Posts Tagged World War Two
Of Goths, Gen X, Anti-Abortionists, Pacifiers, and a Hierarchy of Healing … You Make It When You DON’T Fake It: Healing Crisis, Part 5
Posted by sillymickel in activism, allegory, authenticity, being yourself, Class, Culture, Generations, globalrevolution, History, individualism, life, meaning, nonconform, occupywallstreet, philosophy, Politics, psychology, spirituality, US on July 22, 2012
Getting Sick to Be Well, Part Five: Flaunting One’s Sickness Is Healthier Than Hiding It … Gen X, Goths, Pacifiers, and The Hierarchy of Healing
A Hierarchy of Healing?
This idea that those close to their unconscious conflicts are more likely to act them out blatantly goes completely against one of DeMause’s tenets. He wrote, “The higher the psychogenic mode of the psychoclass, the less it is necessary for it to act out its conflicts.” [Footnote 1]
However this is exactly the crux of my difference with his theory and is a central point I am making. For from my perspective, the higher the mode of child-caring equals the less the defenses. Hence, the more it is likely that that generation’s conflicts will be close to the surface, seeking resolution … like Maslow’s hierarchy of needs theory. We might want to call it a hierarchy of healing theory. [Footnote 2]
In other words, our observing the supposed “acting out” of an underlying trauma does not mean that the group or person in question is actually or, at least completely, “acting it out” and defending against it. It may be that that group is resolving, healing, or integrating it—taking it inward rather than acting it out…in the world, on others…whether to a small or great extent.
Using the analogy of Pandora’s Jar, described earlier, they are opening the jar, at least a little. And I disagree with deMause in that I wish to stress that it is healthier by far to do that. Let me explain:
The difference between acting out and resolving is whether the actions are done in total dissociation from the unconscious dynamics, that is to say, in a trance state—as explained earlier in regard to the World War Two generation and the Tea Party—or whether there is at least a modicum of insight into it occurring as a result of things inside of oneself, not completely projected onto the outside.
The attitude that leads to total dissociation and acting out was expressed in a recent 2012 military movie, Act of Valor, which depicted Navy Seals engaged in anti-terrorism activity. At the end, the manner of dealing with pain recommended for these American soldiers and “men of valor” was to (paraphrasing) put all the pain in a box, shut it tight, press it down till it is smaller and smaller, and never, under any circumstances, let it out!
However, in non-acting-out—“acting inward” or taking back the projection—there is a tad of insight, as, for example, in the “overexamined life” of the “uncommitted” and the “self-analysis” of the young radicals of the Sixties generation. Similarly, the rock concert revivication of all current generations except the Fifties and WWII ones, as I’ve mentioned, is
about personal experience and growth, and it is not about acting out on another; whereas an example of the extreme other end of that would be engaging, trance-like, in a mass killing against a perceived political enemy, as Loughner did, and as we do as nations in wars.
Another example of complete dissociation are the anti-abortion folks. They don’t have a clue of the connection between their own unconscious prenatal pain and the feelings they have about unborn others. They are not wrestling with their feelings, they are trying to change the world to conform to their defenses around those feelings—that is, they want the world to suppress that womb time out of existence like they have done to it in their own minds. The proof that it is acting out is that it is all about changing others’ behavior, and it involves imposing one’s inner pain on others forcefully and aggressively—which we have seen in its extreme form with the murders of physicians committed by anti-abortionists
Flaunting One’s Sickness Beats Hiding It—Generation X
The self-analysis of the Sixties Generation was followed by a different mode of struggling with perinatal pain by Generation X, which continues in abated form with the Millennial Generation. It was manifest rather strikingly with the Goth phenomenon and the vampire fascination that began in the Eighties, coincident with Gen X’s coming of age. Goth and vampirism show blatant perinatal dynamics that are not unfelt and completely repressed as in dissociation with its trance-state aggression against others. An example of Gen X perinatal acting out of these dynamics in total dissociation and trance state was given above in the anti-abortionists. But Goth and vampire culture show folks feeling and immersed consciously in these pushes and pulls and wrestling with them, trying to work them out as opposed to act them out.
Hey, It Was Tough!
This is rather clearly shown in looking at the “regression” in Europe, described by psychohistorians, which occurred in the Nineties. This behavior showed a bit of insight…and resolution happening…in that the baby song being hummed was about the very real hardships of being a baby. Therefore, an actual truth about their own lives was being faced there by those singing along with it. The song was not being used to deny or defend against those traumas.
One might suspect that as well in carrying around such blatant examples of regression as a pacifier. For someone in a more defended mode would be highly threatened by such an obvious symbol that they are really needy children inside. More defended folks would be terrified such overt behavior would make them look wussy or sissified—that is, look like that vulnerable, frightened baby that they
really feel themselves to be but are doing their damnedest to hide from everyone. Imagine how those Navy Seals described above would feel walking around sucking on a pacifier, for example.
So in actually carrying around a pacifier these youth were not only displaying an insight into their feelings of sometimes being needy babies, on the inside, but are actually flaunting this awareness, as if to shame, or slap the face of, or be “in the face” of a generation of their parents—the Fifties Generation for the most part—who did not see their needs when they were babies—however effortfully and obviously they sought to demonstrate them. Thus the symbols needed to become more and more shocking and obvious.
Look at What You Did to Me!
For example: the jeans with requisite holes around the knees was screaming out, “You did not take care of me; you made me feel like a poor, orphaned, ragamuffin child.”
The piercing of mouths, nose, ears, and even tongues shouted,
“
I am in pain, dammit! Can’t you see that when you stick needles in me as a little baby that I hurt? How can you be so insensitive? Can’t you see that when you refuse to breastfeed and thus nurture me orally that I am forever damaged there, ever painful there? What does it take, my sticking pins—safety pins make the point even more that it was when I was in diapers—in myself to make you see that I hurt there?”
And, of course, the black clothes, the hideous macabre makeup, and depressed, sullen expressions was exclaiming,
“Look, you might think we’re a wonderful family and everything is hunky-dory here; but I wish I were dead! I’ve felt so much pain, from in the womb, at birth, and right after birth, that I wish I’d never been born.
“Also, somehow in courting death, I have the feeling
that I might somehow be reborn again into a good life, not like this place of torture and tears, right from the beginning, where my welcome into the world consisted of being drugged, handled like an object or piece of meat, blasted by bright lights, scrubbed by rough cloths, having needles and suctions stuck in me, blasted with noise, made to lie on cold stainless steel surfaces, and then bundled like a tamale so that I could not move…making me feel again
like I was back in the hellish womb where in the later stages, for a time that felt like an eternity, I felt unable to move and was suffocating for lack of sufficient oxygen…and the only action that was possible was for me to scream my bloody head off for long periods of time or go into a stupor—which is what I did, alternating between them.
“Can’t you see that I’d rather be dead than live in such a world of insensitive zombies like you. Hell, in fact, to
further drive the point home, I’ll even look and act like a zombie, I’ll try to appear as unfeeling and morose as you all seemed to me, especially at my birth. And I’ll go a step further and mirror yourselves back to you by becoming enamored of vampires….
“Can’t you see that you sucked my very life force, my blood, and turned me into an unfeeling vampire like you, by suffocating me in the womb, poisoning me with your toxic blood which you both sucked from me and then forced down my throat!”
Footnotes
1. Lloyd deMause, The Foundations of Psychohistory. New York: Creative Roots, 1982, p. 139. See also “Are Some ‘Sick’ People More Healthy Than Normals?”
2. See also “Are Some ‘Sick’ People More Healthy Than Normals?” on the Primal Spirit site.
Continue with The Consciousness Revolution They Don’t Want You to Notice. It’s Inconvenient for Them, Initially Hard for Us, and Hopefully Not Too Late: Healing Crisis, Part 6
Return to Millennials and Their Opposites – Fifties Generation Tea Partyers … How OWS and Tea Party Movements Are Generationally and Perinatally Different: Healing Crisis, Part 4
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Healing Crisis, Part 1: What’s in Your Head, Zombie? Being Really Sick, But Denying It — WWII Generation, Nazis, KKK, Right Wing, Tea Party
Posted by sillymickel in activism, allegory, authenticity, being yourself, Class, Culture, economics, Generations, globalrevolution, History, individualism, life, meaning, nonconform, occupywallstreet, philosophy, Politics, psychology, spirituality, US on July 13, 2012
Getting Sick to Be Well, Part One: Birth Woes ~ World Wars and Can’t Know What You Don’t Know … What’s in Your Head, Zombie? 
Getting Sick In Order to Get Well
What does this all mean? What does this portend? What might be the outcome of this emerging perinatal unconscious? In other words, consciousness evolution or apocalypse?
To answer what an emerging perinatal unconscious might mean on a macrocosmic or societal-global scale, it is helpful to look at what an emerging perinatal unconscious portends on the individual or microcosmic level.
What we have learned from the experiential modalities—holotropic breathwork™, primal therapy, rebirthing, vivation, and others like them—is that unerringly people need to get “sicker” before they can get well. This should not be news to psychoanalysts or any of the other mainstream psychotherapists or counselors either.
Healing Crisis
Basically, the underlying repressed material must come to the “surface,” must become more conscious…and obviously when it becomes more conscious its accompanying symptoms are exacerbated. This can be called a healing crisis in that the symptoms get worse, more obvious, more blatant; and there is a period of acting them out before integration and resolution happens.
One Must “Die” to One’s Sickness Before One Can Be “Born” Well
When Grof talks about birth/death scenarios in the perinatal unconscious, he is including these sorts of healings, where one must “die” to one’s sickness before one can be “reborn” into another way of being, without those sick patterns or symptoms.
Degrees of Disease
Dissociation – Completely Split Off
It’s YOU! YOU’re the f&^$#r!
We see a progression over the last century in which there was complete dissociation from the perinatal unconscious by those of the Fifties, the World-War-Two, and previous generations—hence complete projection of it on The Other—to lesser dissociations from it by the generations since, baby-boomer and afterward, which involve more awareness of it as being a part of oneself and less projection of it on The Other.
Wounded Deer
In this latter instance, there is more suffering from it and more individual acting out of it, so that in a sense one appears “sicker”—the perinatal is more obvious in one’s behavior, taking more individual forms, and it is more easily recognized and seen to be a personal problem…a “sickness.” Earlier I described this consciousness as being the way of the centaur, for it reflects Chiron, in ancient myths, having an ongoing wound but eventually becoming a teacher and healer.
To understand the ways the perinatal manifests depending upon one’s “closeness” to it, let us contrast the two extremes of being split off from it and being close to it.
Being Really Sick, But Denying It: WWII Generation, Nazis, KKK, Right Wing, Tea Party
Can’t Know That You Don’t Know
First let us take a look at what the perinatal appears like when it is completely split off from one’s conscious personality. This complete splitting off from the perinatal entails
a complete repression and denial of it. Consequently, one has absolutely no access to it, and thus one is in total ignorance of the underlying motivations of one’s actions. One unconsciously acts out perinatal elements and traumas and manifests them in one’s behavior, rationalizing all the while that one has really good—non-perinatal, “real world”—reasons for why one is doing the things one is doing.
What”s in Your Head, Zombie?
Psychohistorians deem this state to be such an oblivious one that they use the term trance-state for it, fully intending all the implications and connotations that term engenders. That is, they are saying that people who are this repressed and split off do their acting zombie-like and out of motivations completely hidden to themselves. [Footnote 1]
Birth Woes ~ World Wars
In such total ignorance, and of course being totally ignorant that one is in ignorance, people in the past century have been able to act out their perinatal underbellies in ways to make such hideous and all-encompassing wars as World War I and World War II possible.
Leaving aside for a moment the myriad ways the perinatal has unconsciously been acted out in this century in creating the current situation in which we are on the brink of extinction—which can be considered the most serious consequences of this splitting off imaginable—simply focusing on this century’s major wars as evidence of perinatal acting-out alone is instructive.
The Nazis, in particular, were extreme in their dissociation from their perinatal, in their projection of it onto the Jews, and their consequent ability to act it out in horrific ways on them and others. Alice Miller and Lloyd deMause have each detailed the psychodynamics of this projection of primal pain—both perinatal and childhood—in the creation of the people that Adolf Hitler and the Nazis became in their adulthood. [Footnote 2]
The Nazis present us with the patterns of these processes of dissociation and projection in blatant and obvious relief. The way Nazis, especially in concentration camps, acted out perinatal trauma on their prisoners has been described in great detail by Grof as well. [Footnote 3]
Continue with Wounded Deer and Centaurs – Being “Weller,” But Appearing Sicker – Perinatal Awareness of Boomers and Beyond: Healing Crisis, Part 2
Return to Birth Wars ~ World Woes, Part 2: Can You Look Your Belly in the Face?
Footnotes
1. “Zombie” by the Cranberries lyrics:
Another head hangs lowly
Time is slowly taken
And the violence causes silence
Who are we mistaken?
Let he see, it’s not me
It’s not my family
In your head, in your head
They are fightin!
With their tanks, and their bombs
And their bombs, and their guns
In your head, in your head
They are cryin!
In your head! In your head!
Zombie! Zombie! Zombie!
Whats in your head, in your head?
Zombie! Zombie! Zombie!
Another mother’s breaking
Heart is taken over.
When the violence causes silence
We must be mistaken.
It’s the same old theme
Since 1916!
In your head, in your head
They’re still fightin!
With their tanks, and their bombs
And their bombs, and their guns
In your head, in your head!
They are dyin!
In your head! In your head!
Zombie! Zombie! Zombie!
What’s in your head, in your head?
Zombie! Zombie! Zombie!
2. Alice Miller, For Your Own Good. New York: Farrar, Straus and Giroux, 1984; and Lloyd deMause, “Restaging Early Traumas in War and Social Violence.” The Journal of Psychohistory 23 (1995): 344-391. Reprinted, with permission, on Primal Spirit site as “Restaging Prenatal and Birth Traumas in War and Social Violence”) [return to text]
3. Stanislav Grof, “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed.” Primal Renaissance: The Journal of Primal Psychology 2(1): 3-26, p. 23. (Article reprinted, with permission, on this Primal Spirit website). [return to text]
Continue with Wounded Deer and Centaurs – Being “Weller,” But Appearing Sicker – Perinatal Awareness of Boomers and Beyond: Healing Crisis, Part 2
Return to Birth Wars ~ World Woes, Part 2: Can You Look Your Belly in the Face?
