This is the second half of the Afterword of Apocalypse – No: Centaurs, Shamans, Sacrificial Lambs, and Scapegoats: Prospects on a Collective Pool of Pain. A description or synopsis of the entire chapter follows:
DESCRIPTION: The essence of Christianity is the idea that a person — Jesus Christ, of course, in Christianity – can suffer and die for the “sins” of others, so that those persons won’t have to bear the burden of their sins. This article addresses that theme in a larger, multicultural, multi-ethnic, multi-religious context: Are there people who take on the the “sins” — or “Pain” — of others, who take on the karma— in an Eastern sense — or the mistakes and evil of others who are not able to handle the consequences of their actions? Is the Divinity inherent in the Cosmos compassionately concerned enough to manifest or call forth individuals to take on the same kind of task that Christ, in a most extreme brutal form, demonstrated? This article is not about Christ but about that theme of extraordinary individuals with a divinely-inspired mission of suffering for the sake of others who cannot “help” themselves in raising themselves above the consequences of their ill deeds. For are not people of all times and cultures children of the same Divinity, some would say “sparks” of that same Divinity, which others, including this author, have theorized is commensurate, i.e., equal, to all of Nature, including humanity — each and every one of us? Assuming this, in this article the author discusses this phenomenon of people taking on, willingly and unwillingly, the pain and sins of their society — from the small tribe to that of all of humanity. And it puts forth the proposition that there is a collective “pool of pain.” In that ultimately the distinctions between people are illusory, that we are all One, all interconnected, then both the evil, as well as the good, of each of us is both the result of the collective actions of us all as well as being a part of the consciousness that we all share —more correctly the One Consciousness that each of us is.
Experience Is Primary
It is important to keep in mind that all of this idea of a group psyche is built upon a perspective, a paradigm, in which subjectivity is primary: Experience or Mind being the only reality. Such speculation as engaged in here is not even conceivable within the dominant materialistic paradigm. Nevertheless, these possibilities have long . . . far longer than this upstart of “objective materialism” has been around . . . have long been the common currency of our species, and have been so in the vast majority of human cultures that ever existed.
Shared Experience: Morphic Resonances and COEX Systems
But, getting back to the subject, people having rape fantasies, both men and women, where apparently there has been no sexual abuse, is becoming ever more common. Is it that in some way when we are violated as children, psychologically and emotionally, that it’s part of a gestalt or resonance—Stanislav Grof would say a COEX system; Rupert Sheldrake would say a morphogenetic field or morphic resonance—that includes actual physical violations from a collective pool of pain?
Also we should consider all the current stories of people being sexually abused; there seems to be an epidemic of people claiming to have been sexually molested as infants by their parents. No doubt much of this is true. The evidence is there to confirm it. But is it also possible that people in processing their stuff, or coming close to their repressed feelings, are at times tapping into transpersonal resonances that are only similar in quality to the corresponding real-life trauma? This is a possibility we should consider; for I know it to be the only plausible one in my own case, in the case of the panelist mentioned at the outset , and in the cases of several others whom I know personally or whose cases have appeared in print.
UFOs: Is That Gaia Calling?
Another item related to this pattern is the current UFO abduction experiences—the incidence of which is also increasing. One interesting explanation for such experiences of being abducted and then examined, probed, and sampled—which corresponds to this collective pool of pain theory—is derived from the idea that in fact the Earth herself (Gaia) has consciousness and is therefore part of a collective consciousness to which we also belong. This idea of an earth hologram is propounded by Goddess theorists and by others as well. Joseph Chilton Pearce claims we have primary access to such an Earth hologram as children and lose it later through our normative indoctrination into society.
The brain as a hologram is representative of the Earth. So long as this is undifferentiated, the personality, or consciousness within that brain, receiving its perceptions from that brain, is literally an undifferentiated part of the hologram effect. It is part and parcel of the world system, which, because it radiates out from the child, places him at the center of thought, with the world a body extending from him. The clarification of the hologram (to use that model) is a period of breathless wonder and excitement for the child because he is discovering his larger self. . . . 