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Generations – Their Drugs and Politics. Gen Xers Are Fifty-ish, Millennials Are Sixty-ish: 21st Century and Its Discontents, Part 29
Posted by sillymickel in activism, authenticity, being yourself, Class, Culture, Generations, globalrevolution, History, individualism, nonconform, philosophy, Politics, psychology, US on July 4, 2012
Kaleidoscope of Postmodern Life, Part Twenty-Nine: An Aside on Drugs and Generations—Sixties, Gen X, Millennials and Their Parents
Millennials Are Sixty-ish
There is another overlooked factor or aspect of this rise in drug use in the Nineties by Millennials: These youngsters were the sons and daughters of the Sixties generation who, in their own youth, as we all know too well, engaged in drug experimentation. In fact, this younger generation of drug users has sometimes been called the baby-boomer “echo” generation.
Gen Xers Are Fifty-ish
Millennials are quite a bit different from the previous “echo” generation — Gen X. The generation that came to age during the Eighties—Yuppies and Xers—had parents who were
born during the Great Depression and
World War Two, who had their young adult formative years during the Eisenhower — Joe McCarthy –Presley Fifties. So Gen X was influenced by their parents to conservatism, career-mindedness, and, for drug-of-choice, alcohol.
But this “echo” generation of Millennials has parents whose young adulthood was forged in the rebellion, drug and sex experimentation, activism, liberal-radicalism, and idealism of the Sixties, not the Fifties. [Footnote 1]
Forget What You’ve Heard About Generation Gap
Generationally speaking, we know that children do not predominantly rebel to the opposite of their parents’ values. Kenneth Keniston, for one, has made it clear—referring to studies—that children are paramountly influenced by the values and attitudes…conscious and unconscious…of their parents. So this most recent cohort of youth was of course going to be more liberal in their attitude to drug use than Gen X, even if their parents, in their coming into adulthood, overtly decry or are against the use of drugs. Keep in mind also that many of the baby-boomers have retained, not reversed, their acceptance of drug experimentation, and many still believe in and use drugs; many still considering the occasional use of certain types—especially the psychedelics, and to some extent, pot—to be an aid to self-development and/or spiritual awareness.
Family Lies Not “Family Ties”
The myth that youth rebel against their parents’ values was expressed and propagandized by the TV show “Family Ties.”
This was an oh-so-convenient portrayal, as it contributed to the pervasive scapegoating of the Sixties generation by the Fifties Generation—the Eisenhower–Joe McCarthy–Presley generation—who came into their Triumphant Phase, that is, took over the reins of society as mature adults in the Eighties.
Rebellion in Youth Amounts to Being Uncompromising About Parents’ Values Not Defying Them
This “Family Ties” kind of rebellion, however inaccurate, seems to be credible largely as a result of the observation that youth do rebel against their parents. But it
ignores the fact that when they do, and they don’t always, they revolt or rebel, as in the Sixties youth, most often in the direction of being more insistent of actually living the values of their parents, not simply voicing them.
As Keniston found out, for example, as he described in his follow-up to The Uncommitted, in the book, Young Radicals: Notes on Committed Youth, radical youth had liberal (hardly conservative!) parents.
When Sixties youth were angry at their parents it was out of their perception of their parents as compromising and not living out their own expressed ideals, as laid out to their children in raising them. Therefore, Sixties rage against adults came out of their disgust at their parents for “not walking their talk.” As we may recollect, there was the oft-repeated charge of “hypocrite” directed by some of these youth toward their parental generation.
Millennials and Their Sixties Parents
In this regard notice also that this latest crop of young—born mid-70s through roughly 2000 (Boomers had children over a longer expanse of time than generations previous and since, for reasons that I’ve dealt with in other places) and being now in their twenties and thirties…the sons and daughters of the Sixties Generation—has also seen increases in voting for liberal or Democratic candidates. Their turnout for Clinton in 1992 was the first time since the Seventies that the youth vote went Democratic. Their support of Obama was widely given as the reason for his success.
Occupy Wall Street … Sixties Gen Liberals, Millennial Revolutionaries?
In the Nineties we saw — despite the AIDS scare — an end to a fledgling “youth celibacy movement” — which had been a movement of Yuppie/Gen Xers encouraged by their Fifties Generation parents. The Millennials,
echoing again their parents and this time the sexual revolution, were noted for early and/or increased sexual experimentation.
This latest cohort of youth also has seen increases in idealism, activism, and volunteerism. It is no coincidence that we have finally seen a rising up of activism again in the occupy wall street movement, with Millennials taking the lead and supported, taught, and inspired by their Sixties cohort parents. [Footnote 2]
Footnote
1. See my blog/book Culture War, Class War, especially Chapter Two: Matrix Aroused, the Sixties and Chapter Four: Drugs of Choice and Generational Cultures – Concocted Worlds and Chapter Five: The King Won’t Die – An Aborted Changing of the Guard.
2. These aspects and generational phenomena are spelled out in more detail in my work-in-progress, Regression, Mysticism, and “My Generation.” Right at hand, however, you can read an elaboration of some of these ideas in the chapters mentioned in Culture War, Class War—especially Chapters One through Seven and the post, Awakening Millennial Generation Occupy Global Revolution.
Continue with Tune Inward, Turn Back, Drop Down – Psychedelics, Depression, and Those Nasty Birth Feelings: 21st Century and Its Discontents, Part 30
Return to Raging to Reenter, Vampire Apocalypse, Drug Use, and Being Gratefully Dead—Perinatal Printouts Of Sixties, X, and Millennial Generations. 21st Century and Its Discontents, Part 28
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America Since Its “Pleasantville” Fifties: Cultural Rebirth Aborted, Changing of the Guard Denied, The Elders on Life Support, and the Abomination Fills the Land
Posted by sillymickel in activism, allegory, authenticity, being yourself, Class, Culture, economics, Generations, globalrevolution, History, individualism, life, meaning, nonconform, occupywallstreet, philosophy, Politics, psychology, spirituality, uniqueness, US on July 3, 2012
Culture War, Class War Chapter Seven: Cultural Rebirth, Aborted
It’s a (Not So) Wonderful Life…for the World War Two Generation Compared to Their Boomer Children
War Compelled the Dashing of Dreams for WWII Gen Youth – It’s a Not-So Wonderful Life
Sixties Youth Ideals of Freedom – So at Odds with Their Parents Lives of Heavy Responsibilities
The paramount theme in “Pleasantville”—which is that thinking for oneself and following one’s own unique path and being open to the change that comes with that brings “color,” truth, and aliveness to one’s life—is truly a Sixties Generation idea. Again, it is not that it has never been thought of before. All great ideas have been thought before, but that does not mean they have been implemented on a sociocultural, macrocosmic level. Many ideas have remained in the realm of the solitary pursuits of philosophers and mystics and been exemplified only in individual lives. But the Sixties was such a time of turmoil because the values of individual freedom, personal passion, feeling and experience, questioning authority, and thinking for oneself were shared by so many Baby-Boomers and were so contrary to the values of the generation in power.
It’s a (Not So) Wonderful Life
An excellent example of how opposed the Sixties values are to those of the WWII Generation is found in that beloved movie of all time, “It’s a Wonderful Life,” starring Jimmy Stewart. In that film, the main character is prevented by circumstances from following his dreams. One event after another keeps him from leaving his home town. His story might be called “The Truman Show” in reverse for he comes to accept the loss of his dreams. He is rewarded for giving up his yearning for adventure with the warmth of a loving family and friends.
Nonetheless, he has been reduced to someone who simply follows a script or role and when it appears that he might fail in that role he considers killing himself.
Reassures a Generation
The movie is beloved and timeless, no doubt, because it reassures an entire generation and all those who have had to give up their dreams for whatever reason that their sacrifices were for a higher good and that it is a wonderful life after all.
Will never know what might have been.
It provides a rationalization against the painful feelings of knowing that one will never know “what might have been” by pointing out the truth that one’s life affects others and has meaning regardless of whether or not one has been fortunate enough to actualize one’s deepest desires, talents, aspirations, and dreams.
War Compels Dashing of Dreams
As mentioned, “It’s a Wonderful Life” calls out to and epitomizes the experiences and attitudes of the World War Two Generation in particular. They were called upon to fight a war, after all, which no doubt would derail many a young man’s (and woman’s) dreams. As in “It’s a Wonderful Life,” the circumstances that arise to prevent their following through on their dreams are imposed from the outside–the state of being at war and being called upon by a draft to enlist or else be enlisted. For the women, as well as the men who stayed behind, the war’s influence on their lives and the carrying out of idealistic schemes and dreams are only a little less pronounced. For, as in “It’s a Wonderful Life,” the war created a society heaving with needs and pain, which only the truly heartless (who wouldn’t have any dreams anyway) could not help but feel compelled to respond to.
Growing up too fast
In one way or another, the situation in the Forties, with the war effort and afterwards, created a generation who, except for the rare individual or one of unusual circumstances, was called upon to step up into mature responsible tasks long before the idealism of their youth would have preferred that they do so. And their generation is scarred for having missed this opportunity. They are individuals deserving of our sympathy; yet crippled they are nonetheless.
We Are the Centaurs (My Friends)… The WWII Generation’s Sacrifice Made the Idealism of Their Children Possible

The WWII Generation’s Sacrifice Made Sixties Visioning Possible
Mashing Butterflies and Drowning Kittens
This is not to say, however, that the generations before the WWII Generation were allowed their dreams and that the WWII Generation is unique in being crippled in its development. For we know that earlier child-rearing modes required the submission of children and youth to parental wishes (again, see “The History of Childhood As The History of Child Abuse” by Lloyd deMause). Therefore, dreaming or envisioning an adventurous life was not the norm. For much of the history of the world and in most cultures, indeed, even the selection of one’s spouse was decided by the parents. So much has our history–in both Eastern and Western cultures–been marked by the assassination of youthful dreaming, idealism, and choice that Shakespeare’s Romeo and Juliet can be said to be a revolutionary work in even depicting that this assassination of dreams is a tragedy!
Roaring Into Life
Still, the WWII Generation can be said to have been especially affected by this slaying of self, for they did, after all experience the heady freedom of the “Roaring Twenties” and the dreaming that preceded the Great Depression. In the Twenties, victorious in World War I and with it now put behind, America was coming into its youthfulness and was heady with its achievements. Unbelievable accomplishments and inventions in all areas of life were speeding up sociocultural change causing some to believe that a new era was around the corner, just within reach, an era unlike anything the world had ever known. This was the atmosphere in the Twenties when the WWII Generation were in their childhood or adolescence. It couldn’t help making a very strong, because of its being early, imprint on their expectations.
Suddenly Depressed
However, these dreams would be dashed in the Great Depression, during which time they would be adolescents and young adults, and they would be harnessed into struggling like their parents had to earlier and were now again struggling.
Getting a New Deal…Light at the End of a Tunnel
Still, as time wore on the dreams of a new world would be reignited with the idealistic union movement and the Franklin Roosevelt changes in the social contract that rescripted the relation between the society and the individual, creating a symbiotic one which enhanced them both as champions of each other. Folks would magnify the power of the person when united with others. They would dream of a fairer world in which the rich did not dominate with their wealth because the poor could balance the scales with their strength in numbers, adding to their individual power by joining in unions and by combining their votes in elections. They could begin to envision the light at the end of the tunnel of the Great Depression in which they might realize the freedom and adventure they’d glimpsed around them as children in the Twenties.
War. Shot Down Again.
So it is understandable that they would not wish to enter World War II when it began. And Pearl Harbor Day, when their fate was inevitably forged, when it became clear that for the second time the light of individual freedom would be extinguished, would become an important marker in their lifetimes–a day almost as much to be memorialized as their birthdays.
We Are the Centaurs (My Friends)
Sitting on the Shoulders of One’s Ancestors
For this we can pity the World War Two Generation. As in John Updike’s The Centaur, the World War Two Generation is depicted as a generation that was required to give up its dreams and do its “duty,” above all. It was required to carry out a script given to them by their society, not allowing them to follow their natural youthful ideals. And as in Updike’s novel, they are beaten down in a life that is regimented and has no “color,” spark, life, idealism, or dreams. They have become the robot-like residents of “Pleasantville.” But Updike points out in his novel that their sacrifice, despite the personal tragedy of it on the individual scale, is both necessary and noble in that it makes possible the realization of dreams by the generation that they gave birth to.
Prince in Exile and Hundredth Monkey: Good Old Boys Are Always the Last to Learn in America’s “Pleasantville”
The Hundredth Monkey: Good Old Boys Are Always the Last to Learn in America’s “Pleasantville”
The Sixties Generation Arrived
It is significant that the protagonist of change in the movie “Pleasantville” would be a young male, Bud (David). This is in keeping with legends of old where a young prince comes bearing the new knowledge. But in postmodern style, wonderfully so, he is drawn only reluctantly into this role and we see that it is women who are the real instigators, the least threatened by change. At first, David/Bud opposes his sister and argues for the status quo, maintaining that his sister, who is actually the first one to “break the rules” and thereby to bring color to the town, must abide by the script.
The Prince in Exile
The Prince is Schooled in Tradition
The “young prince” knows the rules well. This fits with legend, where the new ways are brought by a prince who is not ignorant of tradition; in fact the prince is the one who has excelled in training in traditional ways. (See also, Common Themes from Myth and Mythology in Modern Fiction, Prince in Exile.)
In the movie, David is in fact a Pleasantville trivia whiz. He knows exactly the way things are supposed to unravel, the way events are supposed to go.
The Prince Is Reluctant to Break with Tradition
So when his sister first introduces color by introducing sex, he admonishes her. And when he also is tempted to a change in the “script,” he refuses at first. This is when Bud is offered homemade cookies by the young woman who would be his romantic partner. He refuses because he knows that, according to script, it is another young man who is supposed to get the cookies and end up with that particular girl. Despite his attraction for the young woman, his strong sense of maintaining the status quo, not rocking the boat, causes him to try to refuse the cookies. It takes a great deal of forcefulness on the young woman’s part to get him, reluctantly, to accept the cookies that he actually does want. So, again, it is a young, significantly “colorized,” woman who tempts him into a change in the script.
The Prince Brings Change, Without Realizing It, Just Being Himself
It is not that the young man does not have the makeup for accepting change. In fact, even before his sister blatantly brings about change, and therefore color, by rebelliously introducing sex, he has already sown the seeds of change, although unconsciously, when he suggests to his boss, Mr. Johnson, that he think for himself, instead of following a rigid script. This he does unconsciously and out of selfish motives in that he by nature is different from the character he is supposed to portray and so he does not play his role exactly as it is “supposed” to be played. Specifically, because he is not really the robot character he has replaced, he ends up being late for his job–which heretofore was a totally unheard of event.
The Hundredth Monkey
It is also significant that it is the young that are the first ones in the town to become “colored.” As in the hundredth monkey phenomenon, it is first the young, especially females, who are open to new experiences, ways, and ideas. Then it is adult females–in this movie exemplified by Betty Parker, the mother of Bud and Mary Sue—who are next to consider alternatives and new ways. Adult males are the last to turn to color, but among them it is the sensitive of heart, exemplified by the artist/soda-jerk character, Mr. Johnson, who “turn on” initially.
Good Old Boys, the Last to Learn
Last to become colorized—i.e., to be open to change and thinking for oneself—are the “authorities” of the town, in this instance, those on the Chamber of Commerce. And among these the most recalcitrant of all is their leader, Big Bob, played by J.T. Walsh, in his final film role before his passing away. Though Big Bob displays a pleasing and affable persona on the surface (for this read “good old boy”), there is an insidious Hitleresque quality to him which provides the suspense at the climax of the movie where he presides over the fate of the artist, Mr. Johnson, and the “young prince,” David/Bud.
Abortion of Cultural Rebirth Always Begins With a Conservative Backlash by The “Religious Wrong”
A Conservative Backlash by The “Religious Wrong”‘ Attempts to Abort the Generational Changing of the Guard in America’s “Pleasantville”
“You Can’t Legislate Morals”
With the support of the Chamber of Commerce, we know Big Bob has the power to do whatever he will with the two on trial. And since the events preceding the trial has included mob actions which have included a book burning, the attack and destruction of the malt shop, and the cornering, physical intimidation, and physical attack of “coloreds” by gangs—images common to modern times which has seen these sorts of events in actuality occurring in the civil rights and anti–Vietnam-War movements, and currently in democracy and freedom uprisings in the Middle East, America, and throughout the world in the Occupy movement—the fate of the prisoners is imagined to include the ultimate penalty of death.
“Conservative Backlash”
Indeed, this ominous possibility is promoted by the actions of the soda-jerk Artist who, at the trial, pitifully pleads for a compromise. This is pitiful since we know that his art is his life, that it is the one thing that has truly enriched his life and made it worth living.
Sitting at the Lunch Counter
We know of its importance in that, even after the attack on his malt shop, he defied the “rules” laid down by the town’s authorities which outlawed art and color by working with the Prince through the night to produce a colorful mural on the outside wall of his shop depicting the current events of the town and the feelings swirling about inside its residents.
This defiant act by the artist is reminiscent of antiwar demonstrators, who got fired upon at Kent State, of civil rights demonstrators, who police attacked with dogs, and of Tiananmen Square demonstrators, who were rolled over by tanks, shot, and killed, and most recently of all the courageous men and women of the Middle East risking their lives for freedom and of the Occupy heroes throughout the world putting their bodies in front of the most dire, widespread fascism ever to exist.
Since this character, recently so courageously defiant, is intimidated into pleading for a compromise in which he would be willing to use only certain colors or where he would submit for approval by the Chamber’s leader his ideas for painting beforehand—a compromise which his body language and facial expressions show, wonderfully acted by Jeff Daniels, is one near up against the very death of his soul—we know he fears for the loss of his physical life.
“Just Sign This Confession.”
The compromise is too much like the compromises we have witnessed being offered and come to expect being offered to some of the Tiananmen Square and other political prisoners of recent times wherein they are required to do something along the lines of admitting their guilt, apologizing to the State for the trouble they have caused it, and promising to never again to engage in such activities…and only in the most benevolent of circumstance being allowed to continue anything like their former activities but if so only under the supervision and with the approval of authorities with veto power over their proposed actions.
The Religious Wrong
So Big Bob and the Chamber of Commerce represent in the current social framework the Religious Right (sometimes referred to as the “religious wrong” and sometimes about which it is noted that the Religious Right is neither).
Big Bob’s Chamber of Commerce represents Republicans, Tea Partiers, and those in general in our society who have succumbed to the rewards and threats of the World War Two Generation to live a regimented robot-like unfeeling passionless life; to become one of J. D. Salinger’s “phonies,” to abide by their misconstrued idea of “family values,” and above all to “behave” and not do anything to rock the boat of the status quo which might threaten the privileges of those currently enjoying power and wealth handed down, mostly, by heredity.
Civil Rights Movement
It is highly significant that in the courtroom scene the “colored” would be sitting in the balcony, above the black-and-white men. One might say this represents their status as being an elevated state, something to aspire to, and yet not on the level where matters are decided. But even more so, this scene is important in that it is a near exact replication of the courtroom scene in “To Kill a Mockingbird,” wherein the balcony of the courtroom is filled with Blacks, another kind of “colored.”
This makes it clear that when the movie is dealing with the conflict between the adult males of the town and the “colored” it is referring to the Civil Rights movement.
Revenge of the Octogenarians and the American Tienanmen Square – Culture War

Abortion of Cultural Rebirth, Aborted Changing of the Guard – The King Refuses to Die
The American Tienanmen Square—Culture War
The events in China’s Tiananmen Square more than twenty years ago so affected and still affects some of us here in America because we know at some level that we have experienced it before. What happened in China two decades ago is so much like what happened here four decades ago, somewhat less graphically, around the Vietnam War demonstrations. Let me explain.
Standing Before Tanks, Flowers in Barrels
For one thing, the images of the demonstrations in China, e.g., the lone man standing in front of the tank, were so like those of Sixties demonstrations, e.g., Sixties youth blocking the paths of soldiers and placing flowers in their gun barrels.
Revenge of the Octogenarians
And the result of both was the same: In both cases the opposition,
the youth movement, crushed— violently in China, subtly and behind the scenes in the US—at the command of an octogenarian generation, clinging desperately to power as much as to their waning physical frames.
The King Won’t Die
Assassinations—Character and Otherwise
We see the same pattern of violent versus subtle played out in the US as well where we no longer assassinate our president as we did with JFK, we
character assassinate instead, as we did with Clinton and which the Tea Party and the wealthy right are trying to manufacture against Obama. One might say the WWII generation in America has gotten more finesse, with practice, in its beating back sociocultural change not to their liking and that the Chinese geriatric set didn’t have as much practice with it.
The King Refuses to Die
Nevertheless the results in both countries are the same. They involve the ultimate victory of sociocultural change in both instances being delayed until the dying off of an elderly generation in power—a generation refusing to die or hand over the controls at the proper time like the generations before them. Simply, the king won’t die!
Time is Running Out.
Time is running out for the octogenarians and ninety-somethings on either side of the Pacific.
The expected, supposedly inevitable defeat of the WWII Generation—their dying off—is portrayed in “Pleasantville” by Big Bob, head of the Chamber of Commerce, ending up fleeing the scene in the courtroom. (Strange coincidence, the actor actually died after making this film.) There are many ways his defeat could have been played out in the movie. I think it is highly significant that he runs away, never to be seen again, just as in the current context the dying off of the WWII Generation is a literal leaving of the scene, not an outright defeat, or some other means of change of power.
The King on Life Support and The Consequences of an Abomination: America Since Its “Pleasantville”
America’s Aborted Changing of the Guard and The King Propped Up Mechanically: Since “Pleasantville”
With these factors in mind, what have we experienced in the last two decades, as the Sixties Generation finally got its turn? As expected, it was at first quite different from what the WWII Generation had been serving up during its forty-plus years’ reign.
The Nineties
We saw the beginnings of cultural enlightening and progress during Clinton’s term in the Nineties. In retrospect it was a colorful time; it was an enthusiastic time.
The Nineties were bookmarked between the economic wreckage left by Reagan-Bush and their voodoo economics throwing money at the rich leading to a huge recession and a financial scandal—S&L Scandal—that involved, for that time, an extraordinary price tag for the country. And the other end was the assignment by the Supreme Court of the election to George W. Bush over Al Gore—a battle of a Sixties Generation member against a WWII Generation paid-for concoction, the W.
A Culture War Raged
In between those two markers a war was waged, a culture war, whose battles—economics, abortion, sexuality, cultural expression, war/peace, child abuse, spouse abuse; and whose personalities—Clinton, Gingrich, Lewinsky, OJ Simpson, Pat Robertson, Jerry Brown, Ross Perot—were detailed and rehashed endlessly via the daily news mills.
The W
At the end, the installment of the W represented a resurgence, in typical Culture War style, of the dominance of WWII-type oppression and manipulation of the masses.
The King Propped Up Mechanically
It was the abortion of the changing of the cultural guard that was naturally occurring. It was the King propped up mechanically, robot-like carrying out the dictums of those who once lived but were no more. It was an abomination of the natural order.
The Consequences of an Abomination
And its consequences during the first decade of the Twenty-First Century were exactly what would be expected from an abomination like that.
Monsters Don’t Really Die in Horror Flicks
The WWII Generation—like the endings of horror flicks, which leave always a hint or part of the monster living on somehow, thus setting up a possible sequel—left behind part of itself in the form of the Eighties Generation clones and the Fifties Generation. And these folks ain’t going away any time soon! They are here in the Tea Party; they are here in the wealthy right; they are here in the ownership and guiding principles of the mainstream media, now become principal propagandist of the American patriarchy (the “filthy rich”).
Millennium’s Second Decade—Same Old Culture War
Currently, in the second decade of the new millennium, the Culture War has erupted in Nineties fashions, pitting Obama now against the cultural regressives.
The Wisconsin-style anti-cutback, pro-union uprisings and the worldwide Occupy phenomenon have brought the lingering issues out into the open in a style not much different from the rebellious Sixties.
It is the same old culture war/class war, now brought to furious and fiery life, as a struggle suppressed by a decade of domination by untruths would be, as it emerges even angrier for having to wait.
The King’s Gotta Die Sometime! Dangers and Prospects, Zombie Apocalypse vs the WWW
The King’s Gotta Die Sometime! Prospects and Dangers in the Post-WWII-Generation World
However much we cannot know the future, and despite the seeds of WWII Generation values left incubating in the minds of Eighties and Fifties Generation members and emerging under tea-bag hats, we can hope that the vision of “Pleasantville” will eventually hold out.
Hopeful News
People Fight Harder to Keep What They Have…For Good Things They’ve Experienced.
Just as in the movie when after everyone has experienced color there is no semblance of a wish to return to a black-and-white world, so also we might hope that as our society turns more and more away from war-making, selfishness, race- and sexism, ecological destruction, and all the other WWII Generation evils left behind, and turns more and more toward economic prosperity, peace-keeping, loving our children and having honest relationships, and the reclaiming of our natural environment and ecological balance, there will be fewer and fewer who wish to turn back the times to the unreal black-and-white world of the “Blue Meanies.”
Reason for Hope
We see evidence of this in both the election of Obama and the high popular ratings for him since in office. Earlier we observed it in the great support for Clinton even during the assassination attempt on his character.
People of Hope
The approval ratings of both of these Sixties-side-of-the-Culture-War Presidents certainly is not comprised only of Baby-Boomers. Sixties Generation values are infectious because they offer so much hope. African-Americans of all ages supported Clinton overwhelmingly; of course they support Obama. We can certainly see that our black population would not wish a return to the black-and-white world that included discrimination and violence against them.
Women of all ages, for the same reasons, would not be expected to wish a return to a less individualistic status, to a subservient state. And the young will always be idealistic if they are shown any ideals, which is what we can expect the Sixties Generation to be doing for them, as they continue taking their seats in the Wise Elders section of the parliament of sociocultural creation.
Last Ditch Battle
We have seen examples of this change all around us. In fact the current frenzied attack from the Right can be seen as a desperate last ditch battle in a war they will inevitably lose. That is the good news.
.
Bad News
How Bad the Aftermath, The Devastation Left Behind
The bad news is that, similar to the way the Republicans cleaned out the Treasury and left huge deficits and several wars on the desk of the incoming Democratic administration in 2009, thus hobbling it before it began, we have no idea how great will be the destruction left behind from these culture waging, albeit waning, authoritarians in the current context.
Heavy with Gold
With their gains in stealing from all classes of society below them in their last dying clingings of a dying old guard, a king who simply won’t die, they are heavy with gold. They have the means to buy much more influence than their numbers.
Their Power Is Magnified
The multitudes are growing in size against them, but with their wealth and with the technology and science available now multiplying further their abilities, their capacity to control the minds of much of the population is magnified beyond anything previously and beyond anyone’s abilities to calculate or foresee.
Zombie Apocalypse?
So despite the trends toward a natural evolution like we have seen in the past, we might witness a strange aberration-—a zombie apocalypse created out of the thinking of a time long gone comprised of sick ghostly fantasies of a black-and-white golden age that never was. Such things have happened before; cultures have indeed stagnated for hundreds and even thousands of years. The Middle Age is one such example of stagnation beneath an oppressive deathly authority that would never renew.
Still, despite the scientific and technological monkey wrenches that might permanently upset a natural order of progression, it is more likely that things will work out as they have most of the time than that we will see an aberrant development. There is, after all, at least as much technology and science catalyzing progressive change as is not.
The Positive … Good News?
And the evidence for a natural development is there for all with eyes to see. With so much change needed, it is easy to forget how much has changed for the positive since the Sixties. Still, with no inclination to see it, no amount of listing of the evidence will bring them into view.
What might be helpful, though, is to note some other analogies from the movie “Pleasantville” which can provide insight as to what may be on the horizon or at least be considered food for speculation:
It Takes a Village; We Are a Global Village.
Whereas the black-and-white Pleasantville ends at the town’s borders and turns round again to the center of town, the post-color Pleasantville roads continue going, connecting Pleasantville with the rest of the world. Thus, with color and by inference imagination and thinking for oneself, Pleasantville has become part of a larger world, one in which Pleasantville citizens can participate and in which they can travel and take up residence. This represents the global village, the coming together of the interests of all nations–the emerging “global economy.”
We Have What Really Brings Down Tyrants – The Power of Individuals Is also Magnified by Technology.
But perhaps most of all this connection to a larger world represents those factors of modern telecommunications and travel that have made the world open to the eyes of all, which is the real reason the Iron Curtain fell, the real reason apartheid was overthrown, the real reason democratic revolution is coming to the Middle East and may yet be causative in bringing democracy to places like China and Iran, despite their oppressive propped-up elder-archies, their kings who will not die, their frozen non-renewing social processes.