The primary process is the function through which we are conscious of the Earth as a thinking globe, the flow of life, the general field of awareness, and almost surely, even larger ecologies of thought. The primary process is also past, current, and potential possibility and experience. Other cultures have maintained a much greater openness to the primary process than Western culture has. . . . 
Nevertheless, the potential for access to this “primary process” always exists, since it is repressed but continues to exist in the unconscious.
With these things in mind, is it possible that UFO abductees may be inadvertently stumbling into primary Earth process and picking up on the feelings of Earth herself as she is being poked, violated, measured, and having things inserted into her in this modern, high-tech, resource-exploiting era.
If so, one has to wonder whether some of the feelings of the Earth herself might not be being expressed or be trying to be integrated by her through these people. Is it possible that these people have become unwitting channels for Mother Earth’s pain—to help to express and integrate it—as she is systematically being defoliated, polluted, violated, and destroyed?
This may sound farfetched, but then, considering our actions in the face of global disaster . . . well, so are the times! Furthermore, I helped facilitate at least one inner journeyer whose experience was exactly this. Her interpretation of the powerful experience my wife and I both witnessed was that she was feeling and releasing pain and distress of all women throughout history and then Mother Earth herself. What gave extra credibility to her experience for me was that I observed what looked like her experiencing the pain of women in birth. Yet, like the rape reliving that was not of this life, this woman had never given birth herself … not in this life, anyway.
Volcano-Jumping for Bliss and Profit
Anyway, I offer these speculations in the hope of stimulating renewed appreciation of the roles as journeyers and shamans — as they have reemerged in their modern form in the deep experiential growth modalities such as Holotropic Breathwork and Primal Therapy, both of which I have substantial experience with. It may just be that what we do on our “inner” forays into consciousness has significance in the “outer” world — in these incredibly delicate and precipitous times—far beyond what we normally think. Indeed we may be volunteering for an ancient role, and in these days, perhaps, a very much needed one. Like Joe in the Tom Hanks movie, “Joe Versus the Volcano,” we may find ourselves “jumping into the volcano to save the community.” But also like Joe, and my experience attests to this, I believe we will find that the Universe provides, not death, but rather bears up and rewards with renewed life those who voluntarily sacrifice themselves this way.
Continue with For Earth’s Sake, Get Real Already: “Sure It’s Hard! But Always Are We Here Helping You,” Part One
Return to Why We Scapegoat … Why We Insist on Saviors: Reflections on a Collective Shadow and Of Sacrifices—Human, Animal, and Cucumber
Related Book: Go to Primal Renaissance: The Emerging Millennial Return by Michael D. Adzema.
Related Article: Go to “Nature As Alive: Morphic Resonance and Collective Memory“ by Rupert Sheldrake, Ph.d.
Related Article: Go to “Sathya Sai Baba, Avatar“ by Mary Lynn Adzema.
Related Article: Go to “The UFO Abduction Phenomenon’s Challenge to Consensus Reality” by John E. Mack, M.D.
Invite you to join me on Twitter:
friend me on Facebook: https://www.facebook.com/sillymickel
Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians: Perinatal Media, Part 5
Perinatal Media, Part Five: Worse Homes and Gardens – Houses, Prisons, UFOs and Spaceships, Dungeons…and Their Obstetricians
House, Cave, Squids
Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.
To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.
There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.
House; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boat, especially a submarine; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.
Prison, Jail Cell, Schoolroom = Womb
In the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.
Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.
In the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. We have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.
Houses and Spaceships Are Real “Mothers”
One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.
At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.
Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.
Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …
“You Will Be Assimilated.”
The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.
Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out in the previous post/section, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.
Worse Homes and Gardens. Is It Any Wonder It Is Haunted?
I remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”
Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.
Mad Doctor Frankenstein, the obstetrician
At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.
Continue with Through the Looking Glass Into Parallel Universes…But “There’s No Place Like Home”: Perinatal Media, Part 6
Return to All in All, It’s Just Another Face in the Wall–Enclosing, Threatening Things From Which One Wishes to Push Out or Escape: Perinatal Media, Part 4
Invite you to join me on Twitter:
friend me on Facebook: https://www.facebook.com/sillymickel