The W’s Legacy Finally Overthrown by the WWW?
And the most potent analogy of all: the World Wide Web, bringing together all peoples of the world into a collective consciousness sharing ideas and together shaping a world, not just a neighborhood, with true democratization of information, uncontrollable by any wealthy elite of any country or any generation.
Stay Tuned.
Finally, the image at the end of “Pleasantville” is the most apt for what we may next expect: The only thing we know for sure is that it will be different.
Continue with Culture War, Class War, Chapter Eight:
Creating an American Mind
Coming Up: The Rise and Fall of “Obvious Truths”–How The Big Lie Continued; The Fifty-Year Invisible Family and Community That Surrounded All Americans and Affected Every Aspect of Their Lives Including, and Intentionally, the Basic Components of One’s Personality, and the Erosion of Reason, Soul, and Independent Thought or Action.
Return to Culture War, Class War, Chapter Six: “Pleasantville” as Culture War Allegory
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“The Awakening” in America’s Not-So “Pleasantville”: Evolved Parenting Results in Authenticity Rising and Defeat of the Body Snatchers
Posted by sillymickel in activism, allegory, authenticity, being yourself, Class, Culture, Generations, globalrevolution, History, individualism, life, meaning, nonconform, occupywallstreet, philosophy, Politics, psychology, spirituality, uniqueness, US on July 1, 2012
Culture War, Class War, Chapter Six: “Pleasantville” as Culture War Allegory
To Follow or Not Follow “the Script” in America’s Not-So “Pleasantville”
“Pleasantville” as Culture War Allegory: Thinking for Oneself Gets You “Colorized”
Not So “Pleasantville”
The film, “Pleasantville,” is a postmodern sociological allegory or fable released in 1998. It begins in then-current time against a backdrop of the usual violence, chaos, and turbulence that we are conditioned by the media to believe characterized the Nineties in America. Two high school teenagers, David and Jennifer, played by Tobey Maguire and Reese Witherspoon are planning their evening.
A Tale of Two Siblings
David is planning to watch the Pleasantville marathon on television and to participate in the trivia contest that will be part of it. Pleasantville is a an old sitcom from the 1950s in the Father Knows Best, Leave It to Beaver, My Three Sons style which has attained a cult-like following and is shown regularly on a cable channel similar to the “Nick at Nite” one that we know of which specialized in reruns of old sitcoms. It becomes clear that David is an ardent devotee of the show in part because it compensates for the lameness of his real life. Unlike his sister, who is portrayed as a real “firecracker” of a young woman, he doesn’t date or participate in the school scene. It is implied that he may be using the sitcom as an escape from not only a boring life but a threatening one and that he longs to live in the kind of ordered, safe, and unchallenging reality that the sitcom depicts. David is such an avid follower of the show that he is shown to be a master of “Pleasantville” trivia and is primed and eager for the contest on Pleasantville trivia.
But his sister, Jennifer, is planning for a hot date at home…their parents being away for the weekend providing an opportunity for her to be unchaperoned with her guy—which she eagerly anticipates. At odds over what will be played on the TV–Jennifer wanting to watch instead an MTV concert with her date—they wrestle over the TV remote and end up breaking it. However all is not lost as at just that moment and completely inexplicably a television repairman played by Don Knotts drives up in his truck, knocks on the door, and imposes his services on them in fixing the problem.
Don Knotts—perfectly cast, in a Jungian sense, for it is often the impish or normally overlooked and unnoticed element that initiates sweeping changes in people’s lives—indeed does introduce the magical element into the film. He produces a different kind of remote control, which he claims has special effects saying, “You want something to put you right in the show!” Sure enough, in checking out the remote they hit a mysterious button and are transported into the TV and thus into the sitcom and the town that is called Pleasantville.
To Follow Or Not to Follow “The Script”
After their initial confusion, they realize what has happened and try to return, but do not know how to. David–who it becomes apparent has been thrust into the role of Bud in the sitcom–advises his sister–Jennifer who has become Mary Sue in the TV series–to go along with events until they figure a way to get home.
Since he knows all the plots of every show of the sitcom, his idea is that they act out the events as they are supposed to happen and that they do what the two characters–the teenage son and daughter of the parents in the sitcom, Betty and George Parker, played superbly by Joan Allen and William H. Macy–are known to do in the different episodes he has seen.
Essentially, then, David as Bud is advising his sister to “follow the script.” And of course it is not hard to discern at this point that we are beginning to see a metaphor for psychological realities and that “following the script” has a broader meaning for a choice that everyone must make in life in growing up, viz., to follow the script laid out for oneself by one’s parents and society in general or to follow one’s inner direction and inner guide in asserting one’s individuality and expressing one’s unique self.
The rest of the movie is the story of how these two characters–transported magically from the future as well as from the real world as opposed to a made-up TV world–introduce change into the town and thereby color. Mary Sue, formerly Jennifer, does it consciously. Rebelling against her brother’s admonishments to follow the script, she goes on a date with someone she is not supposed to according to the sitcom script and then–horror of horrors for a 1950s world – engages in sex with him at the local “lover’s lane”–where the farthest that anyone goes, according to “script,” is holding hands. We find later that her date describes this unheard of experience to his classmates, and, like ripples emanating from a pebble dropped in a pond, her action results in a number of the school youth engaging in sex and thereby becoming, to everyone’s amazement, colorized!
The brother also introduces change, and therefore color, but it is done unconsciously at first. As mentioned, he tries to get his sister to follow the script. Still, in a metaphorically powerful scene, when he is late for work at the local malt shop–this is unheard of as well because “Pleasantville” is a world where no one is ever late for work–he inadvertently introduces change himself. In fact, he introduces the most insidious element of change because he explicitly advises–without realizing what he has unleashed–that his boss think for himself!
In this scene Bud, formerly David, finds his boss and coworker, Mr. Johnson, played by Jeff Daniels, stuck at the end of the counter, cleaning away with a wash cloth, like a stuck record, at the same spot, even as the surface of the counter is rubbing away.
When the soda jerk, Mr. Johnson, explains confusedly that the normal regimen would have required Bud to arrive at work before he, Mr. Johnson, could go on to the rest of his chores, “Bud” simply suggests to Mr. Johnson that in the future he continue with his next chore even if Bud isn’t there.
So simply in being himself, coming from a future in which people react to change by thinking out new responses and thereby adapting to them, Bud, aka David, introduces a totally new element into the soda jerk’s script. This has far reaching consequences as the movie progresses and Mr. Johnson begins thinking for himself and having ideas about other things as well. In this way, the soda jerk, soon to be artist, too ends up “colored.”
“The Awakening” in a WWII Generation World of “Blue Meanies” and “Nowhere Men” … “Yellow Submarine” … “Pleasantville”
“Pleasantville” and “Yellow Submarine”: The WWII Generation World of “Blue Meanies” and “Nowhere Men” vs. “The Awakening”
Blue Meanies
The 1998 movie, “Pleasantville,”thematically, is remarkably akin to the 1968-released movie “Yellow Submarine” put out by the Sixties Generation rock group The Beatles.
In “Yellow Submarine” there is a region ruled by the “Blue Meanies.”
These Blue Meanies, especially their leader, are depicted as powerful and cruel, yet sniveling, insecure, weak, and selfish underneath. Their angry and oppressive personas are shown to reveal poor little whining babies behind them. Their actions are shown to be those of “big babies,” whose gruff exterior must remain intact at all costs, lest their hidden sniveling and hurt little selves be revealed. The analogy the Beatles are making to those of the WWII Generation—at that time the parental generation, those “over 30″—is impossible not to make.
“Nowhere Man”
The movies are so similar in theme that the only major thematic difference between “Pleasantville” and “Yellow Submarine” is that it is music that is not allowed in “Yellow Submarine” whereas in “Pleasantville” it is color. But the idea behind them both is the same: Music and color both represent deep feeling, aliveness, thinking for oneself, and change. In “Yellow Submarine,” the man without music is Nowhere Man, who “knows not where he’s going to, doesn’t have a point of view.” In Pleasantville, the men without color act in the same ways, performing the same actions, day in, day out, without change, zombie- or robot-like–like characters in a 1950s-style sitcom in which nothing unpleasant, different, new, or too emotional is allowed to occur.
And above all, the black-and-white men do not think for themselves. This is graphically portrayed in the scene mentioned where the owner of the town malt shop, Mr. Johnson, portrayed by Jeff Daniels, is left cleaning the same spot of the counter for hours so that its top is rubbed away because his coworker is late and the routine they use to close up cannot be completed in the way it is done, everyday, in exactly the same way. Confronted with this small change, he shows himself to be the “Nowhere Man” and like a needle stuck on a record, he is rigidly stuck repeating the same action, not having the power to think of an alternative action in response to a change in the usual routine.
“The Awakening” – No Longer a Distant Vision
The differences in the years of the release and the different artistic modes used to express the themes of these two movies have something to say as well. In 1968 the changes in culture of the New Age were a vision and a hope. It is appropriate and telling that “Yellow Submarine” was expressed in animated form. Like a dream that would take a long time to realize, it needed to be expressed in cartoon-like fashion, for the time of its emergence in reality was too far off.
By contrast, “Pleasantville” blends a fantasy world–appropriately it is a TV sitcom, which has more similarities with reality than an animation – with the actual reality of postmodern times. The advance toward reality is patent in the evolution from an animated form–indicating the change is far off, a fantasy, a wish, a hope–in the 1968 movie; to a black-and-white form involving real actors, real people; and then to a colorized version involving real people in what is supposed to be real time and real cultural reality, in the movie released thirty years later. One might say that what was a fantasy over forty years ago is, however unconsciously, being heralded as, hopefully, emerging and coming into being now–in actual, black-and-white or colored, real time and place.
Reversing the Invasion of the Body Snatchers: The Preeminence of Inner Authority – Authenticity Rising
The Preeminence of Inner Authority – Authenticity Rising:
Reversing the Invasion of the Body Snatchers
Reversing the Invasion of the Body Snatchers
Concerning the movie “Pleasantville,” noted movie critic Roger Ebert quite astutely pointed out that it was “like the defeat of the body snatchers” (from his excellent review, “Pleasantville” ). One might also say that it is one in which Holden Caulfield, the character in J. D. Salinger’s Catcher in the Rye, wins out and children do not grow up to be adult “phonies.” Another analogy would be that it is a depiction in which Peter Pan stays young, when he succeeds in keeping the children from ever growing up and thereby losing their capacity to “fly”–representing the capacity to dream, to envision, to be open to new possibilities, to adventure.
What It Is That Makes One Alive
Against this backdrop of lack of real aliveness, the introduction of “color” into the town of Pleasantville through the introduction of sex is not seen as something bad at all. Similarly, in recent history, despite the increasing drum beating of the Religious Right in the last three decades, those of us who grew up in the Fifties know that the introduction of sex–in the Sixties, as in the “sexual revolution”–was a step forward from the hypocritical sameness and plodding repression of the Fifties.
Other elements introduced into Pleasantville that produce colorization in the participants include thinking for oneself (Jeff Daniels in his role as the soda jerk), intellectual passion (the sister), questioning the way things are supposed to be or, in Sixties terms, questioning authority (when the brother finally becomes colored), artistic and creative passion (Jeff Daniels again), and even the passion of honest rage (the chairman of the Chamber of Commerce). These elements arise in Pleasantville just as they arose into the collective consciousness of those of us living in the Fifties and Sixties.
Of course I am not naively saying that these elements never existed before the Sixties. The underlying factor that was introduced into the movie causing color and that was also introduced into our society causing all the sociocultural changes that we, usually, complain about is the factor of choosing something different than what is expected by society, than what is expected by the outside. What is introduced in the movie–as it was introduced in our culture–is the preeminence of inner authority in making decisions, as opposed to outer authority.
A New Psychohistorical Era!
In psychohistorical terms this difference is marked by Lloyd deMause as a difference in a mode of child-rearing. The black-and-white Fifties Pleasantville is a representation of a mode of child-rearing—which characterized the Fifties—wherein
the role of the parents is to “mold,” model, and guide children along paths that the parents have deemed to be correct–called the socializing mode of child-rearing. The child is expected to be a clone of the parents, a mini-me, or at least to represent the parents’ ideas of proper behavior, ideals, and mode of living, irregardless of whether the parent models them or not. And when not, the phrase “Do as I say, not as I do” and the term hypocrite as applied to the parents are apropos. The basic nature of the child is considered to be sinful and evil or at least beastial; the classic novel Lord of the Flies depicts this view of human nature.
Therefore the child needs to become other than itself and conform itself to something outside of itself in order for she or he to be considered “good” and to receive good responses in turn from parents and society.
By contrast, the colorized Pleasantville represents the mode of child-caring that came out, big time, beginning in the Sixties, wherein the parents’ role is that of “bringing out” from and supporting, encouraging, and helping the child to discover what the child’s talents and inherent abilities, feelings, and proclivities are, and then encouraging the child to “believe in him/herself” in the expression of those inherent and inborn good qualities and values–termed the helping mode of child-caring. [Footnote 1]
This mode contains a radically new view of basic human nature. Humans are seen to be essentially good (even “divine”). It is evil and painful events impinging upon the child from the outside—family and society—that are deemed causative in taking the child from its natural state of innocence and goodness and inherent unique talents to one wherein the child is corrupted and thus becomes beastial and lacking in inherent good qualities and talents.
Therefore the solution is to protect the child from traumas coming from the outside, especially the huge one of feeling unloved through not being seen or respected as a unique individual…as opposed to being seen as a mere outgrowth or mini-me of a parental entity. And in so doing the parents’ role includes helping the child to discover his or her uniqueness and dispensing unconditional love, that is, love that is given freely, without the requirement, as in the socializing mode, that the child do and be what the parents want before the child is accepted or shown approval or any emotional warmth.
In representing this advanced mode of being (and child-caring) the “colorized” people in Pleasantville open themselves to possibilities that were never before considered; they stray from the earlier mode requiring strict conformity to parental scripts. Robert Kennedy’s Sixties quote comes to mind as expressing this: “Some people look at things as they are and ask, why? I think of things that never were and ask, why not?” This means, then, a capacity to experiment and adventure in one’s life, which, at bottom, involve a belief in questioning authority and thinking for oneself in Sixties terms or, in Sathya Sai Baba’s words, a belief that we are, each of us, “experiments in truth” in our sojourns on Earth. And just as these elements and beliefs became more and more a part of America’s collective consciousness in the Sixties and Seventies and ever since then, they also gradually develop in “Pleasantville.”
Love Uncertainty – We Need to Stop Bemoaning the “Messiness” that Comes with Freedom
What It Is About Change… Revolution Is Not a Tea Party
(But It Can Be a Tweet Party)
The “Messy” Scenery of Healing
“Love My Uncertainty”
One reviewer described the ending of the movie as “not at all easy and tidy, but rather very, very messy” ( “Pleasantville” by Chris A. Bolton). Ebert–more astutely but not quite correctly—wrote that the determining factor in whether someone became “colored” was the factor of change. The first reviewer, like someone with one foot still in “Pleasantville” or one who is still not fully colored, does not understand that the ending, wherein the characters proclaim that they do not know what is going to happen next, contains exactly the essential message of the movie. The ending can only be “messy” if one expects a particular ending.
The reviewer is very much like the critics of Occupy Wall Street who claim the protesters do not have a message, or a leader…essentially don’t know where they are going. He is wrong for the same reasons those critics are.
The whole point of change is that it is always something one does not expect. Likewise, when people act out of inner rather than outer authority, one can only expect that what happens will be unique, like people are when they are not conforming to external expectations. So there could be no pat or predicted ending. The moviegoer could not leave knowing whether Betty Parker, the Stepford housewife turned liberated woman, returns to her husband, George, or takes off with the soda jerk turned artist, Mr. Johnson, because that would destroy the uncertainty inherent in change, growth, aliveness, and so on. So the ending is exactly what it has to be.
And this ending expresses the spiritual razor’s edge each of us must cross during our life’s sojourn. Whenever we try to put life, or love, into a box, package, or a gilded cage, it dies or stagnates—just like a boring black-and-white sitcom world. Real change and spiritual growth means letting go and opening oneself to the unexpected and the unknown. So it is in this vein that the spiritual teacher Sai Baba tells his followers, “Love my uncertainty,” in helping them to deal–after the usual “honeymoon phase” at the beginning of their spiritual path–with the trials, changes, tribulations, and suffering that his devotees experience later on, along their path to greater purity of heart and compassion, and eventually spiritual liberation.
The Scenery of Healing
One of the reasons the movie, “Pleasantville,” so appealed to me is that its view of current events is so akin to that which I have been expressing in other of my more recent writings–e.g., the articles “The Sometimes Messy Scenery of Healing“ and “The Emerging Perinatal Unconscious“ and the books Apocalypse – No!, Apocalypse Emergency: Apocalypse? Or Earth Rebirth? and Apocalypse, or New Age? The Emerging Perinatal Unconscious–wherein I make the argument that recent events are not evidence of a downfall of civilization, as conservatives like Newt Gingrich and Pat Buchanan would have us believe, but are the necessary “birth pains” of a new age being born.
In Pleasantville, indeed, though everyone smiles and there is no crime or unpleasantness–which is supposed to reflect the view of reality presented in Fifties sitcoms like Father Knows Best and Leave It to Beaver–it is inherently flawed in that it is lacking in “color.” Those of us who lived through the Fifties know that the lack of color is an apt metaphor for exactly the way it was at that time. It was a back-and-white world–a world that covered up its underlying nastiness and evil by repression and denial–psychological defense mechanisms that characterize the World-War-Two Generation especially.
New Mantram: “Thinking for Oneself Is Good!”
The point in the movie, which is so appealing, is that it causes us to look again at the changes in our society that have occurred because of the various “revolutions” of postmodern times–civil rights, student antiwar, women’s rights, sexual, and so on–and to stop bemoaning the “messiness” that comes with freedom. We have more choice, more freedom now than ever. And this freedom allows us the opportunity for a higher spirituality—some would say the only true spirituality—which involves the harrowing path of deciding for oneself, based upon one’s ability to intuit or “feel” the correct path, and experiencing the consequences of one’s choices, as opposed to the preordained religiosity of following a script.
Though many would argue this, one has only to look, as this movie forces us to do, back at where we started. And from that perspective, with that stultifying, hypocritical, dishonest, and phony kind of supposed “living” in mind, we can easily see the changes and progress made in individual freedom and, dare I say, genuine spirituality, and accept the uncertainty, emotional pain, apparent evil, “messiness,” social and political turbulence, and all the rest that comes with it.
Footnote
1. See “The History of Childhood As the History of Child Abuse” by Lloyd deMause on the Primal Spirit site.
Continue with Culture War, Class War, Chapter Seven: Cultural Rebirth, Aborted
Return to Culture War, Class War, Chapter Five: The King Won’t Die – An Aborted Changing of the Guard
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The King Who Won’t Die and the Abortion of Cultural Rebirth … What the Current Cultural-Political Regression Has to Do With the Struggles of Generations
Posted by sillymickel in activism, allegory, authenticity, being yourself, Class, Culture, economics, Generations, globalrevolution, History, individualism, life, meaning, nonconform, occupywallstreet, philosophy, Politics, psychology, spirituality, US on June 29, 2012
Culture War, Class War, Chapter Five: The King Won’t Die – An Aborted Changing of the Guard
Generation Gap (60s-70s), Culture War (80s-90s), Class War (00s-10s) … The Song Remains the Same
Since the Nineties: America Getting Free and America in Chains
America Getting Free, Breaking Out
What do these events have in common? The popularity of Democrats since the Nineties, with Obama’s favorability ratings high despite US entanglement in several wars; the astounding progress in race relations exemplified by ever increasing numbers of African-Americans elected and appointed to the highest posts in US government since the Nineties, highlighted by the election of the first ever black President in the most lopsided victory in decades;
…the wild success of the Occupy Wall Street and Wisconsin union movements; massive demonstrations around the U.S., attended by hundreds of thousands at times, in favor of liberal Democratic causes and opposing Republicans and showing people carrying signs displaying the peace symbol; outpourings of peaceful pro-freedom and democracy protesters throughout the Middle East and North Africa; the reborn popularity of the “peace sign”–two fingers extended in a V-like shape, for those who don’t know—including saying “peace” while extending it as a greeting (most often these days, when leaving);
…renewed interest in the book, Catcher in the Rye; the nostalgia for Sixties and Seventies cultural accouterments as exemplified by the TV show, That 70s Show ; the resurgence of fashion items like bell-bottoms and, on women, clunky high-heel shoes; the movies “Pleasantville” and “The Truman Show”; the popularity in the Nineties of shows like Ally McBeal and The X Files;
…one-time Sixties activist Bill Clinton’s sixty-some percent approval rating throughout almost the entirety of the White House Sex Scandal alongside the pundits’ complete and total befuddlement as to the causes for it; the strong presidential run by a woman, also with roots solidly in Sixties activism, Hillary Clinton, in the 2008 Presidential race…significantly only beat out, and barely, by an African-American;
…the passage of medical use of marijuana laws in a number of states and poised for passage legalization of marijuana initiatives (I may be wrong, but I believe that the voters ruled that marijuana’s medical use would be allowed, or would continue, in every instance where this issue was on the ballot!); the return to ballad-style, Dylan-esque music embracing and expressing social, philosophical, and extremely intimate personal views and experiences….
We’ve also seen, in California, the passage of Proposition 10—the ballot measure that imposes a fifty-cents tax on cigarettes to fund programs for young children…which ballot measure, significantly enough, was begun by Sixties-Generation representative Rob Reiner—formerly Meathead from All in the Family! The passage of single payer health insurance in Vermont… I could go on.
America in Chains, Breaking Down
On the other side of this we have seen, in the last two decades, several “Republican revolutions” taking the opposite side on women’s issues, union and worker’s rights, environmental policy, health care and education, budget and economic issues benefiting the poor and middle class, and all other “liberal” causes;
…the rise of a media-supported Tea Party movement, heavily funded by wealthy and corporate interests, espousing wildly reactionary and regressive measures like eliminating Social Security and Medicare, gutting environmental policies to give corporations a free hand in despoiling the environment, anti-union measures, deep budget cuts in social programs, and the showing in this movement of demonstrators hoisting signs with racist images and slogans and gleefully applauding the acting out of a slave auction depicting an African-American president, Obama, and his supporters in Congress and his administration as bloodied slaves in chains;
…the popularity of a news network promoting, in blatant and mostly dishonest form, reactionary issues and figures; the resurgence in the careers of Pat Buchanan, right wing propagandist out of the Nixon administration turned talk show pundit, and Newt Gingrich, reactionary culture warrior during the early Nineties; extreme pro-gun positions and actions, including openly carrying weapons to political rallies and events and proposing the allowance of children to bring guns to schools; thuggish attacks on left-leaning activists and demonstrators; the murder of physicians on the pro-choice side of the abortion/ women’s rights issue; and attacks and threats against progressive politicians and legislators, including the nearly successful assassination attempt on Democratic Congresswoman, Gabriel Giffords…. I could go on.
Most folks would see nothing connecting these issues on either side. What I believe we are seeing is a resurgence of the underground “culture war” that has been going on in the US since the 1960s between the Sixties Generation—those whose adolescent and young adulthood, formative years were influenced by the events of the Sixties—and the World War Two Generation—those whose equivalent times of life were forged in the Forties, during and around the time of World War Two.
Generation Gap and Counterculture
The huge ravine separating the views of these two generations was most apparent when those of the Sixties Generation were in their youth, engaged in the process of discovering and exploring their values and therefore expressing them blatantly and with all the indiscretion, lack of subtlety, confrontation, and rebelliousness that characterizes the inexperienced. Thus, terms like generation gap and counterculture were bandied about, analyzed, and fervently discussed. The differences were “on the table,” in full view; and because the views and values of the youth were so “counter” or opposite to those of the WWII Generation, much debate and analysis was spawned in the media to try to explain–for the most part to the WWII Generation–how this could be so.
But these terms of generation gap and counterculture, which highlighted the great disparity of views, would fade mostly into disuse. This was because, later, the Sixties Generation would learn to keep their private views and values more hidden, for practical reasons having to do with making a living, advancing in their careers, being able to raise their children, and so on; but this did not mean their values had changed. They were biding their time, waiting—sometimes hopeless that it would ever arrive–for a reversing of the pendulum and a return in society to the ideals and visions of a better world that had so inspired them in their earlier years.
For the most part, these Sixties adherents did not know about the psychohistorical tendencies I will be describing here—as for example in the evolution of child-caring and the triumphant phase of generations. For most it was just an awareness that something so strong and so right could not simply have completely vanished from the Earth, that with time comes change, and therefore there had to be a time, again, when the mood of the country would swing in the direction they felt to be healthiest and more ideal. For some of these people their hopes were based on the simple rules of gambling: Eventually, at some time or other, with the passage of time, the dice just had to roll their number, if just out of pure chance or randomness.
Others had a slightly more reasoned view buttressing their hope for a return to idealism. These folks were those of the Sixties Generation who had applied themselves to implementing the values they learned in the Sixties in the jobs and careers they held, in whatever small or not-so-small way that they were allowed by their older generation superiors, bosses, managers, or supervisors. Never knowing that they had allies among their generation that were doing the same kind of thing in their separate fields, they followed through, the best they could, on simple conviction, born of experience, of the rightness of the more idealistic ways.
Lastly, there were those of the Sixties Generation who identified themselves completely with their youthful idealism. In putting themselves “out front” this way in their values and beliefs they found others who were doing the same. They would together become the “New Age” movement, actively engaged in bringing about the better world their generation had envisioned in the Sixties and early Seventies. They would wonder, as decades passed, why it took so long for the rest of society to catch on to what they felt was an inviting and appealing evolution—one both necessary and therefore inevitable as well.
But these last, the New Agers, would be marginalized and scapegoated by the mainstream of society—a mainstream whose outlines, of course, were determined and inscribed by the mainstream media, which was, in turn, controlled by the wealthy elite of the World War Two Generation (more about this to come). Examples included Jerry Brown labeled “Captain Moonbeam,” the family dynamics in the TV show Family Ties, the burnt-out hippie depiction of cabdriver, Jim, in the Taxi television series, and thousands of other instances where those holding New Age views were labeled “flakes.”
Attack of the Body-Snatchers: The WWII Generation created an 80s generation of “Mini-me’s”
An Aborted Changing of the Guard – Attack of the Body-Snatchers
Another reason these terms depicting cultural division, viz., generation gap and counterculture, went into disuse was due to the mobilization of the World War Two Generation—after their initial phase of somnolent confusion over the events that were emerging in the Sixties which left them paralyzed and watching, growing in irritation and anger—into a comprehensive counterattack against the Sixties Generation, using all the Nixonian-like tactics in their arsenal…understandably, since Nixon was of that generation and his tactics were typical of the defensive style of his contemporaries.
Lassoing the Universities
In the early Seventies, the World War Two Generation used their power and wealth, being themselves in the Triumphant Phase of their lives, to put pressure on colleges and universities, nationwide, to discontinue the programs, courses, and the professors that they felt were responsible for the youth’s rebellion. Their targets for destruction included such noteworthy “dangers” as liberal arts programs in general, and especially “highly revolutionary” philosophy, religious studies, anthropology, and humanistic psychology courses. A transformation of colleges and universities into “career mills”—whose primary function was to prepare the young for practical and skill-oriented jobs and professions—was called for…or else! Or else these World War Two alumni would discontinue their contributions to these educational institutions. The “bottom line” being threatened in this way, no university administration, to my knowledge, withstood their demands for very long, if at all.
Cloning Themselves … WWII Generation Creating an 80s Generation of “Mini-me’s”
The youth produced by these institutions would hereafter be dissuaded from thinking for themselves and from “questioning authority”—as the previous generation had been encouraged to do—so part of the lapse in the terms of division between the generations—counterculture and generation gap—had to do with the fact that the wave of youth that followed the Sixties Generation would be molded, in their college years, into distant replicas of World War Two Generation members. They would be termed the “Me Generation,” since selfishness, greed, money-as-god, and upward mobility were characteristics of the WWII Generation that they were able to instill in their youthful clones.
Thus, we saw the rise of Young Republicans on campus in the late Seventies, the return of ROTC to campuses, and the seeding of fertile young minds with the values that would later be verbalized—in the movie “Wall Street”—in the mantram “Greed is good!” At the height of this phase, periodicals were declaring how similar the “youth of today”—meaning those of the late Seventies and Eighties—were to their parents, how close they were to their parents in the beliefs and values they held, and how the generation gap had inexplicably closed. Such was the success of the WWII Generation in cloning themselves in producing Eighties youth.
In sum, beginning in the early Seventies institutions of higher learning turned away from their idealistic goals of “bringing out” from the students their inner truths and wisdom (the original meaning of the term educate), which is the avowed role of liberal arts programs, and instead turned hard, to the right, onto a path of churning out engineers, MBAs, hard scientists (even in the field of psychology, where humanistic psychology was shunned), medical professionals, lawyers, and the like. My liberal arts, semi–ivy-league college—founded, by half, by Benjamin Franklin—turned from the idealistic studies that typified Franklin and those of his time and swung from being a bastion of energetic inquiry into all controversial realms—political and spiritual and societal—a virtual “Plato’s Academy” of inquiry, into being a career mill centered around a “pre-med” program.
Harnessing the Media
Similarly, these frightened and wealthy WWII “conspirators” (however unconscious their alliance) would use their leverage to ensure that books and the media—TV, radio, magazines, and newspapers—would expound their views predominantly, would present events through the particular psychological lenses and filters with which they were familiar, and would eschew viewpoints, and even coverage of events, that would in any way strengthen the stance of the, by this time, scapegoated Sixties Generation. The media declared, with much fanfare, in the early Seventies that a “conservative backlash” was occurring; and they published books documenting this event. Meanwhile they ignored the polls and the events—specifically the ongoing and growing antiwar and other counterculture “demonstrations”—that would show the lie to this idea, and they rejected and refused publication of the kind of books and articles, still being effusively churned out—that would support the counterculture movement. Controlling the media in this way and saying it long and loud enough, the “big lie” of the “conservative backlash” began to be accepted as truth. And even many in the counterculture and among the youth began to believe it.
Interestingly, those on the extreme right did not forget that the great divide in views was still with us. In the Nineties, Pat Buchanan and Newt Gingrich said a “culture war” was going on. More recently we see WWII and Fifties style Tea Partiers going up against huge rallies of Sixties style pro-union demonstrators and massive recall efforts.
So those on the right decry such massive outpourings against them, but they are correct that it is a “culture war.” Obviously they can see that the world has changed from the Fifties-style “Pleasantville” that they had imagined and wanted it to be.
The King Wouldn’t Die: World War Two Generation Clung to Power, Abomination and Stagnation Filled the Land

The King Won’t Die, An Abomination Grew in the Land
An Aborted Changing of the Guard
Culture War — The King Must Die
But the World War Two Generation could not maintain control forever. For one thing, people die. And being older than the Sixties Generation, eventually their numbers had to dwindle. Their numbers dwindling, they had to be replaced by those younger–some of whom were of the Sixties Generation and were now in what psychohistorians call the triumphant phase of life–that is, the time of life when a generation is in its “prime,” when it is most influential, when it takes over the reins of society, when it gets behind the wheel of the cultural bus.
From this perspective, we can view a remarkable film, “Pleasantville,” released in the late Nineties at the peak of the Sixties Generation’s triumphant phase, and see that it is a metaphorical review of history from the early Fifties up to that time–one which shows the Sixties Generation, in the end, finally realizing their vision of a more colorful, alive, open-to-new-experience and to change, growthful, changeful, passionate, unregimented, truthful, sensual, feeling and emotionful, and less determined, ritualized, and preordained existence. More about this later.
The Generational Changing of the Guard
First let me point out that this change in power, evident by this movie and the other recent cultural items I’ve mentioned, is a change as old as our species. Every generation, at some point, leaves or is removed from their seats of power when they are at or near the end of their arc of effectiveness and prowess by a younger generation that is coming into or—as in the unusual case of the Sixties Generation for the reasons unique to this time to be mentioned below—is fully in the prime of its life.
Myths, fairy tales, stories, historical tales, and legends the world over depict this change of power. The myth that is most transparent in its depiction of this change is the one in which a monarch, despot, or ogre controls and rules the land, keeping the people miserable with oppressive and selfish decrees and policies. A young prince emerges and, after a period of trial (in the case of the Sixties Generation, an unusually long period of trial) in which the prince proves himself worthy, he takes up the cause of the people and overthrows the old king and takes his place. Thus the saying “The king is dead. Long live the (new) king.”
The triumphant phase of the Sixties Generation had been delayed, however, longer than any other generation in history because of the advances in modern medical science, which has served to keep the World War Two Generation alive and kicking longer than any previous generation. The average life expectancy in the last sixty years (since the time when the World War Two Generation were in their youth or young adulthood) has increased remarkably. Hence the Sixties Generation has had to wait longer than the World War Two Generation to get a chance behind the wheel of society. It is strange and ironic that at a time when the speed of cultural change is greatest because of an ever increasing speed of technological change, at a time when the elder generation’s worldview becomes obsolete sooner and faster than ever before, at such a time when it would seem the younger generation’s view would attain relevancy and effectiveness faster and sooner than at any previous time, at such a time we have the reverse occurring, that is, the younger generation’s ascendancy is delayed and the older one’s stranglehold on power is extended.
But this rapid change and increasing rate of obsolescence may just have something to do with the WWII Generation’s desire to hang on and their vehement struggle against change. For, as mentioned before, there is a gap—greater than ever before—between the views of the younger and those of the older. This gap is wrought of the different technological worlds and the corresponding sociocultural worlds that each experienced. It is widened by different, more advanced on the one side, child-caring of children as well as by different drugs used and the contrasting world views they would elicit—as explained previously, in Chapter Three.
So the WWII Generation might be said to be more threatened than any previous one by the generation to succeed them, because the ascendancy of the next generation would appear to overturn and oftentimes reverse so much of what they believe, value, worked and sacrificed for.
Because of the unprecedented technological change and corresponding change in material culture, catalyzing in ways too numerous to mention a myriad of sociocultural and psychological changes in their successors, there is less overlap than ever before between the worldviews of the generation handing over power and the generation coming into power. It follows that it would seem to the generation in power, even as they approach the end of their mortality, that less of what they are and were will live on after them than has ever been the case in the history of generational succession.
This being so, this generational succession represents a previously unheard of personal invalidation and undermining of the self-esteem of those of the World War Two Generation and a corresponding unprecedented attack on the usual delusions of immortality (themselves living on in some fashion in their successors) that older generations are allowed in exchange for their relinquishing power.
Generational Changing of the Guard, Aborted
At any rate and whatever may be the reason, the fact remains that the World War Two Generation has used their longevity for all their worth to block the ascendancy of their successors. They used their longevity to amass wealth and power–wealth greater than any previous generation before and, because of their actions, likely to come.
For example, their actions have led to a situation, currently, wherein they were taken care of in their old age by a Social Security and Medicare system funded by the work of the Baby-Boomers, aka Sixties Generation, at the same time that predictions abound that that same Social Security and Medicare system will be depleted when it is the Baby-Boomers time to belly-up to the bar. One might also note the WWII Generation’s environmental and ecological decisions making it that no generation after them will enjoy anywhere near the benefits—health and quality of life among them—of clean environment, abundance of natural resources, and ecological balance that they enjoyed. Finally, their decisions regarding arms buildup and proliferation may deny life itself to the generations following them.
Other unprecedented ogre-like—greedy, selfish, and uncaring-of-succeeding-generations—actions can be numbered against this generation.
So the World War Two Generation used their unprecedented wealth and power to wage a war against the generation who would be taking over from them, keeping them and their values under attack and away from the centers of power and influence in society as long as they possibly could.
Examples. This is meant to be illustrative, not exhaustive. See also “Balance the Budget on the Back of Billionaires” at the bottom of Chapter 27: Life Vs. Matrix
World War Two Generation
Stephen J Bechtel, Jr., born 1925
Richard Vos, born 1926
Fred Koch, born 1900, died 1967, co-founder of John Birch Society, living on through Fifties Generation sons, David H and Charles C., below
Pawlenty donor goes to Bachmann: Billionaire media mogul Stanley Hubbard, a longtime friend and donor of the Minnesota governor, told POLITICO on Tuesday that he’s now backing the Minnesota congresswoman.
http://www.politico.com/news/stories/0811/61504.html.
Conservative Fifties Generation Followers, Fawning Fallow Fascist Generation
David H. Koch, born 1940
Yuppie Freak WWII Gen Clones. Examples:
Desperate Last Stands in the Generation Wars: Clinton, Abortion, War, Voting, Wealthifying, Health Care, Tea Party, OWS
King Won’t Die – Generational Changing of the Guard, Aborted
Last Stands in the Generation Wars: Sex, Abortion, Neo-Con 9-11, Election Stealing, Corporate Personhood, Tea Party, OWS
So the World War Two Generation used their unprecedented wealth and power to wage a war against the generation who would be taking over from them, keeping them and their values under attack and away from the centers of power and influence in society as long as they possibly could.
Desperate Stand: The Battle of the Bill (Clinton)
It is enlightening to consider in the Nineties the persistent attacks on Bill Clinton (similarly, on Al Gore and Hillary Clinton, continuing)—the first Sixties Generation U.S. president—ever since he took office. The Monica Lewinsky scandal is a typical example of the extent to which the World War Two Generation so effectively controlled the views and values expressed and subtly expounded in the media ever since it took conscious control of the society’s “collective consciousness” in this way in the early Seventies. By this I mean that in the entire time of the scandal, it was assumed that sex is bad, or at least that sex outside of marriage is bad. It was assumed that Hillary must be horribly pained and angered by the revelation of her husband’s affair(s).
Make Love, Not War
It is as if the slogan “Make Love, Not War” was never a generational outcry. I don’t believe you will ever find in the history books paid for/ published by World War Two Generation owned publishing houses mention of the fact that slogan was ever used. Indeed, with all the talk by pundits, analysts, and commentators on literally hundreds of TV shows during the entire time of the Lewinsky scandal and impeachment drama, that slogan, “Make Love, Not War,” was practically never mentioned. I am aware of only one time–when I heard it slipped in unnoticed by a participant in the middle of a talkin’-all-at-once brouhaha on the TV show “Politically Incorrect,” whereupon it was totally ignored. Even more astonishing, those same pundits discussed, ad nauseum, this scandal and all the myriad ramifications of it yet never, to my knowledge, made note of Clinton’s generational status and the views, exemplified by “Make Love, Not War,” which our generation espoused. It has simply been assumed that all of the Sixties Generation “grew out” of that kind of “nonsense” and had adopted the views of the WWII Generation..again, polls on values and viewpoints be damned.
Rewriting History
Most telling of all in the attacks on Clinton’s behavior is the assumption that such a stance on open marriage and uninhibited sexuality is a product of uncontrolled lewdness and the sexual license exhibited primarily by the young, which naturally everyone grows out of in order to adopt the constrained and secretive sexual views of the old. The sexual revolution’s parallel growth in the Sixties with expanding civil rights, women’s rights, and individual liberty is completely ignored.
Its roots in an idealism about final and complete gender equality is totally vanquished as if it were never so.
In fact, I doubt you, the reader, know of this. Yet hordes of Sixties youth shared with each other, conspiratorial like, the Sixties novel, The Harrad Experiment by Robert H. Rimmer, that portrayed—in poetic and highly intelligent fashion—an evolution to a radical equality between the genders, to an elimination of neurotic suffering around sexuality as, for example, in painful jealousy, to an ending of sexual violence as in spouse abuse, and a final and complete solution to a gender war existing for all time with incalculable casualties and near infinity of suffering on both sides. It was a story about non-monogamy and open relationships…”free love.”
Neither did the pundits point out that Bill Clinton is of a generation who made a book on “open marriage” a bestseller. The clinch on the media by that older generation has been so complete as to have, apparently, completely dismissed or erased from the minds of the pundits the facts that those ideas and books ever existed. Another thing erased from history since the Seventies: the “sexual revolution.” Remember that? When was the last time you heard that talked about? All of the energy that had surrounded these controversial ideas has, because of media manipulation and repression of these views, been channeled into and reduced to a fight over a woman’s right to choose, i.e., the abortion issue, and more recently to fights over union rights and budget cuts.
Abortion Wars
Incidentally, it is no coincidence that the issue of abortion has taken on such importance for so many in the electorate, for it is the last remaining battle of the “culture war” directly continuing from the Sixties. Prior to the Sixties, women’s bodies could not be considered their own, in many ways; a prominent way was the illegality of abortion, which made outcasts and corpses out of untold numbers of women. It was reversed by Roe v. Wade in the Sixties.
But the battle never went away and is the major front in a Gender War that has been going on for millennia.
And your position on the abortion issue is the closest thing to a military uniform indicating on which side of the culture war you have enlisted. Specifically, I am saying that there are few of the Sixties Generation who would not classify themselves as “pro-choice.” Meanwhile, the anti-abortionists are found to be comprised primarily of those of the WWII Generation, their Eighties Generation clones, and the Eisenhower-Presley-McCarthy—and now we might add “Pleasantville”—Fifties Generation. (For a definition and explanation of Fifties Generation see the previous chapter, “Chapter Four: Concocted Worlds“)
World War Two Generation just doesn’t get it…never has, and never will
Of course, I am saying that the War on Clinton was, in its essence, an unacknowledged but desperate battle in the Culture War that has been going on since the Sixties–despite these attacks not being framed or talked about this way–between the World War Two and the Sixties Generations. The World War Two Generation, especially after the elections of November 1998, has learned that it is way off in some of its assumptions, that their analysis of what has been happening in this country is woefully miscalculated. They are like the deluded schizophrenic who has believed passionately in the world he has himself created coming up against some of the hard, harsh, and indisputable facts of existence which undermine his world. The World-War-Two-Generation–minded—whatever the individual’s age—have been fighting back, since the Nineties, with all the firepower they can muster against realizing the harsh realities around them of their waning ideals. They have been in total and absolute denial of the direction of the American, indeed the world, consciousness; and they have been flinging all their wealth into the mix to try to repress the emerging truths.
When I first published on this topic in 1998 I wrote, “But we shouldn’t be surprised if we see some of those in their ranks–wealthy and facing their inevitable demise—merely increasing the ferocity of their war waging…humiliating themselves and seeming ever more pitiful in the minds of the majority of observers, who increasingly, as time continues to decimate their WWII ranks, are younger than they and thus do not share their delusions.”
I’m sorry to say I was more correct than I could ever have dreamed as we have faced, since the change of the millennium, neo-con wars built on lies and confused tea-baggers railing against their own interests.
Continue with Culture War, Class War, Chapter Six: Culture War Allegory
Return to Culture War, Class War Chapter Four: Drugs of Choice and Generational Cultures – Concocted Worlds
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Drugs of Choice and Generational Cultures – Fifties, Gen X, and Millennials … and the True Story of How America Was Remade in the 70s and 80s to Benefit the 1%
Posted by sillymickel in activism, authenticity, being yourself, Class, Culture, economics, Generations, globalrevolution, History, individualism, life, nonconform, occupywallstreet, philosophy, Politics, psychology, spirituality, US on June 28, 2012
Culture War, Class War Chapter Four: Drugs of Choice and Generational Cultures – Concocted Worlds
Dawn of the Dead: Yuppies, “Me” Generation, Reagan, Matrix Manifesting, and Drug Effects – Speed

Drugs of Choice and Generational Cultures – Concocted Worlds. America’s Values Were Reversed
Drugs and Generations
Drug Effects—Cocaine, Speed
Drugs in the amphetamine class are stimulants. This includes cocaine, methamphetamine, “meth,” “crystal,” crack cocaine, “crack,” speed, amphetamine, uppers, “whites,” and so on. They repress Pain extraordinarily well.
Building castles in the sky
They are euphoriants and cause one to have the feeling that one’s mental capacities are expanded. One feels that one can envision projects and outcomes precisely. So one expends oneself in organizing and preparing for great achievements, which rarely are embarked on.
Free from fear, reckless, overconfident, risk-taking
Since these drugs repress Pain, creating an amped state of mind more than normally able to fend off unwanted emotional material, they repress the normally present residue of fear, with its attendant caution in the face of activities outside of one’s comfort zone requiring forethought and anticipation. One does not feel constrained by normal fears or apprehensions, so one throws oneself into new activities with reckless abandon. One feels overly confident in one’s abilities and engages in all kinds of risk-taking—financially, sexually, interpersonally, legally. These activities have one embarking on dubious schemes which rarely pan out.
A land of light and darkness
Despite these negatives the corollary of this mental activity is that one’s ability to think and see more clearly on some issues is enhanced, just because one’s fears can pollute one’s perception and apprehension of things.
It is enlightening to remember that Sigmund Freud, among other notables in history, experimented with cocaine. At one point, Freud was heartily endorsing its use to his colleagues; he was waxing expansively about its benefits for mental life and clarity of consciousness. Of course, he changed his position on this later. No doubt his use led him to see its face of darkness as well.
Glimpses of clarity
Nonetheless, concerning the positive aspects of cocaine, it can be mentally enhancing partly because of its repression of fear. For fears, as mentioned, are both of the helpful-cautionary as well as the oppressive types. Being released from the oppressiveness of fears, being freed of the constraints of “fearful thinking,” can result in seeing one’s reality more clearly. Feeling fearless can lead one to acknowledging truths and realities normally defended against—thus being therapeutic even, getting a glimpse of reality outside of one’s fears.
Reckless
Being freed from normal caution, however, can lead one into reckless activities with consequences far beyond one’s ability to handle in either a normal, or drugged, state. It is no coincidence that these drugs have seen heavy usage by wartime participants—notable are their use by fighter pilots and by Vietnam warriors.
A land of empathy and insensitivity
Lastly, since these stimulants repress feelings, they can lead to insensitivity toward others. But since they can repress fear which blocks truer perception of and appreciation of others they can lead, paradoxically, to feelings of love toward others and a feeling of finally really seeing others and appreciating them for who they are, not simply in the way one has cast them (“pigeon-holed” them) to fit into one’s scripts, agendas, ego projects, or desires.
Matrix Manifesting
The Eighties
The Eighties saw an epidemic of use of cocaine. This was commonly attributed to Yuppies, which is the popular term for the Young Upwardly-mobile Professional character of this era and is contrasted with the idealistic, activist, and anti–Vietnam-War Yippies (Youth International Party, whose founder and most famous member was Abbie Hoffman).
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Reagan, Yuppy-Kay-Yo-Kay-Yay
Yuppies came in at the same time as Ronald Reagan into the White House and, indeed, exemplified much of what Reagan stood for. They were seen as greedy, over-achieving, materialistic, narcissistic, and societally and environmentally insensitive careerists.
“Love is all you need” turned into “Money is good!”
They were portrayed in film; one in particular that sought to delineate the attitudes of this character type was “Wall Street,” in which Charlie Sheen plays the role of the Yuppie, mentored by the Fifties Generation character, Gekko, played by Michael Douglas. Together they give a portrayal of complete self-centeredness and insensitivity to the ways their Machiavellian strategies harm others or the environment. They are driven solely by a value that
“Money Is Good!”—a slogan completely the opposite of the previous generation — the Sixties Generation — whose attitudes were expressed in lyrics like “I don’t care too much for money; money can’t buy me love” and “Love is all you need”; who bought and lived by books with titles such as How to Live on Nothing, The Greening of America, and Back to Eden; and whose most famous slogan was “Tune in, Turn on, Drop out” (or it was sometimes said, “Turn on, Tune in, Drop out”—I’m not sure anyone in the generation knew which was the “proper” way to say it).
“Me Generation”
In any case, another term used for the Yuppie Generation was The “Me” Generation. Thus it was that from the late Sixties, early Seventies (the height of Vietnam-Era Youth’s influence on society and culture) to the late Seventies and most of the Eighties—within a period of a mere decade—the prevailing, media-amplified cultural values of our society swung, pendulum-like, a hundred-and-eighty degrees from where they had been.
The Big Lie About Yuppies Being Hippies: Matrix Manifesting, Class Warfare Against Sixties Activism
History of the Movement: The Continued Slandering of a Generation, So an Activist One Would Never Again Arise
Matrix manifest and The Big Lie
This change had a great deal to do with the efforts of the World-War-Two Generation—in total horror at the way their sons and daughters seemed to be reversing the values they had lived, and fought, for—to “take back” society. The WWII Generation did this by putting pressure, as well-to-do alumni, on universities and colleges across America to turn their curricula away from liberal arts and toward job-oriented curricula, and by using their positions of power in the media to influence the flow and content of the information to be fed to the mainstream public. For example, in the early Seventies, the WWII Generation’s money and power directed the press to declare that a “conservative backlash” was occurring in America, when in fact
the opposite was occurring.
But eventually their “Big Lie” tactics won out so that people began to believe and then to create what they had been repeatedly told…the opposite view having, as part of the strategy, been censored in the media. [Footnote 1]
Thus, the Yuppies were the creation of the WWII Generation in their attempt to reverse the course of society that their own daughters and sons, as “Sixties Youth,” had put it on.
Scapegoating an Entire Generation
Coinciding with and supporting the strategy just described, and because the World-War-Two Generation during the Eighties were still in their Triumphant Phase—a psychohistorical term meaning they were at the stage of their life in late adulthood in which they had pretty much gained control of the reins of society—they furthered their cause by managing to plant a fantasy in the collective consciousness of American culture concerning the origins of Yuppies which persists to this day.
Designer generation
In obvious denial (again, their predominant defensive posture) of the fact that they had helped to “create” the Yuppies and so of the similarities between their own values and those of the Yuppies, as exemplified by the similarities between the (World-War-Two-era) Reagan-Bush political agenda and that of the Yuppies—who indeed helped elect Reagan and Bush—yet aware of the criticism that their very own values, taken to the Yuppie extremes, was generating in the independent press as well as the negative publicity there about the cocaine use of the Yuppies, the World-War-Two Generation saw an opportunity not only to defeat but also to “get back” at their opponents, the Sixties Generation, by ridiculing them.
In the predominant World-War-Two Generation fashion of scapegoating (the accompaniment of denial), which they had been directing from the outset at the Sixties Generation (who had of course incurred the wrath of the WWII Generation by opposing and confronting them on the Vietnam War in sometimes harsh and hostile ways), the Yuppies, with their cocaine use, were portrayed in the WWII-Generation-paid-for media as former Sixties hippies who had simply grown older but—consistent with their alleged “narcissism”—were still selfish, only now, materially so, thus the appellation, The “Me” Generation.
So the Vietnam-era or Sixties Generation began being denigrated in the press with the accusation, “The ‘Me’ Generation,” and Sixties values were also denigrated—the scapegoating of the Sixties Generation continuing—despite the fact that it was a different age group in society, the younger Yuppies, who were actually the ones triggering the attack.
Opposing Worlds
The hypocrisy of the charge becomes even more blatant when considering that the values of the Sixties Generation included such selfless acts as risking, sometimes incurring, violence and personal harm, jail time, and a lower standard of living for the sake of their idealistic beliefs in peace, environmental restoration and preservation, and selfless communitarian living, among others—none of which have any overlap with Yuppie careerism, consumerism, materialism, and individualistic greedy selfishness.
Despite the success in our society’s collective consciousness of the fantasy of Yuppies being former hippies—once it had been planted in the popular culture by the WWII Generation sitting comfortably in front of American society’s steering wheel—the truth is that these Yuppies were predominantly the generation that shadowed the Sixties generation, arising as youth in the aftermath of the Sixties cultural revolution.
Yuppies, Created by a Desperate WWII Generation, Had Fifties Generation Parents Marinated in War Fears
History of the Movement: The Truth and Lies About Yuppies and Their Fifties Generation Parents
Yuppies—Products of the WWII Generation’s Todo List
Their values become understandable, then, in that they were in secondary schools and universities during the Seventies when the “Conservative backlash” Big Lie was being promulgated. For as I’ve mentioned at that time universities were cutting back funding from courses in liberal arts, philosophy, psychology, literature, politics and government, and the like and were turning themselves into career-factories dedicated to producing compliant business persons, engineers, physicians, and scientists who were not being educated to think for themselves but how to achieve and make money in a culture the World-War-Two Generation was comfortable with.
Yuppies—Children of Fifties Generation Parents
The values of the Yuppies are understandable, furthermore, in that they were the sons and daughters of a generation between the World-War-Two and Baby-Boomer Generations, who are rarely talked about. It is often said that the World War Two Generation was followed by Boomers and that Generation X were the children of Boomers. Nothing could be further from the truth. The generation that followed the WWII Generation and the actual parents of Gen Xers were born 1925 t0 1945 and came to adulthood during the somnolent Fifties. So we might call this overlooked generation the Fifties Generation, or the Eisenhower-McCarthy Generation, or the Elvis Generation, or the Happy Days Generation…a more cumbersome but more accurate term for them would be the War-Born Generation. They have been called the Silent Generation, and this does say something about them.
They’ve been invisible but running things from behind the screen, since they took over conservatism and greed from the WWII Generation and upped the ante. They have been accurately represented by the Gekko character in the movie Wall Street, played by the Fifties Generation Michael Douglas (born 1944) whose protege, correctly enough, was played the by the yuppie-Generation Xer, Charlie Sheen (born 1965). [Footnote 2]
Not So “Happy Days”: The War-Born Generation—Fifties, Eisenhower Generation
The media tends to focus on the big trends and to ignore or miss the lesser ones. The way our recent history was portrayed, you would think that just because there was a huge number of babies born in the decade and a half after World-War-Two’s end—the much discussed Baby-Boomer Generation—that there were no babies born during the War…almost as if every man in America was overseas fighting or that, when home on leave or whatever, they simply would not or could not conceive!
Marinated in the Womb of War Fears
However, of course these ridiculous notions are not true, so there is a pre-Baby-boomer Generation who happened to be born during or shortly before WWII, i.e., between about 1925 and 1945. And the Yuppies were predominantly the sons and daughters of this—let us call it—Fifties Generation. Marinated in the womb with Great Depression and war fears and born around the time of the war, the Yuppies’ parents then had their formative adolescence and young adulthood during the Fifties.
Abandoned, overlooked, fearful, resentful, rooted in conservatism
So their beliefs are rooted in the cultural soil of Fifties conservatism, the Cold War, Elvis Presley, McCarthyism, Eisenhower, traditional religion, belief in the economic primacy of capitalism and the evil of communism, and the early “schmaltzy” rock and roll (e.g., “Teen Angel,” “Leader of the Pack,” etc.).
Their roots reaching deep into war fears–hot and cold, many would feel jealous and angry about the freedoms and openness of the generation immediately after them. They would, as well, heartily resent all the attention being showered on the much larger cohort of Baby-Boomers.
Yuppies, Fifties Nostalgia, Materialism
And it is the worldview of this Fifties Generation that was passed on to their children, the Yuppies. It is no coincidence that when these Gen X Yuppies were teens and young adults (mid-Seventies through the Eighties)
we saw also a lengthy period of Fifties nostalgia alongside the caricaturizing and ridiculing of Sixties lifestyles, values, and beliefs. It is easy to see that the materialism the Fifties Generation members were
nurtured in after World War II, as a reaction to the fear and uncertainties their parents had because of the Depression, the war, and The Bomb would be replicated in their children.
Only the fear and uncertainty their children would try to amass wealth against was the tumult, anomie, violence, and confusion of the decade of the Sixties, the era the Yuppies would experience swirling around their roots and upsetting the stability of their nurturant years.
Manic Irrationality, Voodoo Economics, Booming Debt and Mean-Spiritedness: The Eighties Began with Reagan Rising and Lennon Dying
Manic Irrationality, Voodoo Economics
The Eighties Began, Ominously, with Reagan’s Election and John Lennon’s Assassination
The Eighties began, significantly enough, with the death of John Lennon and the election of Ronald Reagan. Concurrent with the epidemic of cocaine use was a manic economy, massive military expenditures, and a tripling-plus of the National Debt. It is relevant to note that the huge increase in the National Debt was caused by a tax cut for the rich,
which of course benefited those of the World-War-Two Generation who either inherited or earned, with a lifetime behind them, their wealth, as well as those upwardly mobile, materialistic Yuppies. The rationale for the tax cut—which was characterized by some commentators as “Robin Hood in reverse,” because it also coincided with cutbacks in social programs—was a “voodoo economics” (George H.W. Bush’s term) with a “trickle-down” theory of investment and economic growth.
That Voodoo That They Do So Well
This economics is based on a belief that a “dollar,” metaphorically speaking, given to a rich person will be more wisely invested, creating more jobs and wealth for everyone, than will that same “dollar” given to a middle-class or poor person.
This view, however, ignored human psychology, the standard economics of marginal returns, and the common observation that, simply put, for a person with a little or a moderate amount of money, that metaphorical dollar will have more value (because it will represent a much larger increase, percentage-wise, in their financial situation) than it will for a rich person, for whom its value is only marginally related to a rather large “purse,” so to speak.
Trickle-Down Ignores Human Psychology
Therefore, common sense tells us that “dollar” will be more conscientiously and thoughtfully spent or invested, creating more jobs and wealth for all, by the moderate-income person, who of course will attempt to maximize its benefit to him- or herself so that he or she can also rise to the ranks of the wealthy. To the moderate income person that “dollar” represents an opportunity for a rise in economic status; hence it will be invested, sweated over, and monitored intensely. In general, he or she will attempt to squeeze every possible ounce of benefit out of it, very often starting businesses of their own and thereby creating new jobs, opportunity, and wealth in the process. Whereas for the already wealthy person, that “dollar” is only a dollar alongside many others, and is only marginally relevant, reaping only marginal, or minor, returns.
And Of Course It Didn’t Work, Still Didn’t Work, Still Didn’t Work…
Voodoo economics did not work, of course, as indicated by the tripling of the National Debt. Another important indication of the falsity of its premises was the huge expenditures of money, during the Eighties, on luxury items, like yachts, works of art, expensive cars, and so on. Art items and artifacts were being bid through the roof and the prices they were going for were making headlines in newspapers and stimulating commentaries on the tube. Along with this was the overinvestment in spurious business transactions, including “junk bonds,” soon-to-be-left-unrented commercial buildings, and unwanted real estate. Much has been said about how these manic and ill-considered business transactions led to the lengthy recession of the late Eighties and early Nineties. Along with this is the connection with the S&L scandal which was behind the plethora of boondoggles and ill-advised investment.
The Manic Mentality and Mindless Waste
But there are two aspects of it that are especially relevant here for a discussion of drugs and generational cultures. They are the manic quality of the times—the go, go, go, buy, buy, buy mentality of the investing—and the obvious proof it gave to marginal returns theory, i.e., the money, given to the rich, was valued little and was mindlessly blown on trivialities—it was said that the Eighties was a huge party for the rich.
So rather than creating wealth for the wealthy, which would “trickle down” to the less well off, Reaganomics, as it was also called, turned into an unparalleled failure. It was called the largest shift of wealth in America’s history, taking it from the poor and middle class and benefiting the richest, top two percent of Americans.
More than that, it led to a debt that will be adversely affecting the well-being, lifestyles, and financial pictures of several generations to come.
The Hypocrisy and Materialism
Going into such detail about the intricacies and results of the economic policy promulgated by the WWII Generation, in alliance with the Yuppies and their parents, the Fifties Generation, is important because of the hypocrisy it demonstrates in the charge leveled at the Baby-Boomer Generation of being a “Me” generation and of being narcissistic. Again, we see the WWII Generation’s same tendency to denial, projection, and scapegoating.
To continue, however, other elements in the Eighties cultural arena, existing alongside the epidemic of cocaine use, was the aforementioned careerism and materialism among the Yuppies (comprised primarily of the youth in their twenties and early thirties who followed behind the Vietnam-era Generation), whose mantram was to get rich, get powerful, erect and maintain “family islands” which they saw as competitive with the rest of society (quite unlike the communitarianism of the Sixties Generation), and to retire early…social and environmental problems be damned.
The Necessary Mean-Spiritedness – Hating on the Kumbaya
Other standouts of the cultural scenery of the time included a rise of mean-spiritedness, e.g., cutbacks in social programs and charities, which, as it was said, had one effect of emptying the mental hospitals into the streets. It became fashionable to sneer at and blame (often scapegoating) the more unfortunate ones of society—the poor, helpless, mentally ill, children, the powerless–making some time for that alongside of outright snickering and smugness directed at the “hippie-dippie” values and “kumbaya” visions of the generation older than them.
Generation X and Their “Fallow Generation” Parents… No Wonder They’re So Pissed
Generation “X”
Was Disconnected from The Sixties
The next generation to wander into the cultural limelight has been termed Generation X. Whereas Yuppies came of age during the Eighties, Generation X came into adulthood in the Eighties and Nineties. As I’ve been saying, Yuppies were the earliest contingent of Gen X.
Predominantly these are not the sons and daughters of the Sixties Generation as the values of the Vietnam-era Generation included marrying late and having children late so that their children are mostly younger than and not among Generation X.
This value concerning marrying or having children later in life tied in with the Sixties folks’ belief in personal freedom, but is more closely related to the hypocrisy they perceived in the marriages of their parents, those of the WWII Generation. They not only perceived their parents’ marriages as being false and loveless, they perceived themselves as being the victims of poor parenting, wherein they felt they were not understood and were not accepted for who they were or supported in what they uniquely wanted to do with their lives.
Furthermore, they saw the social and global context as a negative and highly dangerous one. For one thing, having been children during the “drop and roll” and bomb-shelter, nuclear-shadow era of the Fifties, and having seen the assassination of idealistic values in the deaths of John and Robert Kennedy and Martin Luther King during their teens and young adulthood, they had great doubts about the future of the world. Though of course the Sixties Generation is noted for its idealism and for its attempts to fight these perceived dangers and injustices, underneath there has always been for them an uncertainty that success is possible, so that bringing a child into this particular dangerous and unjust social context was seen as possibly not a good thing for the child.
Parented by a Fallow Generation
So it is that Generation Xers are predominantly the sons and daughters of the Fifties Generation as well as those less idealistic of the Vietnam-era Generation that had, more often than not, opted for the traditional route of career, home, and family and thus had started having children many years earlier than their more socially conscious counterparts.
This Fallow Generation , let us call it, would conceive the children who would be called Generation X—who are noted for their apathy and lack of distinctiveness.
But keep in mind that the Fallow Generation is not a true generation in the sense that it is composed of two age groups—the Fifties Generation and those of the Baby-Boomers who opted for a family instead of the social activism, college education, and establishing a career before raising a family decisions of their more heralded peers. .
Hence Generation X’s lack of a unifying cause, value, or characteristic may have to do with their being children of parents from two different age groups and generations.
Drugs and Generations: Generation X Returned to Booze
At any rate, and understandably because they are mostly not children of the idealistic segment of Sixties youth, the drug use of Xers strayed back to the use of alcohol and cigarettes—the drugs used by their Fallow Generation parents, including the smaller number of them who were Boomers and who did not make either the cultural or drug changes of their peers. Alongside this “traditional” drug use, Generation Xers are noted for their pessimism, defeatism, and fascination with death—as, for example, in their selection of black clothes, their tendency to ripped jeans, tattoos, and the insertion of all sorts of pins and studs, as adornments, into virtually all parts of their bodies, and, in the extreme ones among them, a fascination with vampirism.
Generations, Their Drugs, Their Politics: Millennials, Ecstasy, Activism
Generations – Those Boomer Kids, The Millennials …
Drug Use — Ecstasy…
and The Movement — Activism… Again
Drug Effects—Ecstasy
This drug is very similar chemically to the amphetamines. Ecstasy has an hallucinogenic aspect, which distinguishes it, however. But it more reliably elicits the opening to love for others and the favorable perceptions of others and sense of unity with them as described above as occurring for amphetamines also along with the driveness of speed that is more characteristic of it.
Ecstasy came into use in the late Seventies and in the Eighties; and it has had continued appreciation of its effects through to the present. In fact, it is considered the drug of choice at raves—one of the more recent generational phenomena. The growth in popularity of raves maps near exactly on the increasing appreciation for Ecstasy. It would be hard to view that as coincidental.
Disco Yupp
So the free love and communalism of the Sixties was superseded by a disco phase in the late Seventies. The disco phase emerged and grew immediately upon the waning of use in the psychedelics, the increasing use of marijuana as a “cocktail,” mixed with alcohol, and the predominant use of cocaine by the Yuppies and Me Generation—the early contingent of Generation X.
Rave on, Millennials!
Raves became an emerging phenomenon following somewhat upon the fading of the disco phase—a decline which occurred in the late Seventies, early Eighties. So raves were a phenomenon coincident with the rising use of Ecstasy and primarily affecting the generations following the Yuppie/ Me Generation, i.e., Generation X and the Millennial Generation.
Baby-Boomer Echo Generation
For some reasons that may be obvious by now and until just recently, little had yet been said in the media about the daughters and sons of the Sixties Generation. This generation is currently in their twenties and thirties, though some are still in college and even junior and high school because of the tendency for some Baby-Boomer parents to postpone having children, often waiting till the very end of a woman’s reproductive years, just before the age of forty.
This generation has been called an “echo” of the Baby-Boomers in that just as the Baby-Boomers represented a significant population increase, conceived in the post-WWII euphoria and stability, these children of Boomers also represent an incoming population wave, due to the numbers of their parents. There was a wave of increased school attendance during the Nineties and post-millennial years. Universities more recently have been attending to their needs.
Just as in every other generation mentioned, this Echo Generation, also called Millennial Generation, shares many of the characteristics and values of their parents.
Similarly, they mirror the drug use of their parents. There was a great to-do in the press during the Nineties about the increase in drug use among the young, particularly in high school. Furthermore, in typical WWII-Generation style, the media and Republicans in Congress attempted, during the Nineties, to scapegoat Sixties-Generation President Bill Clinton on this issue of drug use.
For though during the Nineties the WWII Generation was in the process of leaving the scene, those elderly of them left were conducting a fierce rearguard battle to save what they could of the culture they knew and created. In their desperation, they risked any cost in terms of outlandish scandals, government costs, and loss of social progress and governmental effectiveness. They were helped by a Fifties Generation entering retirement with a lot of wealth who, as I’ve said, were extremely jealous of the attention paid to the larger Boomer generation who came after them.
Nevertheless, the truth of the matter is that the increase in drug use among the young—which significantly enough involves predominantly an increase in the use of marijuana and, as they say: LSD…It’s b-a-a-a-a-ck!—had to do with the fact that the parents of these young people are indeed the people of the Sixties who themselves experimented with these substances.
Lest I be misunderstood, I am in no way saying that parents, in general, actively teach their children to take drugs—whether we are talking about the alcohol and cigarette use of the WWII Generation or marijuana and LSD use of Boomers—yet children are influenced by what their parents do or have done, even if just in the fact that the parents are more tolerant of such usage, having done it themselves. I say this because it could be countered that even the Sixties Generation, as parents, were engaged in the public antidrug campaign. Yet when they did so they were doing it out of a fear for their children’s physical welfare, not from a severe moral perspective that these drugs are the royal road to hell or from such other paranoid attitude, as was most often the case in the parents of the other generations discussed so far. [Footnote 3].
Politics – Activism, Values – Idealism
To return to the point, though not enough has been said or written about this “echo” generation, these are some of what has been noted about them: Beginning in 1992, with the election of Bill Clinton, the youth vote has swung back to going for the Democrats. There has been an increase in activism and idealism among the
young in the last two decades, surprisingly this increase was noticed as early as when this generation was in high school and grade school. Polls done on their attitudes as children and adults showed a strong increase in their concern about social and global issues.
In fact, the issues that appeared to concern them the most have to do with racism and the environment. It is no coincidence that in the peak of their influence as young adults, there was an astounding wave of participation in Obama’s campaign, largely by this cohort, that resulted in the first African-American to attain the presidency. [Footnote 2]
This group also has fears that the future may not be very bright or as good as it was in times before them, particularly in terms of a ruined ecology due to environmental assault and/or nuclear disaster, yet they, like their parents, also are more likely to activism and taking up causes in the face of such dire possibilities.
These values of the Echo Generation are understandable, not only in that they reflect those of their parents, but also in that in the most recent decades the Sixties Generation—and indeed it would tend to be the more idealistic of them that would opt for the low pay that teachers currently get—predominates as the teachers and administrators in the primary and secondary schools that taught the Echo Generation.
The same, however, cannot as much be said of the universities, with Millennials attending, for reasons having to do with cutbacks in educational funds, the lingering success of the WWII Generation in turning universities into career factories as opposed to truly educational institutions,
and, with the cutbacks in funding, the lack of job openings for Sixties Generation applicants and the resulting continued influence, bolstered by the institution of tenureship, of pre-Sixties professors—those of the Fifties and Fallow Generations, and a few remaining, very old, WWII folks.
Still, the Sixties Generation influence on these youth in college existed because of several contrary trends. The Echo Generation’s numbers swelled university attendance, requiring additional hiring somehow, whatever the funding constraints, and those of the generations preceding the Sixties Generation passed from the universities into retirement, or the beyond.
The candidates for the openings that did come about at the university level not as much those of the Fallow Generation, the Yuppies, or Generation Xers, but were instead members of a Sixties Generation who alone, among the generations mentioned, valued education over money and careerism. They had been waiting a long time, diplomas and experience in hand, for their chance to return to the universities—this time as the instructors and administrators—and eager to change its course back to true education, as it was when they were students in the liberal-minded Sixties.
We see the effects of this in Obama’s election and the phenomenal numbers of demonstrators coming out to fight back union attacks and budget squeezes in Wisconsin and throughout the US. Though these are not attracting media attention these outpourings are continuing unabated. My analysis provides insight into why this is occurring now.
Painting the Faces of Generations: Drugs, Generational Cultures, Politics, and Culture War
Drugs of Choice and Generational Cultures – Different Drugs, Different Worlds
Different Drugs, Different Worlds
This has been a brief overview of salient characteristics of generational cultures of some past and current generations alongside a description of that generation’s predominant drug use.
I simultaneously unveiled in some detail what we know about the effects of these particular substances on consciousness and attitudes. Finally, I discussed the behavior and beliefs that can coincide with the use of these drugs, as they affect consciousness in different ways, creating different kinds of consciousnesses, different perspectives, indeed entirely different and distinct ways of perceiving the self and the world.
This discussion of drug use and generational cultures might be complete enough at this point. Any of the many connections not specifically made should be readily apparent and the information being brought together this way is suggestive of much more. What I do not think needs to be spelled out is the obvious: For example, how alcohol and nicotine use could be correlated with a generation that could put a Hitler into power, create a holocaust, and carry out the most destructive war in this planet’s history. It should be obvious how marijuana use could be correlated with the alienation, pessimism, and defeatism of the Beats. It should be abundantly clear how the use of LSD and marijuana among Sixties youth could correlate with a disgust with normal society and culture and thus the creation, from scratch, of a counterculture, with a pacifism in regard to war, with a reemergence of a lived and individual spirituality, with an emphasis on real communication, with an attempt to create real community and relationships, and with much more that has been associated with them. And it should need no explanation how cocaine use could be correlated with a manic economy and irrational, overoptimistic schemes, and failed business ventures.